Dark Thoughts: Alien Among the Alien
Not Your Normal Abnormal
Alien abduction has become, if not common, common knowledge to the public. Ever since Betty and Barney Hill were abducted in 1961 we’ve had a very clear image of the experience with each case seeming to confirm the last. But there’s one that stands out for its oddness in a sea of strange. The 1973 Pascagoula abduction.
A “Zipping” Sound
Over the years, the details of the incident have been expanded upon and altered for political and religious purposes so I’m going to try and stick to the basics as originally related. The details are these:
On the night of October 11, 1973, Charles Hickson and Calvin Parker were fishing on a pier in the Pascagoula River in Jackson County, Mississippi. Let’s face it, there wasn’t much else to do. While bating his hook, Hickson heard what he described as a “zipping” sound. When he looked up, he and Parker saw a 40 foot long, 10-foot high oval craft with two lights over the water. The craft was making the sound which seemed to paralyze the both of them. Out of the craft came several alien creatures. This is where our story changes from what would be considered the norm.
Instead of the typical Grays, there were three, five-foot-tall creatures. They were gray, yes, but had skin they described as elephant-like and covered in wrinkles. The ears and nose were cone-shaped and they had pincer-like hands. They hovered toward the two, lifted them up with an unseen force, and brought them aboard the craft. At this point Parker had passed out.
Aboard the craft, the two were examined. Again, the original account is shockingly different from the standard abduction. They were examined by a giant eye that seemed to be able to see through them, all the while a buzzing sound kept them from moving and kept their senses dulled. Afterward, they found themselves sitting back on the pier with Parker holding his hands in the air and screaming. For years, Hickson maintained that Parker had suffered severe trauma from the event. Parker vanishing from the spotlight for decades and then emerging with an altered story confirming his religious beliefs would seem to support this statement.
Afterward, they ran to the sheriff’s office and told him what happened.
The Tape
At first glance, this story is too insane to believe. It’s easy to just chalk it up to hoaxing or two drunks. It’s just so out there that even in the bizarre world of UFO’s it doesn’t make a lot of sense.
But then there’s the tape.
You see, before the boys were put in a room for questioning, the Sheriff made sure to put a tape recorder under the table. During a break, he hit record without them knowing, hoping to catch them in the act of keeping their story straight. Instead, it was a tape that disturbed him to the core. It was two men, very frightened, trying to comfort each other after a brush with the unexplained. . .
Further Reading:
Pascagoula Abduction-Wikipedia
Pascagoula Alien Abduction-Aliensthetruth.com
Join us each week for more of Ted’s dark thoughts about the mysterious and strange, exclusively here at Haunted MTL.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
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