Just about every review for the new Mortal Kombat film mentions more or less the same thing: the game. Whether it honors the game, changes things from the game, is faithful to the game, or is made for fans of the game. It always mentions the game. There’s nothing wrong with that, of course. It is based on a game after all, a very popular one, whose fans will make up the core audience of the film, but what about those who know almost nothing about Mortal Kombat? Will we enjoy the film? Will we even be able to understand it? Will it be as cheesy and fun as the 1995 original?
The answer to all those questions is yes, and depending on who you are, maybe a slightly less enthusiastic yes to that last part.
My only prior knowledge of Mortal Kombat comes from the original 1995 film and some quick internet research, so I know almost nothing about the source material. For someone like me, a Mortal Kombat outsider, this film is just a reboot so that’s what I’m judging it on.
From the very start, this movie has its flaws. In spite of a thrilling, well-choreographed and bloody beginning that instantly gets you hooked, Mortal Kombat kicks off a bit vanilla when it introduces its main hero, only it’s not someone you’ll recognize. Instead of Liu Kang and his luscious mullet leading the audience, this movie follows washed-up MMA fighter Cole Young.
Without any personality, the guy may be the protagonist but he’s treated like a stock character meaning he’s a boring “everyday character” that the audience is supposed to relate to, who was apparently created specifically for this movie. If Mortal Kombat has one major flaw that brings the energy down, it’s Cole. He’s the hero that you forget the moment the camera changes position, no matter how much effort actor Lewis Tan puts in the role. The film just doesn’t know how to use him properly. His only purpose is to introduce the plot and to add in a connection to another character later in the story.
Cole is dragged into the world of Mortal Kombat when he discovers that his strange dragon birthmark isn’t actually a birthmark at all but a sign that he’s been chosen to fight in a mighty tournament that determines the fate of the world. There are others like him, the champions of Earth, who are being hunted down by the deadly Sub-Zero/Bi-Han so that the riveling Outworld can ensure victory in the next tournament.
Just as Sub-Zero comes for Cole, he and his boring family who I honestly didn’t know where his wife and daughter until the film literally spelled it out, are saved by another champion named Jax and his partner Sonya Blade. While receiving their help, he meets Kano, a wild psychopathic mercenary who also happens to be another champion.
After a few bad encounters with the Outworld fighters, they go meet Lord Raiden, the protector of the Earthrealm, and some more champions, Liu Kang and Kung Lao (two guys that really should be given their own spin-off), and they begin their training montage leading up to the big boss battle at the end during which we never hear the epic “MORTAL KOMBAT” shout play over it and that’s just a shame. The song “Techo Syndrome” is there but the “MORTAL KOMBAT” shout isn’t really there until the end credits.
All in all, it’s a good movie. Wacky and fun, and just violent enough. Video game adaptations rarely ever make cinematic masterpieces, but Mortal Kombat has enough to make up for whatever faults it may have. Those saving points are Sub-Zero and Scorpion and any scene where they’re together, Liu Kang and Kung Lao, Kano, Sonya Blade, and the entire opening sequence that could have been part of its own separate movie.
I was never that crazy about the 1995 Mortal Kombat. I liked it plenty, but it wasn’t exactly a film I rushed out to add to my Tribble like multiplying DVD collection. Simon McQuoid, in his feature directorial debut, has a much more serious take on the story while giving it a darker tone that I rather enjoyed.
The fight scenes were spectacular, and some of the characters are charismatic enough to carry chunks of the film on their own, however, as a whole, it’s kind of a mess. It’s as if someone took a martial arts fantasy film and stitched in scenes and expositions from a video game. This makes sense given that it’s an adaptation, one that would be confusing without a few explanations, but when viewed objectively it comes off a bit awkward. Even if I wasn’t the biggest fan of the first Mortal Kombat, it explained the rules of the game without taking you out of the plot, which, unfortunately, this movie ended up doing. Also, a part of me is a bit put out that Liu Kang was bumped down to supporting character this time around.
Maybe for the sequel they can focus on one or two characters instead of so many that way they won’t have to cram so much into one story. The ending hints at the introduction of Johnny Cage, played by Linden Ashby in the original film, and Joe Taslim who plays Sub-Zero has said that he has a four-film contract if the franchise takes off. So a sequel is definitely a possibility.
Rachel Roth is a writer who lives in South Florida. She has a degree in Writing Studies and a Certificate in Creative Writing, her work has appeared in several literary journals and anthologies.
@WinterGreenRoth
The assessors return to investigate a particle accelerator with a damning history in “How to Split an Atom.” David (Mike Colter) can’t seem to shake off the dire warning of his vision. Kristen (Katja Herbers) reaches her breaking point. Ben (Aasif Mandvi) sees the light and faces some uncomfortable realizations.
“How to Split an Atom” is the first episode of season 4 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
Evil Season 4 Cover
What I Like about “How to Split an Atom”
While “How to Split an Atom” does start in season 3’s conclusion, it’s still a satisfying introduction through Kristen’s reaction alone. While it’s less effective and necessary in the era of streaming services, it reminds viewers of the last season’s execution to re-establish tension.
“How to Split an Atom” sets Kristen and Ben to face their most personal challenges. While Kristen often gets a good amount of material to explore, Ben receives the least development of the three assessors. Now that the titular scheme suggests a scientific focus, Ben seems to earn more attention.
In the final season, Kristen, David, and Ben continue to assess cases that involve wayward technology, possessed pigs, demonic oppression and infestation, a dance muse conjured by alleged witches, and an evil relic
Throughout, Leland attempts to lure Kristen into raising a baby antichrist who was conceived with her ovum
David is recruited by the Vatican’s secret service to remote view a paranormal ability to see the unseen to detect evil
From creators Robert King and Michelle King (The Good Wife), Evil is a critically acclaimed psychological mystery series that examines the origins of evil along the dividing line between science and religion
A skeptical female psychologist (Katja Herbers) joins a priest-in-training (Mike Colter) and a contractor (Aasif Mandvi) as they investigate the Church’s backlog of unexplained mysteries, including supposed miracles, demonic possessions, and hauntings
This 13-disc collection includes all 50 episodes, along with deleted scenes and more!
Last update on 2025-03-03 / Affiliate links / Images from Amazon Product Advertising API
In comparison, David takes a step back, but the performance shows a man haunted by his vision. You see this conflict in his performance as he seems more held back and reserved throughout the episode.
Though far from unique to this episode, I haven’t yet found the opportunity to dive into the opening credits. These credits embody the idea of evil as an intrusive force against the good. It visibly displays the famed “problem of evil,” showing how the darkness intrudes against the light.
“How to Split an Atom” prepares the viewer for a new norm across every character. While that doesn’t evoke a truly haunting experience, it remains effective in building the foundation for the final season of Evil.
Disclaimer Kimberley Web Design
Tired Tropes and Triggers
Andy (Patrick Brammall) spirals in this episode, induced by trauma and manipulation. His interactions with Kristen showcase several toxic behaviors. While these issues hold merit and other forces manipulate him, this might not matter to some.
Though not directly stated, a minor character seems to suffer a psychotic break, leading to their death. “How to Split an Atom” doesn’t confirm if this is a suicide, a demonically assisted act, or a complete accident.
Sister Andrea & Father Acosta
What I Dislike about “How to Split an Atom”
“How to Split an Atom” explores a similar titular scheme as last season, but it doesn’t resonate as well. It feels like it retreads season 3, focusing instead on science but still lingering in a similar design.
There’s a strange scene where Sister Andrea and David speak in a low whisper despite being alone in her room. If “How to Split an Atom” wants to imply that spies listen in, “How to Split an Atom” doesn’t show this idea effectively. However, I think it’s intended to parallel Catholic confession, but it still doesn’t make logical sense in execution.
As streaming shows become standard practice, starting a new season in the prior season’s conclusion makes the episode more dependent and repetitive. While the execution remains effective in “How to Split an Atom,” I can’t help but linger on that thought.
Final Thoughts
“How to Split an Atom” establishes a definitive timeline where all the forces of Evil will collide. It has its strengths but doesn’t haunt the viewer. The ramifications of Ben’s descent and Kristen’s breaking point keep this episode from blending into the background, but only slightly. (3.5 / 5)
We’ve reached the end of Goosebumps, The Vanishing. And after eight episodes of quality going up and down, I’m sad to say that the finale held to that theme.
Through a series of quick thinking and bravery, everyone makes it out of the fort, though. Including Matty, Nicole, Hannah and Sameer.
For a time it looks like everything is going to be alright. Until Anthony tells Jen that they’ve got to do something about the alien ship that’s still trapped within the fort.
By the way, watch this with the caption on. It’s fantastic.
Jen and Anthony go back to Dr. Pamani’s lab in time to realize that no one is safe. Least of all, their kids.
What worked
You might notice that the ‘rescuing Dad from the pod’ part of this episode was over pretty fast. That’s because the actual story of this episode was about what came out of the facility rather than what was going on down there. And that was a surprising misdirect. I enjoyed that I didn’t see this misdirection coming. Well done.
I will also say that this episode was fun to watch. The critters were equal parts creepy and kind of cute. The dialog was fun and there were a lot of laughs.
This ending was also satisfying. All the questions are answered. Everyone gets a happy ending and all the people you want to get together do. It was a solid ending with no loose threads.
What didn’t work
Unfortunately, that’s all the good things I can say about this episode.
Let’s start with the continued superficiality of the whole story. I just didn’t feel much of anything for any of these characters. I had a little twinge of bittersweetness when Matty looked through the box of his old things. But that was about it.
The problem here was that everything was going too fast. We jumped from chaos to chaos so fast that the emotions didn’t have time to sink in. It was like rain on a dry field. No matter how much falls, if it can’t be absorbed it’s not going to do much good.
Here’s the real problem I have with this episode, though.
You’ll recall that in the last episode, I was irritated by how quickly Dr. Pamani decided to help the kids. It should surprise exactly no one that she didn’t decide to help them, but to trap them in the facility to be podded forevermore.
Goosebumps now on Disney+!Jack Archer is convinced something strange is going on at his neighbor’s house
Mr
Fleshman always wears all black, hardly ever leaves his house, and never says hello to anyone
Last update on 2025-02-28 / Affiliate links / Images from Amazon Product Advertising API
While I’m thrilled that Dr. Pamani didn’t just change her mind, I still think it was dumb as shit that anyone, especially our main characters, thought she did. These teens aren’t dumb. Kids aren’t dumb. We shouldn’t be portraying kids as dumb in a show for kids.
I’m not saying this series was pure garbage. I’m not saying it was dangerous or unwatchable. I’m just saying that, if it didn’t have the name Goosebumps, I probably never would have watched it. This story just doesn’t have the same staying power that the original stories do. It was fine to watch, but in the end, just didn’t have enough substance to warrant a rewatch.
After a shaky start, Goosebumps The Vanishing is still on shaky ground with this penultimate episode. While there were some surprises, a lot of them were rather disappointing.
I feel like I say this a lot, but if you’ve read the original book then you might have a hint about where this is going. But it won’t tell you the whole story. So let’s take a trip to Camp Nightmare and see what’s waiting for us.
The story
We begin this episode with a flashback to the Fort before it was a fort. A group of Camp Nightmoon campers is hiking there with the worst camp counselor ever. It was almost a relief when the mysterious monster reached up from the cliffside and grabbed him.
Back in the present, the teens are putting the pieces together. They track down Dr. Pamani’s father and even find a book he published. They then locate the address of her lab and break in. There, they find her journals that chronicle the discovery of the monster, and how it managed to kill her entire team.
What worked
In this episode, and in fact this season, scientists are not the bad guys. Which is a relief. Science fiction and horror tend to hold up a mirror to society, showing us what we’re really scared of using monsters and ghosts as allegories. So often, when people are wary of science and scientists, we have horror movies that demonize them.
But that’s not what happened here. The scientists are not necessarily the good guys, but the ones who tried to save the world. Even though they failed, they tried.
One good example of this was Dr. Pamani telling her father, “We’re scientists, not soldiers.” This is a great line. And this episode had a lot of great lines. The dialog was on point. Nothing felt forced, but it also felt polished and impactful. It was just overall well done.
I also enjoyed, to a point, the flashback scenes to 1969. It was interesting to see the people who tried to contain this entity. To learn from it. The flashback was also ominous. Because never did the characters explain how this entity got there. They didn’t seem interested in that, only in how to destroy it. Since we don’t know why or how it came to New York, we don’t know if there are more of them somewhere else. And since everyone’s being so secretive, we might never know.
Until it’s too late.
What didn’t work
Unfortunately, this episode failed more than it succeeded.
Let’s start with the sudden change of heart Dr. Pamani has. For decades, she’s been controlling and containing this creature. She’s been careful to never take risks that might release it into the world. So when Cece and Devin want to go save their dad, she says no.
At first. Then, after a not-so-passionate plea by Cece, she changes her mind and agrees to help them save Anthony.
Which seems like a really quick departure from her stance just moments before. Honestly, this wasn’t believable at all. It was lazy. It felt like they just didn’t have a good enough reason for her to change her mind, so they just handwaved it away.
This wasn’t the only part of the story that was too easy. This whole investigation went smoothly for them. They wanted to find the book by Dr. Avi Pamani, and they found it at the library. They didn’t even find it. The librarian found it for them. They wanted to find Dr. Pamani’s address. They found it in seconds and also found her credit score. They got into her lab by doing nothing more than cutting a chain holding the door shut. And we’re supposed to believe that no one ever thought to do any of this? Four teenagers vanished in the 1990s, and none of their family members were ever able to put all this together. That just doesn’t make sense to me.
Both of these issues feed into the main problem with this episode. The whole thing felt watered way down. Especially after the hints about some horrific medical experiments taking place at the fort. I love a good horrific medical experiment story, so I was looking forward to that.
But that’s not what happened. Instead, it was a watered-down alien invasion story with a bunch of people who did their best and failed. It just felt like, frankly, not enough. It felt like there could have been so much more, should have been so much more. Instead, we got the Great Value version of what we could have had.
At this point, I think I’m too invested to give up. After all, there’s just one more episode left. But I’d be lying if I said that was something I’m looking forward to.
G
September 19, 2021 at 7:50 am
This mk 11 i been expecting a lot of more but this game is scrap and very cheap made((