HMTL Original Series: The Dead Life – #21
This is the Part Two premiere of the Haunted MTL Original The Dead Life. The need for supplies weighs heavy on Dani Kim this week. Re-read the previous installment here.
This is a serialized novel of post-apocalyptic zombie survival. Learn more about the story and setting at the series hub and take advantage of a complete list of installments.
Day 25
It had been more than a week of relative calm for the residents of the U-Stor-It. At least, by Dani’s count. The group had kept a tight watch from the roof directly on the corner of Lyon and Acacia, careful of ghoul movements. Beyond small clusters, the streets had been relatively silent.
The drug store raid had been a success and the supplies had helped ease their minds. Another run, this time to the dollar mart a couple of days prior, had born a decent supply of canned goods. Best of all, the trip went on without a hitch. So much so that Dani and Edgar had even managed to fill some bags with supplies they couldn’t carry back then and hid them out of sight for a future supply run.
Dani sat in her trailer, enjoying the reprieve of privacy. In the time she’d been here with the others, there were several swaps and trades regarding the on-site RVs. With the arrival of Mary and her daughter, Alica, Dani had given them the larger one she had been staying in, opting for an old airstream. Dani wasn’t much for comforts these days. A door and a mattress were about as much as she needed.
Her trailer was tucked just in front of one of the indoor storage areas, which was little more than a concrete structure with several small, closet-sized units. This was where the residents had kept the supplies, and Dani held the key and the watch. The decision to lock them away was not popular, but everyone accepted it.
By most, anyway. Sandy Gunderson had voiced her concerns over the lock for the past two days. Everyone knew Sandy had snuck a bag of goods while unloading the last supply run, but everyone kept silent. The less she had to complain about and the more time she spent in the apartment above the rental office, the better.
Dani stepped outside of her trailer. The airstream was planted firmly against the concrete wall along the eastern half of the lot. She had mounted a pop-up canopy over the entrance and braced it with a chest of drawers, a cabinet, and a bucket of nails. Some lawn furniture and a ratty roll of astroturf turned it into a rudimentary room. It wasn’t much to look at, but the shade was nice.
From her “porch,” she could see Mary and Alicia’s trailer, a couple of dozen feet ahead, parked much like her trailer against the wall. Alicia Edwards was sitting on the RV’s roof, reading a book. She saw Dani and waived to her, and Dani responded in kind. She liked the kid. Mary was out of sight, most likely inside. The broken leg from the drug store was a mess. They had done as much for her as possible. Dani would check in later.
Directly across from them was one of the clusters of units sat the shitty brown Cadillac of Jimmy DeWitt and Edgar Rosas. They had opted to claim eight units for their own needs. This was in addition to one of the smaller indoor areas between the cluster that housed six 12 smaller closets.
Dani made her way toward Jimmy’s cluster but was caught off guard by how quickly Alicia had climbed down from the RV. The kid was agile.
“Ms. Kim, I saw a big crowd of those things in the neighborhood behind us.”
“How big of a crowd?”
“It was tough to count them all, but I saw at least ten on the street, between the houses. Not counting the ones in the windows. It’s so weird seeing them up in those rooms like that.”
“Good eye. I am glad you’re keeping an eye on this side of the place. I know Bob appreciates the help.”
“Oh, speaking of Mr. Clark, could you take this book back to him? I’m done with it, and I don’t want to get too far away from my mom right now.”
Dani took the book from Alicia. She flipped it over in her hands and noticed it was a torn and stained copy of Dracula.
“I liked it, but the vampire felt a bit too… well, real. You know?”
Dani nodded. “Will you be borrowing a new one from him later?”
“Could you pick for me?”
Dani smiled. “Sure, I’ll pick up a repair manual.”
“Hah.”
The two stood in silence. The sounds of birds and insects brought a sense of calm. The February mornings were cold, but Emmet was a town in a desert in many respects, no matter how many orange groves had been there 80 years ago.
“Alicia. How is your mom?”
“Her leg is still pretty fucked up.”
Dani’s eyes widened at the statement. Alicia shrugged.
“I’m 15.”
Dani laughed. “I know. I know. Sorry. I was just thinking about how my parents would have flipped had I dropped the ‘f-word’ on them.”
“You can’t even say it now, Ms. Kim.”
“Fuck off, smartass.”
Did you enjoy this installment of the story? How do you think the system they opt for regarding supplies will work out for them? Let us know what you think and what supplies would be your zombie apocalypse necessity.
The Dead Life is a Haunted MTL original fiction series.
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Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.
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