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“Algea Reid” by Tyler R. Martin

“She’s cutting my fucking throat!” he shouted as I walked into the room.

The man was quite an interesting sight. Tall, skinny, brown hair, blue eyes, strong jaw, hadn’t shaved in days, and the perpetual jitterers of a man truly frightened to his core. The officer who escorted me in told me his name was Travis McCurry and that he was just another run of the mill wackjob adamantly admitting to a crime which probably hasn’t taken place, at least not by Travis. However he was an interesting wackjob, the officer told me, so apparently worthy of some psychoanalysis.

“Who fucked him up?” I asked the officer as I had watched Travis through mirrored glass.

The officer, a fat, squat, bald little man in his late thirties, just chuckled, “you’ll have to ask him, Doc, ‘cause we surely didn’t believe it.”

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“Wasn’t you guys?” I inquired.

“No man,” said the officer, “he came in like that.”

 “She’s cutting my fucking throat.”

“Who?”

“The woman I killed a year ago.”

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I sat down across from Travis McCurry. He wasn’t handcuffed but he was beaten to a bloody pulp. Two black eyes, nose still dripping blood, swelling on his cheekbones, split lips, top and bottom, his neck looked as if someone had already cut it, deeply, but it had already begun healing and was knitting together cleanly. Additionally, he had two large patches of dried blood on his shirt, one on each pectoral. He sat uncomfortably in a graywhite chair in a graywhite room with a graywhite table. A pale florescent light flickered on the ceiling and glimmered just slightly on the mirrored glass behind which the officers watched us.

“Killed?” I inquire.

He looked exapersated and utterly exhausted. “You’re the third cop I’ve told this too! Is this a joke to you?”

“I’m not a police officer, Travis,” I replied, paused, then quickly added, “is it ok to call you Travis?”

He took a deep breath and leaned back in the wooden chair, “its fine….but if you’re not a cop what are you?”

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I introduced myself as a clinical psychiatrist that the police employ from time to time to sus out various confusing situations and talk to people in certain predicaments where police are inadequate.

Travis stared at me for a moment, then stood up and, in dramatic fashion, took off his bloody shirt and threw it on the floor.

His nipples, still bleeding, had been cleanly sliced off leaving two dark-red oozing patches on his chest.

“Sus that out…they literally rotted off me, before my very eyes, decayed and turned to dust over just a few months….the doctors couldn’t explain it, and once it got this bad they tell me there’s no way a sharp instrument hadn’t done this….they thought I did it to myself! Tried to commit me! And look at my fucking throat, man! I’m days away, hours, minutes maybe! ”

I took a deep breath in an effort to retain my composure.

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“….do you wanna tell me what happened?…”

“Already told them…”

“Yes, but they don’t believe you…try me.”

 “Look, that’s what happens next, after the nipples, I swear, she’s gonna cut my throat!”

Hysterics were setting in. I instruct him to take a deep breath and he does.

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He was calming down, tired now, having exerted himself.

“Tell me what happened, Travis.”

He exhaled, sighing audibility to demonstrate his displeasure, gathered his thoughts and began.

“The night I buried her I started to feel it…gentle at first, just a light stinging on my ass cheeks, then, over the next few weeks it got more and more intense, a slapping, like someone was smacking my ass. Within a month or so the red ass graduated to these…inexplicable…bumps and bruises…”

He pointed to large, severe and obviously fresh scrapes and bruises all over his torso and face.

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“…these have been here for six months.” he looked me sternly in the eye, “and they fucking hurt, worse every day.”

“Then my nipples….a burning at first, like a paper cut, then it started to feel like someone was slicing them off…I went to the doctor, stitches, cauterizations, referral after referral…”

“No results?” I ask calmly, to break the silence.

“No,” he replied after a moment. “It just kept getting worse, my face has looked like this for months… months! It looks like I got my ass kicked yesterday but I haven’t gotten my ass kicked in years, not like this anyway…

“Then my neck started, a little sting at first, then the same feeling I had in my nipples: a slow deliberate slicing that gets worse every minute, every second of everyday, deeper and deeper into my throat…and you don’t believe a word of it…”

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I leaned across the table slowly and made eye contact.

“I believe that you believe it, Travis.”

“But?” he returned eye contact in a confrontational manner.

I choose my words carefully, “…but…I think it would be quite difficult for a dead woman to do this to you…”

He stayed silent, looking down at his lap, eyes welling with tears.

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“What do you want us to do, Travis? How can we protect you?”

He looked up, “I don’t know, I feel like this will stop if I confess and…I don’t know, am punished, if justice is served or something… maybe if I tell what I did to her it won’t happen to me…I don’t know! It’s a year now and I’m out of options…”

Long gone now was the man yelling at me just a few minutes ago. Now he had broken down, looking beaten and without hope. At that moment nothing remained of his spirit…I pitied him, pitied him more than I have pitied any man in a very long time.

I stood up and placed my hand comfortingly on Travis’ shoulder. “Tell me her name.”

“Algea….Algea Reid, I still have her school I.D, I tried to show them but…..why do you ask?”

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“Well,” I explained, “I’m going to ask the police to search her name up, and if your story about killing her checks out, and she’s missing or had been found dead then you’ll get to make your confession, I’ll talk to the police, you have my word.”

He said nothing but I noticed a very faint glimmer of hope in his bloodshot eyes.

I patted him on the shoulder once more and exited.

“Run that name please.”

“Already on it,” one officer replied.

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I poured myself a steaming cup of coffee, black with just a bit of sugar.

“What had he done to that girl?” I wondered aloud.

I had recognized no guilt in his eyes, only fear, only self-preservation. It was an intense fear, a bone rattling fear, the fear of a man facing the abyss of death…but a fear not based on guilt.

Only someone who feels guilty would self-mulatate in his position, he doesn’t qualify, screams a voice in my head

“Got her!” I heard an officer shout victoriously behind me, startling me.

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I sip my coffee and turn around to hear.

“I guess Mr. Crazy’s story sorta checks out,” he began to read from the printout, “Algea Reid…white, female 21, attending Huntington Nursing school, goes missing from her birthday party on January 28th…hell!….exactly one year ago today!”

“Happy birthday, Algea!” another officer rudley interjects. Everyone laughs.

“…goes to bar “the Nite Owl” with friends celebrating her 21st birthday, leaves with older man in mid thirties, described as tall, well dressed and handsome by her friends…who apparently recognised little else through their vodka goggles…”

There was a brief pause, then the officer looked up from the printout with a perplexed expression, “I don’t know, Sergeant Baxter, should I get a statement from him?”

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“A bit late for that,” I say cutting off Sergeant Baxter’s reply as I look through the mirrored glass.

The officers crowd around me to see the brutal site.

Travis McCurry’s throat had been cut, deeply, and he had bled to death, likely in a matter of minutes, on a cold concrete floor, bruised and battered, in a pool of his own blood…alone in the room…

This author has no provided a photo.

Hello! My name is Tyler R. Martin. I’m a 22 year old U.S Army veteran of the Iraq conflict and am now a full time writer/poet. I run a poetry blog called Bourbon, Cigarettes and Syllables at bourboncigarettesandsyllables.com. Please enjoy my submissions and thank you in advance for taking the time to read my work!

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Original Creations

Religious Icons Revisited for the Second Second Coming

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Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?

New religious icons - Jesus Christ visits Cthulhu and the Deep Ones
New religious icons – Jesus Christ visits Cthulhu and the Deep Ones

This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.

Bloody Mary goes to Transylvania
Bloody Mary goes to Transylvania

Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…

Repainted faux wood plate by Jennifer Weigel

So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Repaint Porcelain Figs Plus by Jennifer Weigel

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So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.

Pennywise It Clown repaint by Jennifer Weigel
Pennywise It Clown repaint by Jennifer Weigel

This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.

Lydia the Beetlejuice Bride repaint by Jennifer Weigel
Lydia the Beetlejuice Bride repaint by Jennifer Weigel

With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…

Zombie Apocalypse Prepper repaint by Jennifer Weigel
Zombie Apocalypse Prepper repaint by Jennifer Weigel

So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?

Abigail vampire ballerina repaint by Jennifer Weigel
Abigail, vampire ballerina repaint by Jennifer Weigel

I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.

Sexy Sadie by Jennifer Weigel
Sexy Sadie by Jennifer Weigel

OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Beyond the Veil: Video Script by Jennifer Weigel

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I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it.  The other is trying to contact them beyond the veil…

Spirit Witch altered doll sculpture by Jennifer Weigel
Spirit Witch altered doll sculpture by Jennifer Weigel

Beyond the Veil Setting:

Two women reach out to one another individually in a séance setting.

One sits on one side of a dining table.  The other sits at the other side.  Each studies a candle just beyond her reach; there is darkness between the two candles.  The long table is barely hinted at in the interstice between the two but it is clearly present.

The camera is stationary showing both in profile staring through each other.

The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen.  All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.

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Both women are spliced into the same scene.  They are together but apart.  The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present).  It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.

Script:

I. Black, audio only.

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

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It spun off the road where it caught fire.

There was smoke everywhere.

My sister didn’t make it.

II. Fade in to the long table with two lit candles; flames flickering.

Two women are just sitting at either end.

They stare blankly through each other.

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Call and Response

                        Edith: Now I’m trying to contact her…

                        Edna: …beyond the veil.

Simultaneous:

                        Edith: Edna, do you hear me?

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                        Edna: Edith, do you hear me?

Together (In Unison):

                        If you hear me, knock three times.

Narrator:

Knock.

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Knock.

Knock.

Call and Response:

                        Edith: I miss you terribly.

                        Edna: I miss you so much.

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                        Edith: Do you remember…

                        Edna: … the car crash?

                        Edith: We rolled…

                        Edna: … over the median.

                        Edith: There was fire.

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                        Edna: There was smoke.

                        Edith: I could hear the sirens.

                        Edna: They were coming…

                        Edith: … to rescue us.

                        Edna: But they were so far away.

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                        Edith: So far…

                        Edna: … away….

Simultaneous:

                        Edith: Are you okay?

                        Edna: Are you hurt?

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Together (In Unison):

                        Knock three times for yes.  Knock once for no.

Narrator:

Knock

– pause –

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Knock

  – pause –

 Together (Syncopated):

                        What’s it like, on the other side?

– long pause –

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   Simultaneous:

                        Edith: I miss you, Edna.

                        Edna: I miss you, Edith.

  Together (Syncopated):

                        It’s so lonely here.

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 Call and Response:

                        Edith: There’s no one here.

                        Edna: I’m all alone.

                        Edith: Without you…

                        Edna: …the spark of life…

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                        Edith: …is gone…

                        Edna: … so far away.

                        – pause –

Together (Entirely Out of Sync):

                        It’s so dark.

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III. Fade out to black

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

It spun off the road where it caught fire.

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There was smoke everywhere.

I didn’t make it.

Close up of sculpture
Close Up of sculpture

I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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