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“Queen of Crows” by Holly Baker

Arnold pocketed the dark phone and flicked the butt of his glowing cigarette to the asphalt, crushing it under a loose boot beside a dried snake skin. Flattened by a tire, most likely. Not much living out here. Nothing worth much, anyway. A solitary bird flew high overhead, marring the otherwise uninterrupted azure of midday, and a dust-colored cricket jumped onto his shoulder and away again, into the sun-crisped grasses; but the one was just passing through and the other just a remnant of plague. Arnold didn’t count that as life.

He pushed himself off the car-side door and came around to the front. The phone’s battery might have been dead, but the car’s was not, so it was time to choose, and as far as he was concerned, the choice was obvious: head up and to the trees. But Erasmo, leaning over the Rand McNally he’d spread open on the golden hood of his Tío’s prized Studebaker, was less resolute. His finger was planted on a curving red line that cut through the center of the page where he believed they had stopped. Meanwhile, he twisted his head from map to horizon, to the left and to the right, trying to make sense of the twisty roads and endless hills.

The car was already beginning to stink, and if they hung around much longer, they would attract more than just these damn crickets. His patience fully sapped, Arnold smacked the hood of the car, and Erasmo jumped. An argument ensued, as it always did. Erasmo wanted to have done with it, turn around, go back the way they came. The tank was half drained already, he said, and they couldn’t afford any more highway meandering. That was why the hills were their best bet. But Arnold wanted it done right, and for that, they needed the cover of trees. As he always did, Arnold prevailed.

They piled back into the Studebaker, and Erasmo turned the key in the ignition with a prayer on his lips. After winning it in a game of roulette and painting it the color of pirate gold in his garage, Erasmo’s Tío had christened the jalopy El Dorado. Besado por el Sol, he also named it, and Dientes del Abuelito. Despite all the work he’d put into it, the car still ran as though it had loose bolts in the engine. But if, when Tío got out of the crowbar hotel, there was so much as a dimple in the fender or a hairline crack in the paint, it would be Erasmo’s ass under the wheels. The engine spluttered and groaned to be put back to work, but work it did, and they rolled back onto the asphalt.

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For his part, Arnold had no tíos, no tías, no nada de familia. So, he didn’t know what it was like to have the fear of God drilled into his bones and stamped onto his heart. To be fair, it took a healthy dose of imagination to start with, to assume he even had a heart.

Only five mile-markers later, at the crest of the next rise, they spotted her: a lone sojourner walking in their same direction on the shoulder on the opposite side of the road. At first, she appeared to be just a large, stuffed backpack with long, bare, willowy legs ending in a pair of high-ankle hiking boots. But hearing the wobbly roar of the jalopy, she turned, revealing a petite girl nearly half the size of the pack that loomed over her. She wore a pair of jeans cut short at the crotch line. Above the belt hung a sleeveless army-green tank atop which rested a heavy, circular pendant. A pink paisley kerchief kept her bristly black hair out of her eyes, and on both wrists were a dozen woven bracelets of every color, defying the insipid desert palette. The buckle straps from the backpack crossed her breasts and hips to ease her heavy load, as the hiker’s backpack extended well over her own head and swayed as she turned and, spotting them, stuck out her thumb for a ride.

Another rushed argument followed. This was an opportunity, Arnold said, so slow down and let’s have a chat. In answer, Erasmo put his foot on the gas and sped up. Again, Arnold hissed at the tocapelotas to stop the damn car so they could talk to her, and smacked Erasmo in the ear. As before, Arnold won, and Erasmo rolled to a stop beside the extended thumb.

She met them at the open window, where she grasped the gold door, bent at the waist, and cocked her head to see them. Nice wheels, she said, a thing she would have said to any double axles with the good nature to stop for a stranger. Erasmo shrugged, unengaged, and kept his nose pointed at the road. For his part, Arnold leaned across to the driver’s window, pushed his mirror glasses a little further down his nose so she could see his pretty blue eyes, and smiled to show off his new sparkly white caps. Her own gleamed in response, even though the sun was hiding its face from behind a brushing of wispy white clouds.

They’re yours, he said, and wherever she was meant to be, he promised to take her there. This baby was El Carro de la Reina, and did she know what it meant? She shook her head and he answered with a wink: the Queen’s Carriage.

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Before she could ask if he was sure, before she could even say thank you, he was out of the car and passing around the hood to where she was unclipping the straps of her pack, up top and down low. He eased the straps down from her shoulders and escorted her around to the passenger’s side, where he pulled open the door and the seat forward so she could hop in the back.

The pack was heavier than it looked, which was saying something of its bearer, with her limbs like aspens: long, white, thin and sturdier than they appeared, and lined with horizontal scars. From one zipper hung a Zippo lighter keychain, from another a pink tube of pepper spray that could be mistaken for lipstick. The pockets were covered with patches: a four-leaf clover, a Canadian flag, a Route 66 road sign, and a red heart framing the words All You Need Is Love. Arnold refrained from an eyeroll.

It was a tight fit already in the Studebaker’s boxy trunk, so some rearranging was required. After lifting out a pair of dusty shovels, Arnold shoved the twin glittering turquois heels further to the back, creating just enough room to wedge the pack. Then replaced the shovels, and the lid fell shut with a loud clunk.

When he looked up, he caught sight of Erasmo’s disapproving eyes in the rearview mirror. Arnold just scratched his nose with a middle finger, nonchalant as all hell, and ran two hands through his hair to slick it back. He returned to the passenger’s seat.

Her name was Ava, she said, though Arnold suspected this it was not her real name, but one she had chosen for herself. He also doubted her age. Twenty-two, she claimed, but Arnold didn’t put her a day over eighteen. Still, he kept silent as she spun her tale and declared herself a nomad, ever since running away from home, just to get out from under the same roof as her mother and her mother’s boyfriend, who thought he was as good as her father, and who had tried to ground her for coming home past midnight and for smoking weed in her own bedroom. He touched her, too. Nothing awful or invasive, not like some girls got from their mothers’ boyfriends, but unwanted all the same—light pinches and pats and pets, and always while her mother was in the room, and never did her mother ever say a word. But she put up with it. That was, she said, until the day the bastard hit her. She hit the road after that, didn’t think twice. She called it he best decision of her life.

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And such a short life at that, Arnold thought. Did she realize? He readjusted his estimate: sixteen, maybe.

Sorry, said Ava, they didn’t need to know all of that. A million stories like hers, she said. Erasmo shrugged, but Arnold empathized: The world was filled with nasty men. Ava was more generous: But some good ones, too. She meant Arnold and Erasmo.

Arnold rolled his head, regarding her in the backseat from head to bare knees from behind his mirror glasses. Her ears were studded with faux-silver hoops. The pendant was a pewter Celtic knot. Her nails were painted black. Great ink work, said Arnold, touching his own wrist to indicate hers, where the tattoo of a crow in flight spanned from ulna to radius, poking above the bracelets. She had another, perched on a branch on her collarbone, and probably a third, where they couldn’t see but Arnold suspected was there all the same. Girls her age. Predictable.

Los cuervos son mala suerte, muttered Erasmo. Arnold flicked him in the ear to punish him, then angled himself toward the backseat to ask Ava whether she spoke Spanish. She didn’t, so he interpreted: He says crows are good luck. She smiled. It was a beautiful smile, the kind only people who trusted people could make.

He showed her his, too: the marijuana leaf, its ribs tracing the prominent bones of the back of his left hand; the clock on the side of his neck, its hands set at 8:44; the tally marks running up his arm, numbering nine.

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She asked what they meant, touching her own neck to indicate his, her own arm. He laid a finger on his neck and said, Instruction. His hand trailed down to his arm and said, Reminder. Then he winked cryptically. He asked, Yours?

I’m Queen of Crows, she said, returning the wink. He laughed, and so did she. Only Erasmo’s lips remained straight, his jaw tight. His hands, curled around the wide steering wheel, tightened until the leather squeaked. He really was such a spoil sport.

Erasmo here’s sore she hadn’t asked about his, Arnold said to excuse his friend’s rudeness. He pointed to the back of Erasmo’s neck, where a decorative Christian cross extended from the hairline just behind his ear down to the meat of his shoulder. He had about a dozen of them, he explained to Ava: Erasmo was the superstitious sort.

He had always been so, at least as far as Arnold knew, ever since the murder of his father in cold blood and the inter-family war that followed. A bloody affair, the way Erasmo told it, which he only ever had, once, long ago, one long night, plied with alcohol and bemoaning the fact that he really couldn’t stand the sight of blood.

He had been just nine when it all went down, but his tío had taken him to the garage anyway, on the outskirts of the pueblo, pressed a gun to his hand, and pointed him up a tree with the instruction to matar al diablo. Why? Because justice comes from above, his tío said, pointing to the sky, then lifting the silver cross around his neck and kissing it. That day, he told his nephew, with a meaty hand clapping his shoulder, Erasmo would become justice. So the boy climbed the tree and sat among the birds. Not long after, while his tío and cousins stood waiting, the others arrived in two shiny black trucks, six or seven men, Erasmo couldn’t remember. But among them was the man who had murdered his father. They faced one another, spoke together, but Erasmo, too far away, heard nothing, not until the blast of a gun scared the birds from the trees and the first man fell.

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From his spot, hidden in the crook of a tree limb, Erasmo watched as each of the bad men and two of his cousins were shot down. Watched, and did nothing. The gun was little more than a prayer book in his hands. Later, his tĂ­o called him gallina, a coward, too weak to avenge his own father. For the next ten years, he dragged Erasmo up and down the countryside to teach him what it was to deliver justice from above.

By the time Arnold came knocking on his door, looking for a driver, Erasmo was a grown man and hardened by the things he had seen and done. He had twelve tattoos, twelve crosses, but it was unclear whether they were prayers for forgiveness, or shields against the devil. Superstitious indeed. Arnold knew they were neither. Just dark ink on sun-darkened skin.

To save the moment, Ava leaned forward, resting her folded arms on the seat in front of her and grinning at Erasmo. She liked his tattoos, she said. They were a kind of good luck charm all their own, weren’t they? His eyes darted to her once in the rearview mirror, then fixed themselves again on the road.

The sky seemed to dim the higher they climbed. Or maybe it was that the trees were growing taller, or closer together. There was no clock on the dash of the Studebaker, and of course his dead phone couldn’t tell the time, but surely sunset was still many hours away, which should have pleased Erasmo somewhat, even as his gas needle sank steadily toward E. All right, he had tortured the old boy long enough. And so, without turning his head from the side window or lifting his sunglasses from his nose, Arnold said they were far enough, and to leave the road and turn into the trees. Erasmo pulled the wheel, squeezing El Dorado between a gap in the pines.

Ava said nothing, not at first. Perhaps she thought they were turning around, or parking to take a piss, but as they rolled slowly through the woods, cutting their own trail the width of the Studebaker, she asked why they had left the road, and what they were doing.

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The car rumbled deeper into the woods, pitching them gently to and fro. Arnold assured her it wouldn’t take long, but would she indulge them while they took care of a little business matter? Again, he flashed her his contagious smile. Though she seemed less certain than before, she smiled anyway and nodded. It was no longer the smile of one who trusted.

When Arnold said so, Erasmo stopped the jalopy and killed the engine with the resignation of one who doubted it would ever start again. The men exited the car. They didn’t invite her out. So, she waited in the backseat, feigning composure, but alert to every sigh and shiver of the trees.

Outside the car, Arnold stretched his back. Cracked his neck. Rolled his shoulders. Then, he began to whistle. He joined Erasmo at the trunk of the car and popped open the golden lid like it was a treasure chest. First, they pulled out the oversized backpack and set it on the ground. Then Erasmo lifted the two shovels. At last, Arnold grabbed the turquois heels, twisted them around, and dragged them out so they hung over the lip of the trunk.

His tune ended, and he whistled sharply. Inside the car, Ava turned her head in answer. He beckoned her with a friendly wave and called her to join them. There was a moment’s hesitation as she inclined her head to the window, trying to see up and out, trying to make sense of what was happening. Then she was decided. She crawled to the front seat then out the side door, and as she walked around the side, Erasmo, holding his shovels, moved aside, to stand at her back, and wait for the signal, should it come.

When she saw the legs draping from the trunk, she gasped and froze. Arnold expected it. Flight would come next, once the initial shock wore off, and he was ready for that, too. Fight was the least likely, not for this one. But then Ava surprised him.

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She asked the name of the woman in the trunk. The men exchanged glances, and as Erasmo choked up on the handles of the shovels resting on his shoulder like baseball bats, Arnold answered with the casual concern of one remarking on disappointing weather: Connie or Callie or Corrie, he wasn’t sure. She asked what had happened to her, and Arnold answered that she hadn’t known where she was going. She asked, finally, had it been a world filled with nasty men, and Arnold answered yes.

Finally, she turned toward Erasmo and extended her arm for a shovel. She would help dig, she said, and lay Connie or Callie or Corrie to rest.

And so they dug, taking turns and sharing two shovels among the three of them. The ground below was soft, but a web of roots slowed their progress. Erasmo proposed that shallow was good enough, but Arnold that deeper was better. Fit for two bodies, not one. That was what he meant. Ava, bless her, said nothing at all.

A breeze cooled the sweat on their foreheads and ruffled the leaves overhead, casting the forest floor in pale dappled sunlight. At the same time, the woods were darkening as if dusk had come early. Can’t be that late yet, Arnold thought, and didn’t remove his sunglasses. There was still some ways to go. He relieved Ava of a shovel and told her to fetch a flashlight from the trunk while he took her place in the hole. As he planted the shovel further into the earth, he heard, from a short distance, Ava apologizing softly to the dead woman as she rummaged beneath her body in search of the Coleman flashlight. She found it and returned, shining the light into the hole while she rested on a fallen log.

Perhaps the hole was already deep enough, but Arnold didn’t stop, and so neither did Erasmo. Tonight, he would earn his tenth tally mark. A little ahead of schedule, but hell, he thought, needs must when the devil drives. Then he heard the sharp caw of a crow.

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It seemed out of place in the forest, this high up in the mountains. Not that Arnold knew much about birds and their habitats. But he had adapted to the silence that seemed to follow in his wake. Or was it that he always walked deadened trails? Either way, the bird was an intruder. Because there it was, appearing suddenly, perched on the Studebaker like a shiny, black hood ornament, its head twitching sharply here and there, as though curious about the scene before it, two men burrowing into the earth and a woman lighting their way.

Erasmo scowled and made to climb out of the hole, to startle it away, when Ava begged him not to. He stilled, one leg out of the hole. Crows were good luck, she reminded him, echoing Arthur’s translation. He laughed unkindly at her misunderstanding and glared at Arnold for his deceit. Erasmo didn’t like games, never had. If Arnold was a cat with a mouse between its paws, playing a game of catch-and-release, Erasmo was the snake that that sprang with fangs already drawn. A snake shouldn’t have to pay deference to a cat. But they both knew why he did.

Didn’t they know, Ava continued, that crows were keepers of women’s secrets? Had they not grown with the story? She thought everyone knew. She turned up her wrist, exposing the tattoo, and told them a story.

Once, there was a woman who loved a man very much. But the man had a black heart, and a deceptive spirit. Deceived by his tongue, clever like a snake’s, and his charm, warm like a bear’s, she ignored the warnings of her mother and father and ran away with him. He took what he wanted from her, alone in the woods, where none could see, only the birds—swallows and robins and crows. When he drew his knife, she screamed, and the sound of her screams entered into the crows. The other birds took flight, but the crows stayed to witness.

Later, after the man had fled, her mother and father and all the townspeople went in search of her. For days, they searched, and for days they ignored the cawing of the crows—such an unpleasant, unmusical noise they did not wish to hear. But finally, they listened, and they followed the crows into the woods, to the spot where he had buried her. Only then—as though a radio had been tuned from static to station—did they hear the woman’s voice in the throats of the crows and know that it had been the lost woman all along, yearning to be found.

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It was an ugly story, Erasmo said, returning his blade to the earth. Arnold, though, stared at the girl who did not seem such a girl anymore. He had misjudged her age, he thought, as so many misjudged his. Not twenty. Not sixteen. Not eighteen. Older than that. But he could not say how much older. Ten years. Twenty years. A hundred. She seemed an impossible age.

The crow, still brazenly perched on El Dorado’s hood, gave another squawk, but the cry sounded, this time, less like a bird and more like a woman. Erasmo tossed the shovel out of the hole and hoisted himself out, stalking menacingly toward the bird, which spread its wings and voiced its displeasure but did not take flight, not until Erasmo snatched up a stone from the forest floor and hurled it. The crow cried out and flew into the trees, and the stone, bouncing away, left behind a long, garish slash through the plate of gold coating.

He cursed, and swung himself back around, but it was the last thing he did. Ava had claimed the discarded shovel, and, with a cry of her own, swung it into his head. With a crunch, the corner of the blade lodged in his skull. His eyes crossed and his jaw fell slack, and he crashed first to his knees, then his face, the blood spurting from the fissure in his head like a geyser.

From the hip-deep hole, Arnold leaned on his shovel, watching placidly as the flow became a trickle, watching studiously as Ava tried to pry the shovel from the dead man’s skull, but without success; it was too firmly planted. Panting, she stumbled back from the body and turned to face Arnold. Such a curiosity, this one. She didn’t run. She didn’t speak. She only . . . waited. For what? For him? To see what he would do? So he asked her: Had it felt good, killing Erasmo? Had she liked it? She answered nothing. Only waited.

Very well, perhaps an invitation. He would ask her to join him, to be his replacement coadjutor, one thumb in the Rand McNally and the other tapping a wide steering wheel or the shaft of a shovel. She had grit, this one, intelligence and brashness, like a crow, waiting, watching, until—

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Ava picked up a rock by her feet. When it struck him between the eyes, he was amazed. He had forgotten what it was to feel pain, raw and exquisite. His head fell backward, but before his own hot blood pooled into his eyes, he saw, in the trees above, what he had mistaken for shivering leaves, and which had been responsible for darkening the skies: crows. A thousand of them. Suddenly, they alighted from the branches, and the beating of their wings was like the roar of an oncoming train. Arnold fell back into the freshly dug grave as the black cloud descended on him, and he remembered, among his final thoughts, the black birds who had been there each time he had earned a new tally mark, witnessing the things he had done.

When the birds were gone, Ava buried them in the hole meant for Connie, deep enough for two. With the keys hanging from one finger, she gently folded Connie back into the trunk with a whispered an apology for all she had been through, and a compliment for her pretty shoes. Turquoise wasn’t Ava’s color, but she could appreciate it all the same. Then she hefted her pack and placed it in the passenger’s seat. It took two tries, but the Studebaker purred back to life with a turn on of the key. Easing between the trees, she returned to the road, driving back the way she had come.

Gasping on fumes, the car rolled into a gas station on the perimeter of a town. It was well past dark. While the tank filled, she pulled her phone from her pack, along with a portable charger, and sent a text. Then she drove through the night and into the next day and the next night until she came to city, and to a club, and behind the club, an alley. There, she laid Connie, where she knew she would be found. Later that night, maybe early in the morning, she would be found. No longer a missing person, no longer a question mark. She would be mourned, the way the dead ought to be mourned, and laid to rest in a suitable grave with a marker, bearing her name.

Sorrowful, but satisfied, Ava said her farewell, pulled the car to the street, and parked it two blocks away. She returned to the club, where the bass thrummed and the lights strobed blue and purple and red, and pushed her way through the mass of bodies until she found her friend, exactly where she said she’d be, jumping to the beat with her hands in the air. Ava tapped her friend’s bare shoulder, upon which she had tattooed a crow, and put her lips close to the woman’s ear: it was done, but there were others. Eight left to find. The woman stopped dancing and nodded. There was more work to do.

As they pushed their way through the crowd, toward the exit, they linked pinkies to keep together. How would they know where to go next, the woman wondered, and Ava said, wait and listen.

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They drove. And as the sun began to crest in the East, they saw them: two birds, sharp silhouettes against pale orange clouds, flying north. The women leaned their heads forward to see them through the windshield. Moments later, they were joined by a third, a fourth, until the murder of crows, as synchronized as a school of fish, listed like a wave and turned north. At the next crossroads, Ava turned the wheel, following them, to discover what secrets they carried in their throats.

This author has not provided a photo.

Holly Teresa Baker is a fiction writer from Indiana. She teaches writing at Purdue University.

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Original Creations

Dirty Clean Sweep, a Short Story by Jennifer Weigel

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Wendell was a germophobe. His obsessions with cleanliness extended far beyond the reach of OCD and even hypochondria, because for all that he was totally infatuated with his own mortality and utterly convinced that he was sick, it was his peculiar obsession with germs that eventually drove him to an insanity that doomed the world to an unexpected and dire destruction. For Wendell was the reason for the Clean Sweep.

When the COVID pandemic happened, it only increased Wendell’s fear, and his germophobia worsened significantly. He started meticulously waxing all of the hair off of his body, even his eyebrows, and would shower several times per day, using an abrasive pumice to slough off any dead skin that might otherwise accumulate and attract mites. As his manners and habits surrounding cleanliness became more and more rigid and involved, he left his house less and less for any reason whatsoever. He began to treat his home environment like a hospital or chemical facility and reworked everything to minimize debris, personally installing air filtration systems that rivaled some of the most sterile industry environments and cleaning everything constantly (he had once worked in HVAC and now no longer trusted anyone else to be involved in his efforts).

He took advantage of all of the delivery services, with packages coming to his back porch once weekly. He had everything on video camera and would scream at anyone who didn’t follow his explicit instructions through a small speaker in the ceiling. If a delivery-person didn’t first sanitize their hands with the supplied wipes and then put on latex gloves and booties before turning the door handle to drop their package on the specified table, they were yelled at and reported, and a bad review was left for whatever service had sent them.

Dirty Clean hand sanitizer out and about
Dirty Clean…

Wendell only order packaged foods, simple soups and cereals that would not come in contact with the world outside of their factory packaged settings. He meticulously researched processing plants to determine what he could and could not consume according to his own standards of cleanliness. When a parcel was delivered, he would leave it where it sat for two to three days time depending on the weather, all the while monitoring it. He would eventually suit up in a tyvek jumpsuit, goggled and gloved, and brave the porch himself in order to extract his needed food and hygiene supplies. Whilst there, he would spray and wipe down the porch, replenish the hand sanitizing wipes and latex gloves, and take everything that might have come into contact with the outside world out with his trash. The cycle would then repeat again a few days later. Every delivery included yet more gear to perpetuate his clean infatuation. More latex gloves, more wipes, more sprays, more tyvek suits… And every time his labors increased…

While Wendell continued to go about his business, ordering life necessities like soap and soup online, a slow and subtle change to his environment began to take over. It wasn’t obvious and, as he never put any distance between himself and his bubble world, he was unaware of the shift. It began because of a spore, well more of an anti-spore like blossoming of suddenly self-aware sterilization. No one really knows where it came from, or how it managed to get such a strong foothold, but perhaps it was because of Wendell’s meticulous cleaning habits. For this strange and unusual being, or beings as it were (for it was hard to tell whether there was a single individual or a number of them all acting under one consciousness), though unaffected by cleaning reagents and the like, had once been highly susceptible to bacteria and rarely survived at length when competing for resources with other species previous to its evolution in Wendell’s abode. But the bereft home was the perfect outpost for it to thrive, and it finally managed to gain a foothold. It grew rapidly and had soon infiltrated most every corner.

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As mentioned, Wendell didn’t notice, or perhaps he welcomed the change. For this strange surface skimmer actually looked even cleaner than its surroundings, appearing as an even brighter less dingy white that almost seemed to glow. It embodied cleanliness, at least insofar as we have come to perceive the concept. And the more that it acclimated to its habitat, the more resilient it became, learning to alter its own surroundings to its gain by killing off any and all other life forms that stood in its way. When a small quantity of some bacteria or mite or other single-celled threat was introduced, say on a box surface or embedded in the cardboard, the newly evolved clean critter would attack and annihilate them almost as if it were itself composed of harsh cleansers like bleach and ammonia. It seemed to develop a memory for different organisms and found a way to destroy most everything. It steadily increased in size and became stronger and stronger.

Clean Dirty hand sanitizer out and about
Clean Dirty…

Finally, one day, it had grown large enough to determine that Wendell himself was a threat, for no matter how clean his environment or person was, he still harbored a myriad of organisms required to keep a human healthy and fully functioning. He was inherently dirty and had to be eliminated. And so the creature he had fostered at length, by providing a nearly sterile environment for its incubation, rose up and destroyed him. It did so while he was sleeping and so he had no awareness of what had happened; had he realized a blanket of seemingly sudsy foam was suffocating him he would have panicked thinking it was some sort of bacterial infection or the like. But he blissfully slept through his untimely death, and the aggressive new organism worked to dispel all of the unclean bits and detritus of his being.

After finally taking over the whole of the house, this new creature began to spread, much like a fungus or a rot, dismantling all in its path in order to leave a wake of clean sterile nothingness. Although it has been said that nature abhors a vacuum, somehow this void had become powerful enough to negate that and continued on its path of complete and utter destruction, leaving nothing living in its path. Before too long it had absorbed the two neighboring houses, and then the houses just beyond those, in a sort of reverse infection that defied logical explanation. The local health department and center for disease control were perplexed; these spaces seemed too clean to harbor such a deadly silent killer and yet something was slowly annihilating everything in its path on a microscopic level. It almost acted like a slow progressing chemical spill but yet there was no evidence of such either.

Before long, word had gotten out and samples had been taken and distributed across the globe. One of those samples was eventually leaked intentionally, as a weapon of mass destruction, and was unable to later be contained. The Clean Sweep was upon all and the world began to be disinfected wholly as it spread. Life was literally in the balance, slated to be eradicated and left to a sort of shiny surface devoid of substance. All was being cleansed, slowly but surely. What started with Wendell, whom would never be known or acknowledged as the source of this new terror, had grown to be much larger.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

If you enjoyed this tale, here is another creepy story about cleanliness. Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

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Original Creations

More Nail Polish Paintings by Jennifer Weigel

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Well, seems I’m at it again, with more nail polish paintings into found thrift store art. Why so many flowers this time…? Well a friend sent them and I just couldn’t help myself. They are so perfect for creepy fairy paintings. And for those of you who think fairies aren’t scary, you haven’t read much about the fey now have you?

More Revisitations nail polish paintings by Jennifer Weigel
More Revisitations nail polish paintings by Jennifer Weigel

Top left: Blue Fairy, originally painted by M Wadorf

Top right: Pegasus, originally painted by Edie Babb

Bottom left: Unicorn, originally painted by R Lovelace (After I painted this I realized I missed the opportunity to do a troll with a bridge and so I hope to do another along those lines in the future.)

Bottom middle: Fairy, originally painted by SD Janz

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Bottom right: Dragon, original signed FZ, very sparkly with black-light sensitive eyes

And the most horrific of the bunch this time is this mermaid, who started as a weird bucket painting by Helen Miller… So, what’s in the bucket, Helen? Body parts? Fish? Plants not yet in bloom? I envisioned a trapped mermaid waiting to ensnare some unsuspecting land-goer, because no one would expect to find a mermaid there…

Mermaid in bucket, original by Helen Miller
Is this mermaid trapped in need of help or just trying to lure you close?

So I broke down and redid the unicorn to a troll. Apparently the troll was hungry… Anyway, here is the result. I am happier with it now.

Troll with toll bridge, original by R Lovelace
Hungry troll wants bridge tolls after eating innocent unicorn.

You can find more of my Revisitations art on Haunted MTL here, including links to even more nail polish paintings…

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

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Original Creations

Bloody Mary or More Doll Costuming by Jennifer Weigel

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So I came upon a Liv doll with no wig and decided to make her a mourning ensemble. The result was so reminiscent of this Bloody Mary music video based on the Lady Gaga song, by Ruben Samuel Cortez for his film school final (not the Wednesday TikTok remix, though that is also fun) that I simply had to share.

Costumed Liv doll to Bloody Mary by Jennifer Weigel
Costumed Liv doll to Bloody Mary by Jennifer Weigel

The outfit is made up of really fancy thick black lace leftover from a skirt I decorated for a party and an old translucent black handkerchief. It really reminds me of the table dancers in the music video but black instead of white (though it also alludes to some of the other outfits too, and Wednesday’s dress from the TikTok remake).

Close up of Bloody Mary doll's face
Close up of Bloody Mary doll’s face

I love the detail on the eyes on these Liv dolls, which are embedded and not painted on.

Closer still...
Closer still…

The Liv dolls’ eyes are just so lifelike. I think this is what attracts me to the Rainbow High dolls too, and why I had to turn the Makeover Failfix 2Dreami into Lady Amalthea of The Last Unicorn…

Failfix 2Dreami as Lady Amalthea from The Last Unicorn (not scary but one of my all time fave movies and I love how this doll turned out so I'm posting her here anyway)
Failfix 2Dreami as Lady Amalthea from The Last Unicorn (not scary but one of my all time fave movies and I love how this doll turned out so I’m posting her here anyway)

If you want to check out more of my altered dolls, I have posted several to Haunted MTL here:

Fashion Zombies

Heartbreak Hotel

Mummy Dearest

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Catharsis

Fairy Wands

She Wolf

Queen of Everything

More Altered Dolls

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Krampus

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

Oh and here’s a bonus photo of the skirt that I got the lace for originally, titled Kiss My A$$.

Portrait of the artist, dressed for a Blue Jeans and Bling party
Portrait of the artist, dressed for a Blue Jeans and Bling party

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