Connect with us

Published

on

H. P. Lovecraft has had a bit of a resurgence lately. Not that the influence of his work has ever really been dormant in popular culture, but between recent explorations and debates on his work and his legacy of, let’s call it what it is, hate, the author has been again thrown into the spotlight. The latest chapter in this legacy comes from HBO in the form of Lovecraft Country.

HBO’s Lovecraft Country is adapted from the 2016 novel of the same name by Matt Ruff. The show is produced by Misha Green, J. J. Abrams, and Jordan Peele. The show airs Sunday nights on HBO and is available on HBO Max.

As for the show itself, let’s get weird with it, shall we? The reviews will be recaps will be filled with spoilers, but you can look at the review section without getting spoiled.

Jackie Robinson takes a swing at Cthulhu as Atticus Freeman and Dejah Thoris (Jamie Chung) watch on.

The story so far…

“Sundown” opens with a dream sequence filled with a number of pulp references as Atticus Freeman (Jonathan Majors, The Last Black Man in San Francisco) is riding the bus home. When the bus breaks down we see that we are in 1950s America, one of the last gasps of the Jim Crow era. Welcome to Lovecraft Country.

Atticus, returned from the Korean War is coming home to Chicago to find his father who has gone missing in “Lovecraft country.” Atticus recruits his uncle George (Courtney B. Vance, American Crime Story) and childhood friend Letitia (Jurnee Smollett, Birds of Prey) for a road trip to the town of Ardham; a name that is spun off from a familiar location in the works of H. P. Lovecraft, a figure who existed in the setting of the show and may not be writing fiction after all.

Advertisement

The road trip, under the guise of a research trip for a safe travel guide for black folks, published by George, immediately hits some snags. The show shows life across the midwest for the black community, juxtaposing their experiences with white Americana. The trio attempts to dine at an establishment, but make a shocking discovery and find themselves chased out of town by gun-toting racists. They are saved by a mysterious blonde-haired woman in a Rolls-Royce who stops the truck full of racists with what seems to be some power, flipping the truck and allowing Atticus and company to escape.

After some time learning what little there is to know about Ardham, Leti has a blow up with her brother who hosts the trio. They drive off the next morning, searching for the road to Arkham. Instead that find a racist sheriff and end up in the slowest, most tension-filled car chase to a county line ever.

Unfortunately, trapped by a roadblock of racist police, the trio are held at gunpoint in the woods and things go from bad to worse when mysterious multi-eyed creatures tear through four of the officers. The sheriff, de-armed by one of the beasts, transforms into one of the creatures inside a cabin where Atticus, George and an unfortunate deputy are hiding. The creatures, weak to light, are eventually fended off by Leti who brings the trio’s car to the cabin, flooding the space with light.

The next morning, Atticus and his band find the road into Ardham and arrive at a mansion. Atticus moves to knock on the door but it opens before he sets his hand on it. They meet a blond-haired man who seems to have been expecting their arrival.

Why was is the White House painted white?

How it worked out…

The show is a stylish period piece that features some great performances, generally strong visuals, and some moments of genuine tension. It’s a fun ride through and through and enough of one that I want to experience the next episodes. As a pilot, “Sundown” largely does its job by setting up the core leads, a long term conflict, and just a hint at the weirdness to come. It also presents the kind of alien horror people expect when they think Lovecraft, but I am not sure if it does it all that well.

My biggest issue with the show is that it has two monsters and really only makes one scary, though it is hard not to make that monster scary. The show is at its absolute best when it deals with the looming threat of living while black in 1950s America. The pilot is absolutely at its best and most horrifying here. The moments of terror inflicted on black Americans is far more intense and affecting than a five-minute CGI-fueled attack of the Shoggoths. The presence of white paint and a loose tile chills far more effectively than a special-effects reel.

Advertisement

Despite my misgivings with the action-approach, it is still a lot of fun. Lovecraft would have hated it, for obvious reasons, but perhaps less obviously, it turns his ideas into the very sort of two-fisted pulp adventures he routinely criticized in his letters. But that’s fine, honestly. Is the idea of a wolf-like Shoggoth any sillier than the gelatinous mass of a thousand eyes as described in his own work? It’s a suitable introduction to the themes and aesthetics. A sort of big-budget sketch of the weirdness he pioneered. It gets people interested and diversifies the weird genre and hopefully continues to bring new voices into the fold when it comes to Lovecraftian themes.

But ultimately some fans and purists are going to be let down about the Abramsification of what should be an utterly hopeless and relentless experience. I would not say that I am let down, but I do want to one day see a high budget adaptation of the world of Shoggoths and Yith without the need for guns-a-blazin’.

But you know what? I’ll take the action-adventure spin on the themes and enjoy them just fine.

Lovecraft Country, “Sundown,” rates in at four Cthulhus. 4 out of 5 stars (4 / 5)

A long night in the woodland hunting-grounds of the Shoggoths leaves the trio exhausted.

Miskatonic Musings

In each review, I have a section where I include some miscellaneous thoughts that don’t fit in the structure of the review but I feel are worth mentioning.

I just really liked the name, okay?

Advertisement
  • The road trip monologue you heard comes from James Baldwin’s 1965 debate against William Buckley, Jr. This show will be heavily tied to the Jim Crow era. George’s guide book, for example, is clearly based on The Green Book. Also, look up Sundown towns if you are unfamiliar with the concept and prepare to feel sick to your stomach.
  • A fair number of Lovecraft references in the premiere, as to be expected. The Outsider and Others makes an appearance. We also see what seems to be Cthulhu in Atticus’ dream. We of course have the Shoggoths. Vampires, another creature Lovecraft dabbled in, also get referenced, but George’s reference is specific to Dracula. Oh, and a refence to Herbert West as well.
  • A lot of other great references as well to other pulp literature. Take, for example, the Martian princess in the dream sequence, who seems to be played by Jamie Chung. We also have tripods from War of the Worlds, and what seems to be a Roman Centurian in the battlefield. I’d be hesitant to include The Count of Monte Cristo as pulp work, but the presense of Alexandre Dumas is definitely a welcome literary element. Can’t forget Jackie Robinson, either.
  • Who was Atticus speaking to on the phone all the way in Korea?
  • I feel I should also explain my “qualifications” when it comes to my criticism of how the show tackles Lovecraft. I earned my M.A. writing about H. P. Lovecraft and writing an interactive fiction story that revolves around decolonizing Lovecraftian themes. I am currently in production of a mobile game version of that interactive fiction piece. You spend a couple years studying the guy (horribly racist warts and all) and his writing you end up sort of insufferable, like me.
  • My review is already on the long-side, so things I want to address will be saved for later reviews. I’ll just throw out that Courtney B. Vance is a great actor and elevates the performances around him.

Please join us next week for another recap and review of HBO’s Lovecraft Country. Please let us know your thoughts on the show or this review in the comments.

David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

Movies n TV

Goosebumps, The Vanishing Comes in Hot With Don’t Go In The Basement

Published

on

Goosebumps is back with season two, The Vanishing. All eight episodes dropped yesterday, January 10th.

Today, we’re talking about episode one, Stay Out of The Basement Part 1. This episode gets its title from the second of the original Goosebumps series. How much else does it get from this source material? Let’s find out.

The story

Our story begins in 1994, with a group of teens planning to spend the night in an abandoned building called Gravesend. And we are surely made aware that it is indeed Ye Olde 1994 with Beastie Boys blaring and references to X Files. Thank you, show writers, for making me feel as old as possible as quickly as possible.

For reference, the flashbacks from season one took place in 1993. I don’t know if these two stories exist in the same universe, but it stands to reason they do. So it couldn’t hurt to keep track of a timeline.

The teens’ plans are ruined when one of them, a boy named Matty, is infected with some horrific thing that seems to melt him before the very eyes of his friends.

Advertisement

We then cut to 2024, where our story really begins. Two kids, Cece and Devin Brewer, are coming to spend the summer with their dad, Anthony. Anthony is Matty’s younger brother. He is now an adult and excited to have his twins spending the summer with him. He only has one rule for them.

Don’t go in the basement.

As it turns out, nothing in the basement will hurt the kids. Until Devin and Cece end up in Gravesend, and accidentally bring home the exact entity that killed their uncle thirty years ago.

What worked

The first thing that stood out to me was the connections that Cece and Devin have to this town, while still being outsiders.

David Schwimmer, Sam McCarthy and Jayden Bartels in Goosebumps The Vanishing.

Their dad, Anthony, lives there full-time. And while the twins seem to spend some time there, they really haven’t in years. This puts them in a liminal position of being both newcomers and having ties to the place. They know some people, but not most of their peers. But everyone knows their family, because of the tragic death of their uncle. This is a good way to have some flexible characters. They are both from there and not from there. It works.

Advertisement

I also liked that this first episode has clear ties to the book it’s named for, while not being bound to it. In Don’t Go In The Basement, the kids have to save their father, Mr. Brewer, from the terrifying plant clone trying to take over his life. (Sorry for the spoiler. But the book did come out over thirty years ago.)

While this storyline is going to inspire at least some of our storyline, it’s clear that we’re going to go far above and beyond that. I appreciate that we’re keeping the integrity of the source material, while not being shackled to it.

Finally, I like that Anthony seems like a good dad. He’s worried about his kids. He’s excited to spend time with them. He’s quick to not involve them in fights with his ex, their mom. When he asks them not to go in the basement, he then takes them down to show them that he’s not hiding anything, it’s just not a safe place for them. All good dad points. Even better, we see that Devin goes to his dad when he’s scared. We get the feeling that Anthony would have listened to him if he hadn’t been fending off a homicidal vine at the time.

What didn’t work

I only have one complaint about this first episode. In the very beginning, we see the death of Matty. But, it’s really fast.

Not that I wanted to see a teenager suffer, but we see his face go dark and melt so fast, you’ll blink if you miss it.

Advertisement

For one thing, that lets the viewer off too easy. This is our first dark moment. It should be a little slower. We should focus on the fear and anguish for a few more moments. Especially since this death is going to be the cornerstone of our story for the season.

While I am disappointed that this means we were in fact left on that terrible cliffhanger from season one, I’m happy with how this season is starting. The characters are interesting, the story is dark, and I’m excited to see how it plays out.

4 out of 5 stars (4 / 5)

Advertisement
Continue Reading

Movies n TV

Bloody Axe Wound: A Slasher Flick with Daddy Issues and a Side of Feminism

Published

on

Alright, you sick puppies, gather ’round for a tale of family bonding, teenage angst, and good old-fashioned murder. “Bloody Axe Wound” is here to tickle your funny bone and possibly remove a few other bones while it’s at it.

Woman with bikini covered in blood from Bloody Axe Wound

The Gist: Serial Killing as a Family Business

Picture this: a video store that’s actually a front for some seriously messed up snuff films. The twist? The owner’s a serial killer who’s been slicing and dicing teens faster than you can say “late fees.” But wait, there’s more! His daughter, Abby Blake Cut (yeah, that’s her name, deal with it), wants in on the family business. Talk about bring-your-daughter-to-work day gone horribly wrong!

“Bloody Axe Wound” is like “90210” decided to do a crossover with “Halloween” – Jim Phoenix, HauntedMTL

Daddy’s Little Monster

So, Daddy Dearest isn’t too keen on his baby girl following in his bloody footsteps. I mean, come on, it’s 2024 – girls can be anything they want, even psychopathic murderers! But our guy’s stuck in the past, probably still thinks women belong in the kitchen (chopping vegetables, not people).

Jennifer’s Body [Blu-ray]
  • Factory sealed DVD
  • Megan Fox, Amanda Seyfried, Johnny Simmons (Actors)
  • Karyn Kusama (Director) – Diablo Cody (Writer) – Mason Novick (Producer)

Last update on 2025-01-07 / Affiliate links / Images from Amazon Product Advertising API

A Feminist Slasher? You Bet Your Ass!

Abby’s not just fighting for her right to party (and by party, I mean brutally murder people). She’s breaking down barriers in the male-dominated field of serial killing. Move over, Jason and Freddy – there’s a new blade in town (no, not Mahershala Ali…only one real Blade…), and she’s got a point to prove (several points, actually, all of them sharp).

Horror Tropes Galore

This flick’s got more tropes than a teenager’s got hormones:

  • Awkward sexual exploration? Check.
  • That one friend who’s way too old to be hanging with high schoolers? You betcha.
  • A cursed town where everyone’s oblivious to the killer in their midst? Oh, honey, it’s all here.

It’s like “90210” decided to do a crossover with “Halloween,” and somehow it works!

Sale
Ginger Snaps (Collector’s Edition) [Blu-ray]
  • Factory sealed DVD
  • Kristopher Lemche, Emily Perkins, Katharine Isabelle (Actors)
  • John Fawcett (Director) – Steven Hoban (Producer)

Last update on 2025-01-07 / Affiliate links / Images from Amazon Product Advertising API

The Verdict: 4.5 out of 5 Bloody Thumbs Up

Look, I’m not saying “Bloody Axe Wound” is gonna win any Oscars (unless they finally add that “Best Dismemberment” category I’ve been lobbying for). But hot damn, it’s a fun ride. It’s got laughs, it’s got gore, it’s got a weirdly heartwarming father-daughter story if you squint hard enough. This one is a rewatchable movie and probably a cult classic for many of us.

Advertisement

So, grab your popcorn, leave your sensitivity at the door, and get ready for a movie that’ll make you laugh, cringe, and possibly reconsider your family dynamics. Just remember: the family that slays together, stays together!

4.5 out of 5 stars (4.5 / 5)

P.S. Don’t bring the kids. Unless you want them to have a very awkward conversation with their school counselor.

P.P.S. Sorry, once again, for killing your name in our podcast…

Advertisement

Continue Reading

Movies n TV

Dexter Original Sin F is for Fuck-Up dives deeper into the horrors of a beloved character

Published

on

Episode five of Original Sin was surprisingly light. At least, as light as a show can be when it involves murder, teenage drug use, and the anniversary of the death of a beloved parent.

The story

We begin this episode right where the last one left off. Mad Dog, Dexter’s latest victim, is hit by a car and killed. This leaves Dexter with the unpleasant chore of cleaning up a crime scene but not being able to actually kill someone.

Patrick Gibson in Dexter Original Sin.

Meanwhile, Harry is getting ready for the trial of Levi Reed. This trial seems like it will be a slam dunk, except for one terrible surprise. Turns out Harry messed up and hid what probably wouldn’t have been evidence strong enough to dismiss the case until he hid it.

What worked

One of the reasons why Dexter is so popular is that it’s funny. While it is a show that deals with very heavy subject matter, it’s also managed to be funny most of the time.

Advertisement

This episode is funny. It starts with Dex cursing over and over while he frantically and meticulously cleans up his crime scene, then hiding in a corner with a bag of incriminating trash. We later see him eat way too many pot brownies and get high as a kite, then eat two pizzas while laughing at I Love Lucy with Deb.

These are funny scenes that fit into the heaviness of the show. It doesn’t feel like emotional whiplash when we go from the kids getting high to Harry having a mental breakdown because that makes sense. Rather than forcing humor where it doesn’t belong, the writers made this comedy make sense.

I also loved that we’re seeing Dexter become who he will be. He’s terrified of losing control. He’s always learning how to kill more efficiently. And for someone who claims to not have regular human emotions, he already seems to understand a lot more about how the people around him are likely to act.

At least, he gets how Harry’s going to respond.

I like that he’s not just a teen version of the same character. I like that we’re seeing how this young mentally ill man changed into the adult mentally ill man we all know and love.

Advertisement

Finally, we are really seeing the depths of how bad of a cop, and frankly a person, Harry is. Because Harry isn’t a good person.

Patrick Dempsey, Reno Wilson and James Martinez in Dexter Original Sin.

He withheld evidence in a murder trial because he just didn’t consider it valid.

He ignored his kids, especially Deb when they needed him.

He’s having an affair with his CI, which is not only bad because he’s a married man, but because he’s taking advantage of a huge power imbalance between the two of them.

And finally, when he singlehandedly lost a murder trial, he got drunk and almost shot a man. When he couldn’t do it himself, he let Dexter off the leash.

Advertisement

Harry is a bad person. And that’s kind of awesome. That’s the sort of villain origin story that I love to see. He is a more interesting character because of this. And Dexter is more understandable because of what we understand about the man who raised him.

What didn’t work

It took me a while to look over this episode of Dexter Original Sin and find something to complain about. And honestly, there’s one part of this season that’s been bothering me.

I don’t love that Harry is spending so much time with little Dexter. It just doesn’t make sense to me. At least, not with the story of the original show.

Especially in the first season, it’s clear that Dexter doesn’t remember anything before the death of his mother. That makes sense, as he was very very small. But this little Dexter feels like he would have been old enough to remember some of this.

But, you might say, he was traumatized. He watched his mother be brutally slaughtered and was left for days in a shipping crate with his mother’s body. And yeah, it does make sense that he would forget a lot.

Advertisement

But would he never have the slightest inkling that he was now being raised by the man who suddenly showed up in his life, babysat him, and tucked him lovingly into bed?

Overall, this was a great episode. It was funny, touching, and moved along several storylines. I’m excited to see what comes next. 4 out of 5 stars (4 / 5)

Continue Reading

Trending