Another solid episode tonight, with another Bruce Springsteen reference. Let’s dive into the murky depths of the swamp water, shall we?
The Story so Far
A Phantom Stranger
Swamp Thing’s storyline this week focuses on ol’ Swampy forging a stronger understanding of the Green. Still grappling with his transformation, his nightmarish visions of the past, spurred on by the swamp, are interrupted by a stranger who seems to let on that he knows a great deal about the swamp and of Alec. Swamp Thing is eventually guided by the stranger to realize that the swamp itself has a memory and that he can tap into it. It turns out this stranger is like The Phantom Stranger.
A Ghostly Possession
Abby, this week, finds herself involved with Maria Sunderland and the haunting, vengeful ghost of Maria’s daughter. Most of this week’s horror comes from a very effective little ghost story that serves as the A-plot of the episode.
Maria and Avery’s temporary guardianship over little Susie Coyle, as scummy as it is, becomes outright dangerous when Shawna’s spirit, pulled from the swamp by Madame Xanadu, possesses the young girl. Naturally, this possession is full of wonderful, haunting visuals.
The threads of Swamp Thing’s storyline and Abby’s merge wonderfully as well. After saving Maria from a suicide-by-drowning to reunite with Shawna, Swamp Thing tells Abby he saw a vision of what happened in the past. He then proceeds to let her access the collective memory of the Green, through him.
Odds and Ends
Avery Sunderland spends a good portion of this episode committing marital infidelity, threatening folks, and getting deeper into his shady schemes. Avery’s storyline reveals he is still intimately evolved with sheriff Lucilla Cable and that he is not above using intimidation to get what he wants. He threatens Delroy, the local barkeep, by butchering a turtle for soup.
One of these shady schemes is revealed when Lucilla learns, from a local scumbag that her son, Matt, was the one who killed Alec Holland. Lucilla ends up killing the bearer of bad news, rather graphically. The revelation that Matt Cable killed Alec on behalf of Avery does not sit well with Lucilla.
Madame Xanadu made an appearance to fill in some exposition and sort of… vanished. She is around just long enough to fill Abby in on the nature of Ghost Shawna, and then when the pair arrive at the swamp, Xanadu sort of wanders off.
Daniel Cassidy decides it’s time to leave Marais, but he can’t. He presumes his saving Abby the other night was enough to fulfill his end of the bargain, but it turns out that isn’t the case, and he gets burned (literally) for trying to leave. Later on, wallowing in Delroy’s, he stops two armed men from threatening Liz, only to be struck across the back of the head by a tire-iron.
What Stood Out?
You can see that show at this point has found confidence in the set and costume design because we are getting more and more well-lit shots of Mears in full Swamp Thing makeup. It’s a super-impressive set-up and very much a great visualization of the classic creature.
Also, Avery butchering the turtle for turtle soup has likely ensured many viewers may never try turtle soup, ever.
The Final Verdict on Swamp Thing
This week’s episode did a lot to push forward some side stories and also seemingly wrapped up a source of trauma for Abby Arcane. It’s all forward momentum this week.(4 / 5)
The big reveal for comic fans this week was the introduction of the Phantom Stranger. There is almost too much to unpack regarding the character for these small sections, but needless to say, his arrival in Marais to guide the Swamp Thing is very much in character.
Also, the actual reveal of the Blue Devil costume in the trunk of Daniel’s car, complete with requisite glowing eyes was an excellent touch.
The Last Drive-In: Joe Bob’s Vicious Vegas Valentine Special Live Watch Party February 10th!
The sweet putrid stench of love lingers through the air which can only mean one thing…Valentine’s Day and its annoying little winged cherub mascot, Cupid, is fast approaching. Soon, partners will be spoiling one another with extravagant bouquets of roses, heartfelt Hallmark cards, obnoxiously large teddy bears, glistening diamond jewelry, and heart-shaped candies or boxes filled with assorted mediocre chocolates. You know? Normal things couples do. I tend to prefer my chocolate boxes filled with bleeding hearts, à la ‘My Bloody Valentine’ but, beggars can’t be choosers, right? All jokes aside, Valentine’s Day is special for many couples, however, there are also many others who find themselves celebrating this day without a significant other. Luckily, Shudder, along with drive-in king Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) will graciously be keeping us lonely mutants’, and yes, all you horror fanatic couples’ company on Friday, February 10th as they return with The Last Drive-In: Joe Bob’s Vicious Vegas Valentine, premiering live at 9pm EST.
Love Spells Abound…
Back in 2021, Joe Bob and Darcy invited us to a gruesomely passionate night of spell-binding love witches and animatronic dinosaurs infused with teenage human brains during The Last Drive-In: Joe Bob Put a Spell on You. Many, including myself, were introduced to the tantalizing 70’s inspired retro throwback ‘The Love Witch’ and the graphically goofy cult classic ‘Tammy and the T-Rex’, providing the perfect viewing pleasure to mend any broken heart. While the two films for this year’s morbid love-induced special have yet to be announced, as a special treat, Briggs has announced for the first time on The Last Drive-In, he will be marrying one lucky couple during the live showing. We here at HauntedMTL are eagerly awaiting the return of the ghoulish duo so, as is tradition, we will be proudly hosting a watch party on Twitter during the broadcasting of The Last Drive-In: Joe Bob’s Vicious Vegas Valentine. Be sure to follow us on Twitter and tag us @hauntedMTL as well as @shudder, @therealjoebob, and @kinky_horror to partake in this night of unholy love.
What started off as a one-time special premiering on Shudder July 13, 2018, ‘The Last Drive- In’ was originally meant to be Brigg’s swan song; one last special before hanging up the bolo tie in retirement. However, due to so many mutants, excuse me…viewers tuning in and breaking the Shudder servers, it was only natural to announce an official full season of ‘The Last Drive-In‘, which would make its explosive debut March 19, 2019. Since then, Darcy and Briggs have spawned many exclusive holiday specials, have graciously donated to many charities within the community, and have accumulated 4 seasons of ‘The Last Drive-In’, with a fifth currently in production premiering on Shudder’s 2023 schedule sometime this year, let’s hope sooner rather than later.
Horror Noire, a Film Review
Horror Noire is a horror collection that includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.”
Horror Noire is a horror collection brought by the combined efforts of AMC+ and Shudder. The collection includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.” Horror Noire boasts Black directors and screenwriters, providing six unique stories.
As this collection explores six stories, I will skip the usual synopsis to assess the genres and ideas explored, albeit limited as needed. Expect to find supernatural horror, creature features, and psychological thrillers. Many short films deal with these genres while exploring Black issues, but this isn’t universal for the collection.
The directors and writers include Zandashé Brown, Robin Givens, Rob Greenlea, Kimani Ray Smith, Steven Barnes, Ezra Clayton Daniels, Tananarive Due, Shernold Edwards, Victor LaValle, and Al Letson.
What I Like
Each story remains unique, holding different strengths and weaknesses that highlight drastically different perspectives. Collections like VHS hold a similar premise to create their collection, but Horror Noire gives more creative freedom to its talent to be independent.
My personal favorite short film is Zandashé Brown’s “Bride Before You.” This period piece unravels a fable set in the Reconstruction Era. The entry feels Fabulistic in approach, which happens to be my preferred niche.
However, the best example of horror goes to Robin Givens’ “Daddy,” providing an existential horror tied directly to the characters involved.
What I Dislike
As mentioned, all have a particular style and idea. The downside of this approach always remains to keep the viewer interested long enough to find their favorite. If you find several underwhelming choices, this becomes a chore. But I imagine that is rare as the variety makes the options refreshing.
Personally, “Brand of Evil” had an interesting premise, but the execution fell short. On paper, it might have sounded like my favorite, which makes the lackluster execution a bigger letdown.
Horror Noire gives power and control to Black creators, providing a formula for a unique collection against others in the space. While the various subjects and approaches mean you aren’t likely to love them all, there should be a short film for everyone.
(3.5 / 5)
Episode six of Netflix’s Dahmer was not, honestly about our title character. Instead, it was about one of his victims, a man named Tony. We’ve actually seen Tony a few times during this series. We just didn’t know it was him.
And, well, he wasn’t exactly alive the first time we saw him.
Tony was born into a supportive, loving family. This is good because soon after he was born a viral infection took his hearing. He is black, deaf, and gay in the early 90’s.
Tony has a dream of becoming a model. And he certainly has the looks for it. He is beautiful, body and soul. He has lots of opportunities for romance, but it’s not what he’s looking for. He wants a real relationship.
Eventually Tony moves to Madison, trying to pursue his dream. He gets a job and starts getting modeling work.
Then, he meets Jeff Dahmer at a bar.
At first, we can almost believe that it’s going to be alright. Jeff seems happy. He’s taking care of himself. He’s not drinking as much. He even has his dad and stepmom over for dinner. It seems like his life is getting on track. Even better, he’s treating Tony right.
Then, of course, things go bad.
One thing that has always bothered me as a true crime fan is that we know so much about the killers, but not as much about the victims. Not so much if we don’t know who the killer is, of course. But the names that are part of our pop culture are those of the killers. Dahmer, Manson, Jones, Bundy, Holms. The names we don’t know are Roberta Parks, Beth LaBiancas, Leno LaBiancas, and Tony Hughes. And clearly, we should know them.
If Tony Hughes was half the shining, positive person that the show Dahmer made him out to be, I’m so sad that he isn’t with us anymore. We need so many more people like him. And many of Dahmer’s victims were likely just like him. After all, he was attracted to them for a reason.
This was a significant episode, and I understand why it’s the highest-rated episode of the series. I finished it with a heavy heart, saddened by the loss of a man who should still be with us today.(5 / 5)