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If you ever spent the day googling “true crime books” and making a list of the best recommendations, then there’s a chance that you’ve run into this book before. The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America Forever by Erik Larson is a historical non-fiction book that details the life and crimes of Herman Webster Mudgett, also known as H.H. Holmes. Nicknamed the American Ripper, Holmes is believed to have taken over 200 lives during his lifetime, many of whom have never been recovered. Their bodies were turned to ash or sold to medical universities for study.

The man and his infamous Murder Castle live on in our history’s frightful memory as if he had been the Devil reborn.

“I was born with the Devil in me. I could not help the fact that I was a murderer, no more than the poet can help the inspiration to sing. I was born with the Evil One standing as my sponsor beside the bed where I was ushered into the world, and he has been with me since.”Holmes in his memoir Holmes’ Own Story

One of the few convicted murderers to have ever written a memoir, Holmes’ statement declaring himself no different than a demon has given him quite an ominous presence in American history. For some, just looking at his photo brings to mind the words “Devil” and “monster”. There’s something sinister about someone sitting in a jail cell, whose face has yet to show even an ounce of fear for their impending hanging, claim that they have the Devil in them. It didn’t help that nearly everyone who met the man was instantly charmed into submission.

Before going any further, let’s stop to clear something up. If you’re thinking that the Devil in the White City is all about Holmes, you would be wrong. This is not a detailed 390-paged account of H.H. Holmes’s life, crimes, and arrest. The Devil in the White City isn’t a true-crime book but is actually about the World’s Fair Columbian Exposition of 1893. The fact that Holmes makes an appearance is because he happened to be apart of it. It is 80% fair and 20% Holmes.

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A dark shadow that lives behind the scenes

Larson chops the book into two narratives. One for the fair and one for Holmes. He conjoins them so that they rise, thrive, and fall at the exact same pace. A structure that elevates the notorious serial killer to an almost ghost-like presence. He lives and breathes in the shadows. Living just outside the marvelous spectacle that was the World’s Fair but close enough to feed on it.

While the shadowy background is filled with Holmes, the other narrative follows a man named Daniel Burnham. For those not familiar with the name, Burnham is the Chicago architect credited with building what is referred to as the White City. The 1893 Columbian Exposition in Chicago was the first Columbus Day celebration (if only they could see the way people hate on this holiday day- oh boy, would they be mad) that lasted six months. To properly celebrate this, an entire city was built for the occasion. The White City, named because all the buildings were painted white.

Burnham and others, including Frederick Law Olmsted, John Root, and Sol Bloom were the ones who made the fair a reality. Their struggles and architectural process are what make up most of the book.

Hiding in plain sight, spotlight for the fair

Anyone who reads this will learn EVERYTHING about that fair. Every single flaw, union riot, arguments between firms, budget cuts, etc. EVERYTHING! There will come a point where you’ll forget Holmes is even there, and this, I believe, is the point. The further you go, the less you’ll see Holmes, no different than how the city of Chicago did not see him.

One thing is for certain, Erik Larson gives a brilliant description of 1890s Chicago. He is so detailed and specific in the way that he pulls the city from history that it feels like you’re right there. You can see the people, hear them, smell their unwashed bodies as they march in the streets, and aggressively cheer in front of the Chicago Tribune when it’s announced that Chicago will serve as host to the fair.

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How it deals with Holmes

Anyone familiar with H.H. Holmes knows what he did and how he did it. True crime enthusiasts know all about the Murder Castle and its many secret rooms. Any mention of Holmes guarantees a discussion about that freaking hotel and the elaborate crimes he committed inside. After a while, these same details start to repeat themselves, but this is where Erik Larson stands strong.

Larson ignores most of what happened inside the walls of the Castle. He describes how it’s built and briefly mentions what it looked like inside, how it smelled, and such, but rarely does he dive into the gory details. It’s a brilliant change of pace. He puts more focus on the victims. Those who disappear inside our obsession with murderers.

We get to know women such as Alice and Nellie Pitezel, Julia Smythe, Emeline Cigrande, and Minnie and Annie Williams; just some of the innocent victims who were so easily fooled. A study of Holmes is forgotten, and the study of those around him is put in its place. It creates a much more harrowing effect because we see what they saw and felt hours before they realized the horrible truth.

Verdict

Even though I couldn’t care less about the World’s Fair, I really liked this book. The moments featuring Holmes are incredible and the moments lacking his presence are just as good. This is a true testament to Larson’s skills as an author because the subject of architecture and generic Chicago “fun fact” history is mind-numbingly boring to me. Yet, the novel narrative technique Larson adopts in order to write The Devil in the White City makes every detail enthralling to read. 5 out of 5 stars (5 / 5)

Rachel Roth is a writer who lives in South Florida. She has a degree in Writing Studies and a Certificate in Creative Writing, her work has appeared in several literary journals and anthologies. @WinterGreenRoth

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1 Comment

1 Comment

  1. Jennifer Weigel

    April 30, 2023 at 3:45 pm

    I just finished reading this book and really enjoyed how much impact the Chicago Columbian Exposition has had on modern life, holidays, phrases and even some of the developments in technology of the era, all giving rise to how we perceive things even now. I rather enjoyed the back and forth interplay between Burnham and Holmes, both men’s rise to realize their visions despite obstacles, and the desire to fulfill their purposes. It was a grand foray into the opulence of the era and the shadows lurking behind its facade. The fair is equally as important as Holmes, and the contrast between the two paints a clearer picture of the horrors hidden between both realities.

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Book Reviews

Looking Glass Sound.

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Published in April 2023, Catriona Ward’s novel, Looking Glass Sound, continues her tradition of crafting intricate narratives that defy easy categorization. Like her acclaimed The House on Needless Street, Ward expertly weaves a web of clues and red herrings that will unravel with each reread. Is it an atmospheric horror, a twisted serial killer mystery, or the coming-of-age tale of a writer? The answer, as Ward skillfully demonstrates, is all three.

The Plot.

In 1989, sixteen-year-old Wilder Harlow, travels to the Maine coast with his mother and father, for the summer. His family has inherited a cottage on Whistler’s Bay, all hope that this will be a fresh start for him.

On the first day, Wilder meets Harper and Nat; teens who roam the town with little to no adult supervision. The two quickly become his guides to the town’s hidden secrets.

As they explore the bay’s eerie beauty, Wilder discovers a sinister undercurrent. A terrifying figure known as the “Dagger Man” has been terrorizing families; breaking into homes and photographing sleeping children at knifepoint. Meanwhile, a more chilling mystery unfolds: women have been vanishing from the town for over a decade.

Wilder and his new friends are drawn into the mysteries and the truth begins to unravel as they explore the hidden corners of the bay.

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This is only the first section of the book. What follows is Wilder’s experience through college, eventually returning to Whistler Bay as an elderly man. On his return things begin to twist and we find that everything we’ve been told is not strictly fact.

Highlights.

Catriona Ward is known for writing strong characters and here she does not disappoint. The novel introduces us to Wilder, Nat, and Harper as teenagers whose complex dynamics and relatable angst draw us in. Wilder’s college roommate, Sky, adds another layer of depth, offering a poignant exploration of queer coming-of-age.
While Ward’s intricate plot keeps us guessing, it also presents a minor challenge: the sheer number of twists and turns can sometimes blur the lines between characters: making it difficult to keep track of names and relationships. The introduction of two characters named Sky and Skye, in particular, can be confusing. Despite this, Ward’s character development remains consistently strong. Looking Glass Sound is a compelling exploration of human connection and the complexities of memory.

Drawbacks.

The overwhelming drawback for this novel was the structure. The first half of the novel follows a straightforward, linear timeline, allowing us to connect with Wilder and his friends on a personal level. However, the narrative takes a significant detour in the second half, adopting a complex frame-within-a-frame structure, or perhaps more accurately a book within a book… within a book. This shift can be disorienting, as readers are constantly pulled back and forth between different time periods and perspectives, often only to discover that certain events were not entirely as they seemed.

While this unconventional approach adds a layer of intrigue, it can also make the plot feel fragmented and difficult to follow. Ward’s decision to interrupt the narrative with explanations and asides can sometimes disrupt the pacing and immersion. While this choice may be intentional, it can also leave readers feeling lost and confused.

The Final Take.

This is not my first Catriona Ward novel, nor it will be my last. Ward writes stories that are built to confound the reader and make them question everything they’ve read. Looking Glass Sound pushes this a little too far. In my opinion is the weakest of her novels that I have read so far. In saying that I did enjoy the atmospheric horror of the introductory chapters and the dark academic feel of the college section. Following that I found myself becoming a little fed up with deciphering the plot.

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2.5 out of 5 stars (2.5 / 5)

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Book Reviews

Smothermoss.

Smothermoss: A folk horror fairytale dragged through the mud.

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You can’t win against the mountain. The mountain always finds a way.”

Published in July 2024, Alisa Alering’s debut novel, Smothermoss, is a chilling blend of folk horror and dark fairytale. Though concise, this novel packs a powerful punch, its narrative dense with metaphor and a suffocating atmosphere. Not for the faint of heart, Smothermoss is a haunting exploration of the sinister lurking beneath the surface of the ordinary.

The Story.

Set in the rugged Appalachian Mountains of the 1980s, Smothermoss follows the lives of sisters, Sheila (17) and Angie (12). The two live with their mother and an elderly woman in a crumbling cottage in the forest. Both Sheila and Angie are the object of ridicule and bullying within their school community, the sisters cope with this bullying in starkly different ways. Sheila retreats into silence, avoiding conflict and longing for escape. Angie, meanwhile, immerses herself in a fantasy world, battling imaginary Russians and believing her handmade cards hold prophetic power.

When two women hikers are brutally murdered on the nearby Appalachian Trail, Sheila becomes more withdrawn and avoidant of the world, while Angie becomes convinced she’s destined to capture the killer. Little do they know; a far greater evil lurks in the forest.

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Highlights.

Alering’s masterful characterization of Sheila and Angie was the true gem of Smothermoss. Despite being told in the third person, the alternating chapters offer a bone deep immersion into each sister’s perspective. In recent fiction, author’s have not quite captured the authentic voice of a young character. However, Alering nails it. Angie’s pre-teen naivety shines through and never accidently matures past its 12-year-old existence. While Sheila’s late teenage anxieties and queer coming-of-age struggles are beautifully rendered.

Another highlight of this story is the lyrical prose. Smothermoss has a rhythm; it reads like poetry in places and in others could be mistaken for a children’s fable. Reading about the visceral and raw events and thoughts contained in Smothermoss, in such beautiful but simple language adds to the unsettling experience, and enjoyability, of reading this story

Drawbacks.

There were a couple of things that had me a little confused during this book. Several shorter chapters leave the sisters entirely behind and focus on rabbits and other forest animals. At first, I interpreted these to be metaphoric. The animals standing in for the killers point of view, or perhaps the murdered women. This book is so heavy with metaphor that this seems plausible, but I finished the book still questioning myself about this.

The other issue I found was that many of the subplots in this story are left unexplained or unfinished, turning to the last page with many questions that will never be answered. (Which has resulted in sleepless nights because I just want to know what exactly that rope is among other things!)

The Final Take.

At its core, this is the story of two sisters growing to understand each other and supporting each other through adversity.

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Beyond that, Smothermoss feels like a fairytale dragged through the mud.

The small size of this book (just over 250 pages) might lead people to think it is a quick or easy read. Don’t be fooled, as Shakespeare said, “though she be but little, she is fierce.” This is a complex story, with heavy themes and dark subtext.

I want, and hope, to read this story again because I know that there is much more to uncover here. The metaphors are dark and unnerving, the characters deep and moving, the natural imagery thick. I was not at all surprised to find out that Alering grew up in the Appalachian Mountains. Only someone familiar with the area could have described the people and place with so much heart.

4 out of 5 stars (4 / 5)

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Book Reviews

The Unmothers.

“There was a horse that gave birth. There was a baby. There was a tree. There was a price.”

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Leslie J. Anderson’s debut novel, The Unmothers, is a chilling folk horror that delves into the darkest corners of motherhood. Published in August 2024, this slow-burn tale introduces a world where women’s rights are under threat.

With a subtle touch of Eldritch horror, Anderson weaves a narrative that explores the complex themes of motherhood, choice, and the lengths a woman might go to maintain control over her own body and destiny.

The Story.

Journalist Carolyn Marshall is sent to cover the story of a horse giving birth in the rural American town of Reaford. The attraction of this occurrence for a newspaper? That the baby is a healthy human baby boy. Marshall quickly debunks this story but decides to stay in town and follow her journalistic instinct to a bigger scoop.
Beneath the town’s quaint facade, Marshall uncovers a web of dark secrets. A drug epidemic is ravaging the community, immigrant workers are dying under mysterious circumstances, and the town’s powerful patriarch, John Daily, seems to hold everyone in his debt. As Marshall delves deeper into these troubling issues, she becomes increasingly entangled in the lives of the locals.
Through her interactions with the townspeople, Marshall hears whispers of a sinister presence lurking in the nearby woods. The locals share chilling tales of what a young woman in Reaford might do to terminate an unwanted pregnancy. As the story unfolds, Marshall must confront the terrifying truth about the town’s hidden past and the dangers that lurk within its borders.

Highlights.

I was never a young girl that oohed and aahed at the sight of a horse. After reading The Unmothers though, yeah, I get it. Anderson’s vivid descriptions of these magnificent creatures brought them to life in a way I’d never experienced before. The way she portrays their gentle nature, combined with their raw power and potential for brutality, is both captivating and unsettling. It’s a testament to Anderson’s skill as a writer that she can make even the most mundane details of these animals feel extraordinary.

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Drawbacks.

The Unmothers is a complex novel that delves into the interconnected events of a rural town, both past and present. In the first half of the book, the sheer number of characters and viewpoints can make it difficult to keep track of the plot. However, there are a few pivotal revelations that occur near the midpoint. This helps certain characters become more prominent and memorable, making the story easier to follow.

The Final Take.

The Unmothers is a haunting and unforgettable read that will leave you both terrified and deeply moved. Anderson’s masterful storytelling draws you into a world where the line between the natural and the supernatural is blurred.
The novel’s focus on horses, a subject I’m not particularly knowledgeable about, was a pleasant surprise. I was fascinated to learn about the unique characteristics of foals, including the tentacle-like growths on their hooves which had me Googling for proof.
This book is a must-read for fans of horror, folk tales, and thought-provoking fiction. It’s a powerful exploration of motherhood, choice, and the dark forces that can lurk beneath the surface of even the most seemingly idyllic communities.

4 out of 5 stars (4 / 5)

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