Welcome to the first story of the Spring Horror Collection for 2022, where Haunted MTL’s writers craft original tales of terror with the fresh scent of grass. Check with us all week for new stories.
A wistful note from out the sky, “Pure, pure, pure,” in plaintive tone, As if the wand’rer were alone, And hardly knew to sing or cry.“The Bluebird” by John Burroughs
One of the benefits of living outside of town was when the winter thawed, and spring arrived, Johnny Francis figured, was the freedom to take his pellet gun out into the woods along the small highway that led into town.
Twelve now and full of vigor, Johnny wanted to make the most of his gun-time. He dashed off the property along the dirt road that led to the highway. He would spend his Sunday taking in some target practice. There was a war on, after all.
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When Johnny arrived at his clearing, just over a small gully along the road, he looked over what he had for targets. Most of his bottles seemed to have shattered, and a particularly ugly thaw left many of his wooden targets rotted and damp.
Johnny was about to give up on the whole exercise until he heard chirping. He glanced into the trees around him and saw a nest. In the nest sat a fat bluebird.
He shrugged and took a shot. The pellet ripped the bird apart.
With little left to do, Johnny made his way home. Today had been a bust.
The next day Johnny was thankful to walk to school without his heavy boots and winter coat. Trudging through the snow was always a pain, and the reprieve of mere mud was welcome. On the way to school, Johnny was sure to give the edge of the woods by the road a large berth. Last spring, a hunter accidentally shot his friend, leaving him with a limp.
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Idiot.
The sound of chirping drifted into his ears as he walked. He glanced around and noticed no sign of a bird.
A prick of guilt forced its way into his brain for a second, and he recalled the sight of the bird as it exploded from his shot.
The walk home from town was somewhat chilly today. Chillier it had been for Spring.
Johnny had been menaced by the sight of a bluebird all week. Everywhere he turned, he would catch a glimpse of it. It didn’t matter where… the school lawn… above the drug store… even outside his window.
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When it wasn’t seen, it was heard. Chirping everywhere and constant.
Again, chirping now. The sound grew louder and more intense as Johnny walked, even as he picked up his pace along the side of the highway.
A blue shape dove at his face with a sudden jolt, flapping at him. Johnny threw his arms in front of him, trying to swat it away but not making contact. The chirping was frantic, and soon Johnny darted into the woods, swatting away the bird that menaced him. He crossed the treeline and found himself in his gully.
Within moments, the chirping was silenced by a loud crack in the air. Johnny fell to the ground with a searing pain tearing through his neck, leaving him unable to scream. As he rolled over in a warm puddle of mud, blood, and leaves, he made out a deer darting off as he heard the cries of a man.
The last thing he saw before his eyes seemed to go dark was a tiny bluebird flittering off into the branches.
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The smaller creature lay in the clearing, not moving beyond ragged breathing. Blood boiled out from a wound in the neck. The more giant creature, with the strange grey stick, seemed to paw at the smaller one, trying to keep the blood in.
The air was thick with fear, and its scent wafted through the clearing and into the trees.
The bluebird sat on the branch, observing the situation.
When the life had finally left the lungs of the smaller creature, the bluebird felt content and vanished in a puff of air.
Love the imagery. Conjures up images of Iris from last spring… When I was growing up, maybe in middle school, we read a short story about a boy growing up in Africa who would shoot a rifle into the open air every morning just because he could. One day, off in the distance, he could make out the form of a deer twisted and writhing in pain as it was devoured by ants, wondering why it didn’t bound away until he realized that one of its legs had been shattered by a stray shot from a rifle (probably his own). That story has stuck with me to this day. This has that same kind of presence.
Nice. Maybe I’m reading into it too much, but is there an anti-war message in there? It made me think of Metallica’s One and Johnny Got his Gun–not that I’ve read anything other than the Wikipedia page for the book!
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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Jennifer Weigel
March 20, 2022 at 2:05 pm
Love the imagery. Conjures up images of Iris from last spring… When I was growing up, maybe in middle school, we read a short story about a boy growing up in Africa who would shoot a rifle into the open air every morning just because he could. One day, off in the distance, he could make out the form of a deer twisted and writhing in pain as it was devoured by ants, wondering why it didn’t bound away until he realized that one of its legs had been shattered by a stray shot from a rifle (probably his own). That story has stuck with me to this day. This has that same kind of presence.
J.M. Faulkner
March 20, 2022 at 5:45 pm
Jesus… no wonder it stuck with you!
David Davis
March 21, 2022 at 11:42 pm
That’s a very sad story, but very good. Do you recall the title?
J.M. Faulkner
March 20, 2022 at 4:19 pm
Nice. Maybe I’m reading into it too much, but is there an anti-war message in there? It made me think of Metallica’s One and Johnny Got his Gun–not that I’ve read anything other than the Wikipedia page for the book!
David Davis
March 22, 2022 at 12:26 am
I imagined this set in the 1950s or so, so I saw the Korean War in my head.
Nicole
March 21, 2022 at 9:58 am
I swear I could smell the air in this. Had a slight copper scent.
David Davis
March 22, 2022 at 12:26 am
I appreciate that.