Let’s Wrap This Up…
Locke & Key Episode 10 begins with Dodge walking up to Keyhouse, unleashing her shadow minions. The Locke children discover that the shadow demons are unable to exist in light and begin turning on lights. Dodge confronts Bode about the location of the Omega Key and Bode, equipped with the Matchstick Key, stabs her.
The kids find Dodge unresponsive but breathing on the first floor. Enlisting the help of the other kids from school, they decide against putting her in the Well House and taking her to the Black Door. They bring Dodge down into the sea caves, and just as she is waking up they toss her into the Black Door.
Locke & Key Episode 10 in Review…
Yea, I’m not exaggerating. The episode is 40 minutes long and the Black Door closes at minute 19:31. For the next 20 minutes, the characters experience their resolution to the situation. The Locke family decides to stay in Keyhouse with Uncle Duncan’s blessing. Ellie has gone missing after her encounter with Lucas while attempting to retrieve the Shadow Crown.
I’m not going to spoil the big reveal. There are plenty of others doing that. The conclusion being that this isn’t the conclusion. The creators left the series wide open for another season and with the series hitting Netflix’s Top 10, it will probably get it.
Locke and Key Episode 10 gets 2 out of 5 Cthulhus for a complete lack of climax and needing 20 minutes to “WRAP IT UP”.(2 / 5)
Locke and Key Season 1 in Review…
I give everything that I review an honest shot. It has been a while since I read the graphic novel. I found that to be an advantage and chose not to reread it before the series. I did read a review that compared Locke & Key to series like Stranger Things.
I’ll argue that fans have been waiting for this series for a decade when an attempt at a series was made. This wasn’t an attempt to make another paranormal show about kids but giving a fan base what they wanted.
That being said, I found very little I liked about the series. I want the Keys to play a much bigger role. I want to see Bode be a kid who has the power to fly and be a ghost. What we got was keys, keys and more keys, and almost no understanding of their full power.
I’ve commented on the characters several time and right up to the end, the development was weak. It seems that because of the number of characters in the series (25 that appear in at least 50% of the episodes) they couldn’t focus on the main characters as much. Why introduce us to characters like the Ghost of Chamberline Locke and not expand on that?
If you are a fan of the novel, you’re probably going to watch this. Don’t expect much. If you didn’t and are looking for something to watch, look elsewhere.
Locke and Key Season 1 gets 2 out of 5 Cthulhus(2 / 5)
Disagree with me? Think I hit the nail on the head? Leave me a message here or on Discord at JohnCombo.
Horror Noire, a Film Review
Horror Noire is a horror collection that includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.”
Horror Noire is a horror collection brought by the combined efforts of AMC+ and Shudder. The collection includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.” Horror Noire boasts Black directors and screenwriters, providing six unique stories.
As this collection explores six stories, I will skip the usual synopsis to assess the genres and ideas explored, albeit limited as needed. Expect to find supernatural horror, creature features, and psychological thrillers. Many short films deal with these genres while exploring Black issues, but this isn’t universal for the collection.
The directors and writers include Zandashé Brown, Robin Givens, Rob Greenlea, Kimani Ray Smith, Steven Barnes, Ezra Clayton Daniels, Tananarive Due, Shernold Edwards, Victor LaValle, and Al Letson.
What I Like
Each story remains unique, holding different strengths and weaknesses that highlight drastically different perspectives. Collections like VHS hold a similar premise to create their collection, but Horror Noire gives more creative freedom to its talent to be independent.
My personal favorite short film is Zandashé Brown’s “Bride Before You.” This period piece unravels a fable set in the Reconstruction Era. The entry feels Fabulistic in approach, which happens to be my preferred niche.
However, the best example of horror goes to Robin Givens’ “Daddy,” providing an existential horror tied directly to the characters involved.
What I Dislike
As mentioned, all have a particular style and idea. The downside of this approach always remains to keep the viewer interested long enough to find their favorite. If you find several underwhelming choices, this becomes a chore. But I imagine that is rare as the variety makes the options refreshing.
Personally, “Brand of Evil” had an interesting premise, but the execution fell short. On paper, it might have sounded like my favorite, which makes the lackluster execution a bigger letdown.
Horror Noire gives power and control to Black creators, providing a formula for a unique collection against others in the space. While the various subjects and approaches mean you aren’t likely to love them all, there should be a short film for everyone.
(3.5 / 5)
Episode six of Netflix’s Dahmer was not, honestly about our title character. Instead, it was about one of his victims, a man named Tony. We’ve actually seen Tony a few times during this series. We just didn’t know it was him.
And, well, he wasn’t exactly alive the first time we saw him.
Tony was born into a supportive, loving family. This is good because soon after he was born a viral infection took his hearing. He is black, deaf, and gay in the early 90’s.
Tony has a dream of becoming a model. And he certainly has the looks for it. He is beautiful, body and soul. He has lots of opportunities for romance, but it’s not what he’s looking for. He wants a real relationship.
Eventually Tony moves to Madison, trying to pursue his dream. He gets a job and starts getting modeling work.
Then, he meets Jeff Dahmer at a bar.
At first, we can almost believe that it’s going to be alright. Jeff seems happy. He’s taking care of himself. He’s not drinking as much. He even has his dad and stepmom over for dinner. It seems like his life is getting on track. Even better, he’s treating Tony right.
Then, of course, things go bad.
One thing that has always bothered me as a true crime fan is that we know so much about the killers, but not as much about the victims. Not so much if we don’t know who the killer is, of course. But the names that are part of our pop culture are those of the killers. Dahmer, Manson, Jones, Bundy, Holms. The names we don’t know are Roberta Parks, Beth LaBiancas, Leno LaBiancas, and Tony Hughes. And clearly, we should know them.
If Tony Hughes was half the shining, positive person that the show Dahmer made him out to be, I’m so sad that he isn’t with us anymore. We need so many more people like him. And many of Dahmer’s victims were likely just like him. After all, he was attracted to them for a reason.
This was a significant episode, and I understand why it’s the highest-rated episode of the series. I finished it with a heavy heart, saddened by the loss of a man who should still be with us today.(5 / 5)
Mandrake, a Film Review
Mandrake is a 2022 supernatural horror directed by Lynne Davison and written by Matt Harvey, starring Deirdre Mullins and Derbhle Crotty.
Mandrake is a 2022 supernatural horror directed by Lynne Davison and written by Matt Harvey. This film boasts a cast that includes Deirdre Mullins, Derbhle Crotty, and Paul Kennedy. It is currently available for subscribers in DirectTV, Shudder, Amazon Prime, or AMC+.
Cathy Madden (Deirdre Mullins) is a probation officer tasked with the most vilified case in her town, Mary Laidlaw (Derbhle Crotty). When a child goes missing, all eyes turn to the infamous Bloody Mary. Cathy, always believing in the best of people, tries to protect Mary. But evidence begins to mount, and Cathy finds herself in increasing danger.
What I Like
Deirdre Mullins and Derbhle Crotty add weight to the film in their performances. Cathy proves resilient against the challenges she faces, while Mary can make any actions intimidating.
To not spoil anything, the ending is bittersweet in the best of ways, showing Cathy grow and mend relationships.
The atmosphere around Mary Laidlaw brings about the intimidation that earns the nickname Bloody Mary. It becomes easier to see why a town would fear this woman as we find her motives sinister.
What I Dislike
While there may be external magical elements, I found people obeyed Mary Laidlaw a little too easily for a vilified woman. There wasn’t enough for me to be convinced she intimidated them to action or magically charmed them. Or perhaps the performances felt underwhelmingly passive?
There was an irritating moment where a stalker helped save the day. The assistance is minor, but it still irritates me.
The daytime scenes of the film are bland. Perhaps it’s intentional, but the night scenes are stunning, making the contrast greater. While this film focuses on its night scenes, I couldn’t understand why it looked so bland, and sometimes poor quality, in the day.
Mandrake can be a frightful enjoyment, especially when set at night where the details work. However, many elements left me wanting more or better. If you’re looking for a witchy tale, I’d say there are better options, but Mandrake can keep you entertained.
(2.5 / 5)