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Close-up of Kat's face with Wendell & Wild reflected in her eyes.
Netflix’s Wendell & Wild

Netflix’s Wendell & Wild is kind of like being given an elegantly wrapped gift and knowing for sure there is something amazing inside that you’re going to love. After careful removal of the bows and paper, you are rewarded with a pair of comfortable, intricately-woven socks; pretty and functional, albeit slightly underwhelming.

Henry Selick and Jordan Peele bring us the story of Kat Elliott(Lyric Ross), a young girl who, after the death of her parents, becomes a troubled youth, being moved from foster home to juvenile detention centers and finally returns to her hometown of Rust Bank as part of a “Break The Cycle” program to keep young people out of trouble. 

While attending a Catholic reform school, she is imbued with supernatural powers and becomes a Hell Maiden to Wendell(Keegan Michael-Key) & Wild(Jordan Peele), demon brothers who want to escape their underworld prison to build their very own theme park on the surface world. Kat manages to summon them to the surface and the plot only gets weirder from there, involving powerful hair cream, the prison industrial system, and a fiendish murder coverup.

A Feast for the Eyes

Wendell & Wild’s best feature by far is the visuals. This is why you come to a Henry Selick movie – the characters are well-designed and lovingly animated. The sets are elaborate and detailed. Lots of care is poured into every frame of this film and you can certainly tell from the word go. W&W is a great example of how far stop-motion animation has come, even from Selick’s previous effort, Coraline. But, animation seems to be a niche medium in a niche genre. Which is a shame because there are some incredible animated horror films out right now.

Additionally, a lot of work has gone into the curation of the film’s soundtrack as well. Kat presents herself very clearly as a rebellious youth. This is reflected in the music she chooses to blast down the hallways of the RCG. You’ll get a bit of Ghost Town by The Specials, Freakin’ Out by Death, and Germ Free Adolescents by X-Ray Spex. Even one of the film’s original songs, Raising The Dead is a super-funky bop. The soundtrack is a great blend of ska, punk, and soul making the film as interesting audibly as it does visually.

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Raúl looks pensively at Kat.
Raúl (Sam Zelaya) attempts to make friends with the new girl, Kat (Lyric Ross)

Going Thru the Stop-Motions

The visuals do a lot of the heavy lifting for this movie but narratively, it’s very middle-of-the-road. The story itself is very functional. You know what roles most characters will play in the story as soon as they are introduced. Plot devices are paid off and MacGuffins perform their roles in a satisfying way. There aren’t any big plot twists and the story has a satisfying conclusion, which makes sense. The movie is very clearly skewed toward a younger audience. The voice cast is studded with well-known names like Angela Bassett as Sister Helley. James Hong as Father Bests, is easily a highlight of the film for me.

That said, the overall script is still a cut above most other animated films. There are gross out jokes, like Wendell and Wild making stand-in dummies of themselves out of mucous to escape the Underworld, but the overall tack of the story is a bit more mature than standard, more popular animated movies of our day. The film turns its eye to the prison-industrial complex as the main villains’ motivation in the story; plainly and clearly stated, much like the rest of the narration. 

I have to give a bit of a special note to Raúl, Kat’s new friend played by Sam Zelaya. While the movie primarily takes place at an all-girls Catholic school, Raúl has chosen to go by he/him pronouns. Although that is brought up only twice in the movie, both times as characters correcting other characters.

A Faire Shake

Wendell & Wild doesn’t seem to have the makings of an instant classic, or even a cult classic, but what it does it does very well. It’s absolutely worth taking a look at if you’ve enjoyed anything these creators have worked on. Or sharing it with your kids especially if supernatural movies are their jam. 3 out of 5 stars (3 / 5)

Wendell & Wild is currently streaming on Netflix in the US.

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Wendell eagerly describes the world of the living to Wild
Wendell (Keegan-Michael Key) and Wild (Jordan Peele) hatch a plan to escape their prison

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Movies n TV

Goosebumps, Cuckoo Clock of Doom

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Named for the 28th installment of the original book series, The Cuckoo Clock of Doom has the least in common so far with its source material.

Thankfully, the story isn’t negatively impacted by this. I can honestly say so far that these episodes just keep getting better.

The story

After the last episode’s explosive ending, I’m sure we were all more than a little worried about James. I for one was worried we were going to have an example of the Bury Your Gays trope on a kid’s show.

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Cover of R.L. Stine Cuckoo Clock of Doom

Thankfully, that’s not the case.

We go back in time again to Halloween night, and this time we see what James was up to.

Mostly he was up to trying to flirt with his crush. Everything seems to be going well until James lies about being interested in football.

He tries to leave the house, but instead finds himself back at the basement door when Isaiah is trapped and the cuckoo clock is going off. James then shows a remarkable amount of genre savvy and tries his best to escape the house. Each time he does, we see another version of him walking away.

Eventually, he devises a plan to break the clock at just the right moment, but not before he gets some intel on his crush’s favorite team so he can score a date.

Back in the real world free of the time loop though, James finds that he has far more worries. Every time he tried to escape the house, a duplicate version of him was created. And all of those duplicates are waiting for him.

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Back at the Biddle house, though, there’s a surprise waiting. One of the James duplicates has brought Harold Biddle a box. A ventriloquist dummy-sized box.

An empty box.

What worked

The effects of this show so far have been wonderful. When the other characters hit a James duplicate, it doesn’t just die. It explodes in a Nickelodeon-style wave of slime. This is just fun, and I’m kind of sad there doesn’t appear to be more of the duplicates around.

I mean, I wouldn’t rule it out.

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Ana Yi Puig in Goosebumps.

Did I mention that these duplicates appeared to smell like watermelon Jolly Ranchers when they exploded? That was a visceral detail that was both alarming and terrific. They could have smelled bad. They could have smelled like rotting plants or people. But no, they smell like candy.

Of course, the characters continue to steal the show. Margot and Isaiah could be said to be the main characters, but everyone comes into this with main character energy. They are all funny, all capable, all smart. And they all seem to care about each other.

I loved that James and Isaiah talked about how they were feeling. I think it’s important that we’re modeling that for young men. They talked about what was bothering them, and they made up.

Finally, though, we have to talk about Justin Long again. His acting in this just keeps stealing the show. He dances like a cartoon and jumps from joyful to violently furious at a moment’s notice. The character doesn’t know how to act, and watching him fail to act right in front of people never fails to make me laugh.

What didn’t work

I honestly can’t say that anything didn’t work in this episode. But there is something about the show that I, at least, don’t like.

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There’s no real blood or gore. There’s more blood when I eat an actual jolly rancher because I always cut my tongue on them.

Now, this show is pretty clearly not for kids and young adults so there’s probably not a lot of need for too much gore and violence. But if the bloody stuff is more your style, like me, the lack of it might disappoint you.

Fans of the Goosebumps books will know that everyone ended with a twist. And the show so far has been no different. And the ending of this episode has been the best so far. The tension of Margot’s mom’s impassioned reaction, blended with the revelation that Slappy is somewhere in town is just too much. I can’t believe we’re only three episodes in and I am this invested. I hope you are too.

Viewer beware, I suspect things are going to get a lot worse for our characters before they get better.

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4.5 out of 5 stars (4.5 / 5)

If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters launch every Monday, Wednesday, and Friday.

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Movies n TV

Goosebumps, The Haunted Mask

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Episode two of Goosebumps was honestly more fun than the first. It was dark, funny, infuriating and wonderful. Best of all, it has a killer twist ending.

Let’s discuss.

The story

Based loosely on the 1993 story of the same name, The Haunted Mask begins sort of partway through the first episode.

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Cover of R.L. Stine's The Haunted Mask.

We’re introduced to a character we haven’t seen much of so far, named Isabella.

Isabella’s life doesn’t seem great. She’s all but invisible at school. She is responsible for taking care of her little brother. It seems like her only real joy is bullying people online. She was the person who tried to get Allison’s party canceled by sending the invite to her parents. Why? Because she is a very unhappy person.

Despite trying to get the party canceled, she decides to go anyway. At the Biddle house, a voice calls her down to the basement. There, she finds a mask.

The mask inspires her to do wild things. She wanders around the party, flirting with everyone. And she has a great time.

Several days later, after Isaiah breaks his arm, Isabella brings an expensive drone to school to get shots of the football team’s practice. Unfortunately, Lucas breaks it fooling around. And Isabella, tired of being ignored, says some awful things to him.

When her mother grounds her because she took the drone without asking, the mask compels her to do some awful things.

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What worked

I would first like to talk about the storytelling structure in this season. It appears that we’re going to be getting the events of Halloween night multiple times, from multiple points of view.

Ana Yi Puig in Goosebumps.

I love this structure. It’s unique, and it allows for more mystery in a shorter period. It’s also more complex, showing just how much madness was happening, while just showing one part of the story at a time.

Another thing I appreciated was the evolution of the character Lucas.

On one hand, it’s easy to be angry at Lucas. Even if he thought the drone belonged to the school, it’s still kind of a selfish move to break it.

But Lucas just lost his father. We don’t know how yet, but we know from Nora that his death caused Lucas to start doing things like jumping on drones and skateboarding off the roof from his bedroom window.

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We all mourn differently. Losing a parent as a teen is awful. So while we can all agree that he’s being a problem, he’s also being a sad kid working through something hard.

And the same can be said for Isabella.

Look, we still don’t know what the adults of this town did to make Harold Biddle haunt them. But we do know that these parents are messing up in all sorts of other ways. And Isabella is suffering from parentification. She’s being forced to play mom at home while being ignored by her classmates at school. Even without the mask, I could see her lashing out and trashing the house.

Finally, I love Justin Long in this series. His visual comedy was fantastic here, as he falls through the hallways. But he also manages to be scary as hell. His creepy smile and jerky movements are enough to make anyone’s skin crawl. I honestly can’t think of a living actor who could have played this better.

What didn’t work

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If I have one complaint about this episode, it’s the music. It’s not terrible, but it’s not great. Every song seems like it’s just screaming what the characters are thinking. Which isn’t really what I’d consider the point of a soundtrack.

Maybe it’s just a curse on RL Stine. None of his projects can ever have good soundtracks aside from the theme song.

Unlike the original Goosebumps series, there were moments in this episode that did startle me and unnerve me. Which is wonderful. And while it’s still clearly for kids, it’s something anyone can sit down and enjoy. I’m very excited for the rest of the season. But what do you think? Let us know in the comments.

4.5 out of 5 stars (4.5 / 5)

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Movies n TV

Goosebumps Say Cheese and Die

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Released in 2023, Goosebumps is the latest in a line of content based on the insanely popular children’s book series with the same name. And if you’re here, I’m guessing I don’t have to tell you a lot about Goosebumps. Most horror fans are at least passingly aware of the colorful covers, dark plotlines, and surprise twist endings. Some of us even have a few of the original books lying around.

For nostalgia.

Cover for Say Cheese and Die, Goosebumps number 4.

With so many good and bad versions of the original stories floating around, I was unsure how to feel about this brand-new series. I was sure, however, that I had to watch all of it. Especially with the infamous Slappy appearing so prominently in the advertising.

So, how was the first episode?

The story

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We start this episode with a flashback to 1993, and a young man named Harold Biddle. We don’t spend a lot of time with him. He comes home from school and goes right to the basement. There he starts writing some concerning notes in his journal. This is interrupted when a fire consumes the basement, killing him.

We then flash forward thirty years to the real start of our story. The Biddle house has just been inherited by a man named Nathan Bratt, played by the delightful Justin Long. He adores the place but is less than thrilled when a bunch of teens crash it for a Halloween party.

The teens end up not being thrilled either.

Now we come to our real main characters, Isaiah, Margot, Allison, and James. It is the four of them that planned the ill-fated party.

Zack Morris in Goosebumps

While in the house, Isaiah finds a Polaroid camera. He starts taking pictures of his friends, only to find that they don’t come out right. One of them, Allison, shows her on the ground in the woods, terrified for her life. Another shows Margot in a panic next to a snack machine.

Of course, it doesn’t take a genius to figure out that he eventually sees both of the girls in those exact situations. The real trouble comes when Lucas takes a picture of him, and it shows him on the football field, horribly injured.

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All of these near-death experiences seem to be caused by the flaming spirit of Harold Biddle. And it soon becomes clear that the adults of the town likely know more than they’re willing to tell about what went down at the Biddle house thirty years ago.

What worked

For someone who grew up with the series, and is therefore of a certain age, the first scene of the episode was a lot of fun. It oozed 90’s vibe in a way that’s immediately recognizable to most, and familiar to my generation. Well, insomuch as wearing flannel and coming home to an empty house is the pinnacle of being a 90s kid.

It was also fun for the constant references to books in the original series. Blink and you missed them, but I saw the Cuckoo Clock of Doom, Haunted Mask, and Go Eat Worms. These make sense, as they each have their episode this season. But I’m sure I missed a few. Please let me know in the comments.

That was a lot of fun for someone who grew up with the series. But it wasn’t so constant and all-consuming as to distract from the story. Someone could have never read a Goosebumps book in their lives and just enjoy this episode of television.

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More importantly, younger viewers can watch this and feel like it’s for them. The main characters aren’t the parents, they’re the kids. And it’s clear even in this first episode that, even if it was the grownups who caused this horror, it’s going to be the kids that fix it.

This is a series that is for kids. And that’s great. It’s introducing a whole new generation to a series in a way that feels like it can be theirs just as much as it was ours when we were kids.

What didn’t work

All that being said, the story also felt a little dumbed down. A little too predictable. There was one line that particularly irritated me in this regard. When Nora goes to see Isiah’s dad in the hospital, she just flat-out says, “The children will suffer for the sins of the fathers.”

Not only is that just a bad line, it’s also a lazy one. It’s awkward and unrealistic. People simply do not talk that way. And we frankly didn’t need this information dropped on us. It was pretty clear during the football game that at least some of the grownups in town were going to be involved with this when we saw Nora recognize what was happening to Isaiah and try to stop the game. Kids are smart. They would have figured this out by themselves.

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It’s also a really tired trope. Freddy and Jason after all, are both killing young people for the sins of their parents. It was a big part of the storyline in Hide. And while I get that this might feel relevant to the next generation who are all paying for the mistakes of Boomers that Gen X and Millennials have not done enough to solve, it’s also a bit lazy. I just feel like, if this is going to be our main story, it could have been a better one.

But this isn’t to say I didn’t enjoy this episode. Overall, it was a fun start that left me with lots of questions. I’m excited to see where the rest of the season takes us.

4 out of 5 stars (4 / 5)

If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters every Monday, Wednesday, and Friday.

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