“Seriously, you’re an arsehole,” Kate cuts in behind me, watching me with Subject 205.
“No, no!” I exclaim, half-disappointed that she didn’t congratulate me on my ingenuity, “You just don’t understand my parents. It’s just…they know something is up with me and they’re…not…understanding when it-”
“You are taking a janked-up dude over your parents house instead of telling them about us,” she cuts in. Even though that’s basically what I’ve done, it hurts to hear her say it like that. Like I’ve replaced her. Which is insane. I would never do that.
“No,” I try again, “It’s not like that. They just won’t accept it-”
“Right,” she says, flatly, “Let’s get back to work…Dr. Kostyshyn.”
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She is royally pissed, but she just doesn’t understand the dynamics of my family. She doesn’t understand that I’m actually saving her.
“Yes, Dr. Wright,” I quietly answer and realize that I’ve put a strain on our relationship.
We work in silence for the rest of the day.
***
Subject 205 is ready. I straighten his tie again and slick back his hair. He stands, quiet, not really reacting. He looks slick. Appealing. Even handsome.
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“How are you?” I ask, mostly to gauge his reactions.
“Very well, thank you,” he politely answers and forces a smile.
“Are you ready?”
“For dinner?” He asks.
“For dinner.” I conclude with my own tight smile.
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“We are dating,” he softly says, as if to himself.
“Yes,” I answer quickly, but feel the awkwardness settle on my heart. Kate hasn’t come back home yet. She left work without a word and I didn’t have the heart or gumption to call her. I’ll sort it out later.
“What do I like best about you?” He asks and it takes me by surprise.
“Oh, uh…I guess my eyes.” It’s an easy and vague enough answer.
“I like your eyes,” he says and stares at me for a few seconds too long and too intensely.
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I make sure to have the kill switch in my purse before we leave.
***
“Merry Christmas!” Mom exclaims, then sees 205 behind me, “Oh, how handsome, Ginny! What’s your name, sir?”
“Greg.”
“Oh, lovely, come in. Please! Come in out of the cold.”
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“I like her eyes most,” Subject 205 says abruptly and my stomach sinks.
“What was that?” Mom asks, looking over to me.
“He meant nothing by that. Did you, Greg?” I nervously grit my teeth around the words. Maybe this was too soon for him. He has only been reanimated for three days. I’ve only reconditioned him for two, and prepped him for one. Maybe it just wasn’t enough time.
I try not to panic around my frozen smile.
“No,” he blankly says, “I meant nothing. Sorry.”
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When she goes to put our coats away, I grunt at him, “What was that?”
“Sorry,” he pauses, “I don’t think I’ve done this before.”
“What? Dinner? Christmas?”
“Family…”
My mother comes back before I can say anything, but I can feel his words as my brothers join us and we all settle down for dinner. There’s laughter. There’s awkwardness from 205 that they mistake for anxiety with meeting them, or just a general “off-ness” that they usually associate with me. There’s ham. There’s wine. There’s my brothers and their pale, skinny wives.
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But it seems empty without Kate.
‘I’m new to this, too, 205,’ I think, wistfully. I’ve never had someone that I was this thoughtful towards. I never had someone that I had an inkling to even share my family with, or vice versa.
I feel a little sick when I wonder who I’m hiding from who. Maybe Kate was right. Maybe I just didn’t want her to get close. As much as we undertake the experiments we do, the blood we’ve spilled, the hearts we’ve literally ripped from chests, having her sit beside me at this mundane table, surrounded by the people I love and yet fear…it’s overwhelming.
I’m being ungrateful and childish. I’m being “chicken-shit”, as Kate would say. Just because I know what they’d say, how they’d react…
It’s two lives I need to keep cleanly separate, even if it hurts.
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“Her eyes,” I hear 205 say, “Her eyes. Just eyes. That are hers…Eyes. Brown, I think, no certainly. Her brown eyes…”
Oh Jesus Christ.
I snap out of my thoughts and see my family closely watching 205 as he’s starting to sweat profusely. One sweat drop rolls down his cheek into the gravy boat that he’s holding with an iron grip.
Fuck me.
“Hey, honey,” I sweetly prod, “How about we talk in the kitchen for a sec? Just a quick sec-”
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“I was kicked out,” he says, blinking as if suddenly aware I was there. Yeah, this was way too soon for him. I was an idiot.
“Uh, no, you’re not kicked out-”
“My father…said he hated me…”
“Uhhh.” That is my voice, my tone, but I have no idea what to say.
“Greg,” mother interjects, “What’s wrong? Your father kicked you out tonight?”
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He wipes his sweating forehead and…some skin peels off with it. Perfect strips of muscle shine, glossy and wet, from the torn flesh.
I am stuck, pinned in the moment, utterly not knowing what to do. Panic freezes every artery. I cannot move, or even breathe.
“Oh my God,” one of my brother’s wives says and takes out her phone to record. I snap out of my stupor when I see her phone.
“No, put that away-” I tell her, but I feel the cold, clammy hand of 205 on my wrist.
I spin around to see his skin flapping open, like a loose page in a book. This was a bad idea. Worst idea. Such such a bad idea.
Yeah, seriously, honestly: fuck my life right now. All of it. Just fuck it to kingdom come.
“What the hell is happening?” my father finally speaks up.
I look to all of their blanching faces, squished in confusion and disgust. Familiar faces, now twisted and gaping from this horrific scene, turns my stomach. I feel like I’m going to vomit.
“Uh….I…uhh…”
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“Is this a joke?” my mom snaps suddenly, cheeks blushing with anger, “Is this some kind of school project? To bring over a gay person? To parade around this weirdness? During our holiest of days?”
I’m just at a loss. I don’t even know how to respond.
“That’s really poor taste,” my older brother says, crinkles his nose.
“I…uh…no, that’s…”
With that, 205 abruptly passes out, sliding right into the bowl of mashed potatoes before crashing to the floor.
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Roger Whitaker’s Christmas album plays in the background, without pause or hesitation.
I am alone in this chaos.
***
“Yeah?” Kate sighs, answering my phone call on the third ring.
“You were right.”
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“Yeah, I know, but what about?”
“Um…so…205 didn’t really…work out.”
“That’s a shame,” she blandly replies.
“Um…yeah…so,” I take a breath because I’m on the verge of just losing it, “Um, yeah…and actually…you’re not welcome to my parent’s house…”
“Huh?” That actually gets her attention. “What do you mean?”
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“Well…I’m not so sure…that I am anymore, either…”
There’s a moment of silence, then, “Where are you?”
“At the lab…I’m trying to piece 205 back together,” I try to laugh, but a tear finally loosens and falls down my nose.
“I’ll be there in fifteen,” Kate resolutely answers.
“No, no,” I tell her, rushed and embarrassed, “It’s Christmas. You enjoy it.”
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“I’m coming over. I’d rather spend tonight with you and your janked-up beard boyfriend than doing anything else in the world,” she says, tongue-in-cheek, before softly adding, “I’m sure you had a wild night.”
“Oh,” I struggle out a laugh through my restrained tears, “You have no idea…”
I hang up, waiting to spend our first Christmas together. Listening to the gentle hum of the fluorescent lights, I wistfully smile and carefully begin washing the mashed potatoes out of 205’s hair.
When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason.
Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.
Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?
This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.
Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…
So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.
So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.
This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.
With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…
So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?
I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.
OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?
I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it. The other is trying to contact them beyond the veil…
Beyond the Veil Setting:
Two women reach out to one another individually in a séance setting.
One sits on one side of a dining table. The other sits at the other side. Each studies a candle just beyond her reach; there is darkness between the two candles. The long table is barely hinted at in the interstice between the two but it is clearly present.
The camera is stationary showing both in profile staring through each other.
The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen. All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.
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Both women are spliced into the same scene. They are together but apart. The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present). It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.
Script:
I. Black, audio only.
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
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It spun off the road where it caught fire.
There was smoke everywhere.
My sister didn’t make it.
II. Fade in to the long table with two lit candles; flames flickering.
Two women are just sitting at either end.
They stare blankly through each other.
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Call and Response
Edith: Now I’m trying to contact her…
Edna: …beyond the veil.
Simultaneous:
Edith: Edna, do you hear me?
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Edna: Edith, do you hear me?
Together (In Unison):
If you hear me, knock three times.
Narrator:
Knock.
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Knock.
Knock.
Call and Response:
Edith: I miss you terribly.
Edna: I miss you so much.
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Edith: Do you remember…
Edna: … the car crash?
Edith: We rolled…
Edna: … over the median.
Edith: There was fire.
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Edna: There was smoke.
Edith: I could hear the sirens.
Edna: They were coming…
Edith: … to rescue us.
Edna: But they were so far away.
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Edith: So far…
Edna: … away….
Simultaneous:
Edith: Are you okay?
Edna: Are you hurt?
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Together (In Unison):
Knock three times for yes. Knock once for no.
Narrator:
Knock
– pause –
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Knock
– pause –
Together (Syncopated):
What’s it like, on the other side?
– long pause –
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Simultaneous:
Edith: I miss you, Edna.
Edna: I miss you, Edith.
Together (Syncopated):
It’s so lonely here.
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Call and Response:
Edith: There’s no one here.
Edna: I’m all alone.
Edith: Without you…
Edna: …the spark of life…
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Edith: …is gone…
Edna: … so far away.
– pause –
Together (Entirely Out of Sync):
It’s so dark.
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III. Fade out to black
Narrator:
I was riding with my twin sister.
We were in a terrible car crash.
The car drove over the median and rolled.
It spun off the road where it caught fire.
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There was smoke everywhere.
I didn’t make it.
I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.
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Jennifer Weigel
December 18, 2020 at 9:13 am
Family itself is all-too-often the actual freak show… 🙁