Haunted MTL Original – The Body In The Middle – Meera Dandekar
“The Body In The Middle” by Meera Dandekar
On a gloomy night, Alice woke up in a dark room, placed neatly in a chair, as if she had dozed off to sleep while working. The chair creeped as she lifted herself up and shuddered at the sound of the thundering storm outside. The ceiling was out of reach, like in a Victorian house. She looked around and observed that the only window in the entire room was on the roof. She kept looking around the room. There was an operating table, placed right in the middle, with something on it, covered with a white sheet. She walked away from the thing.
The lightning outside occasionally illuminated the room with bright white light. She walked alongside the walls, trying to find a switch for the lights that hung lowly from the roof. Her hand fell on the doorknob instead. She tried to twist it but it didn’t budge. It rattled loudly in the silent room. She finally gave up and walked around to see if she could find anything useful to break the door down. She tried to stay calm about her situation. She knew that if she panicked now, she’d never find a way out. The rain was hitting on the window so harshly that Alice thought it might break the window at some point. She tried to recall how she had gotten here but nothing came back to her.
She wanted to get out before her curiosity ate her. She desperately wanted to lift the sheet to see what was underneath it. The walls were made up of stones that were cemented in place, which cooled down the temperature in the room. It was almost freezing. Alice tried to warm herself up.
As she walked around the room, she felt around a handle and flicked it on. She thought that it could be a switch but no lights came on. She refused to give up as she felt the big machine that stood behind it. It looked like some sort of a generator with an air compressor at its side. When the lightning struck, she could see the numerous dials on the machine, all pointing to zero. She flipped all the switches on.
She walked to the other side of the room, looking at the massive cupboards, the metal knobs felt colder than its wooden body. She timed her search to the thundering so she could see what she was touching. She glared at the painting that hung above her head, the name reading “Dr. Frankenstein.” She stepped back to look at it. The lightning struck again and she saw the face of the madman. The electricity wizzed but Alice did not hear it. She was distracted by the painting.
She had heard about the cases that followed in the footsteps of Frankenstein, but this was a shrine. She had heard about the murders that had taken place in different parts of the town. Usually, some body parts were missing like, only a hand or a leg and in one case, the head. It seemed like that person was gathering all the parts. She looked back at the table with the body.
She needed to find the key. She looked for it in the cupboards and drawers but no trace. Someone had locked it from the outside and taken the key with them. She huffed air as she gave up.
Suddenly, the Thing on the table moved which grabbed her attention. She could feel her heart racing against her chest. It was alive. She ran towards the door and banged and on it. There was no one to listen to her. She was doing exactly what she wasn’t going to—- panicking.
She looked intently at the body to see if there was another movement. It didn’t move. She sighed in relief. She must’ve imagined it or it could’ve been a dead reflex. She was getting more and more curious now. She wanted to lift the sheet to see underneath it. She did.
The sheet stayed near the abdomen, revealing a half naked body. The stitches felt fresh. It was too difficult to see properly so she waited for the lightning to strike. The thunder shuddered louder this time and caused the generator to jump to a start. Alice jumped back in surprise. Her back was touching the far end of the wall, horrified to see that the body was sitting up straight. She could hear the slow grunts it was making. The lightning gave enough light to reveal a sewed up face. Its eyes were now open but it didn’t move, it just sat upright.
Alice tried to slide her way towards the door. She did it slowly so It wouldn’t notice her in the room. It kept looking at nowhere in particular when she reached the door. She tried to turn it slowly. Lightning illuminated her but It didn’t take notice. She thought that It might be brain dead. Then she saw it, the key. It was around Its neck.
Emotions rushed into her as she tried to formulate a plan. She started to step towards It. She was almost behind it when the thunder lit up the generator and It grunted to life, again. It was still sitting there but now had a sense of life in it. She stared at it in horror when It noticed someone in the room and it turned its head around to face her. Its body did not move a bit.
She could feel the sweat trickling down her face but stayed steady. She thought she could blend into the background and it wouldn’t take notice, but It did. It started to put its legs down from the table, one at a time and lifted itself up to stand. It wobbled as it started to walk towards Alice. Alice started scramming to the farthest point. She slid between the two cupboards, placed remotely close to each other, just enough to fit her. It took a long time to walk towards her and stuck its hand between the cupboards to grab her. She squeezed herself into the wall. It was leaning closer, its head trying to fit into the space. She saw the key dangling around its neck.
She tried to find the courage to rip it off. She took a book that she found lying and threw it in the other direction. Something toppled over which grabbed Its attention. It wasn’t looking at her anymore and she took her chance. As she ripped it off, it grunted in pain. The force had created the stitches to loosen and it was starting to bleed. It started taking careful steps to back away but fell when it couldn’t control its balance.
This was it. This was her open window and she needed to take it. She ran towards the door and the door clicked open, but wasn’t her who turned it.
A man stepped into the view. The thunder striked and illuminated his face. A scar on his eyebrow gave him a deadly look. She tried to back away but she realised that It was right behind her. The man locked the door behind him.
“All right, now that you’re awake, I’m going to need your organs.” His face grew into an evil smile as he started walking towards her with his sharpest knife.
END
Meera Dandekar loves to explore the fictional worlds that show the magical realm of being. You can befriend her by offering her some coffee, she loves it. She wants to visit the scariest place in the world, Derry, Maine. She’s currently living in Mumbai, India.
I have recently begun exploring Fibonacci poetry and penned this as a consideration for the Lovecraftian terrors while considering that Kansas was once an inland sea. It is also based on the beloved and enigmatic painting of Christina’s World by Andrew Wyeth.
She
stares
ahead;
the landscape
yawns ever further
spanning the distance between us
and that deep unthinkable unknowable abyss.
This plain was once an inland sea,
a vast ocean filled
with terrors
beyond
our
ken.
Time
stands
still for
none of us.
It marches towards
our inevitable decay.
Our fragile flesh succumbs to the horror of the void,
cradling our fallen progeny
and yearning for home.
Christina,
hurry
back.
Now.
It
could
happen
anywhere…
The farmhouse beckons
from its horizon vantage point,
thousands of blades of grass groping like tiny tendrils.
The ancestors grasping at straws,
hoping to evade
inevitable
collapse,
their
loss.
Stars
fall.
Panic
sounds beyond
our comprehension.
Their silent screams fall on deaf ears.
We cannot interpret their guttural languages
or understand their diminutive cries
this far from the tide.
Slumbering
depths still
snore
here.
The
ebb
and flow
roil and churn
with water’s rhythms,
caress the expanse of grasses
covering this now fragile and forsaken ocean.
The landscape gapes and stretches wide,
reaching to grab hold
of her dress,
earthbound.
Lost
her.
I hope you enjoyed this jaunt through Christina’s World into pure terror. Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website. Or go on a trip to the Tallgrass Prairie Preserve.
So what better follow up to Invisibles Among Us in Nightmarish Nature than Monstrous Mimicry? Further exploring the leaps that critters will go to in order to eat and not be eaten. This time we’re focusing on those creatures that want to intentionally be mistaken for one another.
Insects Pretending to Be Insects
This is a pretty common subgroup in the mimicry set. Featuring such celebrities as the Viceroy Butterfly, which looks an awful lot like the Monarch. Why? Because everyone knows Monarch Butterflies taste nasty and cause indigestion. Duh? Though it appears the Viceroy took further cues from this and is not all that tasty in its own right either. Dual reinforcement is totally the way to go – it tells predators not to eat the yucky butterflies regardless. But some bugs go a bit further in this, imitating one another to seek out food or protection. Various wasps, spiders, beetles, and even some caterpillars impersonate ants for access to their nest or because ants aren’t as appetizing as their buggy counterparts to much of anything outside of the myrmecophagous crowd (as shared before, here’s a fun diversion with True Facts if you have no idea), though some also have nefarious plans in mind. And similarly, the female photoris fireflies imitate other firefly signals luring smaller males to try to mate with them where they are instead eaten.
Kind of Weird Mimicry: Insects Pretending to Be Animals
Moths are pretty tasty, as far as many birds and small mammals are concerned, so several of them find ways to appear less appetizing. Using mimicry in their larval form, they may try to look specifically like bird scat or even like snakes to drive away predators, with elaborate displays designed to reinforce their fakir statuses. And once they emerge as moths, they continue these trends, with different species flashing eye spots to look like owls, snakes, cats, and a myriad of other animals most of their predators don’t want to tangle with. But other insects pretend to be larger animals too, with some beetles and others producing noises often associated with predator, typically towards the same end – to deter those who might otherwise eat them.
Animals Pretending to Be Animals
Similarly some animals will mimic others. Snakes may resemble one other, as seen in the Milk versus King versus Coral Snakes and the popular rhyme, Red with Black is safe for Jack or venom lack, but Red with Yellow kills a fellow for all that it isn’t 100% accurate on the Red-Yellow end (better to err on the side of caution than not – so assume they are deadly). Fish and octopuses will imitate other fish for protection status or to conceal opportunistic predatory behaviors. And lots of animals will mimic the sounds others make, though Lyrebirds tend to take the cake in this, incorporating the vocalizations into mating rituals and more.
Really Weird Mimicry: Animals Pretending to Be Insects
Some of the weirdest mimicry comes out in animals pretending to be insects or small fish, where a predator will flick its strangely formed tongue that looks like a fish or water nymph to draw in more tiny critters that feel safe with their own, only to find themselves snapped up as dinner. Snapping turtles are notorious for this, disguising themselves in the muck to make their big asses less obvious and reinforce the ruse. Even some snakes do this.
Weirder Still
Then there are things that pretend to be plants. Like orchid mantises. Or sea slugs that look like anemones (some of which eat anemones and have stingers to match). I mentioned a few of these in the Invisibles Among Us segment last time, because some are highly specialized to look like very specific things and others just aren’t. Essentially, nature loves to play dress up and be confusing and adaptive. It’s like Halloween year round. And who can really argue with that?
Here’s a fun video from Animalogic exploring some of these themes. And feel free to check out more Nightmarish Nature here.
This prose poem considers sinking into self, how ongoing struggles with mental health and well-being have led me to take actions that reinforce the patterns therein, especially regarding depression and existential angst, succumbing to cycles that are familiar in their distress and unease. For these struggles are their own form of horror, and it can be difficult to break free of their constraints. I know I am not alone in this, and I have reflected upon some of these themes here before. My hope in sharing these experiences is that others may feel less isolated in their own similar struggles.
She withdrew further into herself, the deep, dark crevices of her psyche giving way to a dense thicket. She felt secure. In this protective barrier of thorns and stoicism, she hoped to heal from the heartache that gnawed at her being, to finally defeat the all-consuming sadness that controlled her will to live and consumed her joy. She didn’t realize that hope cannot reside in such a dark realm, that she built her walls so impenetrable that no glimmers of light could work their way into her heart to blossom and grow there. That by thusly retreating, she actually caged herself within and without, diving straight into the beast’s lair. And it was hungry for more.
Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
