True Crime Studies: The Ardlamont Mystery
As John Mulaney said, “it was really easy to get away with murder before they knew about DNA”, and he was right. It was also ridiculously easy to commit insurance fraud. So easy that reading about it feels like watching a silly money scheme in a soap opera. Young, handsome and naive, I introduce Cecil Hambrough. A young man who died under mysterious circumstances while on a hunting trip in 1893 in what would become known as the Ardlamont Mystery.
On the afternoon of the fateful day in 1893, Cecil was in the woods with a man named Alfred Monson and a man of greater mystery going by the alias Edward Scott. Real name Edward Sweeney. Sometime during the afternoon of their trip, Cecil was shot dead and left in the woods. Monson and Scott/Sweeny returned to Ardlamont House, an estate they were renting for the season, and announced that Cecil had been shot. A terrible accident they claimed the boy caused himself when he tripped and fell. They said this only after the butler questioned them while they were having tea in the dining room. As if that didn’t look suspicious enough.
What followed was a shocking criminal investigation that went way beyond the average dog and pony show. Keep in mind that during this time, all the way over in the states, H.H. Holmes was also running amuck, displaying the disquieting influence of the criminal mind. But The Ardlamont Mystery isn’t just about Monson and Hambrough. Showing that there’s more to history than simply an event locked into the past, author Dan Smith explains the very unique connection the crime has with modern-day and the one and only Sherlock Holmes.
The Ardlamont Mystery
Just to clarify, neither Monson nor his crime influenced Sherlock Holmes or any of his cases directly. The first Sherlock story, A Study in Scarlet was published in 1887 and the Hambrough murder occurred in 1893, but the two share a unique connection that we’ll get to later.
The Ardlamont Mystery by Dan Smith is a very technical book that’s a mix of true crime, historical study, and trivia. Much of the book revolves around Dr. Joesph Bell and Dr. Henry Littlejohn, two of the frontiers of modern criminal investigation and forensic study. They were two very incredible men that helped jump-start the Golden Age of forensic sleuthing; “the sort of men upon whom empires are built.”
Even though this book is about a murder, it doesn’t spend as much time on the actual murder as it does on what comes after. The Ardlamont Mystery is about Monson’s defense against what seemed like an obvious conviction. After the murder, or accident, came the trial which involved Bell and Littlejohn, and Monson looked about as guilty as O.J. Simpson. We all know how that trial ended though and this one isn’t much different. Most of what Monson’s defense team came up with wouldn’t hold up by today’s standards but it was perfectly acceptable for the jury of then. With little to no hard evidence, everything presented at the trial was pure speculation and circumstantial evidence with the Defense doing nothing but spreading doubts about the Prosecution.
In the end, it all came down to where they found Cecil’s body. I’m not going to recap every little piece presented at the trial. Just trust me when I say that Monson was guilty. Unfortunately, it was a very much a “he said he said” situation and no one could figure out where Cecil landed when he died. The entire case against Monson fell on the assumption that Cecil died where he was found while the defense based their argument on the claim that he fell in a ditch and was carried out to where he was found.
The jury couldn’t figure out what was going on and was apparently swayed by the charm emitting from Monson. They decided he was “not proven” on the charges of murder. Monson ended up going to prison several years later for insurance fraud. By the way, the murder of Cecil was likely driven by Monson’s need for easy money. He had a $20,000 policy on Cecil’s life that he lied about and later tried to cash in.
Prejudice and gossip
Two additional interesting topics presented by Smith in The Ardlamont Mystery both involved public perception. During this time, information on criminal behavior was limited and people were as they always are, frightened of what they can’t identify with. The acceptable perception of criminals was that they were hideous with deformities, had usually large noses or ears, and lived in poverty. Monson, being a white man from a well-known family, was simply not acceptable as a criminal.
This, however, just fueled the public’s natural obsession with the macabre. Tabloids have not changed at all by the way. Monson gave his own, and fictional, version of events in The Ardlamont Mystery Solved when he thought he could make a quick buck off public interest. It’s currently out of print but if you can find a copy I’m sure it’ll be a hilarious read. From what critics of the time said, it’s just Monson lying about how nice of a guy he is.
The Sherlock Connection
The connection with the great Sherlock Holmes takes place in the form of the two men who testified at Monson’s trial. Dr. Bell and Dr. Littlejohn, the forensic sleuthing frontiers. The author of the Sherlock Holmes adventures, Arthur Conan Doyle met Bell in 1877 and served as his clerk at the Edinburgh Royal Infirmary. Bell was his mentor, teacher, and friend and was famous among students for his incredible powers of deduction. He could look at a patient and diagnosis them based on their appearance and demeanor. Bell was involved in several police investigations, usually working alongside Henry Littlejohn, who was also brought into the mix when Doyle created Holmes.
It was their presence, particularly Bell’s, that made people so interested in the trial’s outcome. When they became part of the investigation, people became very interested in their statements, wondering what the real Sherlock Holmes would say.
Verdict
I’m giving The Ardlamont Mystery two separate ratings because even though it details a criminal event, it’s not really a true crime novel but actually an account of how real-life influenced fictional life.
As a true crime book:
(3 / 5)
As a nonfiction book
(4.5 / 5)
Book Reviews
Tiny Threads.
A supernatural horror where the ghosts, surprisingly, aren’t the most terrifying aspect.
A chilling blend of The Devil Wears Prada and classic ghost story. Tiny Threads by Lilliam Rivera is a gripping exploration of the fashion industry’s dark underbelly. Published in September 2024, this contemporary Latina horror novel delves into themes of gender, hierarchy, gentrification, and human trafficking. All while keeping readers on the edge of their seats with its supernatural elements.
The Plot.
When Samara, a young Cuban American woman, lands her dream job working as the Executive Director, Global Brand Voice for renowned fashion designer Antonio Mota, she cannot move away from Jersey and her close-knit, although sometimes suffocating, family fast enough. Arriving in Vernon, California, Samara hopes this could be a new start. She finds the people nice enough and her new apartment is to die for. She has even met a new love interest, a wealthy investor of Mota’s fashion line.
If only she were not woken at 2am every morning by the mice living in the walls of her apartment. She also wishes the local abattoir was not so close by. It gives off the stench of death that the locals refer to as ‘the Vernon perfume’.
However, beneath the surface, cracks begin to appear. A reoccurring name, a rude seamstress and a spontaneously appearing and disappearing model, it doesn’t take long before her fragile sense of normalcy begins to unravel .
As the pressure mounts to deliver a successful fashion show, Samara’s coping mechanisms spiral out of control. She turns to alcohol and pills, blurring the lines between reality and dream. With her sanity teetering on the edge, Samara faces a critical choice: succumb to the darkness or fight for a brighter future, even if it means confronting a trauma she thought she had left all but forgotten.
Highlights.
One of the highlights of Tiny Threads is the inclusion of Spanish dialogue. In many stories featuring multilingual characters, the non-English language is often translated directly into the text or presented in a different font. However, Rivera has chosen to maintain the original Spanish, which I found refreshing and immersive. Translating certain songs and names, such as the name ‘Piedad,’ which means ‘Pity,’ enriched my understanding of the story. In regards to this, I was very glad that I was reading on my Kindle with the translation tool open and ready.
Drawbacks.
Don’t begin this book expecting a constant barrage of ghosts and supernatural occurrences. Tiny Threads is a more of a slow-burn psychological horror novel, where the otherworldly elements are subtle and understated. The narrative takes an unexpected turn into a revenge story, which is both surprising and satisfying.
I think the main drawback is the repetition of Samara’s days. This might have been purposeful representing the drudgery she was experiencing in a world that is toted as being glamorous and vibrant, but it slows down the pacing and deadened the tension of the story. The repetition began to feel like Groundhog Day. The only thing that drove time forward was the buildup to the fashion show which is counted down in each chapter. The final quarter of the book, culminating in said dramatic fashion show, picks up the pace significantly.
The Final Take.
Tiny Threads is a supernatural horror where the ghosts, surprisingly, aren’t the most terrifying aspect. Rivera expertly captures the harsh realities faced by lower-level fashion industry employees and the lengths people go to for success in this often brutal field. Despite its difficulties with repetition and pacing, this is a must-read for those who appreciate a complex protagonist grappling with self-deception. Rivera’s Tiny Threads is a thought-provoking exploration of the fashion industry’s darker side.
(3 / 5)
Published in April 2023, Catriona Ward’s novel, Looking Glass Sound, continues her tradition of crafting intricate narratives that defy easy categorization. Like her acclaimed The House on Needless Street, Ward expertly weaves a web of clues and red herrings that will unravel with each reread. Is it an atmospheric horror, a twisted serial killer mystery, or the coming-of-age tale of a writer? The answer, as Ward skillfully demonstrates, is all three.
The Plot.
In 1989, sixteen-year-old Wilder Harlow, travels to the Maine coast with his mother and father, for the summer. His family has inherited a cottage on Whistler’s Bay, all hope that this will be a fresh start for him.
On the first day, Wilder meets Harper and Nat; teens who roam the town with little to no adult supervision. The two quickly become his guides to the town’s hidden secrets.
As they explore the bay’s eerie beauty, Wilder discovers a sinister undercurrent. A terrifying figure known as the “Dagger Man” has been terrorizing families; breaking into homes and photographing sleeping children at knifepoint. Meanwhile, a more chilling mystery unfolds: women have been vanishing from the town for over a decade.
Wilder and his new friends are drawn into the mysteries and the truth begins to unravel as they explore the hidden corners of the bay.
This is only the first section of the book. What follows is Wilder’s experience through college, eventually returning to Whistler Bay as an elderly man. On his return things begin to twist and we find that everything we’ve been told is not strictly fact.
Highlights.
Catriona Ward is known for writing strong characters and here she does not disappoint. The novel introduces us to Wilder, Nat, and Harper as teenagers whose complex dynamics and relatable angst draw us in. Wilder’s college roommate, Sky, adds another layer of depth, offering a poignant exploration of queer coming-of-age.
While Ward’s intricate plot keeps us guessing, it also presents a minor challenge: the sheer number of twists and turns can sometimes blur the lines between characters: making it difficult to keep track of names and relationships. The introduction of two characters named Sky and Skye, in particular, can be confusing. Despite this, Ward’s character development remains consistently strong. Looking Glass Sound is a compelling exploration of human connection and the complexities of memory.
Drawbacks.
The overwhelming drawback for this novel was the structure. The first half of the novel follows a straightforward, linear timeline, allowing us to connect with Wilder and his friends on a personal level. However, the narrative takes a significant detour in the second half, adopting a complex frame-within-a-frame structure, or perhaps more accurately a book within a book… within a book. This shift can be disorienting, as readers are constantly pulled back and forth between different time periods and perspectives, often only to discover that certain events were not entirely as they seemed.
While this unconventional approach adds a layer of intrigue, it can also make the plot feel fragmented and difficult to follow. Ward’s decision to interrupt the narrative with explanations and asides can sometimes disrupt the pacing and immersion. While this choice may be intentional, it can also leave readers feeling lost and confused.
The Final Take.
This is not my first Catriona Ward novel, nor it will be my last. Ward writes stories that are built to confound the reader and make them question everything they’ve read. Looking Glass Sound pushes this a little too far. In my opinion is the weakest of her novels that I have read so far. In saying that I did enjoy the atmospheric horror of the introductory chapters and the dark academic feel of the college section. Following that I found myself becoming a little fed up with deciphering the plot.
(2.5 / 5)
“You can’t win against the mountain. The mountain always finds a way.”
Published in July 2024, Alisa Alering’s debut novel, Smothermoss, is a chilling blend of folk horror and dark fairytale. Though concise, this novel packs a powerful punch, its narrative dense with metaphor and a suffocating atmosphere. Not for the faint of heart, Smothermoss is a haunting exploration of the sinister lurking beneath the surface of the ordinary.
The Story.
Set in the rugged Appalachian Mountains of the 1980s, Smothermoss follows the lives of sisters, Sheila (17) and Angie (12). The two live with their mother and an elderly woman in a crumbling cottage in the forest. Both Sheila and Angie are the object of ridicule and bullying within their school community, the sisters cope with this bullying in starkly different ways. Sheila retreats into silence, avoiding conflict and longing for escape. Angie, meanwhile, immerses herself in a fantasy world, battling imaginary Russians and believing her handmade cards hold prophetic power.
When two women hikers are brutally murdered on the nearby Appalachian Trail, Sheila becomes more withdrawn and avoidant of the world, while Angie becomes convinced she’s destined to capture the killer. Little do they know; a far greater evil lurks in the forest.
Highlights.
Alering’s masterful characterization of Sheila and Angie was the true gem of Smothermoss. Despite being told in the third person, the alternating chapters offer a bone deep immersion into each sister’s perspective. In recent fiction, author’s have not quite captured the authentic voice of a young character. However, Alering nails it. Angie’s pre-teen naivety shines through and never accidently matures past its 12-year-old existence. While Sheila’s late teenage anxieties and queer coming-of-age struggles are beautifully rendered.
Another highlight of this story is the lyrical prose. Smothermoss has a rhythm; it reads like poetry in places and in others could be mistaken for a children’s fable. Reading about the visceral and raw events and thoughts contained in Smothermoss, in such beautiful but simple language adds to the unsettling experience, and enjoyability, of reading this story
Drawbacks.
There were a couple of things that had me a little confused during this book. Several shorter chapters leave the sisters entirely behind and focus on rabbits and other forest animals. At first, I interpreted these to be metaphoric. The animals standing in for the killers point of view, or perhaps the murdered women. This book is so heavy with metaphor that this seems plausible, but I finished the book still questioning myself about this.
The other issue I found was that many of the subplots in this story are left unexplained or unfinished, turning to the last page with many questions that will never be answered. (Which has resulted in sleepless nights because I just want to know what exactly that rope is among other things!)
The Final Take.
At its core, this is the story of two sisters growing to understand each other and supporting each other through adversity.
Beyond that, Smothermoss feels like a fairytale dragged through the mud.
The small size of this book (just over 250 pages) might lead people to think it is a quick or easy read. Don’t be fooled, as Shakespeare said, “though she be but little, she is fierce.” This is a complex story, with heavy themes and dark subtext.
I want, and hope, to read this story again because I know that there is much more to uncover here. The metaphors are dark and unnerving, the characters deep and moving, the natural imagery thick. I was not at all surprised to find out that Alering grew up in the Appalachian Mountains. Only someone familiar with the area could have described the people and place with so much heart.
(4 / 5)
