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Web of Darkness

Jim here. Do you like horror with an anthology flavour? If so, check out Web of Darkness, the brand new original series from the T+E channel. Voodoo Priestess and I got our hands on an advanced viewing of the first episode and let’s say this is a program we’re happy to come back to. So, sit back and relax. Let Jimbo drive a NO SPOILERS review of Web of Darkness – the Good, the Bad, the Ugly style!

The Good

It’s Quick n Dirty. T+E touts this as ‘bite-sized’ horror and they deliver. Okay, so this isn’t the Bite-Sized Horror podcast Nicole and I are taping, but I do like the concept of something that won’t make your butt cry when you’re sitting down to watch. The beauty of the bite-sized format is that you can watch an episode in one sitting or multiple ones! That’s right! You don’t have to be a slave to your TV when you’re consuming horror.

Got a minute or two? Great! Watch one story. Got a few dozen more minutes? Awesome! Have a seat, we’ve got the popcorn ready for ya!

Plus, a bite-sized horror anthology means if one story isn’t working for you, well, fear not true believers! We got a few more different ones coming at ya.

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Production value. We’ve all seen some content that I won’t name that really drags or the editing is goofed or the sound is subpar or the or or or….right? Well, T+E put their stamp of approval on this one and it reflects their brand. You get slick; you get smooth, and you get some scares. The production value rivals larger studios and completely sinks a lot of the made-for-TV stuff. Voodoo and I especially like T+E’s ‘commercial break’ visual concept. I’m not sure if that’s going to be in the aired episode, but it works really well from what we’ve seen.

Variety is the spice of life. Voodoo and I thought maybe the Web was interwoven stories (maybe…maybe not! You’ll have to find out by watching!) but what works well in an anthology is a lil bit for everyone. That is the vibe we get when watching this-it’s a little bit for everyone. It’s family friendly (from what we’ve seen, but please be the judge for your own family). It’s story telling done well.

The Bad

POV and Voice Overs. First person POV is hard to do in any genre that has an ‘ultimate’ ending. Why? It’s tricky to narrate something if you’re dead. It can be done (see: found footage, or ghosts) but it can fall flat more oft than not. This, along with using voice overs to explain things physically happening on the screen while the voiceover is going on, is a weak spot for some stories. It takes the audience out of the moment and forces to realize ‘oh right, it’s just a show’.

Scare factor. Voodoo and I are hard core horror lovers. We could see where these could be very scary (like I said, the production value is great!) but sometimes the writing falls. There are some interesting parts. There are some creepy moments. There are some good plot ideas. The writing didn’t allow for a full scare, though. It isn’t like a previous movie we reviewed where the third act is missing. It’s more of an audience direction thing. I think little kids would fear this. I think late at night if I were to watch this alone in an old house with a thunderstorm going on…it might work. I would love to see an increase in Scare Factor but I’m willing to give this show a second episode. It’s difficult to gauge scare based on one episode.

Web of Darkness promo with a girl in an old-fashioned dress standing alone in the middle of a dark field
Web of Darkness from T+E

The Ugly

Blood, guts, and monsters! I mean ugly in a good way! This, again, goes back to production value. T+E has great taste in effects and the acting, music, and lighting is spot on. Heck, there is one where I wish a far bigger budget item like Game of Thrones had T+E’s lighting sense (you’ll know exactly the episode of which I speak when you see it). This is one reason Voodoo and I not only are willing to give Web of Darkness a second episode look, but look forward to it. We know, jumps or not, we’ll be entertained.

Web of Darkness – The verdict

Web of Darkness is an original series by T+E. As a horror site owner, I push for original content (heck we have an Original content section!). Also, I like T+E so much I pitched a series called Humbug! to them (more on that later…). More horror (in entertainment) in the world, the better. I love hearing from fresh voices and seeing a well loved production. Web of Darkness is all that and more. Yes, it has some flaws (see Voice Overs) and the target audience might be on the younger side—but that’s good! How boring it would be if every TV show were the same? We need new contact for a whole new generation of horror fans and I think Web of Darkness fits. It is fast; it is sleek; it is well done and, as the PR says, it is bite-sized.

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My score is a 3.5 out of 5. It’s definitely worth the watch, and I encourage anyone looking for that anthology fix to check this out. If you check it out, let us know what you thought via twitter @HauntedMTL

Until then, boys and ghouls…. 3.5 out of 5 stars (3.5 / 5)

T+E’s new original series Web of Darkness (8×60’) is a dark, modern-day anthology series that pays homage to the classic horror and sci-fi genre. Inspired by horror stories found in the deepest recesses of the web, each episode follows five chilling tales narrated by everyday characters reliving their nightmarish run-ins with the unexplained. From ghosts seeking revenge to encounters with UFOs and a resentful witch bearing a grudge, Web of Darkness accelerates the terror to deliver bursts of fright in a bite-size format. The series shows audiences what could happen if our world ever intertwined with the supernatural, offering a vivid portrayal of modern-day horror stories often caught on camera by the main characters. The world broadcast premiere of Web of Darkness airs Tuesdays at 10 p.m. ET/PT onT+E, starting June 8.

The first two episodes of Web of Darkness include:
• Episode 1 – Not So Scary Now, Are You?
June 8 at 10 p.m. ET/PT
A nurse is plunged into a frightening battle with mysterious patients who infect her with their dark qualities. A farmer is in mortal danger from a “scarecrow” that is terrifyingly more than what it seems. A UFO crash puts a doctor in an impossible and deadly battle with alien lifeforms. When an old theatre reopens, a clown ghost is reawakened and embarks on a frightening rampage. A teen couple are having fun live streaming their explorations of haunted places until they find themselves way in over their heads.


• Episode 2 – The Game’s Just Begun
June 15 at 10 p.m. ET/PT
At a school with a sordid past, a desperate ghost reaches out to an unsuspecting new teacher. On Hallowe’en, a young man fatally misjudges what he thinks are only frightening decorations. Discovering her boyfriend is part of a horrifying offworld experiment, a young woman realizes she’s their next target. The only survivor of an office massacre returns to work, only to be trapped with the killer who died at the scene. Discovering his family’s brutal past when he returns to their old homestead, a tailor tries to outrun ferocious, newly-awakened spirits.


Web of Darkness is produced by Saloon Media, a Blue Ant Studioscompany, in partnership with the U.S.-based MY Entertainment. Michael Kot,Betty Orr, Julie Chang, Joe Townley and Michael Yudin serve as Executive Producers. Paul Kilback and Tara Elwood serve as Series Producers. Overseeing the series for T+E is Sam Linton, Head of Original Content for Blue Ant Media’s Canadian channels. Web of Darkness is distributed by Blue Ant International. Studios company

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T+E is a Blue Ant Media specialty channel and the ultimate destination for totally entertaining programming, providing an escape into a world that is brimming with mystery, intrigue, and unforgettable storytelling. As the home to spine-tingling paranormal encounters, T+E combines thrills and chills with fan-favourite cult series and can’t-miss TV events. tandetv.com.

Movies n TV

The Boys, Season Four Finale

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We have come now to the finale of season four of The Boys. And while it didn’t have the literal blood fireworks I wanted, someone did get ripped in half in the air. So, that’s pretty close.

As a note, I will try to avoid spoilers as much as possible. This ending was a hell of a gut punch that should be experienced as blindly as possible. That being said, I will not be able to avoid spoilers and still give a full legitimate review. Proceed at your own risk.

The story

The main storyline for this episode is the attempted assassination of President-Elect Robert Singer. The Boys join forces with the Secret Service to protect him. But, as we learned last episode, Annie has been replaced with a shapeshifter. A shapeshifter that was welcome not just into Hughie’s anus, but into the protective bunker in which the President-Elect is hiding.

What worked

The first thing I want to discuss about this episode is the ending. But we need to do this carefully.

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The important thing here is that the ending breaks your heart on so many levels. So many terrible things are happening to characters that it’s almost hard to keep track. And each moment is significant to each character.

I cannot give a specific example. But no matter who your favorite character is, you’re going to weep for them.

Jack Quaid in The Boys.

Unless your favorite character is Sage. And this is the next thing that made this episode so fantastic.

I don’t think I’m spoiling anything to say that Sage’s plans worked out exactly as she wanted them to. And she got exactly what she wanted.

What she wanted wasn’t power. It wasn’t money or fame or vengeance. It wasn’t to win the love of anyone. She just wanted to see if she could do it.

That is a terrific, terrifying motivation! Because all she wants is to play a massive game of chess with people as pieces. She doesn’t care about anyone. She just wants to see how many people she can manipulate. She just wants to set things on fire to see if she can.

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Fantastic. A plus villain work.

The next thing I want to discuss is a cornerstone of the whole series.

The morality of The Boys shifts through the series. While it’s very much a battle to save the world from overpowered super monsters, it’s also a battle for the souls of our real heroes. And in that battle, there are two warring factors. We have Hughie, always trying to bring everyone up to a better level. And we have Butcher, who has no problem at all hitting rock bottom with a shovel in hand to do some more digging.

In this episode, we saw almost every member of The Boys challenged. Will they rise to their higher angels, or sink with their demons?

On a similar note, I am so glad that the writers kind of addressed my issues with Annie. They did this by having the shapeshifter get right into her face and accuse her of thinking that she’s better than everyone.

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Erin Moriarty in The Boys.

While that was devastating for the character, it was a little cathartic for those of us who felt like Annie was a little too good of a good guy.

What didn’t work

This is a small matter, but it is an issue that I want to address. After Annie finds out that Hughie slept with her doppelganger, she is furious at him.

In addition to this being unfair, it’s also a very cliche element to add. In almost every instance of a lookalike in fiction, there’s a moment where the love interest of the victim is fooled. Or almost fooled. And it’s always the same fight. It’s just played out and predictable. I’m just glad that it didn’t last very long.

Now that we’ve come to the end of the season, I can officially say that it was amazing. The story was deep and rich. The special effects were a stomach-turning good time. The character development was spot-on and satisfying. And, of course, it left me just about gagging to see what happens next. Unfortunately, it looks like we’ll have a bit of a wait. Because as of right now, the fifth season isn’t expected until 2026.

5 out of 5 stars (5 / 5)

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The Boys, The Insider

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We’ve reached the second to last episode of The Boys, season four. And, as is appropriate for the penultimate episode of any show, things have to get a lot worse before they can get better.

Let’s discuss.

The story

Christmas is coming, and the whole world is getting ready. Ryan, despite being very clear that he didn’t want to appear on any TV shows or movies, has been strong-armed into participating in a Vought puppet Christmas special. He draws the line, though, when asked to sing about turning one’s parents in if they start talking about woke things.

Cameron Crovetti in The Boys.

Meanwhile, The Boys are trying to keep each other together. Butcher decides to take Sameer to the rest of the team. He also gets Frenchie out of prison, hoping they can make the Sup virus necessary to finally take down Homelander. Instead, this decision means disaster for one member of the team.

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What worked

I first want to talk about Ryan’s speech near the end of the episode. Because it was exactly the moral of this whole story.

Ryan’s dad is a monster. His stepdad is also kind of a monster. But Ryan is a good kid. He cares about people, about family. And while he loves Homelander and Butcher, he doesn’t want to be like them.

Even better, this speech sounded like something a kid would say. Ryan didn’t open his mouth and start sounding like a college student all of a sudden. He sounds like a kid who misses his mom and wants to live up to the good standards she set for him. And I think that’s terrific.

Speaking of Homelander, he shot himself in the foot in this episode. I said earlier in the season that his hubris was going to be his downfall, and I was right. Without Sage, he just has the same weaknesses he’s always had. He’s going to fail because he just isn’t clever enough or patient enough to succeed.

Without Sage, I think a win is in the bag for The Boys. This isn’t to say that Homelander by himself isn’t dangerous. It’s just that he’s more like a wildfire than a controlled burn. He’s going to cause a lot of damage, but not get anything he wants out of it.

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More’s the pity for him and everyone else who has to share his world.

Finally, I am thrilled with A-Train’s redemption story. I love that he wants to be a good person not to save himself, but to be a good person. His honest, pure and warm reaction to that little kid smiling at him in the last episode was heartwarming. It changed him in a moment, bringing to light a goodness that he’s been keeping under wraps for a long time.

Jessie T. Usher in The Boys.

This, along with Ryan’s courageous speech, proves once again what The Boys does so well. Yes, it’s gruesome. Yes, there’s blood and balls and batshit events. Yes, someone occasionally gets ripped in half. But there is a true human goodness in the story. One that we catch glimpses of. There are good people among the monsters. There is hope for redemption.

What didn’t work

Of course, so few things in this life are perfect, and this episode was no exception. For instance, I was irritated by the insinuation that Butcher cheated on his wife.

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That just doesn’t make any sense. We’ve seen flashbacks of Billy and Becca. They were happy. He was happy. He was head over heels for her. And I don’t think it’s realistic or necessary for the character to throw in that he cheated. It does nothing to add to the story, it’s just a weird and offputting moment.

Doesn’t Butcher have enough to hate about himself? Can’t we just give him that at least he was a good husband?

Finally, I kind of hate that we ended up with Annie being caught. It’s just cliche, which is something I don’t normally say about this show. It feels lazy unless they do something very clever with it in the last episode. Which, I suppose, they might.

Next up is the season finale. And with this season being as insane as it has been, I’m expecting nothing short of bloody fireworks. And I mean literal fireworks of blood. At this point, would it surprise anyone?

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4 out of 5 stars (4 / 5)

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The Boys, Dirty Business

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Episode six of The Boys was one of the most surprising episodes of the series so far. And that is certainly saying something. Because this season has so far been bonkers.

The story

Our episode today revolves around a party at Tek Knight’s lovely mansion. Yes, it does look just like Wayne Manor.

The Boys know that Tek Knight is working with Homelander on something, but they don’t know the details. So they decide to send Hughie in to bug the mansion.

Because that’s worked so well the other two times he’s tried to hide a bug!

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It should surprise no one that this time goes no better. Hughie finds himself in Tek Knight’s basement. And by that I mean his BDSM dungeon.

Meanwhile, the party upstairs is no less disturbing. Homelander and Sage are trying to convince some well-off political donors to support a cue after the election. When pressed for details on his plan, Homelander freezes. He looks to Sage for help, but she wasn’t recently shot in the head and still in the junk food stage of her healing.

Fortunately, or unfortunately depending on your point of view, Neuman jumps in and saves the day.

Claudia Doumit in The Boys.

What works

If I’m going to say one thing about this episode, it didn’t hold back at all. I didn’t expect them to show a character masturbating, sitting their bare behind on a cake, or spraying breastmilk into someone’s face. But every time I thought they’d cut the scene and let something be left to our imagination, they did not do that.

Derek Wilson in The Boys.

This is a dangerous move. Whenever you show the monster, you run the risk of them not being scary enough, or gross enough. As Stephen King says in Danse Macabre, to leave this sort of thing to the imagination if the reader makes things so much worse. So when they finally experience the monster, they might say that this isn’t so bad. It could have been so much worse.

But in this case, they managed to avoid that by making the scenes, especially the ones in Tek Knight’s dungeon, so much worse than I imagined it would be.

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What doesn’t work

While this was a deeply disturbing episode in many ways, there was one really innocent and sweet moment.

And yes, I did have a problem with it.

Confronted by Firecracker, Annie decides to apologize for spreading rumors about her when they were kids. She tells her that she is genuinely sorry.

And I believe her. I don’t think Firecracker did, but I did.

So why is this an issue? Because I’m starting to think that Annie is maybe too nice. She is too good.

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I know that Annie is our good guy. But every one of the other good guys has flaws. Hughie let his pride get in the way and took Temp V. MM hid himself from his daughter instead of teaching her to work through her emotions. Kimiko is far too closed off and has a hard time trusting others. Frenchie numbs himself with drugs. And well, what hasn’t Butcher done?

It is unrealistic that Annie is just so kind and so flawless. We all have shadows in our personalities. We all have weaknesses, we all mess up. We all do things we wish we could take back. The fact that Annie doesn’t seem to have anything like that is not just unrealistic. It’s infantilizing.

Give her some deep dark secrets. Give her something real to regret.

This was a shocking episode, even for someone fairly jaded like me. I wasn’t expecting the sort of weird sexual depravity, though I guess maybe I should have seen it coming. It was dark, upsetting, tense, and funny as hell. And with just two episodes left in the season, I can imagine the stakes are only going to get higher.

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4 out of 5 stars (4 / 5)

By the way, if you like my writing you can get my short story, Man In The Woods, on Smashwords and Amazon.

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