Most of the complaints about the new ‘Mortal Kombat’ shouldn’t be taken seriously. It’s not the same but it’s just as fun as the 1995 original
Just about every review for the new Mortal Kombat film mentions more or less the same thing: the game. Whether it honors the game, changes things from the game, is faithful to the game, or is made for fans of the game. It always mentions the game. There’s nothing wrong with that, of course. It is based on a game after all, a very popular one, whose fans will make up the core audience of the film, but what about those who know almost nothing about Mortal Kombat? Will we enjoy the film? Will we even be able to understand it? Will it be as cheesy and fun as the 1995 original?
The answer to all those questions is yes, and depending on who you are, maybe a slightly less enthusiastic yes to that last part.
My only prior knowledge of Mortal Kombat comes from the original 1995 film and some quick internet research, so I know almost nothing about the source material. For someone like me, a Mortal Kombat outsider, this film is just a reboot so that’s what I’m judging it on.
From the very start, this movie has its flaws. In spite of a thrilling, well-choreographed and bloody beginning that instantly gets you hooked, Mortal Kombat kicks off a bit vanilla when it introduces its main hero, only it’s not someone you’ll recognize. Instead of Liu Kang and his luscious mullet leading the audience, this movie follows washed-up MMA fighter Cole Young.
Without any personality, the guy may be the protagonist but he’s treated like a stock character meaning he’s a boring “everyday character” that the audience is supposed to relate to, who was apparently created specifically for this movie. If Mortal Kombat has one major flaw that brings the energy down, it’s Cole. He’s the hero that you forget the moment the camera changes position, no matter how much effort actor Lewis Tan puts in the role. The film just doesn’t know how to use him properly. His only purpose is to introduce the plot and to add in a connection to another character later in the story.
Cole is dragged into the world of Mortal Kombat when he discovers that his strange dragon birthmark isn’t actually a birthmark at all but a sign that he’s been chosen to fight in a mighty tournament that determines the fate of the world. There are others like him, the champions of Earth, who are being hunted down by the deadly Sub-Zero/Bi-Han so that the riveling Outworld can ensure victory in the next tournament.
Just as Sub-Zero comes for Cole, he and his boring family who I honestly didn’t know where his wife and daughter until the film literally spelled it out, are saved by another champion named Jax and his partner Sonya Blade. While receiving their help, he meets Kano, a wild psychopathic mercenary who also happens to be another champion.
After a few bad encounters with the Outworld fighters, they go meet Lord Raiden, the protector of the Earthrealm, and some more champions, Liu Kang and Kung Lao (two guys that really should be given their own spin-off), and they begin their training montage leading up to the big boss battle at the end during which we never hear the epic “MORTAL KOMBAT” shout play over it and that’s just a shame. The song “Techo Syndrome” is there but the “MORTAL KOMBAT” shout isn’t really there until the end credits.
All in all, it’s a good movie. Wacky and fun, and just violent enough. Video game adaptations rarely ever make cinematic masterpieces, but Mortal Kombat has enough to make up for whatever faults it may have. Those saving points are Sub-Zero and Scorpion and any scene where they’re together, Liu Kang and Kung Lao, Kano, Sonya Blade, and the entire opening sequence that could have been part of its own separate movie.
I was never that crazy about the 1995 Mortal Kombat. I liked it plenty, but it wasn’t exactly a film I rushed out to add to my Tribble like multiplying DVD collection. Simon McQuoid, in his feature directorial debut, has a much more serious take on the story while giving it a darker tone that I rather enjoyed.
The fight scenes were spectacular, and some of the characters are charismatic enough to carry chunks of the film on their own, however, as a whole, it’s kind of a mess. It’s as if someone took a martial arts fantasy film and stitched in scenes and expositions from a video game. This makes sense given that it’s an adaptation, one that would be confusing without a few explanations, but when viewed objectively it comes off a bit awkward. Even if I wasn’t the biggest fan of the first Mortal Kombat, it explained the rules of the game without taking you out of the plot, which, unfortunately, this movie ended up doing. Also, a part of me is a bit put out that Liu Kang was bumped down to supporting character this time around.
Maybe for the sequel they can focus on one or two characters instead of so many that way they won’t have to cram so much into one story. The ending hints at the introduction of Johnny Cage, played by Linden Ashby in the original film, and Joe Taslim who plays Sub-Zero has said that he has a four-film contract if the franchise takes off. So a sequel is definitely a possibility.
(3 / 5)
Episode two of Wheel of Time felt like the beginning of a long journey. Stories are unfolding, lives are changing, and blood is spilling.
Let’s discuss.
The story
We begin this episode in the past with Elayne’s mother, Queen Morgase. It turns out her rise to the throne was a bit, shall we say, cutthroat. So when she shows up at the White Tower, Siuan is concerned.
She might have reason to be, too.
Meanwhile, Rand, Egwene, Moiraine, Lan and Aviendha are in the Spine of The World. As they travel through some of the most breathtaking lands I have ever seen on a TV show, Egwene is plagued with nightmares. We think at first that’s just her trauma working itself through her system. But we soon find out that it might not be that straightforward.
Finally, Perrin returns home to heal after his hand is almost cut in half. But when he gets there he finds the town has been infested by Children of The Light. And they’re looking for him.
What worked
There was something heartwarming in this episode about political espionage and choking religious persecution. And that is Elayne’s relationship with her family.
I have consumed a lot of fantasy content with royal families. And I have never once heard a princess call her mother ‘Mum’. I’ve never seen royal siblings get along. And I have sure as hell never seen a princess have a good relationship with her step-parent.
This was refreshing. Even though Queen Morgase is kind of a horrible person she seems like a good mother. And that’s an unexpected delight.
Of course, this is just one storyline among many. And while this can sometimes be overwhelming, in this case it wasn’t.
I’ll be honest, some of these storylines are going to drag for me. I know this because I’ve read some of the Wheel of Time books and I have an idea that not all the characters exactly pique my interest.
No one likes all the characters. No one likes all the storylines. While I am here for the political espionage between Queen Morgase and Siuan, not everyone likes it. While others might be fascinated with Selene trying to win Rand back, I couldn’t care less.
Having multiple storylines keeps everyone’s attention better. So long as things don’t get out of hand. Things can easily get out of hand. But this seems to be managed well.
So far.
What didn’t work
As I mentioned above, I’m not thrilled with Rand’s story at this point. And while it’s fine to not like a storyline when there are this many to choose from, it’s not fantastic that the one I like the least is the one involving our two main characters. And anytime we were with the team at the Spine of The World, the only thing that brought me joy was Moirain’s hat. It reminded me of Stockard Channing’s hat in Practical Magic.
The problem is that Rand is Charlie Brown with controversial magical powers. He is boring, serious, and pessimistic.
And yes, I understand that he has a heavy emotional burden and he’s the Dragon Reborn and that’s quite taxing and all. But let’s be fair, there isn’t a single person in this show that doesn’t have a heavy burden. And most of them manage to be fun occasionally.
All that being said, this episode of Wheel of Time did exactly what it needed to do. It set up conflicts at each of the three locations. It established emotional ties between the characters and the events. And it established goals for everyone.
This was, in short, a solid episode. Not groundbreaking, not mind-blowing or life changing. It was simply good. It was entertaining and moved the plot forward.
Well done.
(3.5 / 5)
Wheel of Time is back for season three. There are mixed feelings regarding this. Last season, there were some serious pacing issues. And some serious sticking to the book’s storyline issues. But we’re two seasons in, and we don’t give up so easily. So let’s dive into episode one, To Race the Shadow.
By the way, I highly recommend watching this episode with the subtitles on. You’ll see why.
The story
We begin this episode with Liandrin facing a trial of sorts for her rampant betrayal. She does her best to gaslight her Aes Sedai sisters into thinking that Siuan Sanche is the real traitor.
When that doesn’t work, she reveals how many Black Aes Sedai have actually infiltrated the tower.
Spoiler, it’s a lot.
In the aftermath, our whole team gathers to drink and enjoy one night of relaxation before they head out to the Tear to form an army for Rand. All is going well until they’re attacked by myriad creatures and a sentient axe.
What worked
This episode was long. It had a run time of an hour and eleven minutes. And a lot of that run time was spent in heavy dialog scenes.
Fortunately, these were well-done scenes.
If you’re going to have a lot of talking scenes, there are good ways and bad ways to do it. Last season, we saw lots of examples of the bad way to do it. But this episode did it well. For one thing, other things were going on while conversations were taking place. The characters are drinking, playing games, walking through an interesting city. And the scenes themselves didn’t stretch out. They weren’t repetitive. We heard what the character had to say, then we moved on.
It was also nice that the point of these scenes wasn’t just info dumps. We had character development. We had romantic interactions. We had plot development and foreshadowing.
Overall, this episode felt like what it was. A moment of calm before a storm.
Taking a step back, I’d be remiss if I didn’t address the fight scene at the start of the episode. Because it was epic.
The magic looked amazing. The martial arts that went along with it looked fantastic. The costumes were beautiful. It was just incredibly fun to watch.
More than that, it was emotional. We lost some characters in that fight that were important. And it was clearly emotionally shattering for many of our characters, who found themselves betrayed by people they trusted.
So many of them.
It was a great way to open the season.
What didn’t work
Despite that, this episode wasn’t without its flaws.
First off, there were a lot of dialog scenes. And they were good scenes, as I’ve already discussed. But it was one after another after another. And when your episode is, again, an hour and eleven minutes, it’s maybe a little much to have so much chit-chat. Couldn’t some of these conversations, important as they were, have been moved to maybe another episode?
Finally, I want to talk about Egwene’s travel through the arches.
I feel like maybe there were some deleted scenes here. Because there must have been more to that visit than what we saw, right?
We could have seen Egwene battle Rand. That would have been badass and emotionally devastating. We could have seen her with a quiet life with Rand back home at the Two Rivers. We could have seen anything except for the quick clip of Rand in a bloody river, followed by Egwene being shoved back out in a bloody shift.
Bad job. But at least it wasn’t an extended scene of Moiraine collecting bathwater, and then taking a bath while looking sad. If we’d started this season with another scene like that, it might have broken my brain.
Amazon dropped the first three episodes at once. So we’ll be back soon to talk about episode two. See you then.
(4 / 5)
Early 2000s is a special era for the industry. It accepts the cheesiness and corniness of movie making, in turn producing some gems in their own right. Eight Legged Freaks starring David Arquette and young Scarlet Johanson is a horror comedy about giant spiders who overtake a small town. As crazy as that premise sounds, the movie surprisingly has a ton of heart and is super entertaining. Let’s review, shall we?
Plot
We start Eight Legged Freaks with a shot of toxic waste spilling into the water supply of Joshua, a spider farm owner. He is friends with Mike, one of our protagonists, who is a science geek and a spider enthusiast. Mike notices something quite right upon visiting Joshua, but no one takes him seriously. We are then introduced to the rest of the crew. Mike’s mother Samantha, the town sheriff, is too busy chasing Ashley, his sister, who is dating the town mayor’s son Bret (something Samantha does not approve of). We also have Chris, who returns to the town to save his father’s legacy in the town mines. He has opposition from Wade, Bret’s father, who wants to use the mines for his business ventures. Lots of drama going on that will only get juicier once the spiders get loose.
The creepy crawlies quickly dispose of Joshua and make their grand appearance after Ashley rejects Bret’s advances, abandoning him in the middle of a desert. A glorious chase sequence ensues as the spiders make their way towards the town, wreaking havoc on its residents. In a true horror fashion (which the movie acknowledges), it takes some convincing from Mike and then from Samantha for the town to take the threat seriously. The tongue-in-cheek style of narrative adds the comedy aspect to a movie that would otherwise burn out fairly quickly.
The remaining characters hide out in a shopping mall as it’s the only somewhat sturdy building in the area. This doesn’t last long as the spiders break in, forcing them to run through the mines. Their resources to fight the creepy crawlies off are limited as the methane gas doesn’t allow them to use firearms. Such conditions require resourceful thinking from Chris, who uses perfume to fend off the leader of the spider group and save himself during the climax of the movie.
Character dynamics are not forgotten once the action kicks in. We have Chris confessing his long-term feelings for Samantha which she knew all along, which provided some comedic relief. Bret also reunites with Ashley and apologises for being an asshole. Mike finally gets the appreciation he deserves as his knowledge saves the townsfolk more than once during the whole ordeal.
We end the movie with the town’s radio show person telling the story as an urban legend during his segment. This brings it into question – how much of it happened the way he said it did? We can only guess…
Overall thoughts
Eight Legged Freaks is a fun creature feature with some self-aware commentary on genre tropes that doesn’t take itself too seriously. The acting is good, the pacing fitting and the characters are likeable enough for you to want them to make it through. Definitely a must watch, if you don’t suffer from arachnophobia, that is.
(5 / 5)
G
September 19, 2021 at 7:50 am
This mk 11 i been expecting a lot of more but this game is scrap and very cheap made((