On her second visit, Pauline cleaned and organized old sets of dishes along their display, dusting everything as she rearranged it. She faced a large plate or platter from each set towards the shop and stacked other pieces of the set in front of it to hold it in place. As she worked, Pauline became aware of a low sobbing. It was almost lost to the harsh wailing operatic trills piped into the small shop, but it was clearly audible. Pauline turned quickly towards the source of the sound, straining to hear. A hushed woman’s cries seemed to echo from the basement, down the dark rackety stairwell.
Dear God, that creepy man Chester has someone trapped down there, Pauline thought. She stepped towards the stairwell briefly and then stopped in her tracks. What if he was there? He had explicitly said never to go downstairs and, if he had one poor hapless girl trapped there, he probably wouldn’t think twice before adding another…
Pauline glanced around the shop. Betty Lou was sitting up front, motionless. She had apparently fallen asleep in her chair, waiting for the brass bell tied to the door to ring and alert her to any would-be shoppers. Chester was nowhere to be found. The downstairs lurked, dark and unobserved. Slowly, Pauline crept down the stairwell, slinking along the wall. It ended in a tight hallway. An open door straight ahead gestured into a small closet boasting a mop bucket, broom, and other cleaning supplies. A closed wooden door to the left led under the main body of the shop. The hushed wailing was louder now, emanating from behind the closed door.
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Pauline felt the doorknob. It was cold and clammy, worn with age and use. It turned easily, apparently left unlocked. Pauline glided slowly into the room. It was dark, save for a small work lamp clamped to the corner of a reappropriated office desk that had been left on, but her eyes adjusted quickly. The room was a library of mannequin parts. Everything was categorized and shelved on hardware store metal racks accordingly. The lower level cradled an array of legs, some attached in pairs at the hip, others singly spilling over one another, loosely arranged in a pile. A higher shelf held a tangle of arms. An array of torsos sat motionless in the corner.
As she slid past the metal shelves, Pauline noticed a plastic bin with drawers of glass eyes, all sorted into pairs by color. Chipped china bowls held various nuts and bolts, a small jelly jar of nails and other metal tacks among them. Some cleaning and painting supplies took up one end of a shelf, their cracking paper labels faded and peeling beyond readability, along with several very used and notably rust-stained rags that reeked of strong chemicals and lingering funk. The sobbing grew louder as Pauline approached the desk, an out-of-date office monstrosity of rusted metal painted to look like wood with a poorly maintained melanine work surface streaked with gouges, stains, and glued-on detritus.
A lone mannequin torso was perched on the desk, that of a strikingly beautiful young woman. She seemed almost too real, eerily even more so than the elegant mannequin that had drawn Pauline to work in this creepy backwash in the first place. Her Fiberglass frame had a quality about it that seemed almost genuinely fleshy or waxy, like it was still pliable and malleable. A blonde cascade of curls draped itself over her shoulders and spilled onto the desk, coiling into a chipped china saucer filled with small wig pins. Her pale blue eyes appeared wet, staring pleadingly at Pauline. Everything about her looked alive but frozen in time and space, caught in a static hollow shell. She smelled of Fiberglass and harsh chemical cleaners, but also faintly of lilacs and lavender oil and of something else more offputting that Pauline couldn’t place, something decaying.
As she studied the mannequin intently, she realized the soft sobbing seemed to emanate from her. As Pauline stood staring, a single tear welled in the mannequin’s right eye, pooling into a full droplet before streaking down her cheek towards her pouty full lips. The lone drip was quickly reabsorbed into the Fiberglass form tracing only a shiny streak through the paint on her face until that too dried and she was again wholly static. The low weeping continued, and a second droplet began to form, again in her right eye. It pooled before streaking down her cheek like its predecessor. Pauline’s stomach tightened into a ball and locked in her gut. Something was decidedly amiss.
Pauline was shaken from the scene as she heard the bell on the door ring and muffled footsteps trail above her head. She dashed out of the room as fast as she could quietly muster, closing the door behind her on her way out. She slid up the stairs and slunk back to the dishes, returning those she had been cleaning to their shelf as if she had been there the whole time.
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Betty Lou was engaged in talking to a couple of drag queens who came to pore through the boxes of old wigs, looking for gems that had henceforth gone undiscovered. As they rifled through a box, Betty Lou pointed out other crates hidden under clothing racks and on lower shelves. One of the visitors was trying on a pair of vintage crystal heels and trying to convince the other that they would work for the show if they just extended the straps a bit.
Pauline finished arranging the shelf of dishes wordlessly, focusing on the task at hand. She was still shaken by her experience downstairs, and could not get the image of the single tear winding its way down the mannequin’s cheek out of her head. She wrapped up what she was doing and flashed a goodbye at Betty Lou as she streaked past and out the door. Betty Lou was still fumbling through a box of wigs, pulling out one after another to run her thick fingers through them and hold them aloft for her visitors to consider. A pile of rejects sat to her side while those that passed inspection were lined up on the counter.
“Bye, hon,” Betty Lou cooed from behind the register. “See you next week.”
After what she had experienced downstairs, for all that she had no idea what exactly she’d seen, Pauline wasn’t entirely sure she’d be back…
Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at:
https://www.jenniferweigelart.com/
https://www.jenniferweigelprojects.com/
https://jenniferweigelwords.wordpress.com/
This time on Nightmarish Nature, in honor of Thanksgiving, we’re exploring scads of scat! And not just because of the aftermath of all that eating we’re going to be doing, given that everything that goes in must come out eventually. But because turkeys are weird.
But, how weird?
Apparently, the shape and size of a turkey’s poop can tell you the sex and age of the bird. Male and female birds poop different shaped turds, and bigger ones with age. Your poop can’t do that, we’re pretty sure. And no, we don’t want to check, even if it does come in a whole host of rainbow colors with all the dyes in our food nowadays. Keep your weird quirks to yourself.
Fecal Fetishes
Vultures have very acidic scat that helps to keep their feet and food clean of bacteria from hopping in and around dead things. Somehow, this doesn’t seem like a step up to us, but I guess if you’re a carrion crawler you take what you can get. At least you’d know where it’s been I suppose, and that’s more than you can say for some of your long dead food sources…
Rabbits must process their food twice in order to break down the grassy matter they digest (like cows chewing cud). And so they eat their own partially digested matter, the cecotropes they produce after the first digestion. This isn’t true poop per se, that fecal matter comes after second digestion, but it does work its way through the same way.
And that brings us to koalas. They are one of only a few mammals that can eat eucalyptus leaves (and are closely related to wombats, one of the other two). Koala offspring eat their mother’s pap, which is a specialized form of poop that allows the baby to transition from nursing milk to eating solid leaves. It is green, smeary, mushy, and can get everywhere. Just like you’d expect.
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We aren’t exempt.
For all that we have learned to be poop averse, a lot of animals eat others’ scat and glean a lot of nutritional value from their detritus. It’s not just your dog raiding the cat litter box and then licking you in the face. And we humans have even fought wars over rights to seabird guano, which was used as a form of fertilizer in the late 1800s.
Anyway, that’s the scoop on poop for now. Maybe we’ll revisit this load later on, seeing as how there’s still plenty of content here.
If you’ve enjoyed this segment of Nightmarish Nature, feel free to check out some previous here:
Yeah yeah, the insects tend to get ALL the attention here on Nightmarish Nature. But honestly, this one takes the beefcake. It’s the New World Screwworm Fly, and it’s as terrifying as the name suggests. And they aren’t limited to the Americas, there is an Old World version as well, as they can be found pretty much anywhere tropical or seasonably suited.
Revolting Little Buggers
The Screwworm Fly is a parasitic fly larvae that burrows into its host to feed, named because it seems to screw deeper and deeper into the flesh over time. This process is called myiasis and do NOT look it up online, you WILL regret it. They blur those images out for very valid reasons, trust me (and not because of pornographic content). And these maggots will continue to burrow en masse, rather than staying put as a botfly larvae would.
Do Not Do an Image Search on Screwworm Myiasis, Like Seriously – You Will NEVER Unsee That
The female Screwworm fly lays her eggs on an open wound or orifice of her chosen host… And not just one egg or a couple of eggs, no – hundreds, even thousands of them. Let’s let that sink in a bit, shall we? Or screw in as it were. Although any warm-blooded animal is a prime target, cattle are a fly favorite, costing millions of head of cattle to this sick and disgusting horror annually. And if beef isn’t on the menu, Fido or even yourself might be.
The Great American Worm Wall
In fact, this particular feature here on Nightmarish Nature is so terrifying that the United States has made agreements with all of Central America, even including countries that do not generally share its interests, in order to create a “Great American Worm Wall” to prevent them from spreading back into the United States. I’m not going to go into all of the creepy and juicy details of this bizarre science fiction freak fact, you’ll just have to watch it here on Half As Interesting’s YouTube channel.
Essentially, the Worm Wall is a complicated byproduct of scientists studying radioactivity on the flies’ maturity as well as the flies’ sexual lives and using this information against them to nearly eradicate the species and banish it from much of its former range. So, Peter Parker, if you thought everyone was messing with your love life before, be glad you weren’t bitten by a radioactive Screwworm.
If you’ve enjoyed this segment of Nightmarish Nature, feel free to check out some previous here:
You’ve almost made it to the end of the finger spiders here at Haunted MTL! Because I made A LOT of unfulfilled requests for a spider out of fingers, I will continue this snarky little AI art series with NightCafe and Canva through the month of September… In case you missed out, here are the other parts of this series:
Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: hand that is a spider; spider legs as fingers; fingers becoming spider; spider all fingers.
Text reads: Creepy Crawlies Finger Spiders Keep Trying! Yeah, I’m sure you don’t remember being bitten. Because of the ways they warp time and space, and the natural chemical reactions involved, the AI art generated finger spiders’ bite isn’t typically felt. They are still attached to you, feeding… You have to get them off… Keep trying!
Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: spider leg fingers; spider made out of hand fingers; hand spider picking banjo; fingers as spider playing banjo.
Text reads: Creepy Crawlies Finger Spiders That’s All Folks! Well, I guess that’s that then. It’s been nice knowing you. Enjoy your new form. Nothing left for it but to play the banjo…
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