Dolores Roach, Stop Me
We’ve reached the last episode of The Horror of Dolores Roach. At least, the last episode for the season. It was surprising, unexpected, and delightful. And like any good show or meal, it left me eager for more.
The story
We begin right where our last episode left off. Dolores and Luis are standing in the kitchen, with poor dead Jonah on the ground. Now there’s another body to deal with, and things are just going to get worse from there.
I’ll warn you, things get worse at a remarkable fast clip.
First, Nellie comes downstairs and is surprised to find Jonah gone. She finds his phone, and is even more suspicious.
Dolores wants to run right then, but Luis isn’t ready to go yet. He tells her he has a plan. This comforts Dolores not at all. To the point that when she’s cornered in the basement by Joy, asking for a massage, she snaps. And by that I mean she snaps Joy’s neck.
This is still not enough to dampen Luis’s plans. Unfortunately, his plans rely mostly on framing Nellie for the murders. This is too much for Dolores. After attacking Luis in a horrific fashion, she leaves Empanadas Loco to burn and fleas.
Four years later, we return to where our story began. Dolores finishes telling Flora the true story. And Flora, far from being horrified, is on Dolores’s side. She seems to think Dolores is a victim of circumstances, which is maybe the last thing Dolores needs to hear. But we find out that confronting Flora wasn’t the reason she came to the theater. She’s there to confront Caleb.
Caleb, the podcaster turned playwright. Caleb, who’s making a name for himself using Dolores’s name and story. Caleb, who Dolores nearly murders by shoving his microphone down his throat.
He only survives because he has information about the illusive Dominic. He guides Dolores to a beautiful house. When she opens the door, she starts to laugh. Then, she reaches for the neck of whoever answered her knock.
And that’s it for the season!
What worked
Let me first say that I am a huge fan of meta humor. For those of you who don’t know, Dolores Roach was first a podcast launched in 2019. Yes, at some point I’ll be reviewing it. During the party scene, Caleb jokes about how the play Dolores Roach started out as a podcast, and how he’s going to make it into a tv show next. Delightful.
I also really loved the song playing during Dolores’s run from the law. If you didn’t already know, and didn’t pause Prime during the song and catch the on screen info, that song was Oh Dolores, sung by Cindy Lauper. It really is the small details that make a show like this especially delicious.
Now, let’s get into the real substance. Dolores, from start to finish, has been such a flawed but relatable character. Things between her and Luis were over the moment he framed Nellie. Because he did to Nellie what Dominic had done to Dolores, she could never trust him again. And so she betrays him in the most emotionally devastating way possible. She literally shoves his face into the deep fryer. I mean, what a cruel thing to do. I’m hard pressed to say Luis didn’t deserve it. But it was still so cruel. Then she leaves him there to burn. We could kind of see this coming. As soon as Ruthi said in an earlier episode that burning was a terrible way to go, I figured someone was going to burn.
Even though Dolores is clearly hurt by Nellie’s situation, she doesn’t do anything to save her. At least, not as far as we can see. Because it’s clear that Dolores learned one thing in prison. This thing, this lesson, has become the core of who Dolores is. She will protect herself before all else.
Yes, she’s motivated for revenge against Dominic. But she noped out of the city for four years, because protecting herself was more important than that. This makes her easy to understand, easy to relate to, and scary as hell.
What didn’t work
Here’s one thing that bothered me about this episode. Dolores pours out her heart to Flora, the actress playing her. I don’t understand why, though. She didn’t intend to kill her. She didn’t want anything from her. Or, if she did want something, she didn’t get it.
I have a theory about this, though. I think Dolores really wanted Flora to be the one to stop her. After all, she was pretty clear that she thinks someone, anyone, should have stopped her. But Flora didn’t. No one did.
This season finale left us with so many questions. Where is Dominic? What as Dolores doing for four years? Is Luis still alive? What happened to Nellie? Who was it at the door at the end of the episode? The most important question, of course, is when will the next season be out. I have no answers for any of these questions, though I have guesses. I suppose we’ll just have to wait and see.
(5 / 5)
While the season of Dolores Roach might be over, the season of AA is still going strong. Don’t miss new episodes every Tuesday.
Amazon Prime’s Fallout has continued to be a suspenseful delight. And with the last episode’s dramatic cliffhanger, I was certainly looking forward to this one.
Thankfully, it did not disappoint.
The story
We start our story with Lucy and Maximus waking up in a decontamination room in Vault 4. They’re welcomed guests, once they’re done with decontamination.
Vault 4 at first seems very much like Vault 33 to Lucy. She’s surprised, however, to find that a lot of people who live there are actually from the surface. And the people who live in this vault are, well, a bit mutated. Their overseer, named Benjamin and played by the hilarious Chris Parnell, has just one eye in the middle of his face. Some people have extra limbs or missing ones. And yet it’s clear that everyone’s living together in peace and companionship.
At least, that’s what it’s supposed to look like. There is, after all, the matter of the weird cult the surface dwellers seem to have formed. And, the small matter of the vault level no one is supposed to go to. It should come as no surprise that, of course, that’s exactly where Lucy finds herself before the episode is over.
Of course, this episode wouldn’t be complete without checking in with the Ghoul. And his part of the story is, honestly, more compelling.
We see him apprehended by people referring to themselves as The Government. And while he appears to be a prisoner, it’s clear soon enough that he’s the one in charge.
Far more compelling are his flashbacks to his past. While his wife, Barb, is starting to be more secretive, he learns more than he wants to about Vault Tec. He also learns that the Communist party in Hollywood might know more about what Barb does for a living than he does. And it’s clear soon that she never wanted him to know.
For good reason.
What worked
I first want to draw attention to the excellent way we are learning about the Ghoul. As we learn more and more about his past, we can see how he’s become the monster he is today. It’s clear that once upon a time he had everything he could want. A lovely home, a family he lived for, and a successful career. And he lost all of that, even his dog. And with those losses, he lost his humanity in more ways than one.
But I also think we’re seeing signs that his humanity at least isn’t as lost as he thought it was.
On a lighter note, I loved Maximus’s response to the vault. While he’s apprehensive at first, he is swept away by the welcome basket. He’s lived his whole life hungry, barely surviving, and suddenly he has food. Good food. Caviar and oysters. He has a warm robe and TV and a safe place to exist. It must have been like stepping into a fairy tale for him. And while it wasn’t exactly helpful for Lucy, it’s completely relatable that he decided to sink into a chair and have a snack in front of the TV for a while.
What didn’t work
While this episode was mostly good, I do have one complaint. When Lucy is first meeting with Overseer Benjamin, we see him accidentally drinking a cup of coffee that has gotten moldy.
Now, this makes perfect sense in our world to convey someone too busy and forgetful to clean up old mugs. But it’s hard to fathom someone living in a Vault in which every resource is carefully monitored, letting something like coffee go bad. It’s a small detail, and it was funny. Also more relatable than I’d like to admit. But in this instance, in this world, it was jarring.
So far this season has been intense. There’s a lot of intrigue and mystery. There’s a lot of high emotions. And there’s a lot on the line for everyone. Maybe, for one character, more than we’ve ever realized before.
Good thing we still have two episodes to discover what’s happening.
(4 / 5)
If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.
Episode four of Amazon’s Fallout wasn’t the best-liked. Of course, that’s relative to the rest of the season. While this is the second-to-last-ranked episode, it’s still an 8.1 on IMDB.
So let’s talk about why it might have slipped a bit but was still a great episode of TV.
The story
Let’s start our discussion of this episode with Maximus.
After he and Thaddeus successfully retrieved the head from the Gulper, they’re in high spirits. Together they celebrate around a fire, giving a lovely impression of two people who have been drinking despite not seeing a bottle in sight. Thaddeus even convinces Maximus to brand him.
While having a good time, Maximus’s consciousness gets the better of him. He admits to Thaddeus that he’s not Knight Titus, but he is Thaddeus’s old punching bag.
Rather than responding to this act of honesty with an equal measure of grace and brotherhood, Thaddeus immediately disables Maximus’s suit, taking the power source and the head. He then leaves Maximus trapped in the suit that he wanted so much, doomed to die in it.
Lucy isn’t in a much better place. If you’ll recall, last episode she drank radiated water out of desperate thirst. She’s now suffering from radiation poisoning. Fortunately, before she succumbs to this poison, she finds Maximus. He has the medicine she needs, and she can free him from his suit before he’s eaten by giant cockroaches. It seems like a win/win. If that is, the two of them can trust each other. And haven’t they both learned that trusting other people might be the most dangerous thing in this very dangerous world?
What worked
The first thing I want to draw attention to is the relationship between Lucy and Maximus. A lot has happened since the last time the two saw each other when there were some sparks but no time to do anything about them. Both have been betrayed and hurt. So while they’re instinct is clearly to trust each other, it’s also to be cautious. And that makes sense. They are both good people, driven by the desire to help others. But both are cautious of being hurt again.
This was not only relatable, but it gave a much different feel to a standard will they/won’t they relationship. Will they be able to trust each other enough to let their feelings out is the real question. Which is a lot more interesting, in my opinion.
I also found the giant, mutated bugs to be fantastic. They were the perfect blend of cute and terrifying. At first glance, they seem like a larger version of Hal from Wall-E. Then, you realize how few of them it would take to eat someone trapped in place. And how little time it might take.
And how long it might feel like while it’s happening.
We don’t need to see that happen to feel the terror there. And to feel some concern about the tiny pests that sometimes share our homes.
Of course, the highlight of this episode was the political intrigue surrounding Vault 33, and how its leaders always seem to be from Vault 31. This storyline is quickly becoming my favorite part of the season. It’s a dark and creepy mystery, which is always fantastic. But it’s also fascinating to see the character of Norm blossoming into someone whose life has meaning. Because at the start of the season, he was lacking that.
All in all, while this was a slower episode it was still a good one. And its ending certainly left me excited for what was to come.
(4 / 5)
If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.
Movies n TV
Bodies Bodies Bodies (2022), a Film Review
Bodies Bodies Bodies (2022) is a horror comedy directed by Halina Reijn. This R-rated horror film stars Amandla Stenberg and Maria Bakalova.
Bodies Bodies Bodies (2022) is a horror comedy directed by Halina Reijn. This R-rated horror film stars Amandla Stenberg, Maria Bakalova, Myha’la, Rachel Sennott, Chase Sui Wonders, Pete Davidson, Lee Pace, and Conner O’Malley. The film is currently available on fuboTV, Netflix, Hoopla, and Showtime.
Sophie (Amandla Stenberg) brings her girlfriend (Maria Bakalova as Bee) to her friend’s hurricane party. Lasting resentment and toxic relationships infest the group, leaving Bee to witness increasingly uncomfortable situations. Soon after, bodies start dropping.
What I Like about Bodies
The chemistry between these toxic friends gives me anxiety. If toxic friendships aren’t a universal experience, toxic traits certainly make themselves apparent in any friend group, and this film maximizes this experience. It’s not revolutionary, but effective and uncomfortable.
Several subtle clues hint at the relationships of these friends, building up as the story progresses and chaos ensues. I love these moments, though the film doesn’t seem confident that the viewer picks up these clues. This decision hinders execution, an unfortunate point for later.
While the performances are strong throughout, Amandla Stenberg and Maria Bakalova remain the main characters and receive the most opportunities to perform. However, almost every character has a moment, or several, and lives up to those moments once given.
The twist seems obvious, but that doesn’t hinder the viewing experience. While not the biggest fan of the execution, I enjoy the spiraling chaos it creates.
The opening scene shows the two leads making out for viewer engagement. However, I think the contract toward the end gives this scene added context and plot relevance beyond simply sex appeal. While it is unavoidable that so well, many films will go no further. So, added relevance deserves a nod.
Far from the bloodiest film out there, but it doesn’t hesitate to bleed its cast. It uses this blood and limited gore to add weight to the deaths as opposed to haunting or nauseating its audience.
Tropes, Triggers, and Considerations
As previously hinted, toxic relationships remain key points in the plot. Falling in line with this are points of spousal abuse (physically and mentally) that should remain a consideration.
Idiocy to push the plot along certainly plays a role in the plot. In this case, I consider it a feature. However, it’s still a required taste for viewer consideration.
Addiction and recovery drive several characters. I’ll avoid pointing to them so as not to give away plot details. However, usage and relapse deserve a mention in this section.
If any of these are deal breakers, give this film a skip.
What I Dislike, or Food for Thought, about Bodies
Bodies shifts between a mindless and clever horror comedy, never comfortably sticking to one or the other. It pulls off elements of both with expertise, but the tugging and pulling of these different elements limits the execution of either. Because of the above friction, Halina Reijin gives us all the clues to piece everything together and still tells us. Pick an audience and trust them.
As a horror comedy, this film leans on the humor over the horror. The unraveling of characters certainly earns respect but expect a comedy for a better experience. It’s not a particularly scary film, and it doesn’t try to occupy that space.
Final Thoughts
Bodies Bodies Bodies spirals into a chaotic horror comedy, banking on the toxic chemistry of its cast to deliver both. The film never makes a strong stance in either claiming a mindless or clever horror comedy, shifting between both at the expense of the whole. It remains a bumpy but engaging viewing experience, nonetheless.
(3 / 5)
