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The Lair is a 2022 sci-fi horror and creature feature film directed by Neil Marshal. This unrated horror film boasts a cast that includes Charlotte Kirk, Jonathan Howard, Hadi Khanjanpour and Jamie Bamber. The writing team includes Charlotte Kirk and Neil Marshal.

When Captain Kate Sinclair (Charlotte Kirk) is shot down over Afghanistan, she finds an old Soviet bunker. What lurks underneath is far more dangerous than the men chasing her. With the help of the US’s worst battalion, she seeks to ensure the creatures hidden beneath cannot escape. However, the beasts proved more intelligent than expected. Can the undersupplied and meager battalion hope to beat back this threat?

The Creature from The Lair, mouth open and ready to bite
The Creature from The Lair

What I Like

Much like Neil Marshal’s The Descent, the monster designs are both extremely effective and somewhat straight to the point. Neil Marshal knows when and how to hide the design and evoke that initial interest without being afraid of showing the monster in full form. This talent tends to be a unique talent in the creature feature genre.

The tension and director focus really shine during the final act of the film. This moment acts on Neil Marshal’s strength in earlier works, specifically a closed and tight environment. I hoped for more like it in The Lair.

While not exactly unique, I feel the core concept deserves some respect and attention. As
a history buff, I felt some influences drawn from actual Soviet genetic programs. In fact, the film feels more realistic knowing some of the research that the programs conducted.

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Hadi Khanjanpour remains the highlight performance as Kabir Abdul Rahimi. He has the
most to work with, the strongest motive in the plot, and a dynamic change from beginning to end. He also remains the only Afghan character with depth, which leads to the next section.

Captain Sinclair and company fighting in alleyway.
The Lair Team in the Bunker

Potential Triggers and Tired Tropes

Only one Afghan character has any depth, and even he is a rebel terrorist trying to kill the protagonist. Several characters have a weird quirk that gets no depth and is dropped from the plot as soon as characters address it. If these are deal breakers, I recommend pursuing another film entirely.

Charlotte Kirk as Captain Kate Sinclair
Charlotte Kirk as Captain Kate Sinclair

What I Dislike

Aside from the monster, the action and special effects leaves much to be desired. These elements belong to a small-scale TV show with tight budgets as opposed to a movie with notable works under his belt. While I don’t fault a tight budget, it becomes a little more distracting with how competent the monsters typically are in The Lair. Yet even the monsters have points where quality notably dipped with a near-final reveal that looks atrocious considering what we had seen before.

As mentioned, the strengths come in the final act, but most of the film lingers outside. With an uninspired land environment, I don’t understand why the film lingers here.

As mentioned in the earlier section, the characters have quirks that the plot quickly drops. I fail to understand their point.

The action disappoints more often than not, except for several monster battles. Again, it’s the monsters that highlight the strength of the film. Everything else reduces the quality and engagement. Perhaps a history buff issue, but the fact these soldiers patrolled Afghanistan for an extended period but failed to recognize Russian irks me. I don’t expect people to read Russian, but there are still signs in Russian tracing back to the occupation. Perhaps I gave too much credit to the historical context earlier, but this still seems out of place.

Zeth M. Martinez

Final Thoughts

The greatest strength of The Lair remains its creature feature aspect. Unfortunately, this does not remain the entire focus of the film. Notable bad writing, underwhelming performances, and a few terrible effects drop this film down several tiers. There are good moments, but I would rather rewatch The Descent series on a loop. If looking for a creature feature, I recommend exploring other options.
2 out of 5 stars (2 / 5)

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Zeth received his M.A in English with a focus in Creative Writing at CSU, Chico. As a human writer, he published in the 9th volume of Multicultural Echoes, served on the editorial board of Watershed Review, and is a horror reviewer for Haunted MTL. All agree he is a real-life human and not an octopus in human skin. Fascinated by horror novels and their movie adaptations, Zeth channels his bone-riddled arms in their study. Games are also a tasty treat, but he only has the two human limbs to write. If you enjoy his writing, check out his website.

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Movies n TV

Fallout, The Head

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Episode three of Amazon Prime’s Fallout continued the themes we’ve seen so far, with an added twist. With comedy and gore already blending, the story has added an air of tragic history for one of its least cuddly characters.

Let’s discuss.

The story

Walton Goggins in Fallout.

Our story starts with a flashback to before the bombs dropped. We see Coop, filming a movie. His wife is on set as well, and their adorable daughter. Coop has a comfortable life with a family he loves.

Isn’t that just a knife in the heart?

Back in the present, Lucy is traveling through the wastelands with the head of Wilzig. And she’s doing so with the same fear and joy that we’ve seen from her so far. Until that is, she runs into a Gulper. And after eating a defenseless deer, it swallowed up the head.

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Eventually, The Ghoul catches up with Lucy and decides to capture her. After using her as bait, he decides to drag her along with him.

Meanwhile, Maximus gets a message from the Brotherhood of Steel. Rather than coming clean, he claims to be Knight Titus and is accidentally sent a new Squire. That squire is Thaddeus, one of Maximus’s bullies from the base. And Maximus wastes no time in taking some sweet, sweet revenge.

Finally, we return to Vault 33. The vault is healing from the Raider attack and the loss of Lucy. Norm and Chet are being punished for letting Lucy leave, by being fired from their jobs. This throws Chet because he had a cool job.

Norm, on the other hand, didn’t like his job. He didn’t like any job. So, since this is the only way anyone gets punishments in the vault, he’s given the task of feeding the Raiders.

And talking to the Raiders was maybe not a healthy thing for Norm to be doing. He might learn something he didn’t want to know.

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What worked

The first thing I have to talk about is the massive creature called The Gulper.

This thing was fascinating. It was voracious, fast, and horrifying to look like. It was like a giant axolotl from Hell, with human fingers lining its whole mouth and throat. Why did it need fingers lining its mouth and throat? The better to drag someone down its throat and into its stomach. And the better to drag itself into my nightmares. This creature was well done.

The Gulper from Fallout.

On the flip side of this, I love the fact that the people of Vault 33 are so kind. They’re so willing to forgive, willing to care for their fellow man even when their fellow man is trying to kill them.

I don’t trust it, to be clear. But the perceived kindness from these people is uplifting. And I’m sure it will make whatever is going to eventually happen to them all the worse.

Of course, I can’t talk about the goodness of the vault dwellers without talking about the absolute horribleness of The Ghoul. The Ghoul is not a good person. He is cruel, and selfish, and clearly dislikes Lucy for some reason we do not yet know, and is probably not her fault.

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But we kind of understand how he got that way, don’t we? During the flashbacks, we see that he’s lost his wife and daughter. We also see that he was used as a mascot for the very company that created the vaults. And, while we don’t have any concrete proof yet, we can probably guess that these are not the good guys. Even if we haven’t played the games, anyone who’s even slightly genre-savvy can already guess that.

Which is the last thing I want to bring up here.

We know something stinks with the vaults. Something beyond the obvious issues of wealth disparities and the people left outside to die while those who could afford a Vault spot were saved. Something is rotten with the vaults, we all know this. What we don’t know is what form this rot will take.

Not yet.

What didn’t work

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Now, I wish I could say this was a perfect episode. But sadly, it wasn’t. And my biggest issue with the episode is with the character Maximus.

Now, I love Maximus. He wants to do good things in the world. He’s the underdog, and who doesn’t love that? He’s honorable and believes in the organization he belongs to.

I don’t love that he cannot do anything right. It feels like he wins fights by falling over and tripping into succeeding. And this character deserves so much more than that. Can we please, just once, see him be good at something or make a sound decision?

All that being said, this was still a fun episode. It was funny and bright, with an ominous feel and a horrific finger-ridden monster. I had a great time with it.

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4 out of 5 stars (4 / 5)

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Movies n TV

American Horror Story Delicate, Little Gold Man

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Last night’s episode of American Horror Story Delicate was wild. From its star-studded start to its powerfully quiet finish, I was enthralled through every moment.

Let’s discuss.

The story

We begin this episode at the funeral of Dex’s mom. While he’s giving a eulogy, which was very nice, Ms. Preecher walks in. She shouts to the room that Virginia didn’t commit suicide, she was murdered. She also tells Dex to listen to his wife.

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What a concept!

Touched by this, or maybe just curious, Anna goes to the hospital to check on Preecher. She falls asleep at the hospital. When she wakes up, Preecher is gone. A nurse says that she was discharged to a group of women.

While at the hospital, Anna also discovers that she’s been nominated for best actress.

Kim Kardashian in American Horror Story Delicate.

At a publicity event for the awards, Anna runs into Cora. And she sees the coat she remembers from her late-night visit near the start of her pregnancy.

With the slightest amount of pressure, Cora spills it all. She and Dex have been having an affair, and Cora was trying to sabotage Anna’s pregnancy. So Anna, channeling her inner Madison Montgomery, kicks him out and heads to the awards ceremony with Siobhan.

There, Siobhan asks her if she wants an Oscar more than anything. If she’d be willing to give up anything for it.

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And Anna says yes.

The bargain is then sealed with a kiss.

Kim Kardashian and Emma Roberts in American Horror Story Delicate.

What worked

I’d like to begin, paradoxically, at the end of the episode. We’ve seen Anna have some terrible, loud, frightening hallucinations in this season. At least, we assume they’re hallucinations. But this one wasn’t loud. It was, in fact, very quiet. Anna is led off stage, without a word, leaving nothing but a puddle of blood behind.

In horror, like in all art, the notes you don’t play are as important as the ones you do. And the notes that weren’t played her rang like a bell.

I also appreciated that this episode describes why being a celebrity would be a huge pain in the ass. Imagine going to an event where the whole purpose is for people to take pictures of you while holding their product. Imagine if they invaded your personal space, sprayed things on you, put things over your eyes, and you were expected to smile and pose.

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I don’t know what it is about being a celebrity that makes others feel entitled to a person. To talk with them, take their time, and share in their moments. To touch them without consent. Yes, there are way worse things happening to people. But this isn’t a great way to live. It’s no wonder so many of them go nuts. This is most clearly shown in the scene when Anna is sitting next to Preecher’s bed. She wakes up to find the older woman gone. But all anyone wants to talk about is how she was just nominated for an Oscar. At that moment, she doesn’t give a damn. She cares about this kind woman, and where she’s gone. Just like any other person.

Finally, I appreciated that this season didn’t do what so many AHS seasons do. Which is to say that this episode didn’t feel like the last episode. It felt like the penultimate episode. It felt like there was still more story to tell, not just loose ends to be wrapped up. I appreciate that the writers have finally learned that lesson.

For this season, at least.

What didn’t work

The first thing that bothered me in this episode was Cora’s confession. I said something about this during our live-watch event on Threads. (Join us next week for the finale. Bring popcorn and wine.)

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I don’t believe Cora’s confession. I further don’t believe that she just dumped all of this incriminating info on Anna with no more prompting than a wide-eyed look. There was just no reason for it. So, Anna saw her coat? Lots of people have similar coats. This feels fake, and she brought no receipts.

Tavi Gevinson in American Horror Story Delicate.

I also found Siobhan’s behavior confusing. At times she seems genuinely concerned for Anna’s wellbeing. At other times, she is more than willing to let her suffer and risk her pregnancy.

While this has been going on all season, it was happening every few minutes in this one. Either Siobhan cares about the welfare of that fetus, or she doesn’t. But she needs to pick a lane.

All in all, I don’t know what to expect from next week’s season finale. Anna has her Oscar, but now she might lose her baby. She might also get sucked into some horrible cult and experience a bad death. We won’t know until next week.

See you then.

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4 out of 5 stars (4 / 5)

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Movies n TV

Fallout, The Target

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Episode two of Amazon Prime’s Fallout was equal parts funny and bloody. This almost always leads to a good time.

The story

We begin this episode with the birth of some puppies that look like they’ve had a rough start to life. Each one is weighed, with the ones who fall short being incinerated.

One pup who is just below the correct weight gets a bit of a thumb on their scale. The scientist weighing them, Wilzig, writes down the proper weight. He later takes the puppy home to raise instead of putting them into what looks like an unforgiving training program.

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Eventually, we see Wilzig put some blue glowing thing into his neck. When a soldier comes for him, Dog attacks the soldier, and the two escape.

Ella Purnell in Fallout.

We go from there to the wilderness, where Lucy is recovering from the last episode and enjoying a campfire at night. Wilzig and Dog come out of the shadows, saving Lucy from a bug monster. Wilzig tells Lucy she should go home. And if she’s not going to go home, she needs to evolve.

The next day Lucy finds her way to a town called Filly. As a Pennsylvanian, it hurts me to spell it that way. Lucy is entranced by this town, though clearly put off by the fact that no one is very nice here.

She eventually finds her way to a shop run by a delightful woman named Ma June. Ma doesn’t seem particularly interested in helping Lucy. Or, frankly, having Lucy in her shop.

Or in her town.

Eventually, Wilzig is tracked to this same shop, being tracked by The Ghoul. This is our final primary character. Lucy defends Wilzig, being aided at the last moment by Maximus.

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Maximus, by the way, has been having a terrible time. After finally becoming a squire he’s disappointed to find that his knight, Knight Titus, is a terrible person.

Fortunately, Maximus doesn’t have to put up with Titus for long. After Titus gets the bright idea to go hunting, he’s attacked by a mutated bear. Maximus freezes, unable to save him. Then, well, he decides not to save him.

It was Titus’s idea to go hunt the bear, after all.

What worked

Walton Goggins in Fallout.

The first thing I want to draw attention to is the shootout scene at Filly. This scene checked every box a fight scene should check. It was fun to watch, with great effects. But it also gave us insight into the characters. Lucy is a decent fighter and has a strong moral compass. The Ghoul is callus and desensitized to death. And Maximus continues to be, well, sort of bad at this whole fighting thing. But with enough moral fortitude that we have a hard time blaming him.

Of course, I would be remiss if I didn’t mention the dog. Who’s name, as far as I’ve been able to ascertain, is just Dog. Which is fine. He doesn’t need to have a name to be a very good boy. He’s sweet, loyal, and fearless.

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Also, puppies. Puppies are always great.

Finally, I’d like to shine a spotlight on Lucy’s reaction to the world at large. She is both amazed and terrified by everything. And while she certainly doesn’t want to be rude, she also doesn’t want to be taken advantage of. The best example of this is when she stops to ask for directions with a bright smile and a gun.

Once again, I don’t have anything bad to say about this episode. It was funny, dark, and fun to watch. I’m very much looking forward to the rest of the season. 4 out of 5 stars (4 / 5)

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