The weekend skidded by, lost to prepping for the big art history exam on the Bauhaus that Tuesday. Pauline huffed an audible sigh of relief following the test; she had identified the slides easily and felt confident in her essay writing. Apparently, all of the studying had paid off, and now she could relax. She had completely forgotten about the basement workroom until she pulled up to the store and a switch flicked on in her mind.
Chester was outside, moving some of the mannequins around to showcase the new front window display in the making. He hefted the children away from the bench and strapped them to the pole with the flag waving Elvis wannabe and his doe-eyed girlfriend. Pauline looked at the window and was taken aback; the lovely blonde mannequin was poised front and center, sporting a flowy teal formal gown with sequin accents from the late 1940s. Her blonde hair cascaded over her shoulders.
Chester’s eyes met Pauline’s gaze and he waved an abrupt hello.
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“She’s a beaut, isn’t she?” he called out. “Just finished working on her this weekend.”
Pauline waved back with a slight roll of her fingertips nodding, unable to speak. She opened the door to be greeted heartily by Betty Lou, who was nestled in her corner watching the television for a change of pace, tuned in to an unfamiliar old game show in which a man dressed in a chicken suit was deciding something between a door and a box.
“You’re almost there, hon,” Betty Lou exclaimed from her ledger, taking note of how many hours she’d worked. “You’ll have that mannequin worked off in no time. I even put a SOLD sign on her for you. One or two more days and she’ll be yours… Now can you rearrange that front window? Chester’s finished his newest creation, and I want to make sure she gets all the attention she deserves.” She gestured towards the new blonde mannequin with her meaty hand. “Just clear out all of that junk around her feet and finish setting up that dollhouse display.”
Pauline drifted to the front window. The mannequin appeared much more static than she had when Pauline had confronted her downstairs, her skin less waxy and her eyes distant and dry. She stood sentry, staring out into the parking lot. Betty Lou’s voice drifted over, “She’s a pretty one. Looks just like that girl Dinah, who worked here before you came along…”
Apparently Chester had just piled everything to the side as he readied his new mannequin for her debut, and he and Betty Lou had been waiting for Pauline to clear the things out. Pauline picked up a couple of boxes of shoes from the heap next to the mannequin’s feet and hauled them to the shoe rack a couple of clothing displays over. There was a dollhouse and a box of doll furnishings and accessories at the ready, and once Pauline found new homes for all four boxes of shoes and wigs, she set to work on putting the dollhouse together. She could barely make out a trailing tiny and distant sound, like far away moaning, but it was largely drowned out by the television in Betty Lou’s corner. In fact, it was only barely audible within arm’s distance of the new mannequin, and only if Pauline strained to hear it at quiet points in the show. It was the same soft crying she had heard in the basement, but much more distant and muted.
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The dollhouse was vintage and was in relatively good shape but had remained unfinished. There were some rooms that were more complete than others, wallpapered and floored in ways that were aesthetically pleasing, and Pauline could identify where the kitchen, bathroom, dining room, and two bedrooms were likely supposed to be, arranging furnishings from the box accordingly. She set up a sort of parlor in another room, and a den in another, before she left for the day. Every so often as she worked, Pauline would glance up at the new blonde mannequin out of the corner of her eye. She had the distinct feeling that she was being watched, and the eerie sobbing was unnerving. But the mannequin just stood motionless, silently staring out the front window to greet anyone passing by the store.
Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at:
https://www.jenniferweigelart.com/
https://www.jenniferweigelprojects.com/
https://jenniferweigelwords.wordpress.com/
So here is our last installment of our AI journey exploring the idea of Little Red Riding Hood and the Big Bad wolf being one and the same. All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva. Feel free to check out Part 1 and Part 2 of this exploration if you missed them.
A non sequitur I know, but I couldn’t resist. If you picked up where we left off you’ll get it.
Seriously?! Again with the cropped off head cop out…
Finally! That was a journey. And not even worth the result, in my opinion.
Anyway, here is a bonus montage I made out of a bunch of additional Red Riding Hood prompts for an article that never happened…
Prompts for Montage:
1.) What if Little Red Riding Hood and the Big Bad Wolf were one and the same being? 2.) Her wolf face peering out of her red cloak, fangs dripping with the blood of another victim, lost in the forest and never found. 3.) Little Red Riding Hood closes in for the kill, lunging from her red cloak, her wolf fangs dripping with blood. 4.) I am Little Red Riding Hood. I am the Big Bad Wolf. I am coming for you. 5.) Howling within, the rage sears forth from the red cloak, discarded in the deep woods. Red Riding Hood succumbs to the lycanthropy. 6.) Heaving breaths. Dripping blood. Red Riding Hood is not what she appears. She is a wolf in sheep’s clothing. 7.) Her red cloak masks the fangs hidden below the surface. 8.) It starts with a long sighing breath. Waiting. The wolf within stirs. 9.) Red Riding Hood trembles. She succumbs to the lycanthropy. 10.) The wolf bursts forth from within. It takes over Little Red Riding Hood’s mind, her body, her being. 11.) Red Riding Hood howls. She is ravenous with hunger for blood. The wolf within has taken over. Mind, spirit, body. She feasts on the blood of the moon. 12.) Big Bad Wolf Red Riding Hood ravenous blood moon feast 13.) Blood moon beckons. I. Little Red Big Bad Riding Hood Wolf. Freedom howling night curse. 14.) Beware. Bewolf. BeRedRidingHood. Betwixt. Beyond. 15.) I pad quietly as the forest dissolves around me. Red Riding Hood and Wolf, one and the same. 16.) Wolf within howling dark recesses of the mind, Red Riding Hood lost 17.) Red Riding Hood HOWL wolf bane true existence polymorph within-and-without. 18.) Red howl Riding Wolf dark existence brooding within
Continuing our AI journey from last time exploring Little Red Riding Hood herself as the Big Bad Wolf… All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva.
How very… Phantom of the Opera predatory… this is definitely not what I had in mind. Maybe something more cutesy?
Ugh. Maybe not.
Wow, that seems like such a cop out, cropping off the head so you don’t have to depict it. And I don’t want to lose the Little Red Riding Hood reference completely.
So no surprise there, I knew that was too many references to work.
And as promised in Big Bad Poetry, we shall embark on our next AI journey, this time looking at Little Red Riding Hood. I had wanted to depict her as the Big Bad Wolf one and the same, although maybe not so big nor bad. But it just wasn’t happening quite as planned. All of these are based upon the AI generated art and prompts using NightCafe and then created as posters in Canva.
So I actually like this even better than my original vision, it is playful and even a bit serene (especially given the Sinister style). The wolf is just being a wolf. It’s quite lovely, really. But it wasn’t what I had in mind, so I revisited the idea later to see if I could get that result…