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I’m a big, big fan of survival horror. It’s one of my favorite sub-genres in both games and movies. So, I knew I had to do a (spoiler free) anime review of High Rise Invasion.

Tagged as a psychological horror, we follow Yuri, your average high school girl, who’s teleported into a strange alternative Tokyo, dominated by skyscrapers that are connected with rope bridges. But she’s not the only one here. There are other teleported humans and Masks.

Anime Review of High Rise Invasion Masked Chef says hello
Bonjour!

These Masks have two major commands: to physically torment any human they find until their victims commit suicide by jumping off buildings, or kill a human that refuses to commit suicide.

But the other humans teleported here might be even more dangerous than the Masks that hunt Yuri. With no other hope of escape, Yuri must unravel the secrets of this world, gain allies, and fight for her life.

The premise of this series seems promising as I first delved in. I adored Battle Royale, Squid Games, and Alice in Borderland, all movies and series that show just how far humanity can sink (and rise) when things get dystopic.

Pacing

For the first few episodes, the tension and pacing were perfect. The Masks are terrifying killers reminiscent of American slasher icons like Michael Myers and Jason Voorhees who will follow you endlessly through the maze of buildings.

Even as the threat of Masks loses some of its luster later in this series, High Rise Invasion still manages to keep its fast pace with consistent fights and dangerous situations, right on through to the final episode. Pacing is one place where this anime excels.

Characters

The characters and their arcs were far less engaging. Within the first episode Yuri goes from bawling damsel to Certified, Gun-Wielding Badass. The men she meets along the way are one note. The women are more varied (though that doesn’t mean the writing is good), but you will see almost every single one of them naked at one point.

anime review of high rise invasion: yuri hanging upside down
This probably speaks for itself.

The fan service is over the top and atrocious. Even female corpses have an 80% chance of having their shirts ripped open. There’s an obsession with mingling horror and fan service, but in High Rise Invasion it never once added to the scene or tension.

Beyond that, I’d argue that there are far too many characters as the episodes progress. By the latter half of the series, we’re constantly jumping from group to group, and often it doesn’t feel like it was necessary. The constant split focus prevented me from connecting with any character or caring about the stakes of the battles they fought.  

That being said, the one character I couldn’t help but like is Mayuko, introduced in episode two. They put the most effort into giving her a backstory and personality, giving her the most depth out of anyone in the series.

Image of Mayuko Nise in episode 2
Best girl Mayuko.

“It’s just human against human in this death match.”

Story

The story expands from Yuri’s goal to find her brother, also trapped in this alternate dimension, into one with a far loftier ambition. And that’s usually what I’m all about. I love lore; I love high stakes; I love secrets! But every secret is handed down to us through some random exposition dispenser. Yuri never stumbles upon or earns a great secret. It’s just… told to us. Sometimes by something as lame as a Mask who’s handing out lunch. Masks usually can’t even talk.

It never feels like the ambitions of Yuri, or other relevant key players, are ever really expanded upon. It’s hard to root for their goals when they themselves don’t seem to have a fleshed out vision of what they’re pursuing.

What’s worse, though, is that there isn’t an ending. The series ends two or three episodes short on a “cliff hanger” that’s a set up for Season 2. I felt cheated. I felt robbed. That’s one of the lowest things a series can do.

Battles

What kept me watching for twelve episodes, other than masochism, were the fantastic fights. The Masks remain brutal killers throughout the series, growing stronger and stronger each time our cast encounters one. And that leads to some fantastic fights. Sure, there are moments of blatant plot armor, but even with that, the battles still seem close.

Mayuko fighting some schmuck.

These fight sequences are where the anime shine. And if you enjoy action anime, you’ll probably enjoy this, as they’re well sprinkled through the series.

Final Thoughts for anime review of High Rise Invasion

Ultimately, this isn’t Battle Royale or Alice in Borderland. It’s a discount Mirai Nikki / Future Diary with less interesting characters, plot twists, and high stakes. Even the fight scenes are better in Mirai Nikki.

But that’s not say that High Rise Invasion doesn’t fulfill a niche. Most survival horrors are depressing and soul crushing. But High Rise Invasion is essentially a light-hearted, panty-flashing frolic through a lot of blood and gore. It tries its best to marry levity with a serious premise… and while it fell short for me, I’m sure that this’ll scratch the itch for someone who wants something casual and blood soaked .

I can only give it 2 out of 5 Cthulhu Heads.

Watch Time: Approximately 300 minutes

Trigger Warnings: Attempted sexual assault in the first episode, graphic violence, sexualization of underaged girls

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Movies n TV

“How to Split an Atom,” a Scientific Return to Evil

The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” Season 4 Premiere of Evil.

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The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” David (Mike Colter) can’t seem to shake off the dire warning of his vision. Kristen (Katja Herbers) reaches her breaking point. Ben (Aasif Mandvi) sees the light and faces some uncomfortable realizations.

“How to Split an Atom” is the first episode of season 4 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.

Four appear as the top of the image. Three look at the viewer, but the fourth on the right looks at the other three. Around them are creatures. Below all of this reads "Evil." Underneath reads "Paramount+" and finally "Season 4"
Evil Season 4 Cover

What I Like about “How to Split an Atom”

While “How to Split an Atom” does start in season 3’s conclusion, it’s still a satisfying introduction through Kristen’s reaction alone. While it’s less effective and necessary in the era of streaming services, it reminds viewers of the last season’s execution to re-establish tension. 

“How to Split an Atom” sets Kristen and Ben to face their most personal challenges. While Kristen often gets a good amount of material to explore, Ben receives the least development of the three assessors. Now that the titular scheme suggests a scientific focus, Ben seems to earn more attention.

Evil: The Final Season
  • In the final season, Kristen, David, and Ben continue to assess cases that involve wayward technology, possessed pigs, demonic oppression and infestation, a dance muse conjured by alleged witches, and an evil relic
  • Throughout, Leland attempts to lure Kristen into raising a baby antichrist who was conceived with her ovum
  • David is recruited by the Vatican’s secret service to remote view a paranormal ability to see the unseen to detect evil
Sale
Evil: The Complete Series
  • From creators Robert King and Michelle King (The Good Wife), Evil is a critically acclaimed psychological mystery series that examines the origins of evil along the dividing line between science and religion
  • A skeptical female psychologist (Katja Herbers) joins a priest-in-training (Mike Colter) and a contractor (Aasif Mandvi) as they investigate the Church’s backlog of unexplained mysteries, including supposed miracles, demonic possessions, and hauntings
  • This 13-disc collection includes all 50 episodes, along with deleted scenes and more!

Last update on 2025-03-03 / Affiliate links / Images from Amazon Product Advertising API

In comparison, David takes a step back, but the performance shows a man haunted by his vision. You see this conflict in his performance as he seems more held back and reserved throughout the episode.

Though far from unique to this episode, I haven’t yet found the opportunity to dive into the opening credits. These credits embody the idea of evil as an intrusive force against the good. It visibly displays the famed “problem of evil,” showing how the darkness intrudes against the light. 

“How to Split an Atom” prepares the viewer for a new norm across every character. While that doesn’t evoke a truly haunting experience, it remains effective in building the foundation for the final season of Evil. 

White background, rubber stamp with disclaimer pressed against the white background.
Disclaimer Kimberley Web Design

Tired Tropes and Triggers

Andy (Patrick Brammall) spirals in this episode, induced by trauma and manipulation. His interactions with Kristen showcase several toxic behaviors. While these issues hold merit and other forces manipulate him, this might not matter to some.

Though not directly stated, a minor character seems to suffer a psychotic break, leading to their death. “How to Split an Atom” doesn’t confirm if this is a suicide, a demonically assisted act, or a complete accident.

A nun leans close to a man, both looking at something unseen.
Sister Andrea & Father Acosta

What I Dislike about “How to Split an Atom”

“How to Split an Atom” explores a similar titular scheme as last season, but it doesn’t resonate as well. It feels like it retreads season 3, focusing instead on science but still lingering in a similar design.

There’s a strange scene where Sister Andrea and David speak in a low whisper despite being alone in her room. If “How to Split an Atom” wants to imply that spies listen in, “How to Split an Atom” doesn’t show this idea effectively. However, I think it’s intended to parallel Catholic confession, but it still doesn’t make logical sense in execution.

As streaming shows become standard practice, starting a new season in the prior season’s conclusion makes the episode more dependent and repetitive. While the execution remains effective in “How to Split an Atom,” I can’t help but linger on that thought.

A kraken emerges from the ocean, attacking a ship. The tint suggests the image is a map icon.

Final Thoughts

“How to Split an Atom” establishes a definitive timeline where all the forces of Evil will collide. It has its strengths but doesn’t haunt the viewer. The ramifications of Ben’s descent and Kristen’s breaking point keep this episode from blending into the background, but only slightly.
3.5 out of 5 stars (3.5 / 5)

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Movies n TV

Goosebumps The Vanishing Ends, Damned With Faint Praise

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We’ve reached the end of Goosebumps, The Vanishing. And after eight episodes of quality going up and down, I’m sad to say that the finale held to that theme.

Cover for Goosebumps, Invasion of the Body Squeezers.

The story

We begin this episode with the teens getting ready to go down into the fort to save their dad. Dr. Pamani gave them serum injections to keep them from being turned into pods. Then she locks them in, intending to never let them out again.

Through a series of quick thinking and bravery, everyone makes it out of the fort, though. Including Matty, Nicole, Hannah and Sameer.

For a time it looks like everything is going to be alright. Until Anthony tells Jen that they’ve got to do something about the alien ship that’s still trapped within the fort.

By the way, watch this with the caption on. It’s fantastic.

Jen and Anthony go back to Dr. Pamani’s lab in time to realize that no one is safe. Least of all, their kids.

Ana Ortiz and David Schwimmer in Goosebumps The Vanishing.

What worked

You might notice that the ‘rescuing Dad from the pod’ part of this episode was over pretty fast. That’s because the actual story of this episode was about what came out of the facility rather than what was going on down there. And that was a surprising misdirect. I enjoyed that I didn’t see this misdirection coming. Well done.

I will also say that this episode was fun to watch. The critters were equal parts creepy and kind of cute. The dialog was fun and there were a lot of laughs.

This ending was also satisfying. All the questions are answered. Everyone gets a happy ending and all the people you want to get together do. It was a solid ending with no loose threads.

What didn’t work

Unfortunately, that’s all the good things I can say about this episode.

Let’s start with the continued superficiality of the whole story. I just didn’t feel much of anything for any of these characters. I had a little twinge of bittersweetness when Matty looked through the box of his old things. But that was about it.

Francesca Noel, Stony Blyden and Galilea La Salvia  in Goosebumps The Vanishing.

The problem here was that everything was going too fast. We jumped from chaos to chaos so fast that the emotions didn’t have time to sink in. It was like rain on a dry field. No matter how much falls, if it can’t be absorbed it’s not going to do much good.

Here’s the real problem I have with this episode, though.

You’ll recall that in the last episode, I was irritated by how quickly Dr. Pamani decided to help the kids. It should surprise exactly no one that she didn’t decide to help them, but to trap them in the facility to be podded forevermore.

Invasion of the Body Squeezers: Part 1 (Goosebumps Classics #41) (Classic Goosebumps)
  • Goosebumps now on Disney+!Jack Archer is convinced something strange is going on at his neighbor’s house
  • Mr
  • Fleshman always wears all black, hardly ever leaves his house, and never says hello to anyone

Last update on 2025-02-28 / Affiliate links / Images from Amazon Product Advertising API

While I’m thrilled that Dr. Pamani didn’t just change her mind, I still think it was dumb as shit that anyone, especially our main characters, thought she did. These teens aren’t dumb. Kids aren’t dumb. We shouldn’t be portraying kids as dumb in a show for kids.

I’m not saying this series was pure garbage. I’m not saying it was dangerous or unwatchable. I’m just saying that, if it didn’t have the name Goosebumps, I probably never would have watched it. This story just doesn’t have the same staying power that the original stories do. It was fine to watch, but in the end, just didn’t have enough substance to warrant a rewatch.

3.5 out of 5 stars (3.5 / 5)

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Movies n TV

Goosebumps Sputters along with Camp Nightmare

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After a shaky start, Goosebumps The Vanishing is still on shaky ground with this penultimate episode. While there were some surprises, a lot of them were rather disappointing.

Original cover for Goosebumps Welcome To Camp Nightmare.

I feel like I say this a lot, but if you’ve read the original book then you might have a hint about where this is going. But it won’t tell you the whole story. So let’s take a trip to Camp Nightmare and see what’s waiting for us.

The story

We begin this episode with a flashback to the Fort before it was a fort. A group of Camp Nightmoon campers is hiking there with the worst camp counselor ever. It was almost a relief when the mysterious monster reached up from the cliffside and grabbed him.

Back in the present, the teens are putting the pieces together. They track down Dr. Pamani’s father and even find a book he published. They then locate the address of her lab and break in. There, they find her journals that chronicle the discovery of the monster, and how it managed to kill her entire team.

What worked

In this episode, and in fact this season, scientists are not the bad guys. Which is a relief. Science fiction and horror tend to hold up a mirror to society, showing us what we’re really scared of using monsters and ghosts as allegories. So often, when people are wary of science and scientists, we have horror movies that demonize them.

Sahana Srinivasan in Goosebumps The Vanishing.

But that’s not what happened here. The scientists are not necessarily the good guys, but the ones who tried to save the world. Even though they failed, they tried.

One good example of this was Dr. Pamani telling her father, “We’re scientists, not soldiers.” This is a great line. And this episode had a lot of great lines. The dialog was on point. Nothing felt forced, but it also felt polished and impactful. It was just overall well done.

I also enjoyed, to a point, the flashback scenes to 1969. It was interesting to see the people who tried to contain this entity. To learn from it. The flashback was also ominous. Because never did the characters explain how this entity got there. They didn’t seem interested in that, only in how to destroy it. Since we don’t know why or how it came to New York, we don’t know if there are more of them somewhere else. And since everyone’s being so secretive, we might never know.

Until it’s too late.

What didn’t work

Unfortunately, this episode failed more than it succeeded.

Let’s start with the sudden change of heart Dr. Pamani has. For decades, she’s been controlling and containing this creature. She’s been careful to never take risks that might release it into the world. So when Cece and Devin want to go save their dad, she says no.

At first. Then, after a not-so-passionate plea by Cece, she changes her mind and agrees to help them save Anthony.

Which seems like a really quick departure from her stance just moments before. Honestly, this wasn’t believable at all. It was lazy. It felt like they just didn’t have a good enough reason for her to change her mind, so they just handwaved it away.

This wasn’t the only part of the story that was too easy. This whole investigation went smoothly for them. They wanted to find the book by Dr. Avi Pamani, and they found it at the library. They didn’t even find it. The librarian found it for them. They wanted to find Dr. Pamani’s address. They found it in seconds and also found her credit score. They got into her lab by doing nothing more than cutting a chain holding the door shut. And we’re supposed to believe that no one ever thought to do any of this? Four teenagers vanished in the 1990s, and none of their family members were ever able to put all this together. That just doesn’t make sense to me.

Jayden Bartels, Francesca Noel and Elijah M. Cooper in Goosebumps The Vanishing.

Both of these issues feed into the main problem with this episode. The whole thing felt watered way down. Especially after the hints about some horrific medical experiments taking place at the fort. I love a good horrific medical experiment story, so I was looking forward to that.

But that’s not what happened. Instead, it was a watered-down alien invasion story with a bunch of people who did their best and failed. It just felt like, frankly, not enough. It felt like there could have been so much more, should have been so much more. Instead, we got the Great Value version of what we could have had.

At this point, I think I’m too invested to give up. After all, there’s just one more episode left. But I’d be lying if I said that was something I’m looking forward to.

3 out of 5 stars (3 / 5)

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