In Furious Hours: Murder, Fraud, and the Last Trial of Harper Lee, Casey Cep takes on a journalistic approach, weaving together the stories of a murderous preacher, the lawyer who represented him, and the great novelist Harper Lee. While on the surface, it seems that these people are not as connected as they are, Cep develops the braids that connect them through the three distinct sections of the book.
The Plot
The first section chronicles the life of Reverend Willie Maxwell and his murderous transgressions. When everyone begins turning up mysteriously dead around the Reverend and the insurance policy money rolls in, the entire town fears Maxwell and who he may kill next.
The second section follows Big Tom, the lawyer who represents Reverend Willie Maxwell in court. When the Reverend is shot in cold blood at the funeral of his stepdaughter, Big Tom also represents the shooter in his trial as well.
The third section follows Harper Lee, after she is famous for To Kill a Mockingbird and trying to write another bestseller. As we know, this never happened, but she attempted it. Harper Lee visited the Alabamian town where the Reverend committed his crimes, interviewing anyone who would help her. Big Tom became a central player for information in her quest to tell the story of the Reverend and the vigilante who stopped his murder spree.
The Verdict
“Superbly written … the sort of story that even Lee would have been proud to write.”– Michael Lewis, The New York Times
This book weaves together three larger than life characters to create a nonfiction novel that will have you racing through its pages. Cep kept me involved through her explorations of a religious murderer, the man who murdered the murderer, the lawyer who defended both, and the writer who tried to put it all down on paper. Casey Cep herself, finishes what Harper Lee set out to do in her writing of this book. The story is engaging and explores the racial politics of the South beginning with the Reverend and his crimes in the 1970s.
Advertisement
This novel is similar to the nonfiction novel format of Truman Capote’s In Cold Blood, but sticks directly to the facts and considers deeply the political and racial background of the people it chronicles. Cep created a masterpiece with Furious Hours, and it is a true crime book that I believe will live on with true crime fans as well as fans of Harper Lee and classic literature. This book is timely for its contemplation of race, politics, crime, and literature. One of the easiest 5 Cthulhu ratings I’ve ever given.
(5 / 5)
Sarah Moon is a stone-cold sorceress from Tennessee whose interests include serial killers, horror fiction, and the newest dystopian blockbuster. Sarah holds an M.A. in English Literature and an M.F.A. in Fiction Writing. She works as an English professor as well as a cemeterian. Sarah is most likely to cover horror in print including prose, poetry, and graphic forms. You can find her on Instagram @crystalsnovelnook.
“Lives coil within lives. Dreams coil within dreams.”
First and foremost, I would like to thank Lucretia Grindle for providing me with an ARC of This Work of Darkness. Being immersed in 17th-century Salem Massachusetts was just what I needed to escape the insanity of the holiday season. With a planned publication date of January 16, 2025, This Work of Darkness is Book 2 of Grindle’s Salem duology. For anyone who has not read The Devil’s Glove, Book 1 of this series, please see my review here.
The Plot.
In the opening chapters of This Work of Darkness, we meet back up with Resolve Hammond. Now a young woman of means, living comfortably within the English family home in the heart of Salem, Massachusetts. Her days are filled with the rhythms of life in the bustling town – tending to the English family store and interacting with the townsfolk. However, beneath this veneer of contentment lies a deep-seated guilt. Years ago, Resolve made a solemn promise to Thaddeus and Abigail Hobbs: she would always protect and care for Abigail as a sister. Driven by a conscience burdened by her broken promise, Resolve seeks out Abigail. The stark contrast between her own privileged existence and the abject poverty and despair she witnesses at the Hobbs farm does nothing to alleviate her guilt. Abigail’s deteriorating mental state serves as a painful reminder of Resolve’s failings. As Resolve grapples with her guilt and the haunting memories of her past, a sinister undercurrent begins to stir within Salem. Accusations of spectral visitations and inexplicable afflictions erupt within the community, casting a pall of fear and suspicion over the townsfolk. One by one, the women in Resolve’s life – her friends, her confidantes, the very fabric of her social circle – are swept away by the hysteria, accused of witchcraft, and dragged before the court.
Highlights.
A key highlight of This Work of Darkness lies in Grindle’s masterful weaving of historical figures and events with her compelling fictional characters. This is historical fiction at its finest. The novel is rich with recognizable names and occurrences from the Salem Witch Trials, prompting me to frequently delve into further research, eagerly verifying the historical accuracy of characters I didn’t immediately recognize. To my delight, many of these were indeed real figures, and the book itself served as a fascinating gateway to deeper historical exploration. Grindle deserves significant praise for her poignant portrayal of the human suffering that unfolded during this period. Unlike many novels on the Salem Witch Trials, This Work of Darkness delves deeply into the individual experiences of its characters, meticulously exploring their motivations, relationships, and the profound impact of the hysteria on their lives.
Drawbacks.
This Work of Darkness is a sequel and as such of course must make references to the first work as a way to join the two together. However, I found that Grindle spent a lot of time in the first half of this novel recounting and rehashing the events of The Devil’s Glove. This can feel somewhat repetitive for readers experiencing this book as a sequel, and overwhelming for those approaching the novel as a standalone work.
Advertisement
As I mentioned in my review of The Devil’s Glove, Grindle is a wordsmith. This has not changed. However, while the phrase “Mother Gossip” (not a character but the gossip trending through the social circles of the story) initially adds a unique flavor to the novel’s language, its frequent recurrence throughout the narrative detracts from the overall reading experience. This repetitive use of the phrase, despite its initial charm, becomes somewhat tedious and disrupts the flow of the otherwise creatively written story.
The Final Take.
This Work of Darkness had me digging through the back of my bookshelf and rediscovering the joy that is Henry Miller’s, The Crucible. While the complete truth of the Salem Witch Trials may forever remain shrouded in mystery, Grindle’s exploration of the social and psychological factors that fueled the accusations was particularly insightful and entertaining.
As with its predecessor, I found myself captivated by the narrative, marking numerous passages and quotes. Perhaps my favorite from the entire series, is found in Chapter 29:
‘Truth, I would remind him, had little to do with anything these days. What mattered was what people chose to believe. That was what turned the jail keys.”
“Skin to skin. Blood to blood. Heart sister to heart sister.”
In Lucretia Grindle’s The Devil’s Glove: Salem Book 1(May 2023), readers are transported to the chilling precipice of the Salem Witch Trials. This meticulously researched novel blends historical accuracy with supernatural elements. Grindle crafts a captivating tale of fear, mistrust, and the enduring power of human connection.
Set in the remote Puritan village of Falmouth, on the eve of the infamous trials, the story unfolds amidst the clash of cultures. A war is brewing between the English settlers and the existing Native American community, fueling suspicion and resentment. Grindle masterfully explores the themes of colonialism, othering, and the enduring human need for connection.
The Plot.
In 1688, on the eve of the Salem Witch Trials, we meet Resolve Hammond. A young woman with the unsettling gift of seeing beyond the veil of reality. When Avis Hobbs dies, Resolve’s mother, a healer with deep ties to the local Native American tribe, suspects foul play.
Despite the growing tension between the villagers and their Native American neighbors, Resolve’s mother remains silent, fearing accusations of witchcraft. But Resolve, privy to unsettling visions, senses a sinister truth. Who would poison Avis, and why does Avis’s daughter, Abigail, seem eerily pleased?
Advertisement
As the village descends into paranoia and the threat of war with the neighboring native community looms, Resolve must confront her unsettling gift and use it to uncover the truth, even as the men in power manipulate events for their own gain.
Highlights.
Lucretia Grindle is a wordsmith. I rarely find myself stopping to reread sentences and passages just because once was not enough. The prose in this book is unrivaled. Beautiful metaphors and turns of phrase adorn every page. I was so pleased to be reading on Kindle, highlighting line upon line, “murmur piles upon murmur like rotting leaves”, “feel for the flutter of the soul at the neck” and “the kitchen is a cave of shapes” are just a few of my favorites.
The research that Grindle must have completed for this novel must also be noted. This is not only obvious with the inclusion of real people but also in the immersiveness of the setting. Details so small you might miss them are dropped like rain throughout the chapters, each contributing to filling the bucket that is 1688 New England.
Drawbacks.
There are no drawbacks to The Devil’s Glove in so far as the plot, characters, and writing are involved. I did find some repeated metaphors and spelling errors; this however is not a problem with the story or the author but an editing issue that takes nothing away from the story or prose. Not so much a drawback, but perhaps a misrepresentation was that The Devil’s Glove would tell the story of a mother and daughter who are suspected or accused of witchcraft. This is not this book. Although there is deep distrust between the Hammonds and the Puritan townsfolk, there is little in the way of actual accusations until the novel’s end.
The Final Take.
The Devil’s Glove is an exquisitely written novel that was a pleasure to read. It is reminiscent of Outlander with splashings of A Discovery of Witches. I was lucky enough to receive an ARC of the sequel, This Work of Darkness. I will be beginning this as soon as this review is posted. After reading the last lines of The Devil’s Glove there is no way I’m wasting a second to find out what comes next.
Isaac Thorne’s “Tab’s Terrible Third Eye” is a gripping psychological horror that delves deep into the fears and anxieties of childhood, blending supernatural elements with raw emotional trauma. This novel is a masterclass in building tension and exploring the darker corners of a young mind.
At the heart of the story is nine-year-old Tab, an artist whose drawings serve as a coping mechanism for his inner turmoil. Thorne’s portrayal of Tab is nuanced and heartbreakingly real, capturing the vulnerability and resilience of a child grappling with forces beyond his understanding.
The narrative takes a chilling turn when Tab encounters an otherworldly creature, resulting in a mysterious, angry bump on his left temple. This wound, which refuses to heal, becomes the focal point of the horror. Thorne’s description of the bump – burning, itching, and summoning ghosts – is viscerally unsettling, creating a sense of body horror that will make readers squirm.
What sets this novel apart is its exploration of the power and danger of imagination. Tab’s artwork, once a source of comfort, becomes a harbinger of real-life disasters. The foreshadowing of events through his drawings adds a layer of tragic inevitability to the story, ramping up the psychological tension.
Advertisement
Thorne excels in blurring the lines between reality and supernatural horror. Is Tab’s “third eye” truly causing these calamities, or is it a manifestation of his trauma and guilt? This ambiguity keeps readers on edge, forcing them to question the nature of Tab’s experiences.
The apparent supernatural of Tab’s Third Eye
The introduction of a determined ghost adds another dimension to the story. This spectral presence, seeking to use Tab’s newfound power for its own ends, creates a conflict that goes beyond simple horror tropes. It raises questions about agency, the weight of responsibility on young shoulders, and the battle for control over one’s own mind and body.
Thorne’s prose is sharp and evocative, painting vivid pictures of Tab’s internal and external struggles. The pacing is relentless, with each new revelation or incident building upon the last to create a mounting sense of dread.
While the novel treads familiar ground in terms of childhood trauma in horror literature, Thorne brings a fresh perspective to the genre. His focus on art as both a means of expression and a conduit for horror is particularly effective, resonating with anyone who has used creativity as an emotional outlet.
Verdict
“Tab’s Terrible Third Eye” is more than just a ghost story or a tale of supernatural abilities gone awry. It’s a poignant exploration of childhood fears, the burden of perceived responsibility, and the struggle to control one’s own narrative. Thorne has crafted a story that will haunt readers long after they’ve turned the final page, leaving them to ponder the thin line between imagination and reality, and the power of perception in shaping our world.
This novel is a must-read for fans of psychological horror, especially those who appreciate stories that delve into the complexities of childhood experiences. Thorne proves himself a master of the genre, delivering a tale that is as thought-provoking as it is spine-chilling.
Advertisement
Don’t just take my word for it-go pre-order your copy now directly from the author (plus you can get cool bunny stickers! Look, Raist, bunnies!)