‘Llamageddon’ review: A killer llama from outer space to compliment your weekly acid trip
It’s about time someone made a movie about killer llamas from outer space. Released in 2015, Llamageddon would’ve swept the “I Can’t Believe They Made This” and the “Craptastic” film awards if such awards existed. Starring Louie the llama, the best actor of this acid trip, Llamageddon is easily one the best times I’ve ever had watching a film completely sober because this, without any exaggeration, is the most flawless, atrociously wonderful piece of crap that I’ve ever seen. Seriously, this is just about the worst movie I’ve ever seen which automatically makes it one of the greatest. With an adorable animated prologue played to heavy metal, Llamageddon starts off with an army (herd?) of llamas getting ready for universal domination.
They’re extraterrestrials living on some llama planet, using space ships designed like animal trailers, and make adorably mean facial expressions as they prepare for takeoff. I actually wish the whole movie took place on this planet and was filmed in this style because it would’ve been the Citizen Kane of llama movies. Evil cartoon llamas doing a Nazi march? Nothing gets better than that.
A single llama crash lands on earth and kills a nice, albeit boring, couple living on a ranch. He kills them Supernatural style with a bucket of blood splattering the walls as the victims scream off camera. Next, we meet the couple’s grandchildren and their mother as they’re leaving the funeral, all of whom seem completely unconcerned about the gruesome (judging by the blood splatter) murder. They refer to it as a “freak accident” as if people getting slaughtered in the middle of the night is some kind of rare medical condition.
The mother forces her kids to stay at the grandparent’s house, alone, while she goes to deal with the will because apparently lawyer offices don’t allow teenagers inside anymore. The only reason I can fathom why this woman is abandoning her children in the middle of nowhere with a murderer on the loose is that she secretly hates her children and wants them to die.
The moment she’s gone, daughter Melanie calls everyone she knows and invites them over for a party while her brother Floyd slumps around like a sad sack of pudding. This is the beginning of the film’s basic set up, but this whole seqeunce feels like some kind of warped dream. These two teenagers are mannequins cursed with life accompanied by personalities downloaded from various Twitter feeds. It’s exactly how I imagined a play about humans written by Martians would look like, which is ironic because while these two are acting like aliens, there’s an actual alien running around outside.
The party bits were probably written under the influence of a massive drug cocktail. However, unlike the kids in Friday the 13th, Sleepaway Camp, House of Wax, Ma, and other slashers, the party of drunk teenagers/college kids in Llamageddon are actually entertaining. They’re not well developed, likable, or even good character portrayals, most of the acting is brutal, but they’re fun to watch. I wasn’t bored for a single second, and I wasn’t just waiting for them to die. Their deaths only compliment the chaotic silliness of it all.
Plus the order in which they all die is unconventional. The bulk of them all die at once in a hot tub. It’s ridiculous.
The star of this film though is the space llama with his bloodred laser eyes that explode people. I’m not going to give Llamageddon crap for its special effects because you can’t always afford what you had in mind, however, it makes the film so funny it’s impossible not to burst out laughing with every kill scene. My favorite might be the girl who gets beaten to death by two fake llama legs that are just swinging above her face while she struggles. Amazing.
This is both a brilliant and awful movie. I honestly only loved it because of how bad it was and because I love llamas. It’s almost impossible not to like it because it’s so honest in its flaws. Llamageddon was made by film students fresh off graduation. It started out as a short film that turned into a full-length passion project, which makes me love it all the more. It’s here and it might as well have fun, plus it’s actually pretty good for a raw first project that had almost no money. Incredibly entertaining, and weird as f**k.
There are plans to give Llamageddon a sequel, this time starring alpacas, with Louie having a special cameo. The movie will be called Alpacalypse.(2.5 / 5)
The Last Drive-In: Joe Bob’s Vicious Vegas Valentine Special Live Watch Party February 10th!
The sweet putrid stench of love lingers through the air which can only mean one thing…Valentine’s Day and its annoying little winged cherub mascot, Cupid, is fast approaching. Soon, partners will be spoiling one another with extravagant bouquets of roses, heartfelt Hallmark cards, obnoxiously large teddy bears, glistening diamond jewelry, and heart-shaped candies or boxes filled with assorted mediocre chocolates. You know? Normal things couples do. I tend to prefer my chocolate boxes filled with bleeding hearts, à la ‘My Bloody Valentine’ but, beggars can’t be choosers, right? All jokes aside, Valentine’s Day is special for many couples, however, there are also many others who find themselves celebrating this day without a significant other. Luckily, Shudder, along with drive-in king Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) will graciously be keeping us lonely mutants’, and yes, all you horror fanatic couples’ company on Friday, February 10th as they return with The Last Drive-In: Joe Bob’s Vicious Vegas Valentine, premiering live at 9pm EST.
Love Spells Abound…
Back in 2021, Joe Bob and Darcy invited us to a gruesomely passionate night of spell-binding love witches and animatronic dinosaurs infused with teenage human brains during The Last Drive-In: Joe Bob Put a Spell on You. Many, including myself, were introduced to the tantalizing 70’s inspired retro throwback ‘The Love Witch’ and the graphically goofy cult classic ‘Tammy and the T-Rex’, providing the perfect viewing pleasure to mend any broken heart. While the two films for this year’s morbid love-induced special have yet to be announced, as a special treat, Briggs has announced for the first time on The Last Drive-In, he will be marrying one lucky couple during the live showing. We here at HauntedMTL are eagerly awaiting the return of the ghoulish duo so, as is tradition, we will be proudly hosting a watch party on Twitter during the broadcasting of The Last Drive-In: Joe Bob’s Vicious Vegas Valentine. Be sure to follow us on Twitter and tag us @hauntedMTL as well as @shudder, @therealjoebob, and @kinky_horror to partake in this night of unholy love.
What started off as a one-time special premiering on Shudder July 13, 2018, ‘The Last Drive- In’ was originally meant to be Brigg’s swan song; one last special before hanging up the bolo tie in retirement. However, due to so many mutants, excuse me…viewers tuning in and breaking the Shudder servers, it was only natural to announce an official full season of ‘The Last Drive-In‘, which would make its explosive debut March 19, 2019. Since then, Darcy and Briggs have spawned many exclusive holiday specials, have graciously donated to many charities within the community, and have accumulated 4 seasons of ‘The Last Drive-In’, with a fifth currently in production premiering on Shudder’s 2023 schedule sometime this year, let’s hope sooner rather than later.
Horror Noire, a Film Review
Horror Noire is a horror collection that includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.”
Horror Noire is a horror collection brought by the combined efforts of AMC+ and Shudder. The collection includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.” Horror Noire boasts Black directors and screenwriters, providing six unique stories.
As this collection explores six stories, I will skip the usual synopsis to assess the genres and ideas explored, albeit limited as needed. Expect to find supernatural horror, creature features, and psychological thrillers. Many short films deal with these genres while exploring Black issues, but this isn’t universal for the collection.
The directors and writers include Zandashé Brown, Robin Givens, Rob Greenlea, Kimani Ray Smith, Steven Barnes, Ezra Clayton Daniels, Tananarive Due, Shernold Edwards, Victor LaValle, and Al Letson.
What I Like
Each story remains unique, holding different strengths and weaknesses that highlight drastically different perspectives. Collections like VHS hold a similar premise to create their collection, but Horror Noire gives more creative freedom to its talent to be independent.
My personal favorite short film is Zandashé Brown’s “Bride Before You.” This period piece unravels a fable set in the Reconstruction Era. The entry feels Fabulistic in approach, which happens to be my preferred niche.
However, the best example of horror goes to Robin Givens’ “Daddy,” providing an existential horror tied directly to the characters involved.
What I Dislike
As mentioned, all have a particular style and idea. The downside of this approach always remains to keep the viewer interested long enough to find their favorite. If you find several underwhelming choices, this becomes a chore. But I imagine that is rare as the variety makes the options refreshing.
Personally, “Brand of Evil” had an interesting premise, but the execution fell short. On paper, it might have sounded like my favorite, which makes the lackluster execution a bigger letdown.
Horror Noire gives power and control to Black creators, providing a formula for a unique collection against others in the space. While the various subjects and approaches mean you aren’t likely to love them all, there should be a short film for everyone.
(3.5 / 5)
Episode six of Netflix’s Dahmer was not, honestly about our title character. Instead, it was about one of his victims, a man named Tony. We’ve actually seen Tony a few times during this series. We just didn’t know it was him.
And, well, he wasn’t exactly alive the first time we saw him.
Tony was born into a supportive, loving family. This is good because soon after he was born a viral infection took his hearing. He is black, deaf, and gay in the early 90’s.
Tony has a dream of becoming a model. And he certainly has the looks for it. He is beautiful, body and soul. He has lots of opportunities for romance, but it’s not what he’s looking for. He wants a real relationship.
Eventually Tony moves to Madison, trying to pursue his dream. He gets a job and starts getting modeling work.
Then, he meets Jeff Dahmer at a bar.
At first, we can almost believe that it’s going to be alright. Jeff seems happy. He’s taking care of himself. He’s not drinking as much. He even has his dad and stepmom over for dinner. It seems like his life is getting on track. Even better, he’s treating Tony right.
Then, of course, things go bad.
One thing that has always bothered me as a true crime fan is that we know so much about the killers, but not as much about the victims. Not so much if we don’t know who the killer is, of course. But the names that are part of our pop culture are those of the killers. Dahmer, Manson, Jones, Bundy, Holms. The names we don’t know are Roberta Parks, Beth LaBiancas, Leno LaBiancas, and Tony Hughes. And clearly, we should know them.
If Tony Hughes was half the shining, positive person that the show Dahmer made him out to be, I’m so sad that he isn’t with us anymore. We need so many more people like him. And many of Dahmer’s victims were likely just like him. After all, he was attracted to them for a reason.
This was a significant episode, and I understand why it’s the highest-rated episode of the series. I finished it with a heavy heart, saddened by the loss of a man who should still be with us today.(5 / 5)