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Fever of the Wendigo by J. Motoki

Adam scratches his sternum where the thick branch pins him to the driver’s seat.

I am a tree now.

The windshield is cobweb-cracked in an abstract of greens and browns, the pine tree blown up in ugly proportions. The protruding branch, which seems to hold him at arms-length from the tree, had saved them all from plunging to the bottom of the ravine. It doesn’t hurt too much, although it itches around the edges—it’s the smell in the car that’s concerning. A violent smell. It rises above the stench of sap and burning metal, blood and shit.

Amazing how the windshield had stayed intact, with just the hole where the branch juts through and the ripples of glass around it. The car’s airbag, for whatever reason, had failed to detonate.

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Adam opens his mouth to speak, but his bloated tongue sinks into his mouth. His mouth is completely devoid of spit. He tries again.

“Miguel’s been gone a long time.”

His girlfriend stirs, a tangle of hair masking her face. Once she complained of ragdoll limbs, the pinpricks of glass shards; now her head rests in the remnants of window. When she speaks, her voice is so flat and dead that it causes his heartrate to increase—a budding panic that he forces down like an acidic belch.  

“He’ll be lucky if he sees anyone,” Josie says. “We passed two cars the whole way here.”

Her voice stirs a memory. There’s something nagging him, something he’s forgotten. He tries to retrieve whatever it was, embedded in the tar-pit depths of his mind.

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“There’s glass in your hair.” Adam reaches over slowly and brushes hair from her face. He touches something sticky. “I can’t get your other side.”

Josie’s cracked lips curve back, a side grimace, exposing teeth full of blood. Her head remains against the doorframe at a 90-degree angle, but one eye rolls wildly to survey him.

“Hey Joe,” Adam says. “Pass me a water? It’s hot in here.” When he doesn’t hear anything, he cranes his neck to the side as far as it can go. It isn’t far.

“Josie, what’s he doing?”

Joe, the inconvenient twin of his girlfriend, who for the first leg of the road trip lectured about staying vigilant in nature, had spent the hour through the mountains asleep. He had acted strange since the last rest-stop with the filthy toilets, at the base of the mountains, when he surprised them all with an uncomplaining silence. Adam was relieved to have a break from Joe’s juvenile wisdoms, the wisdoms of a churlish and oily twenty-something who never left his room. Somewhere in the narrows, Joe collapsed into sleep and Josie told them to shut up after they joked about nature vigilance (there was something he was forgetting, something important) and Miguel complained that he took up all the backseat, sprawled like starfish over him.

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Josie, with excruciating slowness, lifts her head a millimeter from the window.

“Where’s Miguel? We’ve been here forever.”

“There’s a lot of hill between us and the road.”

“I knew I should’ve gone,” Josie says. Her head flops back to the side with a sickening sound, the mechanical rasp of bones. It sounded accusatory. “He’s always been like this—unreliable.”

“Joe, buddy, how’re you doing back there?” Adam twitches, pinioned to his seat by branch and seatbelt. Beads of sweat bleed from his forehead.

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A breeze agitates the pine trees; an animal screams in the distance.

            Josie blows her lips, a horse snort that lifts her hair, a bored sound. Earlier, she had argued with Miguel about who would go get help. Cars stop for breasts, she said. That’s sexist, protested Adam and she shoved him. Miguel countered that he could get to the road quicker. But when Miguel started up the hill—they watched him through the rearview mirrors—he staggered. There was something wrong with his back. It looked off, disjointed, spine bending into an S.

They heard his grunts long after he disappeared from the mirrors.

            How long was that now?

A shadow rises from the base of the mountain and swallows the umber of light. The trees made cathedral shadows in the growing gloom. Didn’t Joe talk wilderness awareness (that’s not it, that’s not it, there’s something else), how the trees were full of eyes and rustling things, and how you were never alone?

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Joe had never been camping before. Adam didn’t even want to bring him, but Josie insisted. Her brother holed up in his room all day, only coming out for food and shits. She told them it would be a good bonding experience.

            “Joe!” He can feel him moving around back there, feel the tremors through the seat.

            “Let him sleep,” Josie says. 

………..

When he opens his eyes again, the trees around them are gone. A spew of fog obscures everything, and the gray mist and ensuing darkness makes him feel as if they were being erased. The smell from before hits him all at once, a furious assault that has the gorge rising in his throat.

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“We need to get out of here,” Adam says, suddenly desperate. He claws at the tangle of seatbelt, at the branch inside him.

Josie’s head slumps off the door, and she startles awake. She rocks in jerky movements from side to side until she straightens again. Adam thinks of the time he killed a snake with a shovel and it spasmed in the dirt, flashing its white belly then dark brown scales in an endless death tumble.

            “Stay awake,” Adam tells her and nudges her arm. Josie moans.

            “You need to stay awake,” he says, suddenly furious. He shakes her harder. That smell is overwhelming, filling his head and turning his stomach. He feels, for the first time, a distant agony in his legs.

            “What the fuck is that? Josie do you smell it?” It was rancid, whatever it was. Josie says nothing. In the backseat, Joe says nothing. Adam (the tree!) is alone, in the growing dark, with stink settling in his flesh and fire growing up his legs.

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            “Josie!”  His voice is unrecognizable, piercing and too loud. His nails dig into the slack skin of her arm and her arm is cold, too cold. Stiff. He tears into her skin and the flesh came apart, but refused to bleed. Josie cries out.

             “Adam, what the fuck—”

            “I hear something. I think Miguel’s coming.”

            “Thank God!” In her excitement, Josie’s head raises several inches. They listen to the sounds of approaching nightfall, the strange calls and insect hums. A single distorted scream in the distance—loons maybe. They listen a long time.

            Josie makes a sobbing sound deep in her throat, guttural and full of glass. 

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            “You liar.”

            “I swear I heard something.”

            Josie’s head falls to the side with a meaty thunk. She doesn’t speak again.

………..

A scream breaks the night, and it’s directionless, it comes from everywhere. It curls the hairs on his arm and he fights against his branch. Everything urges him to get out of there, to run into the night.  

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 “Joe,” Adam pleads. “Wake up now.”

It’s too dark and the wood sounds that were unsettling earlier are horrifying and unwelcome now, in this new blindness. His limbs burn. And there’s pressure in his chest—he realizes dimly that the branch skewering him is moving up and down. He can feel it inside him below the sternum, widening the hole, reopening skin. Violating him.

Another scream, deafening and hideous, and now he knows it’s in the car.

            “Stop it,” he whispers. “Stop—”

Movement in the dark, loud breathing in his ear. And it reeks of death—how did he not notice it before?—rancid nubs of garbage pork, sweating corpses forgotten in humid autopsy rooms. Adam thrashes his head from side to side.

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The branch jumps up and down.

“Joe?” It ceases to be a name, a recognizable sound, now it’s just a maniacal spurt of syllables crowding in his throat. “JoeJoeJoeJoe—”

Adam pictures Joe’s limp marionette body affixed to the other side of his branch and here they are, end to end, a human shish-kabob, his face blank and vapid the way it looked when he came back from the bathroom and they yelled at him for taking so long; the way it looked when he collapsed into sleep.

            But he woke up eventually, yes he did, he woke up and grabbed the wheel from him—

Screech of tires burning out. Screams. An eternity of a drop, through brush and close calls with trees, until—

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Adam laughs, high-pitched and hysterical and climbing. An answering hyena shriek sounds behind him.

             The smells turn from rot to roast, from maggot-cheese to charred haunch and campfire smoke. It taunts the desiccation of his mouth; a wash of saliva flows down his chin. The branch in his chest bounces again, giddy giggles rising in the small space, and hunger explodes in his stomach, turns his clenched fists to claws, turns his howl inward until it breaks, until it shatters him. Distantly, he hears something howl along with him and he grins, lips wet and spittle dripping onto the branch. He’s no longer alone.

            “Joe. There you are,” Adam rasps over his shoulder. “Where’ve you been all this time?”

            He gropes blindly, tugs Josie’s arm toward him, raises her hand to his lips like a gentleman in those historical dramas she loves so much.

Her skin smells like tenderloin.  

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Behind him, Joe laughs and laughs.

J. Motoki is the Short Story Editor of Coffin Bell Journal and the Strange Editor of Rune Bear. Her works have been published or are forthcoming in Blood Song Books,The Other Stories Podcast (Hawk & Cleaver), Black Hare Press, Coffin Bell Journal, and others. You can read more of her at www.jumotki.com.

J. Motoki, Author

Original Series

Finger Spiders Too Late

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They’re back… So, continuing where we left off, we’re still knuckle deep in finger spiders here at Haunted MTL! Because I made A LOT of unfulfilled requests for a spider out of fingers, I will continue this snarky little AI art series with NightCafe and Canva through the month of September…

finger spiders

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: finger spider; spider out of nothing but fingers; spider made out of only fingers; fingers as spider.

Text reads: Creepy Crawlies Finger Spiders Too Late! Well now that they’re in the house and you’re hunting them down, don’t let them crawl on you. Not only are they seriously creepy, but the AI art generation can warp time and space around itself and allow them to evolve to your biology.

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: spider out of only fingers; fingers into spider; finger spider; fingers as spider legs only.

Text reads: Creepy Crawlies Finger Spiders No You Didn’t! I can’t believe you let the AI art generated finger spiders crawl on you! What were you thinking?! Just try to wash it off as best you can… Like seriously, I can’t help you any more, you’re on your own.

All of the AI art images used in this series were generated on Thursday, June 13, 2024. If you want to see more freaky spiderness in art here on Haunted MTL, check out Bitten and Soul Catcher. More AI art graphic narratives from Jennifer Weigel have explored Little Red Riding Hood and Into the Deep Woods. Oh, and the Tiny Brain Computers exploration. To see more such devolutions into AI generated art, check out the Will the Real Jennifer Weigel Please Stand Up? blog.

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Finger Spiders Are Coming

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So I tried to convince the AI to give me a spider made out of fingers, because there’s no way it could possibly mess that up right? Wink. After multiple unfulfilled requests for finger spiders, I bring you this snarky little AI art series with NightCafe and Canva for the month of September…

finger spiders

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: fingers as spider; spider made of fingers; a spider out of nothing but fingers; finger spider hand.

Text reads: Creepy Crawlies Finger Spiders Coming Soon! It’s just a matter of time before these horrifying AI art generated creations come crawling into your home to feast on your blood. For they are hungry and they are evolving…

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: fingers as spider; spider hand shadow puppetry; fingers in shape of spider; spider that is a hand.

Text reads: Creepy Crawlies Finger Spiders They’re Here! Too late, you let them into the house. You’d better be sure to find and squish them all before they breed and come after you. They are still hungry, and they are still evolving…

All of the AI art images used in this series were generated on Thursday, June 13, 2024. If you want to see more freaky spiderness in art here on Haunted MTL, check out Bitten and Soul Catcher. More AI art graphic narratives from Jennifer Weigel have explored Little Red Riding Hood and Into the Deep Woods. Oh, and the Tiny Brain Computers exploration. To see more such devolutions into AI generated art, check out the Will the Real Jennifer Weigel Please Stand Up? blog.

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Original Series

Nightmarish Nature: Orca Antics

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So most people don’t see orca whales as inherently horrific, but then again we don’t tend to see ourselves as humans that way either. That said, we are both apex predators, and the orca have earned the name killer whale for totally valid reasons. They’re kind of like giant sea wolves in their social structuring, and wolves are long thought to be terrifying.

And these aptly named killers have gotten a lot of press lately for sinking yachts and sailing vessels at the edge of the Mediterranean Sea. So we decided to explore these giant dolphin kin on this segment of Nightmarish Nature, because we focus a lot on the creepy crawlies but honestly a lot of bugs are just minding their own business (and minding it well, mind you).

Orca drawing by Jennifer Weigel with text bubble "I do what I want!" and caption We're on top of the world...
We’re on top of the world…

On the Hunt

Killer whales have been known to terrorize other denizens of the deep and will often take advantage of spawning and reproductive grounds of other aquatic life, hunting down baby humpback whales migrating from their Caribbean birthing waters or attacking sea lion or seal pups en masse as they take to the sea for the first time (or the fifth or sixth or even as adults).

Some orca are even known to rush the shore and beach themselves to then shimmy back into the water, ideally with something to eat in tow. Or use their ability to make waves to wash their desired prey off of ice floes where they can nab it in the water. And they aren’t picky, when you’re that high up the food chain a grab ‘n go meal of any kind is all good: seals, polar bears, penguins, birds… because those big bodies need a lot of fuel… And killer whales will also toss living prey into the air in socialization, play, training, and just general sport whether they intend to eat the unfortunate creature(s) or not.

Orca drawing by Jennifer Weigel with speech bubble "Incoming" and caption Food on the fly
Food on the fly

Culture Clashes

Each orca pod’s culture and habits differ, as some focus their attentions on nabbing fish and others on marine mammals. These two groups can often coexist in the same area, living very different lifestyles. Some will attack dolphin or porpoise pods (among their closest relatives), and others will clash with pilot whales competing for resources such as mackerel. Pods develop strong bonds and learning is passed down from mother whales; it is widely believed a female orca began the practice of attacking boats, possibly after being struck by one but possibly out of play or curiosity, and has taught it to others now doing so.

Attacking People

So why don’t orca attack and eat humans? Probably because of the missed opportunity, honestly. Killer whales learn about hunting from their mothers, and they simply haven’t been taught to prey on humans as such. In fairness, sharks don’t eat us either. Sure sharks might bite us occasionally, but the fact remains that they spit us out – likely because we aren’t the protein- and fat-rich injured seals they had hoped to be attacking. (We’re kind of scrawny and tough by comparison, probably not worth picking out of the teeth…)

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Will orcas learn to attack and eat humans? Perhaps, if they keep attacking boats they may develop a taste for it. If they do, then that will likely seal their fate, because in the clash between apex predators, our engaging in a huge array of tool use is likely to force the issue. And, throughout our own history, we haven’t been known to tolerate animals that we come into conflict with very well at all. Just ask the Asiatic Lion.

Orca drawing by Jennifer Weigel with speech bubble "I'm hangry Feed me!" and caption Well, what are you waiting for?
Well, what are you waiting for?

If you’ve enjoyed this segment of Nightmarish Nature, feel free to check out some previous here:

Vampires Among Us

Perilous Parenting

Freaky Fungus

Worrisome Wasps

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Cannibalism

Terrifying Tardigrades

Reindeer Give Pause

Komodo Dragons

Zombie Snails

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Horrifying Humans

Giants Among Spiders

Flesh in Flowers

Assassin Fashion

Baby Bomb

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