True Crime Studies: Philip Carlo’s ‘The Night Stalker’ is graphic nightmare fuel
Someone once asked Richard Ramirez how to avoid being targeted by a serial killer. His answer: “You can’t. Once they are focused on you, have you where you are vulnerable, you’re all theirs (…) When you drop your guard — that’s when the serial killer moves.” He would know after all, he did kill an estimated 14 people and stalked an entire city for over a year, throwing the state of California into total chaos.
He was the embodiment of Wrath, as if his body had been emptied of blood and organs and replaced with boiling steam. His very existance had people convinced that the Devil was living among them, including Ramirez himself who claimed to not only be a Satanist, but a devoted servant of Lucifer with big dreams of spending eternity by his overlord’s side.
What I’m saying is, he was a delusional, twisted sexual deviant that scared the crap out of a lot of people. He also had an embarrassingly large number of groupies but we’ll get to that in a minute.
Richard Ramirez, also known as “The Night Stalker,” was a serial killer, robber, and rapist that terrorized the residents of Los Angeles and parts of San Francisco from June 1984 until August 1985.
There have been many books written on Ramirez but, The Night Stalker: The Life and Crimes of Richard Ramirez by Philip Carlo is one of the best true crime biographies I’ve ever had the pleasure of reading. It’s right up there with Dave Cullen’s Columbine for me. Carlo holds nothing back. He describes everything and I mean EVERYTHING. From the violently invasive descriptions of sexual assault to the silly arguments that went down in the courtroom, nothing is left unsaid. The crime scenes are particularly graphic in detail, not much is left for the imagination. You’ll be able to smell the blood, feel the fear, and see the dark sky standing over Ramirez as he approaches his next target. It’s like an awful car wreck, can’t look away no matter how disturbing it is.
The book is split up into five parts (The Hunters and the Hunted, Richie, Capture, The Trial, and Epilogue) with Part One taking place during the bulk of the crime spree leading up to the end of the investigation. The narrative is shared between Ramirez and the police detectives chasing him, Frank Salerno and Gil Carrillo, with each of their individual points of view evenly distributed throughout. An interesting detail about Part One is that Ramirez is never mentioned by name. He is referred to only as “the killer” until the police actually identify him. This withholding of identification is both a narrative technique and also a way to dehumanize him, portray him as more of a force than an actual man.
It makes the book very psychological. Inserting you within the investigation so that you feel like you’re working alongside Salerno and Carrillo as they track the killer’s movements.
The Ramirez family
A Horror Story All its Own
Once we’ve removed the mask, we learn how the monster was made, only it’s a tragedy. The beginnings of the Night Stalker and the entire Ramirez family is a great big tragedy.
“My brother never slept. He was always up and moving around at night.”Ruth Ramirez
Carlo goes all the way back to Richard’s grandparents, tracing the line of violent temperament through the Ramirez bloodline. His father, Julian, was regularly abused by his own father and grandfather, becoming permanently solemn and resentful by his teenage years. He would spend the rest of his life fighting this resentment.
He meets and marries a woman named Mercedes, and together they have a total of five children. All but one would be born with behavioral issues, learning disabilities, or physical defects. Their first four children, Ruben, Joseph, Robert, and Ruth were conceived and born while the family was living near a nuclear testing site in Los Alamos. An area where many children were born with birth defects and behavioral issues.
By the time Mercedes was pregnant with Richard, the family had moved to El Paso where she had taken a job at the Tony Lama boot factory. There she worked with toxic chemicals to improve pigmentation in shoe coloring, toxins that were later linked to severe birth defects. It is widely believed that Richard, who suffered from epilepsy, was harmfully affected by these chemicals while in the womb. His epilepsy would ultimately cause damage to his temporal lobe, the part of the brain largely responsible for handling emotion. Damage to the temporal lobe has been known to cause hypersexuality, sexual aggression, and just aggression in general. He would later be diagnosed with a schizoid personality disorder.
Richard’s fate, however, was only sealed once he started hanging out with his older cousin Miguel.
Miguel was a Vietnam veteran who was a twisted, savage human being. Having killed and raped many people overseas, he would often brag about his many conquests, actually showing Richard pictures of the women he sexually assaulted and then murdered. The pictures were often taken mid-act so they were basically torture porn snuff images. Their get-togethers were cut short when Miguel murdered his wife Jessie right in front of little Richard.
Many who’ve studied Ramirez put a lot of the blame onto Miguel who they believe twisted the young man’s already troubled mind. Psychiatrist Michael H. Stone described Ramirez as a ‘made’ psychopath rather than a ‘born’ psychopath and Miguel likely had something to do with that.
“That day I went back to the apartment, it was like some kind of mystical experience. It was all quiet and still in there. You could smell the dried blood. Particles of dust just seemed to hover in the air. I looked at the place where Jessie had fallen and died, and I got this kind of tingly feeling. It was the strangest thing. Then my father told me to look in her pocketbook for this jewelry my cousin wanted, and I dumped Jessie’s pocketbook on the bed and looked through her things. It gave me the weirdest feeling — I mean, I knew her, and these were her things and she was dead. Murdered. Gone. And I was touching her things. It made me feel…in contact with her.”Richard Ramirez, The Night Stalker
Trial for the ages
The next big chunk of the book is the trial but I hate reading about court cases so this part was a bit of a bore for me. Carlo still manages to make it interesting though. The whole thing was crazier than an ill-planned circus act. It covers everything from start to finish so that you come away with a full picture of what happened, that if anything, highlights how the judicial system is just as messy, boringly chaotic, and confusing as a busy call center. It’s not just the trial though. Part Four also deals with public perception and the Ramirez groupies that were crowding around the jailhouse on a daily basis.
*Charlie Kelly voice* Now let’s talk about the groupies. Can we talk about the groupies, please, I’ve been dying to talk about the groupies with you all day!
Groupies
I understand this is a type of disorder but…what the f*** ladies? There were so many women drooling over Ramirez after he was captured that I actually felt ashamed of my gender for a moment.
Hybristophilia is considered a type of sexual disorder that several people, mostly women, experience but in the case of Ramirez, it was a bit more extreme, not to mention embarrassing. Hybristophilia is usually brought on when a woman encounters a violent man and thinks she can “tame” him with her love. These individuals will often find excuses for their partner’s crimes while simultaneously think that they’re special. They enjoy the thought of knowing, or thinking, that their partner has harmed others but will never hurt them.
Carlo spends a lot of time with Ramirez’s female admirers and, even though these women are clearly troubled, they make such fools of themselves that you’ll just want to b***h slap them, in particular Doreen Lioy and Cindy Haden. They weep and shamelessly salivate over him, all the while admitting that his crimes make them feel uneasy. A lot of these women seemed to believe the misconception that psychopaths are ugly. The shock of Ramirez being attractive was what lured most of them in. None of them would’ve been tearing down Henry Lee Lucas’s door. It’s one of the most infuriating and fascinating sections of this book.
Final Verdict
The Night Stalker doesn’t play the pity card. Carlo isn’t interested in making you feel bad for Ramirez, he just wants to explain how this monster was created, which is what makes the book such a captivating read. It is dark, technical, psychological, and extremely thorough. Carlo evolved the true-crime novel that originated with Truman Capote’s In Cold Blood. It will make you check your windows and doors more than once during the night.
(4.5 / 5)
Book Reviews
The Unmothers.
“There was a horse that gave birth. There was a baby. There was a tree. There was a price.”
Leslie J. Anderson’s debut novel, The Unmothers, is a chilling folk horror that delves into the darkest corners of motherhood. Published in August 2024, this slow-burn tale introduces a world where women’s rights are under threat.
With a subtle touch of Eldritch horror, Anderson weaves a narrative that explores the complex themes of motherhood, choice, and the lengths a woman might go to maintain control over her own body and destiny.
The Story.
Journalist Carolyn Marshall is sent to cover the story of a horse giving birth in the rural American town of Reaford. The attraction of this occurrence for a newspaper? That the baby is a healthy human baby boy. Marshall quickly debunks this story but decides to stay in town and follow her journalistic instinct to a bigger scoop.
Beneath the town’s quaint facade, Marshall uncovers a web of dark secrets. A drug epidemic is ravaging the community, immigrant workers are dying under mysterious circumstances, and the town’s powerful patriarch, John Daily, seems to hold everyone in his debt. As Marshall delves deeper into these troubling issues, she becomes increasingly entangled in the lives of the locals.
Through her interactions with the townspeople, Marshall hears whispers of a sinister presence lurking in the nearby woods. The locals share chilling tales of what a young woman in Reaford might do to terminate an unwanted pregnancy. As the story unfolds, Marshall must confront the terrifying truth about the town’s hidden past and the dangers that lurk within its borders.
Highlights.
I was never a young girl that oohed and aahed at the sight of a horse. After reading The Unmothers though, yeah, I get it. Anderson’s vivid descriptions of these magnificent creatures brought them to life in a way I’d never experienced before. The way she portrays their gentle nature, combined with their raw power and potential for brutality, is both captivating and unsettling. It’s a testament to Anderson’s skill as a writer that she can make even the most mundane details of these animals feel extraordinary.
Drawbacks.
The Unmothers is a complex novel that delves into the interconnected events of a rural town, both past and present. In the first half of the book, the sheer number of characters and viewpoints can make it difficult to keep track of the plot. However, there are a few pivotal revelations that occur near the midpoint. This helps certain characters become more prominent and memorable, making the story easier to follow.
The Final Take.
The Unmothers is a haunting and unforgettable read that will leave you both terrified and deeply moved. Anderson’s masterful storytelling draws you into a world where the line between the natural and the supernatural is blurred.
The novel’s focus on horses, a subject I’m not particularly knowledgeable about, was a pleasant surprise. I was fascinated to learn about the unique characteristics of foals, including the tentacle-like growths on their hooves which had me Googling for proof.
This book is a must-read for fans of horror, folk tales, and thought-provoking fiction. It’s a powerful exploration of motherhood, choice, and the dark forces that can lurk beneath the surface of even the most seemingly idyllic communities.
(4 / 5)
If you’re looking for a page-turner to add to your October TBR search no more, Mason Coile has you covered with his new novel William, released September 2024. With its Frankenstein-esque plot, Coile delivers a 21st-century twist on the classic monster story, replacing the creature with an AI robot. Like Shelley’s original Frankenstein, William is a cautionary tale about the ethical and moral responsibilities that come with scientific discovery. Coile delves deeper, exploring not only the moral implications of a human-created life that is not actually human, but also the spiritual dimensions of the creation.
The Story.
Henry and his pregnant wife Lily are engineers, he works with robotics, she with computers. The house they live in is an old Victorian that has been retrofitted with the latest security features including impenetrable locking doors on every room (except on the outside of Henry’s laboratory of course), voice-controlled lights, hot water, and audio systems. Every morning Lily leaves the house to go to work leaving Henry to ascend to his third-floor attic lab. Henry has not left the house for months. He describes himself as, “an agoraphobe with a serious antisocial streak who’s working alone in his home on a project he won’t share with anyone.” When Lily invites her coworkers, Davies and Paige, over for brunch, Henry sees it as an opportunity to finally reveal his latest creation.
Henry has created several AI robots over the years. A dog that responds to voice commands and a creepy bicycle-riding magician that is reminiscent of the Saw franchise’s bicycle-riding Billy, but William is Henry’s pièce de resistance. A moving, talking robot that learns from experience and enjoys reading Faust.
The unveiling of William does not go to plan after the robot takes over the conversation and, in a scuffle, injures Lily’s arm. This is only the beginning of a series of events that unravel over the course of Halloween.
Highlights.
Anyone who enjoyed Frankenstein will have fun with this story. Coile has dealt with the subject of life creation and morality with a lot of thought. He asks what ‘being alive’ really means and forces the reader to question the reality of consciousness.
The atmosphere of the house is held taught throughout the novel. There were many times when I realized that I was unwittingly holding my breath. Henry’s agoraphobia and the anxiety it induces in him is intense. His internal monologue during times when the outside world seems to be intruding into his safe home is flawless and a cherry to the top of this unnerving narrative.
Like any good thriller horror, the twist at the end left my mouth gaping but of course, no spoilers here! Just know it’s all worth it!
Drawbacks.
There is little to complain about here. If pushed to find something I was occasionally confused by the layout of the house. Coile goes to great lengths to describe the left and right turns as each character moves about the house. I must admit there were a few times I felt a little lost and could have used a map.
The Final Take.
Read this.
Read this if you’re a horror fan, an AI fan or a science fiction fan.
William covers many genres and will please anyone who picks it up.
And when you’ve finished reading this book and have been surprised by the twist at the end. Go back and read the first line to have your mind blown again.
(5 / 5)
Book Reviews
Vermis II: Mist & Mirrors, a Book Review
Vermis II: Mist & Mirrors is a graphic novel by Plastiboo, acting as the “official guide for a game that doesn’t exist.”
Vermis II: Mist & Mirrors is a graphic novel by Plastiboo. The team behind the work includes Plastiboo as the artist, Hollow Press as the publisher, Michele Nitri as the editor, Christian Dolz Bayarri as the graphic designer, Marco Cirillo Pedri as the graphic supervisor, and E.R. as the English editor and proofreader. The Vermis collection seems sold out in its current editions, but I still recommend ordering from the original publisher, Hollow Press.
Who stares back from the dark glass? The Wayfarer travels–cursed and haunted by their past–through the distant lands and places within the Mist & Mirrors. Endure a corrupt world and struggle to fend off the curses that mark you. Venture forth, Wayfarer, and perhaps find peace and salvation.
What I Like about Vermis II: Mist & Mirrors
The premise remains an “official guide” to a game that does not exist. However, one key distinction that stands out is the corrosion of this “official guide” mark, suggesting Mist & Mirrors centers itself as a graphic novel. In this sense, it more accurately hits its vision while providing an engaging story.
Mist & Mirrors places its character selection at the end of the graphic novel, instead, choosing a character and allowing the reader to follow that journey. While this moves away from the “official guide” concept, it better fleshes out the world and creates a more independent product.
Where Vermis I held a heavy retro-game aesthetic, Vermis II takes this to the next level while adding a wider range of color than the original. Not only does this add more aesthetic variety, but it also vastly improves readability. My greatest critique of the first graphic novel was the general lack of readability that impacted the experience, but Mist & Mirrors seems to take this to heart. Beyond the variety and improvement, the design changes the color themes to match the distinct lands the “Wayfarer” embarks on, giving a direct purpose to the changes.
On starting the graphic novel, I half expected a spiritual successor set in a new world. While its setting certainly differs from the original, Mist & Mirrors expands on the lore and history. In fact, the exploration of Mist & Mirrors adds value to the original and encourages a re-read. Honestly, that’s what all sequels strive (or should strive) to succeed.
Despite the colorful innovation, Vermis II: Mist & Mirrors delivers that same bleak horror popularized by Dark Souls. It still wears its inspirations on its sleeves while better communicating its “game mechanics.”
Tired Tropes and Triggers
Again, there aren’t many points worth mentioning regarding tropes or triggers. As the graphic novel takes themes and trends from the Soulslike genre, it’s dark and bleak but not overwhelmingly so.
Payment and delivery (for American audiences) still come with a 15 to 45-day wait period with little room for verification or updates. The process through PayPal remains seamless, and I received the novel within the timeframe, but it’s a consideration.
What I Dislike about Vermis II: Mist & Mirrors
While there are notable points to mention in this section, Mist & Mirror vastly mitigates Vermis I’s core issues. However, that isn’t inherently the same as fixing them in some cases. For example, readability remains a slight issue. I will emphasize it as a slight issue with the vast improvements implemented.
For those fans of the specific niche that Vermis aims to deliver, Mist & Mirrors tones down the “official guide” aspect. Instead, it favors a more straightforward narrative that follows a specific character. This brings life to the “game world” and makes an independent product but limits Vermis I’s game guide concept.
On a more personal note, I did enjoy the concept of Vermis I’s classes over the classes of Mist & Mirrors. Naturally, there are some interesting concepts, but nothing haunts me like the Infant Seeker or Rat Man. However, the new choices seem to provide a stronger narrative and backstory.
Final Thoughts
Vermis II: Mist & Mirrors vastly improves in many aspects of the original, telling a story set in its bleak and fascinating world. While it does veer from the original concept, it does so to make a more independent product. If you are looking to lose yourself in a strange world or dive deeper into Vermis’ underexplored lore, Mist & Mirrors seems tailor-made for you. (5 / 5)
