To be specific, today I’m talking about the mini-series Haunting of Hill House from Netflix, which came out in 2018. I feel like I have to be specific because so many works have the title Hill House, or Haunting of Hill House, or some other hilly housey variation. And many of them don’t have a goddamned thing in common with the Shirley Jackson original besides cribbing the title.
That’s not the case with Netflix’s Haunting of Hill House, though. I’d say that this is the adaptation that is most true to the original work. And it’s the adaption that, in my opinion, Shirley would have loved the most.
The story is about the Crain family, who purchased Hill House to flip it. The first episode starts with the father, Henry, pulling the children out of the house in a panic. They leave behind their mother, Olivia. We later find out that she died. There’s some question as to how she died, whether it was suicide or her husband killed her. Of course, right away we’re all pretty sure it’s the house.
This is all set in the past, though. In the present, the Crain children are called together when the youngest, Nellie, goes back to Hill House and kills herself as well. Allegedly.
Of course, we all know, that’s not how that went down.
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Through the course of six episodes, we see the family from two points in time. We see them in the lead-up to Olivia’s death, then in the lead-up to Nellie’s. Each episode focuses on one character, until the end. Until the House manages to lure all of them back.
Haunting of Hill House was packed with Easter eggs for us Shirley Jackson fans. Everyone’s name is a reference. Luke, Nellie, and Theo are, of course, the original characters from the book. At one point Nellie’s seeing a therapist, named Dr. Montague. Shirley, of course, is named for the lady herself. And her married name, Harris, is a reference to Jackson’s iconic short story collection The Lottery, or The Adventures of James Harris.
We’re also treated to so many of the best-loved lines from the book. One of my favorite moments of the series was when Mrs. Dudly takes a little Nell by the shoulders and tells her to insist upon her cup of stars. It melted my heart.
What I loved most about Haunting of Hill House was that it, like the original story, talked about mental illness right along with the haunts. We see a family that’s torn apart by the loss of their mother, the heart of the house. We see how that’s impacted each family member in a different, but heartbreaking way. Steven, using the story to forward his career. Shirley and Theo, constantly caring for everyone while at the same time keeping them all at arm’s length. Luke, descending into drug addiction to hide from the pain. Nell, plagued by anxiety. And Henry, believing himself to be the cause of it all, avoiding his children to not hurt them further.
Watching the show, we know that Olivia Crain didn’t kill herself. We know Nellie Crain didn’t kill herself either. Both were victims of the house, and what walks there. We’re led to believe that the various effects on the five kids are caused in part by the house too.
But not entirely. After all, it doesn’t take a twisted house murdering your mother to drive you to drugs. Or to push people away. Or to lay awake at night, feeling like there’s a cold stiff hand around your heart.
This is why Haunting of Hill House stays with us. Because we can all fall prey to these horrors. And this is why I started bawling like a child at the last line. Because if you are struggling, however you struggle, you do not walk alone.
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(5 / 5)
Want to check it out for yourself? You can grab the whole mini series on Amazon.
Episode of Dexter, Original Sin felt very much like an episode of the original series. And I mean that in the best way possible.
The story
This episode picks up where the last one left off. Dexter is coming down from his post kill high, and looking for another victim. He finds one in Tony Ferrer, a violent loan shark who murdered an innocent woman over a loan taken out by her son.
While Dexter does his due diligence, Deb deals with high school girl problems. She wants to be the captain of her volleyball team. But as with most things in high school, this is a popularity contest. To get a leg up on her opponent, she tells the team that she can score cocaine for a movie night at her house. Dexter agrees to help her if she can get Nurse Mary’s earrings back from her friend Sophia. He makes homemade cocaine with a recipe I’ll not be listing here.
Don’t do this, kids. This is how teens (and people in their twenties) die.
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The episode finishes with Dexter catching his prey, first menacing the loan shark with jai alai balls. These balls move so fast that Dexter manages to cut Ferrer’s cheek in a way that will be very familiar to long-time viewers.
What is not familiar is Dexter’s means of body disposal. While I was thrilled to see Ferrer fed to the alligators (they are big swamp puppies and deserve a good meal) they don’t always eat a whole body. And part of Ferrer remains, floating to the surface. So that’s two kills so far, and two obvious pieces of evidence left behind.
What worked
This episode shone because of the attention to detail. For instance, when Masuka makes Dex a fake ID, he could have put any name there. He could have put Joseph Smith or Jack Torrance. Instead, he picks the name Patrick Bateman. Of course, this is the main character of the astounding novel American Psycho. But they also chose a famous psycho who just happens to have the same first name as our actor. It’s just that extra level of thought that makes it so much richer.
I also love, but also hate, that Deb’s friend Sophia has a crush on Dexter. She seems like a good young woman, a loyal friend to Deb, and just a kid with her head on straight. And, well, we know what happens to women who get involved with Dexter. RIP, Rita. I hate to say it, but I don’t predict that Sophia will survive the series. And that anticipation makes every scene with her in it more tense.
We were also introduced to one of the original series characters that had been missing, Maria LaGuerta.
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LaGuerta was a mixed bag for me in Dexter. She was certainly using her position of power to sexually harass Dexter and abuse Deb. She also seemed more concerned with climbing the political ladder than actually helping people.
I actually loved LaGuerta’s story arc through the series, because we saw her go from this selfish, politically motivated person to someone who legitimately puts herself in harm’s way to protect people. She goes from being Deb’s personal antagonist to her pseudo-mentor. So, I am thrilled with the way she’s being portrayed in Original Sin.
Yes, LaGuerta is more than willing to jump in front of a camera and run her mouth if it’ll help her get something she wants. But what she wants is for people to actually care about victims who don’t happen to be white. What she wants is to be in a position of power so she can start changing things for the better.
Which is fantastic! I can’t wait to see what she does.
Finally, I want to shine some well-deserved light on Patrick Gibson. He must have watched every episode of Dexter as many times as I have because he has Michael C. Hall’s physical mannerisms down pat. The way he moves is so similar, it’s uncanny. And that is a wonderful touch that I cannot help but admire.
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What didn’t work
The only thing I didn’t enjoy about this episode was small. In the middle of the episode, Dexter is making dinner for his family. And it’s an almost shot-for-shot rendition of the original intro.
Now, this sort of thing was clever at first. But we’re three episodes in. We can knock it off now.
So far, Dexter Original Sin has been a lot of fun. This episode exemplified why Dexter is so well-loved. A bad person suffers the consequences of his terrible actions.
Episode two of Dexter, Original Sin, was just as wonderful as the first. As a long-time Dexter fan, I find it added so much to the background of the story. And if you’re a new fan, I promise you won’t feel left behind.
The story
At the start of our episode, Dexter is learning the ropes of his new internship at Miami Metro. He’s getting a little hazing but is learning how to fit in.
Especially when he starts digging into the old files and finding new playmates for his Dark Passenger.
Meanwhile, Deb is struggling. She feels underappreciated and ignored at home. So, she decides to steal some jewelry from around the house for some quick spending money. Having little in the house in the way of jewelry, she happens upon a pair of earrings in Dexter’s room.
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Nurse Mary’s earrings, to be specific.
And finally, in what will probably be the storyline for the series, a little boy is kidnapped. While he looks like a victim from the first episode of Dexter, or at least dressed in the same school uniforms, we soon find out that he’s the son of a judge. And his kidnapping might have something to do with the death of Dexter’s biological mother.
What worked
I’ve often complained about slow episodes in a TV season or mini-series. The episodes that just don’t have anything going for them. The episodes that are needed to set up the story, but otherwise are kind of dull.
This is an example of that sort of episode done well. It is true that there were no murders in this episode. There was only one dead body, and it was already dead when we got there.
But that didn’t mean the episode was uninteresting. There was character development. There was comedy. And most importantly, it had a storyline that had a satisfying conclusion. Specifically, Deb stealing Dexter’s trophy earrings and trying to sell them.
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This little storyline worked on so many levels. One, it heightens tension because we know those earrings can lead the police to Dexter for the murder of Nurse Mary. Two, it shows how frustrated Deb is with her life and how far she will go to have a little fun. Three, it shows how far she won’t go when she refuses to sell her mother’s pearls. And four, it gives us a satisfying beginning, middle, and end of a story while we’re doing the necessary work of laying a foundation for the rest of the series. This was a masterclass in subplots.
I also want to point out that, so far, this series works by itself as much as it works as a prequel. I would watch Dexter Original Sin if I’d never heard the name Dexter Morgan before. And while it certainly benefits from its predecessors, it isn’t only relying on that.
What didn’t work
All that being said, I’m afraid there is still one glaring issue with this series. I hate Gellar’s character.
Yes, I am biased. But hear me out.
Tanya is supposed to be Dexter’s mentor. She got him the job as a paid intern. It would stand to reason that she did that because she wanted to take him under her wing. And yes, I am aware that a certain kind of teacher likes to knock their students down a peg or two. But she seems more interested in proving what a Strong Female she is to this college student than actually teaching him.
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And frankly, this is some of the most sexist stuff I’ve ever seen on Dexter. This show has a long history of being pretty good about gender relations. It passes the Bechdel test. All of the female characters have flaws, strengths, and personalities. It’s almost like they’re, gasp, real people. None of them have been the girl hero with no personality other than being the Strong Female until Tanya was introduced. And given how similar she is to Buffy, and how unlike the rest of the cast this character is, I sense some meddling from Gellar herself.
Do better.
I am so pumped for the rest of this mini series. It is clear that everyone working on this series, except Gellar, are huge fans of the original show. Everyone is going a great job, the story is great, and I cannot wait to see what happens next.
A24‘s chilling religious horror film, Heretic, arrived in theatres this November, forcing viewers to confront the unsettling line between faith and doubt. Directed by Scott Beck and Bryan Woods, this edge-of-your-seat thriller will leave audiences deeply disturbed as Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East) pass over the threshold of Mr. Reed’s (Hugh Grant) home where they undergo a terrifying experience that shatters their beliefs.
The Plot.
Sister Barnes and Sister Paxton are Mormon missionaries for The Church of Jesus Christ of Latter-day Saints. As the opening scenes roll they are visiting houses in an unnamed, rural Colorado town. These houses are from a list of people who have shown interest in joining the church. After being rejected and ignored several times, they arrive at the door on Mr. Reed, a pleasant gentleman who invites them in the discuss the church, promising his wife is home in the kitchen to put the Sister’s minds at ease.
Welcoming the women to sit in his living room, Mr. Reed initiates what amounts to be an awkward conversation, questioning the faith of the missionaries. Sensing that something is amiss, with Mr. Reed’s wife still not coming to meet them and a storm brewing outside, the women decide it is time to leave. Sneaking to the front door when Mr. Reed leaves the room they find the front door locked, and the only way out is to go deeper into the strange house.
Highlights.
I have never really understood the appeal of Hugh Grant. I found him lackluster in Love Actually and just plain annoying in Bridget Jones’s Diary. After watching Heretic though I think the problem is that his career focus has been on the wrong genre. Hugh Grant is terrifying, but not in the conventional sense, in the creepy religious uncle that you only see on Boxing Day sense. It might be in the jerky way Mr. Reed walks, or the near-whispered dialogue throughout the movie. Also, whoever put Mr. Reed in those glasses is a genius, they give chilling Jeffrey Dahmer vibes.
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I must also note the intense monologues that Hugh Grant delivers in Heretic. It is hard to take your eyes off him. The ideas and theories that are presented are not unknown and rather convincing. I was surprised to find myself nodding in agreement with an obviously deranged and hostile character.
Drawbacks.
It is hard to explain the main drawback of this movie without spoiling the ending, but let me try. The explanation and big reveal at the end of Heretic was a bit… on the nose. I just couldn’t hitch myself to that wagon. I understand what the writer was trying to say. That there are people who have such strong faith that they are willing to give up their lives to prove the belief true. It is the way this is presented in the plot however… I didn’t like it and wonder if there might have been another way to present this idea.
The Final Take.
Ahh, how I loved this movie. Never mind National Lampoon’s Christmas Vacation, Krampus or Die Hard, Heretic is my new favorite Christmas film. There is nothing more to be said.
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