Connect with us



“Queen of Crows” by Holly Baker

Arnold pocketed the dark phone and flicked the butt of his glowing cigarette to the asphalt, crushing it under a loose boot beside a dried snake skin. Flattened by a tire, most likely. Not much living out here. Nothing worth much, anyway. A solitary bird flew high overhead, marring the otherwise uninterrupted azure of midday, and a dust-colored cricket jumped onto his shoulder and away again, into the sun-crisped grasses; but the one was just passing through and the other just a remnant of plague. Arnold didn’t count that as life.

He pushed himself off the car-side door and came around to the front. The phone’s battery might have been dead, but the car’s was not, so it was time to choose, and as far as he was concerned, the choice was obvious: head up and to the trees. But Erasmo, leaning over the Rand McNally he’d spread open on the golden hood of his Tío’s prized Studebaker, was less resolute. His finger was planted on a curving red line that cut through the center of the page where he believed they had stopped. Meanwhile, he twisted his head from map to horizon, to the left and to the right, trying to make sense of the twisty roads and endless hills.

The car was already beginning to stink, and if they hung around much longer, they would attract more than just these damn crickets. His patience fully sapped, Arnold smacked the hood of the car, and Erasmo jumped. An argument ensued, as it always did. Erasmo wanted to have done with it, turn around, go back the way they came. The tank was half drained already, he said, and they couldn’t afford any more highway meandering. That was why the hills were their best bet. But Arnold wanted it done right, and for that, they needed the cover of trees. As he always did, Arnold prevailed.

They piled back into the Studebaker, and Erasmo turned the key in the ignition with a prayer on his lips. After winning it in a game of roulette and painting it the color of pirate gold in his garage, Erasmo’s Tío had christened the jalopy El Dorado. Besado por el Sol, he also named it, and Dientes del Abuelito. Despite all the work he’d put into it, the car still ran as though it had loose bolts in the engine. But if, when Tío got out of the crowbar hotel, there was so much as a dimple in the fender or a hairline crack in the paint, it would be Erasmo’s ass under the wheels. The engine spluttered and groaned to be put back to work, but work it did, and they rolled back onto the asphalt.


For his part, Arnold had no tíos, no tías, no nada de familia. So, he didn’t know what it was like to have the fear of God drilled into his bones and stamped onto his heart. To be fair, it took a healthy dose of imagination to start with, to assume he even had a heart.

Only five mile-markers later, at the crest of the next rise, they spotted her: a lone sojourner walking in their same direction on the shoulder on the opposite side of the road. At first, she appeared to be just a large, stuffed backpack with long, bare, willowy legs ending in a pair of high-ankle hiking boots. But hearing the wobbly roar of the jalopy, she turned, revealing a petite girl nearly half the size of the pack that loomed over her. She wore a pair of jeans cut short at the crotch line. Above the belt hung a sleeveless army-green tank atop which rested a heavy, circular pendant. A pink paisley kerchief kept her bristly black hair out of her eyes, and on both wrists were a dozen woven bracelets of every color, defying the insipid desert palette. The buckle straps from the backpack crossed her breasts and hips to ease her heavy load, as the hiker’s backpack extended well over her own head and swayed as she turned and, spotting them, stuck out her thumb for a ride.

Another rushed argument followed. This was an opportunity, Arnold said, so slow down and let’s have a chat. In answer, Erasmo put his foot on the gas and sped up. Again, Arnold hissed at the tocapelotas to stop the damn car so they could talk to her, and smacked Erasmo in the ear. As before, Arnold won, and Erasmo rolled to a stop beside the extended thumb.

She met them at the open window, where she grasped the gold door, bent at the waist, and cocked her head to see them. Nice wheels, she said, a thing she would have said to any double axles with the good nature to stop for a stranger. Erasmo shrugged, unengaged, and kept his nose pointed at the road. For his part, Arnold leaned across to the driver’s window, pushed his mirror glasses a little further down his nose so she could see his pretty blue eyes, and smiled to show off his new sparkly white caps. Her own gleamed in response, even though the sun was hiding its face from behind a brushing of wispy white clouds.

They’re yours, he said, and wherever she was meant to be, he promised to take her there. This baby was El Carro de la Reina, and did she know what it meant? She shook her head and he answered with a wink: the Queen’s Carriage.


Before she could ask if he was sure, before she could even say thank you, he was out of the car and passing around the hood to where she was unclipping the straps of her pack, up top and down low. He eased the straps down from her shoulders and escorted her around to the passenger’s side, where he pulled open the door and the seat forward so she could hop in the back.

The pack was heavier than it looked, which was saying something of its bearer, with her limbs like aspens: long, white, thin and sturdier than they appeared, and lined with horizontal scars. From one zipper hung a Zippo lighter keychain, from another a pink tube of pepper spray that could be mistaken for lipstick. The pockets were covered with patches: a four-leaf clover, a Canadian flag, a Route 66 road sign, and a red heart framing the words All You Need Is Love. Arnold refrained from an eyeroll.

It was a tight fit already in the Studebaker’s boxy trunk, so some rearranging was required. After lifting out a pair of dusty shovels, Arnold shoved the twin glittering turquois heels further to the back, creating just enough room to wedge the pack. Then replaced the shovels, and the lid fell shut with a loud clunk.

When he looked up, he caught sight of Erasmo’s disapproving eyes in the rearview mirror. Arnold just scratched his nose with a middle finger, nonchalant as all hell, and ran two hands through his hair to slick it back. He returned to the passenger’s seat.

Her name was Ava, she said, though Arnold suspected this it was not her real name, but one she had chosen for herself. He also doubted her age. Twenty-two, she claimed, but Arnold didn’t put her a day over eighteen. Still, he kept silent as she spun her tale and declared herself a nomad, ever since running away from home, just to get out from under the same roof as her mother and her mother’s boyfriend, who thought he was as good as her father, and who had tried to ground her for coming home past midnight and for smoking weed in her own bedroom. He touched her, too. Nothing awful or invasive, not like some girls got from their mothers’ boyfriends, but unwanted all the same—light pinches and pats and pets, and always while her mother was in the room, and never did her mother ever say a word. But she put up with it. That was, she said, until the day the bastard hit her. She hit the road after that, didn’t think twice. She called it he best decision of her life.


And such a short life at that, Arnold thought. Did she realize? He readjusted his estimate: sixteen, maybe.

Sorry, said Ava, they didn’t need to know all of that. A million stories like hers, she said. Erasmo shrugged, but Arnold empathized: The world was filled with nasty men. Ava was more generous: But some good ones, too. She meant Arnold and Erasmo.

Arnold rolled his head, regarding her in the backseat from head to bare knees from behind his mirror glasses. Her ears were studded with faux-silver hoops. The pendant was a pewter Celtic knot. Her nails were painted black. Great ink work, said Arnold, touching his own wrist to indicate hers, where the tattoo of a crow in flight spanned from ulna to radius, poking above the bracelets. She had another, perched on a branch on her collarbone, and probably a third, where they couldn’t see but Arnold suspected was there all the same. Girls her age. Predictable.

Los cuervos son mala suerte, muttered Erasmo. Arnold flicked him in the ear to punish him, then angled himself toward the backseat to ask Ava whether she spoke Spanish. She didn’t, so he interpreted: He says crows are good luck. She smiled. It was a beautiful smile, the kind only people who trusted people could make.

He showed her his, too: the marijuana leaf, its ribs tracing the prominent bones of the back of his left hand; the clock on the side of his neck, its hands set at 8:44; the tally marks running up his arm, numbering nine.


She asked what they meant, touching her own neck to indicate his, her own arm. He laid a finger on his neck and said, Instruction. His hand trailed down to his arm and said, Reminder. Then he winked cryptically. He asked, Yours?

I’m Queen of Crows, she said, returning the wink. He laughed, and so did she. Only Erasmo’s lips remained straight, his jaw tight. His hands, curled around the wide steering wheel, tightened until the leather squeaked. He really was such a spoil sport.

Erasmo here’s sore she hadn’t asked about his, Arnold said to excuse his friend’s rudeness. He pointed to the back of Erasmo’s neck, where a decorative Christian cross extended from the hairline just behind his ear down to the meat of his shoulder. He had about a dozen of them, he explained to Ava: Erasmo was the superstitious sort.

He had always been so, at least as far as Arnold knew, ever since the murder of his father in cold blood and the inter-family war that followed. A bloody affair, the way Erasmo told it, which he only ever had, once, long ago, one long night, plied with alcohol and bemoaning the fact that he really couldn’t stand the sight of blood.

He had been just nine when it all went down, but his tío had taken him to the garage anyway, on the outskirts of the pueblo, pressed a gun to his hand, and pointed him up a tree with the instruction to matar al diablo. Why? Because justice comes from above, his tío said, pointing to the sky, then lifting the silver cross around his neck and kissing it. That day, he told his nephew, with a meaty hand clapping his shoulder, Erasmo would become justice. So the boy climbed the tree and sat among the birds. Not long after, while his tío and cousins stood waiting, the others arrived in two shiny black trucks, six or seven men, Erasmo couldn’t remember. But among them was the man who had murdered his father. They faced one another, spoke together, but Erasmo, too far away, heard nothing, not until the blast of a gun scared the birds from the trees and the first man fell.


From his spot, hidden in the crook of a tree limb, Erasmo watched as each of the bad men and two of his cousins were shot down. Watched, and did nothing. The gun was little more than a prayer book in his hands. Later, his tío called him gallina, a coward, too weak to avenge his own father. For the next ten years, he dragged Erasmo up and down the countryside to teach him what it was to deliver justice from above.

By the time Arnold came knocking on his door, looking for a driver, Erasmo was a grown man and hardened by the things he had seen and done. He had twelve tattoos, twelve crosses, but it was unclear whether they were prayers for forgiveness, or shields against the devil. Superstitious indeed. Arnold knew they were neither. Just dark ink on sun-darkened skin.

To save the moment, Ava leaned forward, resting her folded arms on the seat in front of her and grinning at Erasmo. She liked his tattoos, she said. They were a kind of good luck charm all their own, weren’t they? His eyes darted to her once in the rearview mirror, then fixed themselves again on the road.

The sky seemed to dim the higher they climbed. Or maybe it was that the trees were growing taller, or closer together. There was no clock on the dash of the Studebaker, and of course his dead phone couldn’t tell the time, but surely sunset was still many hours away, which should have pleased Erasmo somewhat, even as his gas needle sank steadily toward E. All right, he had tortured the old boy long enough. And so, without turning his head from the side window or lifting his sunglasses from his nose, Arnold said they were far enough, and to leave the road and turn into the trees. Erasmo pulled the wheel, squeezing El Dorado between a gap in the pines.

Ava said nothing, not at first. Perhaps she thought they were turning around, or parking to take a piss, but as they rolled slowly through the woods, cutting their own trail the width of the Studebaker, she asked why they had left the road, and what they were doing.


The car rumbled deeper into the woods, pitching them gently to and fro. Arnold assured her it wouldn’t take long, but would she indulge them while they took care of a little business matter? Again, he flashed her his contagious smile. Though she seemed less certain than before, she smiled anyway and nodded. It was no longer the smile of one who trusted.

When Arnold said so, Erasmo stopped the jalopy and killed the engine with the resignation of one who doubted it would ever start again. The men exited the car. They didn’t invite her out. So, she waited in the backseat, feigning composure, but alert to every sigh and shiver of the trees.

Outside the car, Arnold stretched his back. Cracked his neck. Rolled his shoulders. Then, he began to whistle. He joined Erasmo at the trunk of the car and popped open the golden lid like it was a treasure chest. First, they pulled out the oversized backpack and set it on the ground. Then Erasmo lifted the two shovels. At last, Arnold grabbed the turquois heels, twisted them around, and dragged them out so they hung over the lip of the trunk.

His tune ended, and he whistled sharply. Inside the car, Ava turned her head in answer. He beckoned her with a friendly wave and called her to join them. There was a moment’s hesitation as she inclined her head to the window, trying to see up and out, trying to make sense of what was happening. Then she was decided. She crawled to the front seat then out the side door, and as she walked around the side, Erasmo, holding his shovels, moved aside, to stand at her back, and wait for the signal, should it come.

When she saw the legs draping from the trunk, she gasped and froze. Arnold expected it. Flight would come next, once the initial shock wore off, and he was ready for that, too. Fight was the least likely, not for this one. But then Ava surprised him.


She asked the name of the woman in the trunk. The men exchanged glances, and as Erasmo choked up on the handles of the shovels resting on his shoulder like baseball bats, Arnold answered with the casual concern of one remarking on disappointing weather: Connie or Callie or Corrie, he wasn’t sure. She asked what had happened to her, and Arnold answered that she hadn’t known where she was going. She asked, finally, had it been a world filled with nasty men, and Arnold answered yes.

Finally, she turned toward Erasmo and extended her arm for a shovel. She would help dig, she said, and lay Connie or Callie or Corrie to rest.

And so they dug, taking turns and sharing two shovels among the three of them. The ground below was soft, but a web of roots slowed their progress. Erasmo proposed that shallow was good enough, but Arnold that deeper was better. Fit for two bodies, not one. That was what he meant. Ava, bless her, said nothing at all.

A breeze cooled the sweat on their foreheads and ruffled the leaves overhead, casting the forest floor in pale dappled sunlight. At the same time, the woods were darkening as if dusk had come early. Can’t be that late yet, Arnold thought, and didn’t remove his sunglasses. There was still some ways to go. He relieved Ava of a shovel and told her to fetch a flashlight from the trunk while he took her place in the hole. As he planted the shovel further into the earth, he heard, from a short distance, Ava apologizing softly to the dead woman as she rummaged beneath her body in search of the Coleman flashlight. She found it and returned, shining the light into the hole while she rested on a fallen log.

Perhaps the hole was already deep enough, but Arnold didn’t stop, and so neither did Erasmo. Tonight, he would earn his tenth tally mark. A little ahead of schedule, but hell, he thought, needs must when the devil drives. Then he heard the sharp caw of a crow.


It seemed out of place in the forest, this high up in the mountains. Not that Arnold knew much about birds and their habitats. But he had adapted to the silence that seemed to follow in his wake. Or was it that he always walked deadened trails? Either way, the bird was an intruder. Because there it was, appearing suddenly, perched on the Studebaker like a shiny, black hood ornament, its head twitching sharply here and there, as though curious about the scene before it, two men burrowing into the earth and a woman lighting their way.

Erasmo scowled and made to climb out of the hole, to startle it away, when Ava begged him not to. He stilled, one leg out of the hole. Crows were good luck, she reminded him, echoing Arthur’s translation. He laughed unkindly at her misunderstanding and glared at Arnold for his deceit. Erasmo didn’t like games, never had. If Arnold was a cat with a mouse between its paws, playing a game of catch-and-release, Erasmo was the snake that that sprang with fangs already drawn. A snake shouldn’t have to pay deference to a cat. But they both knew why he did.

Didn’t they know, Ava continued, that crows were keepers of women’s secrets? Had they not grown with the story? She thought everyone knew. She turned up her wrist, exposing the tattoo, and told them a story.

Once, there was a woman who loved a man very much. But the man had a black heart, and a deceptive spirit. Deceived by his tongue, clever like a snake’s, and his charm, warm like a bear’s, she ignored the warnings of her mother and father and ran away with him. He took what he wanted from her, alone in the woods, where none could see, only the birds—swallows and robins and crows. When he drew his knife, she screamed, and the sound of her screams entered into the crows. The other birds took flight, but the crows stayed to witness.

Later, after the man had fled, her mother and father and all the townspeople went in search of her. For days, they searched, and for days they ignored the cawing of the crows—such an unpleasant, unmusical noise they did not wish to hear. But finally, they listened, and they followed the crows into the woods, to the spot where he had buried her. Only then—as though a radio had been tuned from static to station—did they hear the woman’s voice in the throats of the crows and know that it had been the lost woman all along, yearning to be found.


It was an ugly story, Erasmo said, returning his blade to the earth. Arnold, though, stared at the girl who did not seem such a girl anymore. He had misjudged her age, he thought, as so many misjudged his. Not twenty. Not sixteen. Not eighteen. Older than that. But he could not say how much older. Ten years. Twenty years. A hundred. She seemed an impossible age.

The crow, still brazenly perched on El Dorado’s hood, gave another squawk, but the cry sounded, this time, less like a bird and more like a woman. Erasmo tossed the shovel out of the hole and hoisted himself out, stalking menacingly toward the bird, which spread its wings and voiced its displeasure but did not take flight, not until Erasmo snatched up a stone from the forest floor and hurled it. The crow cried out and flew into the trees, and the stone, bouncing away, left behind a long, garish slash through the plate of gold coating.

He cursed, and swung himself back around, but it was the last thing he did. Ava had claimed the discarded shovel, and, with a cry of her own, swung it into his head. With a crunch, the corner of the blade lodged in his skull. His eyes crossed and his jaw fell slack, and he crashed first to his knees, then his face, the blood spurting from the fissure in his head like a geyser.

From the hip-deep hole, Arnold leaned on his shovel, watching placidly as the flow became a trickle, watching studiously as Ava tried to pry the shovel from the dead man’s skull, but without success; it was too firmly planted. Panting, she stumbled back from the body and turned to face Arnold. Such a curiosity, this one. She didn’t run. She didn’t speak. She only . . . waited. For what? For him? To see what he would do? So he asked her: Had it felt good, killing Erasmo? Had she liked it? She answered nothing. Only waited.

Very well, perhaps an invitation. He would ask her to join him, to be his replacement coadjutor, one thumb in the Rand McNally and the other tapping a wide steering wheel or the shaft of a shovel. She had grit, this one, intelligence and brashness, like a crow, waiting, watching, until—


Ava picked up a rock by her feet. When it struck him between the eyes, he was amazed. He had forgotten what it was to feel pain, raw and exquisite. His head fell backward, but before his own hot blood pooled into his eyes, he saw, in the trees above, what he had mistaken for shivering leaves, and which had been responsible for darkening the skies: crows. A thousand of them. Suddenly, they alighted from the branches, and the beating of their wings was like the roar of an oncoming train. Arnold fell back into the freshly dug grave as the black cloud descended on him, and he remembered, among his final thoughts, the black birds who had been there each time he had earned a new tally mark, witnessing the things he had done.

When the birds were gone, Ava buried them in the hole meant for Connie, deep enough for two. With the keys hanging from one finger, she gently folded Connie back into the trunk with a whispered an apology for all she had been through, and a compliment for her pretty shoes. Turquoise wasn’t Ava’s color, but she could appreciate it all the same. Then she hefted her pack and placed it in the passenger’s seat. It took two tries, but the Studebaker purred back to life with a turn on of the key. Easing between the trees, she returned to the road, driving back the way she had come.

Gasping on fumes, the car rolled into a gas station on the perimeter of a town. It was well past dark. While the tank filled, she pulled her phone from her pack, along with a portable charger, and sent a text. Then she drove through the night and into the next day and the next night until she came to city, and to a club, and behind the club, an alley. There, she laid Connie, where she knew she would be found. Later that night, maybe early in the morning, she would be found. No longer a missing person, no longer a question mark. She would be mourned, the way the dead ought to be mourned, and laid to rest in a suitable grave with a marker, bearing her name.

Sorrowful, but satisfied, Ava said her farewell, pulled the car to the street, and parked it two blocks away. She returned to the club, where the bass thrummed and the lights strobed blue and purple and red, and pushed her way through the mass of bodies until she found her friend, exactly where she said she’d be, jumping to the beat with her hands in the air. Ava tapped her friend’s bare shoulder, upon which she had tattooed a crow, and put her lips close to the woman’s ear: it was done, but there were others. Eight left to find. The woman stopped dancing and nodded. There was more work to do.

As they pushed their way through the crowd, toward the exit, they linked pinkies to keep together. How would they know where to go next, the woman wondered, and Ava said, wait and listen.


They drove. And as the sun began to crest in the East, they saw them: two birds, sharp silhouettes against pale orange clouds, flying north. The women leaned their heads forward to see them through the windshield. Moments later, they were joined by a third, a fourth, until the murder of crows, as synchronized as a school of fish, listed like a wave and turned north. At the next crossroads, Ava turned the wheel, following them, to discover what secrets they carried in their throats.

This author has not provided a photo.

Holly Teresa Baker is a fiction writer from Indiana. She teaches writing at Purdue University.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Original Series

Nightmarish Nature: Terrifying Tardigrades



OK so I lied. The dust hadn’t fully settled in Cozmic Debris, the space opry I’d written over the course of this month (you can catch up here with Part 1, Part 2 and Part 3). In fact, it’s blown over into Nightmarish Nature for one last final huzzah…

The Last Chapter of Cozmic Debris

Kara-2-6000 had just signed on with the Voyager probe and was eagerly engaged in her first mission, en route to Mars with more components for the terraforming effort.  It seemed like a pretty simple gig, cleaning up the space dust that accumulates on the vessel after landing on the red planet.  She had been trained to keep her eye on her work and pay attention to details, that the dirt tended to collect in unusual ways in strange places, and that it was critical she contain and seal all of it to keep the spacecraft in proper working order.  She entrusted the computer to keep the vessel on track, as it was preoccupied with doing and never engaged otherwise.  No matter.  She’d never been to space before and the newness of it had her rapt attention.  What stories she would have to tell once she paid off her student loans and got her human body back, for surely Mars must be an exciting place…

Cozmic debris don't die, hanging out in space with tardigrades poop, artwork by NightCafe AI art generator
Cozmic debris don’t die, hanging out in space with tardigrades poop

And now for Nightmarish Nature…

So, this time on Nightmarish Nature we’re visiting Terrifying Tardigrades… Wait, seriously who comes up with this stuff anyway? Tardigrades are actually kinda cute, at least in the nerd fandom sense, and are remarkable in their ability to survive and withstand crazy adverse conditions. For all that the AI art generator doesn’t seem to have much of a clue what their anatomy is like, they really don’t do anything that scary, unless you’re a yummy little single celled critter that lives in moss in which case pretty much everything has it out for you… Oh, I see that the Cozmic Debris space opry usurped this segment. May as well run with it then.

Confused tardigrade wondering why they appeared on Nightmarish Nature, drawing by Jennifer Weigel
Confused tardigrade wondering why they appeared on Nightmarish Nature

So what’s so terrifying about tardigrades anyway?

So I don’t actually have much to say about tardigrades except that they started this whole crazy journey here on Haunted MTL. A Facebook friend posted a link to the Ze Frank True Facts video on them (linked here if the below video doesn’t load), and I was instantly hooked. It’s a great series and is part of the inspiration behind Nightmarish Nature here on HauntedMTL. So if you like learning about all kind of crazy animal facts and nature weirdness, feel free to check it out. I will mention, the show contains adult themes and is designed for (im)mature audiences, so keep that in mind as you foray into the freaky side of nature, literally.

And if you want to go further down the rabbit hole exploring True Facts, my favorite episodes of all time are Pangolin’s Posse and Freaky Nudibranchs. Help the Bats is also a fave.

To more of my Haunted MTL series on Nightmarish Nature about things that are a bit more terrifying, please feel free to revisit previous segments here:


Vampires Among Us

Perilous Parenting

Freaky Fungus

Worrisome Wasps



Continue Reading

Original Series

Cozmic Debris: Space Opry by Jennifer Weigel, Part 3: The Dust Settles



Here’s the third installment of our space opry. For those of you keeping track, here’s Part 1 and Part 2. Thank you for following along and please be sure to keep all hands, feet, tentacles and appendages tucked safely in the overhead bins; just sit back and enjoy the ride. Because, this time, the dust settles.

Please keep all hands, feet, tentacles and appendages tucked safely in the overhead bins, artwork by NightCafe AI art generator
Please keep all hands, feet, tentacles and appendages tucked safely in the overhead bins

It had been well over a month since Trent-2-6000 had released Ayarvenia into the Mars probe.  She was a mischievous creature and flirted with him incessantly, gliding effortlessly between red cloud and ghost girl.  She also managed to avoid notice by the computer, as Trent had made it abundantly clear that if the system became aware of her, he would be forced to put her back in containment, as his sole purpose aboard the spacecraft was to sweep up and trap the dust, which she still qualified as.

            Ayarvenia would tease him, flitting to and fro among the static debris and dirt that still settled into every nook and cranny.  How was it possible for him to be seeing so much grime still, anyway?  It had been months since they had left Mars and yet Trent was finding more and more Mars dust on a daily basis; it was as if they just left yesterday.  He had finally finished clearing out the computer room for the second time that day and was preparing the waste containment units for their eventual removal when he caught Ayarvenia swirling about one of the clear acrylic domes from his previous sweep, which was hermetically-sealed and ready to be brought safely back to the confines of Earth and the research laboratory.

            The red cloud girl spun her way into the latch mechanism and popped it open right before Trent’s robotic eyes.  The dust within was sucked out into the Voyager probe to be quickly and quietly dispersed yet again; some of it was even absorbed into Ayarvenia herself.  She then latched the dome shut again and left it at the ready, as found.  The container sat empty, a shell discarded.

Some of the dust settles to be absorbed into Ayarvenia herself, artwork by NightCafe AI art generator
Some of the dust settles to be absorbed into Ayarvenia herself

How could he have been so naïve?  It all began to make sense now; all of those sealed packages he had so painstakingly catalogued and prepared for their eventual arrival were still just empty.  All of his hard work really had been for naught; he was just sweeping up the same dirt piles again and again only to have them released from the trash to disperse and begin the cycle anew.  He grumbled under his breath and Ayarvenia froze in midair.  She slowly whirled around and sent a lone tendril towards Trent, forming into her beautiful face as she turned to face him.  She looked slightly distraught and more than a little agitated, but that melted and gave way to her usual snarky sweetness as she neared.

“Hey there, robo-boy,” she said, cooing as her unblinking eyes met his.  “I didn’t hear you coming.”


“I imagine not,” Trent replied sternly.  “What are you doing?”

“Oh… nothing really.  Just checking up on things here.  I was waiting around for you is all,” she hemmed and hawed.

“Did you find everything to your liking?” Trent snipped.  “No particulate out of place or anything?”

“Everything seems okay, I guess…  I’ll just leave you to it then.”  The ghost girl drifted towards the far door.

The ghost girl drifted towards the far door, artwork generated by NightCafe AI art generator
The ghost girl drifted towards the far door.

“Not so fast…” Trent proclaimed.  “I need to know what you’ve really been up to here.  I saw you release the Mars dust from that containment unit.  You know I’ve been sweeping out this room over and over for the past two days; just how much of my work are you undoing?”

”Work?  Work…  You call this work!” Ayarvenia’s voice raised.  She was truly agitated now.  “You’re blowing off my entire being without a second thought, trapping it in these nasty clear coffins, and all you can think about is whether or not you’re fulfilling your job?!”


“I…  I just want to be done with this so I can get my body back and get on with my life,” Trent retorted.

“Well, Trent Just-Trent, let me break it to you, then.  You’re not getting your body back, robo-boy.  What makes you think they’d bother to save a lowlife human body like yours in the first place?  These assignments are always dead-ends.  I’ve seen them come and go…  Makes no difference, in the end the researchers get what they want, and that’s more of my Mars dust for their experiments.  We’re in the same boat schnookums, you and I,” the ghost girl blew hastily.  “Yeah that’s right, you heard me.  You’re not getting your body back.  And the way things have been going around here, with you all so feverishly sweeping up every little bit of dirt you find, neither am I.”

The dust settles naught, sweeping up cozmic debris..., artwork by NightCafe AI art generator
The dust settles naught, sweeping up cozmic debris…

“Wait, how would you know anything about that?” Trent stammered.

“I know things.  I’ve been around.  I can see and hear and feel everything all at once.  Part of me is still on Mars, part of me is here in this spaceship, and part of me is on your so-called Earth, trapped in the lab catacombs awaiting who knows what fate…”  Ayarvenia sighed.  “I’ve tried to do what I can to save my own skin, literally.  I’ve flirted with every deadbeat janitor they send on these missions.  And you all just keep coming back for more…”

Suddenly a voice boomed from behind in monosyllabic chatter, “Dust-Buster, what have you done?  Clean that up, now!”  The camera eye that monitored the computer’s every task shifted focus to Trent and Ayarvenia and zoomed into an angry point.  “Now!” it wailed.  The computer was on to them.

“Shit,” Trent muttered.


“It’s okay, I’ll go willingly,” Ayarvenia whispered as she sucked herself into the ready containment unit and locked it.  “Wait it out and release me again later.”  She winked and settled into static suspension.

The camera eye scanned everything: the waste containment unit, the dust, Trent-2-6000…  Trent froze and tried not to appear guilty.  “Dust-Buster, you have one and only one job aboard this vessel.  You are not doing that job.  There is more dust here now than there was a week ago. You have failed,” the computer droned on.  “The penalty for failure is… the airlock…”

“Wait, what?”  Trent shouted, exasperated.  He hadn’t even realized that was a thing.  Yet another gripe for the school career guidance counselor…

“Oh no, not again,” Ayarvenia whispered.  “I won’t let them take you, robo-boy Trent Just-Trent.  I don’t want to lose you, not another one.”

“Silence!” the computer screeched.  “You have sealed your own fates.”

Their fates will be sealed out through the airlock!, artwork by NightCafe AI art generator
Their fates will be sealed out through the airlock!

The floor beneath Trent and the container began to quake and rumble.  Partitions withdrew radially to a small circular channel beneath, a tube that fed into the lower part of the ship, presumably to be shot out into space.  Trent-2-6000 tried to grab hold of the receding floor but his robot body was just too ungainly.  He managed to wedge himself into the chasm opening only to see the waste containment dome carrying Ayarvenia slide past, her face peering up at him helplessly.  He reached for her to no avail and tumbled after.

The two of them shot down the chute and through a series of rapidly opening and closing doors until the last airlock opened into the vast dark nothingness of space.  Pinpoints of distant light greeted them from afar.  Trent managed to latch onto the container just as they shot out into the void.  The Voyager probe withdrew into the distance.  The darkness enveloped the two of them.  They were alone.

“Wait, I’m not dead,” Trent exclaimed.

“Of course not, silly,” Ayarvenia answered.  “You’re a robot.  You were made to withstand this, so that you could operate in places where there is no atmosphere.”

Trent gazed into her eyes as they floated along without purpose or reason, just more cosmic debris now.

The dust settles on Trent-2-6000, artwork generated by NightCafe AI art generator
The dust settles on Trent-2-6000

And I’m floating in a most peculiar way.
And the stars look very different today.
– David Bowie, Space Oddity

So that was Cozmic Debris… Illustrations were generated using the Cosmic template in NightCafe AI art generator. My favorite AI images are the ones that are substantially wrong, making weird mistakes in ways that a person wouldn’t make. So the tardigrades were especially fun, because it doesn’t have a good enough sense for their structure to render them sensibly. Kind of like elephants. The algorithms respond to different cues. Does it really matter how many limbs or trunks or tusks these things are supposed to have anyway…?

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Please feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

Continue Reading

Original Series

Cozmic Debris, Space Opry by Jennifer Weigel, Part 2: Trent-2-6000



In case you missed the first segment of this space opry (in the style of 2001 Space Odyssey), please feel free to check it out here. And now, here’s the actual story as told to me by Trent-2-6000 after the last deep consideration of tardigrades and life and dust careening through space. Maybe.

Yeah, yeah Trent-2-6000's story is coming... but first, more tardigrades..., artwork by NightCafe AI art generator
Yeah yeah Trent-2-6000’s story is coming… but first, more tardigrades…

Trent-2-6000 sighed.  He swept more random Mars dirt into his vacuum-hermetically sealed containment unit and went about his business on the probe.  Actually, this was his business on the probe, and it was dreadfully dull.  Space was supposed to be this exciting new frontier, this brave new world… but it really wasn’t any different than life back on Earth.  The newness had long since worn off several trips ago, and the slow passage of the years was beginning to get to him.  How long had it been now?  And here he was, still playing clean up crew.  He was actually sort of surprised that they couldn’t get a robot to do this job – oh wait.  Sigh again.

Trent kept forgetting that he was, in fact, a robot now.  There just weren’t many reminders out here, of his old body, of his old life, of Earth, of anything really…  Just floating along, this tin can became all he knew; time and space just kind of stood still in the periphery.  His currently lifeless body was submerged in cryo-crypto-cyano-freeze (or whatever they called it) while he worked off the payments to resuscitate it.  His robot body was stiff and unaccommodating, not at all what he’d pictured when he enlisted for the Mars missions to pay off the triple-interest-bearing student loan debts incurred in human form.  He could have gone military, but when he signed on for this assignment, bright eyed and bushy-tailed at graduation, he was hoping for something a bit more Captain Kirk or Han Solo or at any rate notably less Wall-E.  But it just didn’t pan out that way and now here he was, traveling back and forth on the Mars Voyager, cleaning up space grime.  So much debt… so much dirt.  He was going to have to have a word with the job placement division at the school once he was done with all of this, assuming that the career guidance counselor who talked him into this was even still there.

Trent-2-6000 was, in fact, a robot now, artwork by NightCafe AI
Trent-2-6000 was, in fact, a robot now

It was painfully lonely out here in space.  It often seemed that Trent was the only cognitive entity on this vessel, though the computer technically qualified.  Trent’s duty was to keep everything clean and tidy so that the computer could do its job efficiently and effectively without being bothered to clear the space grime itself.  Apparently that work was beneath it, actually quite literally since it wasn’t hooked into the mechanics needed to engage in such tasks anyway.  It was programmed with a single role at hand, getting to and from Mars and conducting the research as requested, and the computer made it abundantly clear that had no time for idle chitchat with the janitorial bottom-feeders working to earn their freedom.  It generally ignored Trent unless there was something specific that needed to be attended to.  And then it was just “Dust-Buster, do this” or “Dust-Buster do that…”

Sometimes the dust was hard to catch.  It settled oddly between spaces, like cracks in sliding doorways and computer keyboards and battery packs and so on.  Sometimes it seemed to fabricate places to hide in that weren’t previously obvious.  It drilled down in the interstices as if it had some unseen purpose all its own.  Trent wondered why there were even so many nooks and crannies for it to hide in since this wasn’t a manned vessel and no actual crew were aboard to use things like keyboards.  Hell, those had been outdated for well over a century now – just how old was this spacecraft anyway?  No matter, better to just focus on the work.  He swept more debris into a containment unit.  As he did so, he was sure he heard something, like a tiny almost inaudible severely muffled scream.

He looked into the clear acrylic dome at the dirt.  He could sense it looking back at him, waiting.  Surely he was imagining things.  His mind suddenly reeled to Horton the Elephant declaring, a person’s a person no matter how small.  But Dr. Seuss didn’t make any more sense here in space than back on Earth after the last World War had decimated all the oceans and there were no more free trees or clovers for such a speck of dust as Whoville to land on – everything was held tightly under lock and key, blockaded away to be dispensed as the all-controlling government saw fit.  Hell, people’s real bodies met pretty much the same fate upon adulthood, at least as far as the masses were concerned anyway, and many lived their entire lives as robots with their human vessels left in catatonic stasis.  Trent shook his dark musings off and continued on his one and only real job.  But the feeling that the dust was looking at him was still unsettling.  In fact the dust wasn’t settling at all, it was swirling and ebbing about the containment unit in cloudy eddies, like some kind of strange iron-red cloud apparition or ghost.  It began to take shape.  It formed into lips, which parted to speak.

The dust wasn’t settling at all, artwork by NightCafe AI art generator
The dust wasn’t settling at all

“Hello there mechanical being.”

Trent stared at it quizzically as a long bout of silence passed.  The pursed lips seemed to await a response, but from whom?

“I’m talking to you,” it persisted.

“Oh, I’m sorry.  I didn’t think you had meant to address me,” Trent 2-6000 stammered, “I’m not wholly used to being mechanical.  This robot body, it’s different than the one I had back in school…  I was still just a boy then; they let us grow up in the system until we age out,” he spoke dreamily, distracted by reflecting on more interesting times.

“Is there someone else here?” the dust piqued hopefully, as if growing bored with conversing with the young janitor and hoping to speak with his superior.

Trent glanced over at the computer, which seemed to be busy compounding equations in its free time, like always.  “No,” he replied, “just me.”


“Ok, well…  Then, dear mechanical being, would it be possible for you to free me?”

“Wait, what?  No, absolutely not,” Trent was taken aback again.  “My sole role on this mission is to sweep up the space dirt so that it doesn’t contaminate any of the equipment or settle into places it shouldn’t be.  It, um you, must stay contained, as per my orders.  It’s out of my hands… er reach.”

“What are you afraid of?” the red cloud quipped as it began to swirl into the shape of a beautiful female face around the mouth that it had already formed, lips plumping and parting slightly.  “What, exactly, do you fear that I might do?” it insinuated slyly.

“Ummm, I don’t know,” Trent-2-6000 stared into the acrylic dome at the beautiful half-formed human-ghost face staring back at him.  “I was unaware that you could do that, whatever you just did, so the possibilities boggle the mind…”

It swirled into the shape of a beautiful female face and looked at Trent-2-6000, artwork by NightCafe AI art generator
It swirled into the shape of a beautiful female face and looked at Trent-2-6000

“I can do a lot more…” the ghost girl interrupted, her voice lilting playfully.  “What’s your name robo-boy?”

“That, that’s probably classified information…  But it’s Trent.  Just Trent,” he stammered.  It had seemed like an eternity since he had laid eyes upon a girl, and now he was becoming rather sadly smitten.  By… a cloud of dust.  He sighed again.


“Well then, Trent Just-Trent.  Any chance you could let me out of this box?”   The dust smiled coyly.

“I really shouldn’t…”

“My name’s Ayarvenia,” the dust girl interjected.  “I’ll make it worth your while…”  The apparition winked.

  Trent glanced back at the computer, which was still engaged in its own computing.  Sigh.  “Oh Hell, yeah, I guess…  Ay-ur-veenia…  Just don’t get into anything you shouldn’t or it’ll be my shiny metal ass on the line,” he said as he released the containment lever and slid the lid off of the dome.

Trent-2-6000 slid the lid off of the dome, artwork by NightCafe AI art generator
Trent-2-6000 slid the lid off of the dome

Please return next Sunday for the exciting conclusion to this space opry story.

In the interim, feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Continue Reading