Haunted MTL Original – The Grand Finale – Liam Moran
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Published
3 years agoon
By
Shane M.
“The Grand Finale” by Liam Moran
I’m one of the few who can honestly say they were there when the big change happened in the literary community. There were eighteen of us to be exact; most of us came alone. Several others will tell you they were there and recount their stories. Ninety-nine percent of the time they’re full of shit. But I’ll tell you how it started. I was there. I saw the truth.
We were in this dive bar called The Starving Artist. It got its name from a pair of friends—one wannabe writer and one wannabe actor—who realized they’ll never support themselves on their coveted jobs, so they opened a bar with a suitably self-deprecating name. The actor died of an overdose a few years back, so only the failed writer runs the place now.
But when they first opened it, and to this day, they wanted to make it unique, so in the corner of the bar was a stage where people would do standup or read their short stories or poetry or grab an acoustic guitar and sing their sorrows. Every once in a while, someone would try an incredibly low-budget play. No one really listened to anyone who was performing that much, unless the performers brought friends. Typically, the people would mull over what they hate about their lives and drink away their sorrows. Occasionally they’d listen for a minute or two, but then go back to their own business and order another drink. When you performed you neither did nor didn’t perform in a way. I, personally, wouldn’t count it as performing. There wouldn’t be any applause. There wouldn’t be any boos. Nobody listened after all.
The place was dark. On the walls you could see the bookshelves the owner put there, but from more than five feet away you couldn’t read what the titles of the books were or who the authors were. The place stank of stale booze, body odor, and cigarettes. A hazy fog of smoke hung thick in the room.
Out in the back, behind the dumpster, there was usually someone pedaling drugs ranging from low-grade pot to black-tar heroin. It was a hotspot. Everyone knew, but none of the patrons said anything. They weren’t affiliated with Sammy or his staff, but Sammy figured a man’s got to make a living, whether through the honest way or not.
Anyway, it was at this hole-in-the-wall dive bar where dreams go to die, that I was tossing back my fourth or fifth Tullamore Dew when this guy comes on stage shaking, but with emotion, not fear. His eyes were fearless if I’ve ever saw it. He spoke as though it was hard to talk—his voice cracking and everything—with his eyes wet with tears. Good poet or not, I had to give it up for this guy’s stage presence.
He said his poem was called “The Grand Finale”. Then he started to read. It wasn’t all that good; it was a little too melodramatic for my taste, but his presence was gorgeous. I truly believed he believed in his shit. The content was a subpar depressing poem about a man questioning if he wants to end his life or not. We’ve all heard these types of poems a bunch of times, but his presence: my God!
He was shaking and choking on his words. It was hard to see because it was so dark and there was such a thick cloud of smoke in the air, but I think he managed to squirt a tear or two out. This guy may not be the best poet, but I figured if this doesn’t work out for him, he should definitely try acting.
So he rambled about being friendless and how his family turned their backs on him and he lost his faith and all that whiney-shit. But the tremoring, the redness in his eyes, the forced cracking words being pushed out of a dry throat, the pauses for him to swallow back tears; now that was the real show. That was the real art.
My belief in his fearlessness started to change a bit. Something about him made me think that he was in some way scared—just not about performing. He had no issue with that, but there was something else that I just couldn’t figure out.
I ordered my fifth or sixth whiskey and watched this man bare his soul. I took a few hits from the drink and soaked in his performance.
On his last stanza, he reached into his coat pocket and pulled out a gun. Nobody screamed, but slowly the room became silent and they focused on the man holding the gun. The man was straight up sobbing, and finally I realized what he was scared of.
We all said we didn’t know what was going to happen—some of us even managed to convince ourselves—but we all knew. We really did. But to interrupt such a performance would be a greater sin.
I can’t tell you how the poem began, or any of the lines in the middle, but I can tell you the last one; I’ll never forget it.
The man put the gun to his head and said, “And that is my grand finale.” He paused, choked back some tears and then croaked, “Goodbye.” Then he pulled the trigger and blew his brains out in front of the enraptured eighteen people.
Most people would assume that after such a scene everyone would scream and a chaotic Helter Skelter commotion would ensue. But at this poetry reading late in the night, there was nothing but serenity and admiration.
When it happened, everyone was silent. Nobody moved as the gunshot echoed in our ears. We held our drinks stationary and we sat there shocked. Then somebody started clapping. Another man joined him. Within a matter of seconds, we all were clapping and shouting our congratulations. It was beautiful. None of us had seen anything like it. A poem had to be honest if you gave it that kind of an ending.
The problem people had with poets—mainly poets who use poetry as a way to cope, which is most of them—is that they talk about their depression and hopelessness and despair, but nobody could fully know if this was true or not. As for that corpse that laid in front of us, nobody doubted his depression. Nobody doubted his hopelessness. Nobody doubted his despair. How could you? His body was still warm even though a quarter of his head was missing. He not only wrote about his pain; he followed through with it. He was the only real poet any of us ever knew.
The applause continued for several minutes even though nobody took a bow, and nobody was there to realize we were applauding them. But we did it for the art. We did it for the honesty.
The police and ambulance showed up. I always wondered why they even bothered calling the ambulance when the top of his head was missing. He shot a magnum revolver clean through temple to temple. I don’t think any EMT could fix that at that point. Even Dr. Frankenstein would need an intact brain.
One of the men who was at the infamous and seminal performance was a literary critic for a magazine. He wasn’t expecting to go there for a story; he was just grabbing a drink to not focus on life like the rest of us. But he found his story there and wrote a cover story on ‘honest realism’. It was realism all the way through. You don’t stop at an ambivalence to suicide or alluding to suicide, you go all the way. The literary crowd ate it up. We found out the poet’s name: Guy Sanders. Nobody heard of him before, but now he was the hottest name in town. Nobody knew anything else about him, and few people could quote more than one line that he had written, but he was a sensation. He built up a fan base and, over time, imitators.
#
It started off with people trying to make a name for themselves. Nobodies who saved up a particular short story or poem as their farewell, read it, and killed themselves to the sound of booming applause. The government wouldn’t allow public suicide, so they used a euphemism. They would say they were performing their ‘Grand Finale’, and everyone knew what it meant.
They sold out theatres—and these were nobodies—and people would camp outside to buy tickets to their suicides. They outsold the bigtime poets and authors, whether their fame came from being critically acclaimed or from commercial popularity, it didn’t matter. People didn’t want to see them; they’d much prefer to see a nobody slice their neck open or swallow a bottle of sleeping pills as they drift into nothingness. So the bigtime authors and poets had to join the fray if they wanted their legacy to stay relevant.
The ones who made a name for themselves previous to the spate of public suicides had an advantage. They would say they were doing readings across the country—the more popular ones went across the world—saying that this was their ‘Farewell Tour’. Performing their ‘Grand Finale’ was code for a stage event; but if they were going on tour it was, ‘Farewell Tour’. That was code that they would commit suicide somewhere on that tour. The benefit to this was they could drag it out and get more fame or money for this.
There was still a benefit for getting money. Even if you did die, you got to decide what happens with that money afterwards. Many writers are narcissistic people, so several of them chose to build monuments in their honor. Others chose a beneficiary, like a friend or family member. Whatever you chose to do with your money after you died was your business; it was up to the place holding the event or tour to follow through with it and obey your wishes.
The phrases started coming out. “Anybody who’s anybody in literature is dead.” “You have to be dead to be in this business.” A Time magazine cover read, “Can Death Breathe New Life into Literature?”
#
It was during this new and exciting time that I tried to climb aboard this train, only I didn’t want to die. Luckily for me, I had my brother who was a doctor, and my best friend was a plastic surgeon. The plan was set.
I gave my first performance of “The Grand Finale” and was shocked by how many people came. I’m embarrassed to say that I had stage fright. I felt envious of all those other performers who did this before me. Granted, if all goes according to plan, nobody will recognize me, but unlike me, they never intended to perform again.
So, I did my act, performed my “Grand Finale” and then downed a bottle of pills and felt myself drift into nothingness. By the time I lost my ability to move and felt myself drifting away, the curtain dropped accompanied with thunderous applause. I closed my eyes and it all went black.
When I came to, I inhaled in shock as I smelled burned hair. My chest burned and I noticed an AED machine hooked up to me. I was lying in the back of the van with my brother, Harry, leaning over me.
“Jesus, Chuck,” he said to me, panting only slightly less than I, “I thought I lost you.”
“Sorry to disappoint,” I said through deep gasps.
Harry inserted a syringe into a vein in my right arm and muttered, “To counteract the pills.”
“I’ve never been one for needles, but I think I can officially say I’ve made bigger sacrifices to make the big bucks.” I smiled.
“Fuck, you’re crazy,” my friend Reggie said from the driver’s seat. “I can’t believe I signed up for this.”
“It’s because you know as crazy as it might be, it’ll make all three of us rich as kings,” I told him.
“So what do we do now?” Reggie asked.
“You got the corpse?” I asked.
Hank unzipped the body bag next to me. The body was fresh—almost as if it rose six feet as soon as it went six feet under. The face that looked back at me was an almost uncanny resemblance of mine.
“Spooky,” I muttered. “Got to hand it to you Reggie, you’re a damn good plastic surgeon.”
“You’re a sick man, Chuck,” Reggie says. “And you’re helping to dig up the body next time. I’m not a superstitious man, but gravedigging at the dead of night can give anyone the creeps.”
“Come on,” I told him. “I’m already putting in most of the risk as is.”
Harry was checking my vital signs when he grunted matter-of-factly, “It would reduce the time of our highest potential of getting caught by a third.”
“So…,” Reggie said, “anyone willing to answer the question I asked earlier? What do we do now?”
“We drop dead-me off at the hospital,” I nodded my head over to the corpse beside me, “then we keep real-me hidden until they pay Harry, then we move, you change our faces, we change our identities, and then we keep doing it until we’ve all made enough money to never work again,” I said matter-of-factly.
And that’s exactly what we did. I put down my brother, Harry, as the beneficiary to my staged suicide, so we all waited for a check to come in the mail and eagerly waited to see how much it was.
“Seventy-eight thousand?!” I shouted. “I killed myself up there and they don’t even give me six digits?!” I paced around steaming and ranting.
Reggie piped in, “The problem is the pills. Nobody wants to pay that much to see a man slowly fade away. They need something more dramatic, realer.”
“Please,” I said. “The audience never knows which way one of these suicides will go, so the method isn’t the problem. Maybe it’s just bad luck. We’ll try this again and see what happens.”
So we changed faces, changed identities, and did it again—this time with a noose. I hung in front of the crowd for a long period of time with a makeshift knot to avoid complete suffocation. Unfortunately, our tying skills weren’t the best, so I did choke a bit on the noose. My limbs went numb as the curtain dropped and, as I saw my brother and Reggie hurrying toward me, I blacked out from the lack of airflow. Once they dragged me outside and the coast was clear, Harry performed CPR and, just like that, I was brought back to life.
I coughed and regained my terrified suffocated breaths. We got the check and it was up to a couple hundred grand. That’s when I realized this was going to take longer than I thought, so I devised a new plan.
After moving and changing my identity once again, I got a novel published, which was pretty easy now that a large percentage of writers have offed themselves. Now there’s less competition. So, I build up a bit of notoriety, and then I let it leak all over social media, that I will be doing my “Farewell Tour” in two years to this date. I also let rumors leak on the internet that it will be a bloody ending. I pump out two more novels in that time and then I begin my tour. This time we’re not holding back. The audience wants gore, so that’s what we’re going to give them.
#
I wait until the very last day of the tour so I can soak up as much money as I can. Now that the Grand Finale is finally here, and everyone knows this is my last opportunity to kill myself, the place is packed.
Now this is the payoff. This is what’s going to make Harry, Reggie, and I never have to work a day in our lives again.
So, I give my reading, and get to my Grand Finale. I think I’m overacting. The first couple of times it seemed easy to shake and mimic the emotion of the first literary suicide I witnessed at The Starving Artist all those years ago. But now, with two suicides already under my belt, I don’t feel as scared. I’ve become used to killing myself at this point.
I get to the end of my Grand Finale and then slit my wrists and just stare downward in the chair. The applause comes in slow, but then picks up and soon people are screaming and whistling as if they’re asking for an encore they can’t possibly receive.
I look upward for a second and realize no curtains are dropping. Why’s it taking so long?
The blood continues to pour out of me and onto the carpet as the crowd gets louder and louder. When is the curtain going to drop? I wonder.
My head grows faint, and the place starts to look dimmer. There’s a lot more blood than I expected. I start to fear I may have nicked a major artery. It’s harder to see. It seems foggier. For some reason I’m reminded of the smoke-filled ambience of The Starving Artist.
When it’s too hard to lift my head, I see Reggie and Harry sprinting right at me—clearly visible by the entire audience—and then I drift off.
#
I come to in the back of a van again with a blood bag in an IV hooked up to my arm. My brother’s bright red, surgically altered face shows pure panic as his usually calm and steady hands shake in terror while trying to suture up my wrists.
“His eyes are open!” He shouts over his shoulder, then turns to me. “We’re taking you to a hospital. We have no other choice. Just hang on!” my brother screams.
I try but can’t speak. I see a tear roll down my brother’s cheek.
“You think we’re still getting paid?” Reggie asks from the front seat.
“Shut up, Reggie!” my brother shouts.
“I just want to make sure it wasn’t all a waste, you know,” Reggie says. “In his memory.”
“Shut the fuck up, Reggie!” my brother shouts once again. Then he turns back to me and frantically chants, “Come on, Chuck! Hang in there! Come on, you can do it!”
My eyes get foggier and dimmer, reminding me about the dim, smoke-filled room where Guy Sanders gave the only performance anyone could remember from him.
I’m fading. I grow cold. I need to accept it. Whether willingly or accidentally, in a packed auditorium or alone in a hospital bed, we all give our grand finale sometime.
END
Liam Moran has been published in Coffin Bell Journal, Ripples in Space, and Haunted MTL, and his two novels, ‘Saving Fiction’ and ‘Love is Delusional’ are available on Amazon. Originally from Levittown, New York, he now resides in the suburbs of Chicago, where he enjoys reading, writing, and catching the Sunday games with some friends at a local sports bar, where he engages in his love/hate relationship with the Buffalo Bills. He invites fans to follow his Facebook page @LiamMoranAuthor or go to his website at amazon.com/author/liammoran and to feel free to message him if they so desire.
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So, this is a convoluted post, not going to lie. Because it’s Thriller Nite. And we have to kick it off with a link to Michael Jackson in homage, because he’s the bomb and Vincent Price is the master… (If the following video doesn’t load properly, you can get there from this link.)
The movie monsters always approach so slowly.
Their stiff joints arcing in jerky, erratic movements
While the camera pans to a wide-eyed scream.
It takes forever for them to catch their victims.
Their stiff joints arcing in jerky, erratic movements
As they awkwardly shamble towards their quarry –
It takes forever for them to catch their victims.
And yet no one ever seems to get away.
As they awkwardly shamble towards their quarry –
Scenes shift, plot thickens, minutes tick by endlessly…
And yet no one ever seems to get away.
Seriously, how long does it take to make a break for it?
Scenes shift, plot thickens, minutes tick by endlessly…
While the camera pans to a wide-eyed scream.
Seriously, how long does it take to make a break for it?
The movie monsters always approach so slowly.
So my father used to enjoy telling the story of Thriller Nite and how he’d scare his little sister, my aunt. One time they were watching the old Universal Studios Monsters version of The Mummy, and he pursued her at a snail’s pace down the hallway in Boris Karloff fashion. Both of them had drastically different versions of this tale, but essentially it was a true Thriller Nite moment. And the inspiration for this poem.
For more fun music video mayhem, check out She Wolf here on Haunted MTL. And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
Original Creations
The Fire Within – A Chilling Tale of Revenge and Power by Jeff Enos
Published
5 days agoon
January 16, 2025By
Jim Phoenix
The Fire Within
By Jeff Enos
Mrs. DeVos called Sol up to the front desk as the last bell for the school day rang at East Elm Middle School. The class shuffled out, leaving them alone together.
Mrs. DeVos was the new English substitute teacher while their regular teacher was out on maternity leave. She had long, pitch-black hair and a mountain of necklaces and bracelets that jingled every time she moved.
Sol nervously gripped his backpack straps and walked up to the front desk.
“That boy has been bothering you again,” Mrs. DeVos said knowingly. “East Elm has had many bullies over the years, but Billy Hunter and his crew give new meaning to the word. Isn’t there anyone you can play with at lunch? Someone to defend you?” Mrs. DeVos asked.
Sol had heard the same thing from his own mother quite often. They meant well, but all it did was make him feel bad, like he was the problem, like he was the freak for preferring the company of a good book over the other kids, like it was his fault he’d been picked on.
“I—” Sol started, but Mrs. DeVos cut him off gently.
“It’s fine. I just want to make sure you’re okay.”
“Yes, ma’am,” Sol said.
Mrs. DeVos twirled the mound of necklaces around her neck, contemplating her next words. “Halloween is coming up. Are you dressing up?”
Sol’s eyes brightened. Halloween was his favorite time of year. “Yes, I’m going as Pennywise.”
“Pennywise?”
“The clown from It, the Stephen King story.”
Mrs. DeVos raised an eyebrow in surprise. “You’ve read that book?”
“Yes, I’ve read all of his books. It is my favorite.”
Of course it was, Mrs. DeVos’s expression seemed to say. The middle school protagonists, the small town, the bullies—there was a lot that Sol could relate to in It.
“Do you like to carve pumpkins for Halloween?” Mrs. DeVos asked.
Sol nodded enthusiastically. In fact, it was one of his favorite things about the holiday. Every year, he’d spend hours carefully carving his pumpkin, making sure every detail was just right. In years past, he’d made a Michael Myers pumpkin, a Freddy Krueger pumpkin, a Pennywise pumpkin. With Halloween just two days away, he’d decided this year on Frankenstein’s monster.
A mischievous grin crept across Mrs. DeVos’s face. She reached under her desk and pulled out a large pumpkin, placing it on the desk. “I have an extra one from my garden that needs a home. Take it for me?”
The pumpkin was perfectly round and orange, with sections of shiny ribbed skin that seemed to hypnotize Sol. It was as if the pumpkin were whispering to him, pleading with him to carve away. Sol took the pumpkin graciously, screaming with excitement inside. He couldn’t wait to get started on it.
“Use it wisely,” Mrs. DeVos said, watching Sol intently, smirking, and adding, “And don’t let those boys bother you anymore. Promise?”
Sol nodded, said goodbye, and left, making his way across the parking lot to his mom’s car. He got in and set the pumpkin on his lap. His mom was a little surprised by the gift, but grateful that she didn’t have to buy a pumpkin this year.
As they drove home, Sol wondered about Mrs. DeVos’s curious last words: use it wisely. Sol had been so excited that he had barely thought about it. But now, as he sat there, he realized it was an odd thing to say about a simple pumpkin.
It was 5:30 p.m. when Sol’s parents finally left for their weekly Friday night date night. The house was quiet and empty, just the way Sol liked it.
His homework done for the weekend, Sol started in on the pumpkin. He lined up his carving instruments like surgical tools on the old wooden kitchen table.
First, he carved a lid on the pumpkin and hollowed out the guts and seeds inside. He’d already decided on the Frankenstein pattern he was going to use days ago; now he taped it to the front of the pumpkin and got to work, poking small holes into the pattern with the pointy orange tool. The pattern transferred to the pumpkin perfectly, looking like a game of connect-the-dots.
Sol started in on the face, each cut slow and precise, each one more delicate than the next.
Outside the kitchen window, the sun set behind the woods, giving the trees a fiery glow that soon dissolved into darkness.
Two hours later, and with aching wrists, hands, and fingers, Sol made the last cut. He dropped his knife, got a tea candle from the hall cupboard, placed it inside the pumpkin, and lit it. With a satisfied smile, he secured the lid in place and admired his work, watching as Frankenstein’s monster flickered in the candlelight.
It was one of his best creations. But there was something off about it, something Sol couldn’t quite put his finger on. The pumpkin had a commanding presence to it, an aura that made Sol uneasy.
Mrs. DeVos’s comment kept swirling through his head: use it wisely.
And then something extraordinary happened—the pumpkin seemed to take on a life of its own. The small flame inside expanded, engulfing the pumpkin in a sinister blaze. The orange skin began to sweat, and the Frankenstein’s monster pattern melted away, slowly morphing into a classic jack-o’-lantern pattern, a sinister grin with pointed angry eyebrows and more teeth in its mouth than seemed possible.
Then the table vibrated violently underneath the pumpkin, and the wood that was once an ordinary table slowly transformed into an eight-foot-tall body with bark-like skin, each wooden fiber crackling into place under the jack-o’-lantern head. Small cracks in the bark revealed something underneath, tiny flickers of dark movement, like hundreds of colonies of bugs lived inside the creature’s skin.
Sol felt numb, unable to conjure up a single word or thought.
The creature spoke, a voice deeper than the Grand Canyon, and the words seemed to vibrate off the kitchen walls. The fire flickered inside its head as it spoke. “What is the name of your tormentor?” it asked.
“M-my tormentor?” Sol whispered, wiping the sweat from his brow, looking up at the giant creature. He could feel his heartbeat in every vein and artery in his body.
“Yes,” the creature said. “The one who fills your days with grief. The one who taunts you.”
The answer to the question was simple, but Sol couldn’t speak. It was as if his brain had shut off, all energy diverted to his body, his bones, his muscles. Sol tensed his jaw, readying himself to run past the creature to the front door, to the neighbor’s house for help, to anywhere but here.
But something stopped him. It was a voice deep inside him, a voice that calmed him. It was Mrs. DeVos’s voice, three whispered words that diminished Sol’s fear: “Use it wisely.”
Sol felt his body relax. “Billy Hunter,” he said.
The creature nodded and disappeared in a burst of flames. In the same instant, Sol fainted and fell to the floor.
When Sol opened his eyes, he was surprised to find himself standing in a small closet. It was dark except for an orange glow that shined against the white closet doors. Sol looked behind him, the glow following his field of vision.
Sol realized he wasn’t in his own closet when he saw the grungy clothes on the hangers and a box of baseball trophies on the top shelf. Sol caught his reflection in one of the trophies and nearly screamed. Staring back at him was the jack-o’-lantern creature.
Sol looked down and saw the wooden body, realizing that it was him—he was the creature now, somehow.
A muffled voice from outside the closet spoke in one or two-word sentences. Through the cracks in the closet door blinds, Sol saw a boy’s bedroom. In the corner of the room, a boy sat at a desk with his back to Sol, hunched over his work, mumbling to himself as he scribbled.
“Stupid!” the boy said to himself.
Sol’s stomach turned as he realized who it was. It was Billy. No one else Sol knew could sound that enraged, that hateful.
Sol could feel the flames on his face flickering to the rhythm of his increasing heartbeat. All Sol wanted to do was go home. He didn’t want to be reminded of how Billy had made his school life torture, of how every day for the past few months he’d dreaded going to school, of how fear had seemed to take over his life.
Again, Mrs. DeVos’s words crept into Sol’s mind: use it wisely. And standing there, in the body of a terrifying jack-o’-lantern creature, Sol finally understood.
With a firm and confident hand, Sol opened the closet door and crept into the bedroom, stopping inches from Billy’s chair.
Billy was drawing Pennywise the clown, the Tim Curry version from the TV mini-series. Sol stopped, admiring the detail. It was good, like it could be on the cover of a comic book.
On the desk’s top shelf was a row of books, all by Stephen King: The Shining, It, The Dead Zone, Salem’s Lot.
Sol felt a deep pang in his stomach (if he even had one in this form), like he might be sick. He felt betrayed. In another life, he and Billy could have been friends. Instead, Billy had been a bully. Instead, Billy had done everything in his power to make Sol’s life a living hell. Why?
“You like Stephen King?” Sol asked. The words came out defeated, confused, but all Billy heard was the voice of a monster behind him.
Billy jumped out of his chair and turned around to face Sol, terror in his eyes. A fresh stream of urine slid down Billy’s pants and trickled onto the floor.
Sol’s feelings of hurt and betrayal soon turned into anger, disgust. Sol gave in to the jack-o’-lantern creature, the line that separated them dissolving. The flames on his head pulsed brighter, erupting into a small explosion that singed Billy’s hair and sent him flying across the room.
Billy screamed. Sol drank from the sound, the vibrations feeding him, strengthening him.
Billy ran for the door, but Sol got there first, blocking his way. Sol touched the door, and with his touch, a wild garden of vines grew up and out of every corner of the door frame. The vines grew and grew until they covered the whole door, and then, like watching a movie on fast forward, they began to rot and decay, turning black. The decay morphed into pools of shimmering black liquid, which quickly condensed and hardened into black stone, sealing the door shut.
Billy ran again, this time hiding under his bed. But there was no hiding from Sol, not anymore. Sol bent and reached under the bed with one wooden hand, his hand growing extra branches until it reached Billy and encircled him in its grip.
Sol dragged Billy out from under the bed and held him up high by his shirt. The fear in Billy’s eyes fed Sol, nourishing his wooden body, the insects underneath his skin, the flames inside his face.
Billy’s shirt ripped, and he fell to the ground. Snap!—the sound of a broken arm. Billy screamed and got up, holding his arm and limping to the door. He tried to push the door open, but as soon as he touched the black stone, it froze him in place.
“‘Your hair is winter fire,’” Sol said, reciting the poem from his favorite Stephen King novel, It. Another explosion burst from Sol’s jack-o’-lantern head; this time, a ball of fire shot out directly at Billy, erupting Billy’s hair in flames.
“Say the next part,” Sol demanded.
“‘January embers,’” Billy whispered, tears and soot strolling down his face.
Sol squeezed his fists so tight that his barked skin cracked open in small fissures all over his body. Hundreds of colonies of cockroaches and spiders escaped through the cracks and crawled their way down Sol’s body, onto the floor, and onto Billy.
Happiness wasn’t an emotion that Sol felt very often. He was a melancholy, anxious kid most of the time. But as the bugs covered Billy’s body in a layer so thick that only small patches of skin were visible, happiness was the only thing Sol could feel. Happiness morphed into pure hypnotic bliss as the bugs charged their way down Billy’s throat and choked him to death.
Billy deserved to be punished, that much was certain. But how much was too much? How much was Sol willing to watch before he tried to overpower the jack-o’-lantern creature and take full control? Until there was nothing left but blood and bone? How much of a role had he played in this? Was he simply an onlooker, or an active participant? Even Sol wasn’t completely sure.
But there was a power within him, that much was certain. A power that made him feel like he could take on the world. Sol figured that this was how Billy must have felt all those times he’d tortured him at school, otherwise why would he do it? As Sol watched Billy choke to death, all he could think about was the torture Billy had put him through at school. And in his rage, Sol did something unforgivable. He blew a violent stream of flames onto Billy, and this time, Billy’s whole body caught fire and burned.
Sol felt Billy die, felt Billy take his last breath, felt Billy’s body as it slowly went limp.
Sol watched hypnotically as the flames finally died and all that remained was a darkened, charred corpse, still frozen in place by the black door. The bugs crawled off of Billy and back onto Sol, returning to their home under the fissures in Sol’s skin, carrying Billy’s soul with them.
“‘My heart burns there, too,’” Sol said.
Sol’s tormentor was gone, and he felt more at peace than he’d ever felt in his life.
A sudden flash of light blanketed Sol’s vision, and with it, a change of location. He was back in his kitchen, and back in his own body, and standing in front of him was the jack-o’-lantern creature.
“Does this satisfy you?” the creature asked, looking down at Sol.
It was a question Sol knew the answer to, but didn’t want to admit, let alone say it out loud. Yes, he was satisfied. His tormentor had been brutally punished and would never bother him again.
Sol nodded his head slowly, shamefully.
“Good,” the creature said, grinning. “Do you have another tormentor?”
Another? Sol thought about it. Was there anyone else who deserved such a fate? One of the other guys from Billy’s crew? Sol didn’t even know their names.
The idea was tempting. If he wanted to, he could get rid of everyone who’d ever picked on him. He could reshape the whole school cohort into whatever he wanted, make the school a paradise for the weirdos, the freaks, the unlucky kids.
But what would Mrs. DeVos think? She had entrusted him with the pumpkin, had instructed him to use it wisely. What would she think if he abused it?
“No,” Sol said.
“Very well,” the creature said, and quickly morphed back into the table that it once was, with the pumpkin sitting on top of it, now fully intact, as if Sol had never even carved it.
It was as if nothing had happened, as if it had all been in Sol’s head. But he knew it hadn’t been. He knew what he’d seen, what he’d felt… what he’d done. It was all too much for him to process, and he ran into the bathroom and barfed into the toilet for the next twenty minutes straight.
The following Monday at school, everyone was talking about the mystery surrounding Billy’s death. Was it some kind of freak accident? A serial killer? Were the parents involved?
Sol ate his lunch that day in peace.
Later, when the last bell rang in Mrs. DeVos’s class, Sol waited behind for the other students to depart before approaching her.
Sol walked to Mrs. DeVos’s desk and unzipped his backpack, removing the pumpkin. “I think you should take this,” Sol said, handing it to Mrs. DeVos.
“Are you sure?” Mrs. DeVos asked. She wore a thin smile, slightly curled. “There may be other Billy’s down the road, you know. And there’s still high school to think about.”
Sol nodded. “I’m sure. Give it to the next kid who needs it.”
Mrs. DeVos glided her palm across the pumpkin’s flesh. “That’s very generous of you.”
Sol turned to go, but stopped himself in the middle of the doorway for one last question. “Mrs. DeVos?” he asked.
“Yes?”
Sol tapped the doorframe nervously. “Where did it come from?”
“Are you sure you want to know?”
Sol thought about it for a second. Did he? Could he handle the truth? He reconsidered, shaking his head no.
“Very well, then. I’ll see you in class tomorrow,” Mrs. DeVos said, smiling.
Sol left.
Mrs. DeVos’s smile quickly morphed into a devious grin as she looked at the pumpkin. She took a large butcher knife out of her desk drawer and stabbed the pumpkin. A young boy’s screams could be faintly heard from within.
The pumpkin collapsed like a deflated basketball, sagging into a mound of thick orange skin. Blood as red as sunset spilled out of the puncture wound, along with chunks of swollen blood-filled pumpkin seeds.
Before the gore could spill out onto the desk, Mrs. DeVos plugged the wound with her mouth, sucking it until there was nothing left. She chewed the bloody orange flesh into tiny bits until it was all gone.
Her lips smacked as she took the last bite. “Billy, you are a naughty boy,” she said, cackling.
That night, Mrs. DeVos went to bed well-fed. It would be three more months before she needed another one, but she already had her eyes set on a real thick number in the next district over, a ten-year-old nightmare of a kid who bullied the students as well as the teachers. She’d need a big pumpkin for this one.
The next morning, as she watered her garden, Mrs. DeVos came upon the perfect pumpkin. It was hidden behind the vines, but there was no mistaking its beauty, its size. It would be ready in three months’ time, just as she would be gearing up to befriend the next Sol, the next kid who needed her help to find the fire within.
The End.
Original Creations
Stage Fright, a Creepy Clown Story by Jennifer Weigel
Published
1 week agoon
January 12, 2025
So, I think it’s time for more creepy clown stories. Don’t you? At any rate, here’s Stage Fright by our very own, Jennifer Weigel…
It started with the squeaky shoes. Not a shrill waning warble emitted by once-wet leather now taut and tired, sighing with weary pain at every step. No, this was much more… the unhindered squall of a goose honking as it drove a would-be pedestrian from the sidewalk after they’d wandered too close to its secluded springtime sanctuary, goslings barely hidden in the underbrush. Such a jarringly irreverent and discordant diversion, and at a poetry reading no less, wherein the self-righteously civilized members of the audience took extreme effort to present themselves in being as cultured as possible, snapping their fingers in lieu of cupped clapping as an orchestrated gesture of both being in the know of the current trends in fashionably avoiding faux pas and out of respectful reverence for one another’s pretentiousness. A roomful of eyes glared over their half-sipped cups of craft coffee at the transgression, staring at the oversize yellow clogs from which the foul fracas emanated.
But it didn’t stop with the shoes. The noise carried through a visual cacophony crawling up the legs as it splashed hideously contrasting colors in a web of horrific plaid parallels, ochre and mauve lines dissecting what would otherwise be reasonable trousers if not for the fact that they were that unbearable chartreuse color that leaves a residual stench on the cornea, burning itself into the retinas for posterity. Surely the pant cuffs housed a pair of mismatched socks, probably pink or periwinkle argyle or the like, waiting to flash their fantastical finery at an unsuspecting stranger while engaged in some awkward careening and undignified gesture. But for now, the socks’ unsightly status remained hidden in the dark recesses of the pant legs.
The plaid danced in awkward angular strokes upwards to a torso draped in a pink and purple polka dotted shirt strapped into place by a set of unaware green and gold striped suspenders, seemingly oblivious to their misuse and standing at attention holding all the odds and ends in place, as suspenders are trained to do. Or at least they were trying to hold everything in place as best they could, and kudos to them for the effort as that was a hot mess in free-flow lava mode. Atop the fashion nightmare wearer’s head was a green bowler crowned in faux flowers of all sorts, hearkening maybe to daisies and irises that had lost some of their luster after having been painstakingly assembled by some unfortunate third-world flower crafter who had never actually beheld an iris, the intricacies of its petals flailing in frayed and frantic folds.
The hat crowned a stand of strangely disheveled locks, haphazardly erupting to and fro from beneath its shallow brim as if trying to run in every direction simultaneously. The stringy strands of hair cascaded across a harrowed face, revealing not a bright and boisterous smile but rather a looming sense of dread made manifest through trembling lips. Terrified eyes wide as saucers glowed white and wild from within the drapery, staring in suspended animation at the judge, jury, and executioners amassed within the audience. The fashion plate was topped off with a red bow tie, a gift ribbon bedecking a package that nobody had anticipated receiving and weren’t sure they wanted.
Someone coughed from a table near the back of the room. The next poet stood ready to take her place at a vigil from the sidelines, fidgeting with her phone and pouting with pursed lips while she glared at the ungainly intrusion, batting her brooding heavily shadowed and mascaraed eyes. Can you please sit? she posited in gesture without need to call forth words to speak what was on everyone’s minds. Yes. Please sit. Preferably someplace further from the spotlight, where its faint glow cannot cast its judgment upon this interruption, and all can all go on about the business of losing themselves in heartsick hyperbole while sipping their overpriced triple grande vanilla chai lattes and contemplating their harrowing higher education existences. Whispered words wandered through the meager crowd.
My eyes darted around the room from my slightly elevated vantage point; an alien creature left floundering in confusion at my own abrupt transformation. Only moments prior I had taken to center stage, adjusted the microphone to better meet my mouth, and begun reciting my latest poem, a meager manifestation of a serendipitous sunset in contemplation of life looming after graduation. Or was it sunrise? But three words in, I could feel the change taking hold, and I could see the palpable demeanor of the room shift as I stuttered out some nebulous nonsense in lieu of my well-rehearsed verse. I tripped over my own tongue-tied tableaux as the metamorphosis continued, watching in horror as my visage shifted to that of the bewildered buffoon.
As we rise to the sun-set
waning weary motion of our un-be-coming
beckoning reckoning,
graduation looming stranger-danger,
like wet and bewildered Beagles
unsure of when/how/if
they became thusly domesticated
and wondering where/what/who
the wolves wandered off to ward…
I shifted my weight ever so slightly, pooling my cartoonish mass over my left foot, and my shoe honked. Everyone in the room was aghast, their blank condescending stares drilling further into my psyche. After several seeming minutes of stoic silence, the Goth girl waiting her turn in line edged a chair towards the forefront, its wooden form grating against the faux plank flooring with a long droning whine, fingernails to a chalkboard. Sit. I raced to its sweet salvation, sloppily surrendering the circumstance to she the next reader and taking account of my own misbegotten musings. Upon returning to the shadows, my ridiculous and outlandish adornments subdued, losing the honking clopping clogs, unseen argyle socks, plaid pantaloons, polka-dotted blouse, suspenders, green garden bowler, and red bow tie to my regular simple black shirt and slacks performance getup.
At least I wasn’t naked this time…
Maybe that wasn’t the sort of creepy clown story you had in mind. So check out this found junk store post from before. And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
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