True Crime Studies: Black Dahlia Avenger, it’s more blind accusation than actual theory
Why are there so many books about the Black Dahlia? Every couple of years brings a new one to light and they all have their own theories about who done it and from what I can tell, none of them match. One of the worst, however, is Steve Hodel’s Black Dahlia Avenger published in 2003, in which he accuses his own father of being the murderer. It’s a book that is as disjointed, melodramatic, entitled, and self-pitying as most of the Hodel family. If you haven’t heard of Steve Hodel, just know that he is the boy who cried murder. The king of the “Daddy Did It” genre. He’s not the pioneer though, that honor goes to Janice Knowlton who popularized it with her own Black Dahlia book, Daddy was the Black Dahlia Killer.
Steve Hodel went way beyond that though. He also accused his father of being the Zodiac, the one behind the “Lipstick Murders” (supposedly solved in 1946) and the “Jigsaw Murderer” of 1967. Which means, either Dr. George Hodel had an awful lot of free time, or his son just really loves to point the finger. Any believable theory offered in Black Dahlia Avenger is discredited by these continuing accusations.
Not that the book needed any of that to be discredited. Black Dahlia experts have debunked the book and all its presented “evidence” many times.
Black Dahlia Avenger is a book that tries so hard to be taken seriously. It reeks of desperation, biting off more than it can chew. For starters, Hodel is not a very good writer. Which wouldn’t be a problem if he didn’t spend so much time jumping paragraphs by separating multiple sections with subheadings as if he’s writing an essay. The chapters all feel like sections of an incoherent Wikipedia page.
Most of this appears in the many “investigation” sections, which are all very disjointed. They appear and disappear sporadically throughout the book as Hodel breaks away to, more or less, whine about his childhood. This is honestly what really bothered me about Black Dahlia Avenger. Hodel inserts details that have nothing to do with the case in which he’s discussing. Most of this is meant, I think, to prove Dr. George Hodel’s abusive, controlling personality, but fails to do so.
None of it is necessary, and not only is it unnecessary, but it also contradicts some of Hodel’s later claims. One example is the claim that his father’s unseen and secret abuse turned his mother into a depressed alcoholic. Yet in her backstory, he admits to his mother being somewhat of a party girl who suffered from bouts of depression and drank a lot while married to her first husband. He also briefly mentions his father’s other wives, none of whom suffered the same “damage” when he divorced them. One even went on to become a Philippine Congresswoman.
Black Dahlia Avenger
On January 15, 1947, Elizabeth Short, also known as the Black Dahlia, was found in a vacant lot savagely mutilated, severed at the waist and completely drained of blood. There were cuts on her thighs and breasts and her face had been slashed from the corners of her mouth creating a “Glasgow smile.” The cause of death was determined to be hemorrhaging from lacerations to her face and shock from blows to the head and face. It was a onetime event with no murder like it to come before or after, and most of the leads went cold.
Jump to the year 1999 as retired LAPD homicide detective Steve Hodel learns of his father’s passing. His father was the prominent doctor George Hodel who was well known among the Hollywood elite. He treated women for venereal disease, including many actresses. They had a fractured relationship and were just starting to reconnect after so many years. As part of the mourning process, Hodel goes to his father’s house to visit his widow June and this is where things start to unravel.
Hodel is very odd in regarding June. She is quiet and monotone, as many people would be after their spouse dies, yet he seems genuinely confused about this behavior. His bewilderment to June is worded as such:
“She was hesitant, secret, aloof and cautious with me. Was this an Asian cultural response to dealing with grief that kept mourners from sharing emotions? I’d never seen it before, particularly when as a P.I. I worked with my Japanese colleagues on criminal cases. Maybe it was only specific to widows. I didn’t know, but I also sensed there was something deeper- and it didn’t have anything to do with grief.”Black Dahlia Avenger pg. 36-37
God forbid a woman doesn’t want to socialize with her dead husband’s grown son who she barely knows just days after becoming a widow. June (probably to get him off her case) then hands him a box of family photos that belonged to his father and it’s what’s in the box that cracks the case. (Cue Phantom of the Opera music) Inside is a picture of Elizabeth Short! But not really.
Among the pictures are two photographs of a young woman with black hair sitting in intimate poses. Hodel believes her to be the late Elizabeth Short even though she looks nothing like her. Other than the fact that they’re both white women with dark hair, Short and the woman in the two photos don’t look anything alike. Apparently all white women look the same to Steve. Short’s own sister thought so when she saw the photos sometime later.
“The first thing I noticed was that [it] was definitely not Betty. She never wore flowers all over her head only one on her ear. She always loved Hawaii and I think it made her think of that and Dorothy Lamour.”Larry Harnisch from Heaven is Here
This is the grand piece of evidence and the rest isn’t much better. Contradictions, random accusations, and “clues” that Hodel magically links to his father. Now, I will say, that when the book actually focuses on Elizabeth Short, it’s not bad. When Hodel stops reciting childhood memories that offer nothing to his theory, we’re reminded of what this book is supposed to be about: the Black Dahlia.
Unfortunately, Hodel is not very good at tieing it all together. Short’s final few months of life are recounted through eye-witness accounts, but they don’t follow any pattern. Some aren’t even in order. He just dumps it all down and expects the readers to craft the timeline themselves.
Tamar and Root of Evil
There are multiple sections in Black Dahlia Avenger that deal with George Hodel’s daughter, the author’s half-sister, Tamar Hodel who accused her father of molesting her when she was 14 in 1949. Tamar is Hodel’s centerpiece in debouching his father’s character, but anyone who knew anything about Tamar would have their doubts about her integrity. There are many indications that she lied after becoming angry with her father over a personal matter. She also accused over a dozen classmates, male neighbors, and family friends of raping her.
She is dealt with in detail in the podcast, Root of Evil, where her own children admit to how manipulative she was.
Tamar is interviewed in Black Dahlia Avenger but nothing she says makes sense. I don’t know if Hodel put words into her mouth or if Tamar just doesn’t know what she’s talking about. One glaring error I couldn’t help but find humorous was when Tamar has a “memory” of her father naming one of her dolls Elizabeth Anne while laughing manically. She then sits back in shock at the realization that the Black Dahlia’s full name was ELIZABETH ANNE SHORT. Except that it wasn’t. Elizabeth Short didn’t have a middle name. The name “Anne” was included by accident by the LA Times during the 1970s. Short’s mother later corrected this fact and testified that her daughter never had a middle name.
Honestly, the Root of Evil podcast makes a much better case for Dr. George Hodel’s guilt. It has a few holes but it’s much more believable.
Verdict
If you want to read up on Black Dahlia, do yourself a favor and skip this book. I did not go into this with an impenetrable preconceived theory about the case. I have my own theory about who did it, but I was open to considering whatever argument Hodel had to offer, unfortunately, the story he’s crafting feels like a soap opera.
In simple terms, Black Dahlia Avenger lacks common sense. It’s also just plain bad. As a closing point, I feel the need to point out that despite Steve Hodel’s claim that his father was “the prime suspect”, Dr. George Hodel was actually one of the narrowed down 21 suspects, most of whom were quickly eliminated. The real prime suspects were actually Leslie Dillon and Walter Bayley.
(2 / 5)
Released in September of this year, Lucy Undying is the latest release by horror author Kiersten White. This is the same author who brought us Hide and Mister Magic, which were both wonderful books. And I’m pleased to say that Lucy Undying has kept up that trend.
The story
Lucy Undying is the story of Lucy Westenra, a character from the original epic novel, Dracula. Lucy is an early victim of Dracula, a tragic young woman who is turned into a creature of the night and eventually beheaded by her fiance.
But what if she wasn’t?
Abandoned by Dracula and unable to return home, Lucy travels the world searching for someone to spend her eternal life with.
Meanwhile, in the present time, a young woman named Iris is in England to sell properties that belonged to her mother. Said mother was the leader of an MLM cult. This cult is trying to control Iris even now. Her only wish is to sell off some antiques for money, then disappear where the cult can never find her again. Then, she meets Elle, and what she wants from this trip changes.
Of course, it’s soon clear that this trip would never be straightforward. Especially when she finds the journal of Lucy Westenra in a safe of the abandoned house.
The story
Lucy Undying was hard to put down because it constantly left the reader asking questions. Who is Elle? Why is Iris involved in the story of Lucy? Why is her crazy mother’s crazy cult out to get her? Will Lucy ever find someone to love? And why has she chosen to pour out her whole story to a random therapist? Any book that has me asking so many questions will succeed in getting me to turn every page.
The mystery of the novel is particularly impressive because it’s told from three points o view, in three timelines and three different styles of storytelling. I am impressed that these three timelines were able to progress without tripping over each other.
I’m also impressed by the constant style switching. When we’re with Iris, the story is told in first person. Lucy talking to the therapist is telling the story in a narrative. And then we have Lucy when she’s still a human, in her personal diary. As a writer myself, this was a fun experience.
Even aside from the format switching, this was a well-written story. The dialog and word choices were beautiful and flowing. I found myself highlighting passages because they were just so touching, poetic, or otherwise perfect. If you’re a word nerd like me, you’ll find yourself swept away by the beauty.
Finally, Lucy Undying was an obvious love letter to the original Dracula. It mimicked the style, storytelling, and themes perfectly. The only real difference is that the characters were more lively and interesting. It was sexy, dark, and gothic. It was very much the dramatic retelling we needed in modern times.
All in all, Lucy Undying was a fantastic read. If you’re a fan of vampires, gothic lesbian love stories, or just great stories, check it out now.
(5 / 5)
Book Reviews
We Kept Her in the Cellar: a Lovecraftian Cinderella retelling.
“She’s one of those things that festers in the dark.”
Retellings of classic fairytales have become commonplace. Take a popular story, twist it to fit into a specific genre, or tell it from a different character’s perspective. Published in September 2024, W. R. Gorman’s debut novel, We Kept Her in the Cellar is no different. Here we encounter the story of Cinderella, but this is definitely not the kind and mistreated princess we’ve come to know. No, Gorman’s Cinderella is a barely human, Lovecraftian creation, complete with tentacles and a penchant for the macabre.
The Plot.
We Kept Her in the Cellar is a dark retelling of Cinderella, narrated by the envious stepsister, Eunice. The story begins with Eunice, her mother, and her younger sister, Hortense, living a comfortable life on a decaying estate. Financial troubles force her mother to marry the wealthy Mr. Fitzwilliam, who brings with him his mysterious and disturbing daughter, Cinderella.
Upon Cinderella’s arrival, a strange incident occurs, leaving Hortense injured. As the truth about Cinderella’s monstrous nature and the dangerous rules necessary for survival are revealed, Eunice finds herself trapped in a horrifying nightmare.
Skip forward seven years and we encounter Eunice, who has spent much of the past years providing care for Cinderella and acting as a buffer between her sisters. Enter the Prince and upcoming the ball, add to this Cinderella’s escape the night of the party and we have a hell of a grisly mess.
Highlights.
Cinderella as an eldritch being is a great concept and one that makes sense when you consider the original fairytale’s main character’s ability to speak to mice, her sleeping in the cellar, the perceived cruelty of her stepmother and sisters, and the necessity of being home before midnight. Gorman has convincingly flipped these well-known plot points, twisting them to suit her story.
Drawbacks.
We Kept Her in the Cellar is Gorman’s debut novel and unfortunately the author’s inexperience is obvious. The writing is mediocre at best. The writing is often repetitive, with the same ideas expressed in multiple, similar sentences. Additionally, the excessive repetition of words within close proximity is difficult to ignore. This can add a stylistic, rhythmic quality to prose if executed by a strong writer, here though it becomes distracting. The dialogue, too, suffers from a lack of focus. It is often meandering into unnecessary tangents that fail to enhance the narrative or character development.
Despite enjoying the unfolding of the plot, the relationship between the Prince and Eunice is underdeveloped and feels forced. Reading the letters that are passed between the two offers some very cringy exchanges that are far from sounding realistic.
The Final Take.
While We Kept Her in the Cellar presents an intriguing premise and likable characters, the execution falls short. The writing style is unfortunately difficult to navigate, making it challenging to fully engage with the story. Had I not been reviewing the book, I doubt I would have persevered to the end.
(2 / 5)
Thanksgiving is coming up this week if you live in America. And many of us are going to be in contact with younger relatives. And some of you might be on a mission to be the cool/bad influence relative that introduces them to the horror genre. If so, I have just the graphic novel for you.
Published in September of 2023, Hide is based on the novel of the same name by Kiersten White. It was adapted into a graphic novel by Scott Peterson, and illustrated by Veronica and Andy Fish. It tells the story of fourteen people who believe they are in a reality show, playing Hide and Seek in an abandoned theme park. It should surprise absolutely no one to find out that the creators of the show have something much darker in mind.
The story
Our main character is Mack. She’s had about the worst rough start to life one could imagine and is currently living in a homeless shelter. There, she’s given the opportunity to participate in a game show, playing hide-and-seek.
I like to think that if the shelter manager had known of Mack’s horrific past, she wouldn’t have ever made that suggestion.
Mack signs up and soon finds herself in an abandoned amusement park with thirteen strangers. The rules are simple. Hide during the day, and be the last person found. Of course, this is nothing but a lie. There will be no winners, only victims.
What works
The first thing we have to talk about is how Hide the graphic novel compares to Hide, the original book. Of course, there wasn’t going to be enough room for every single part of the story. There were some cuts. But it doesn’t feel like anything essential was cut here. The characters remain the same. The storyline is still there, sans any structural issues. Often, this is a difficult thing to do. Some stories don’t translate from one medium to another. But Peterson did a wonderful job.
Of course, we can’t talk about a graphic novel without talking about the art. And the art in this book is fantastic. The colors are rich and vibrant. Everything looks exactly like one might picture it when reading the novel.
Except for the monster, which I have to admit I pictured more like a Rat Creature from Bone.
My favorite part was the journal entries. I loved the cryptic sigils that are scribbled over the page without explanation. I loved the different handwriting. I loved the clippings of newspapers and pictures. The whole thing was just wonderfully, eerily, immersive.
Finally, I want to point out that Hide is a great graphic novel even if you’ve never read the book, and never intend to. This is not a companion for the book. It tells the story all on its own. And yes, reading a graphic novel is just as valid as reading any other novel. This is just a good story, with good artwork. No other reading is necessary.
What didn’t work
There was only one thing I didn’t love about Hide. And that was the ending.
It’s usually the ending.
In the novel, the ending is ambiguous but satisfying. This ending was, without ruining it, a little more ambiguous. There are questions I really wanted answers for that I didn’t get. There is at least one character that I’d like to know about. Are they okay? I don’t know. And this ending doesn’t even really give us a hint. All we can do is hope.
If you are going to be picking this up for a younger person, be aware that there is some rough language. There are also a few graphic scenes of violence, so if that’s the sort of thing that will get you banned from further holiday events, be aware. But if you have a tween or teen who needs to be encouraged to delve into the creepy side, Hide is a great way to do it. Of course, there’s no shame in just reading it yourself.
(4.5 / 5)
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nonpersonne
September 19, 2020 at 11:44 am
Agreed. Hodel recently consulted a medium to raise some spirit (presumably Beth Short’s). He’s gone on to accuse his father of also being the Lipstick Killer, BTK, etc. And those photographs are definitely NOT of Elizabeth Short.