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Last time on Betty Lou’s Treasure Trove…

On her second visit, Pauline cleaned and organized old sets of dishes along their display, dusting everything as she rearranged it.  She faced a large plate or platter from each set towards the shop and stacked other pieces of the set in front of it to hold it in place.  As she worked, Pauline became aware of a low sobbing.  It was almost lost to the harsh wailing operatic trills piped into the small shop, but it was clearly audible.  Pauline turned quickly towards the source of the sound, straining to hear.  A hushed woman’s cries seemed to echo from the basement, down the dark rackety stairwell.

Dear God, that creepy man Chester has someone trapped down there, Pauline thought.  She stepped towards the stairwell briefly and then stopped in her tracks.  What if he was there?  He had explicitly said never to go downstairs and, if he had one poor hapless girl trapped there, he probably wouldn’t think twice before adding another…

Pauline glanced around the shop.  Betty Lou was sitting up front, motionless.  She had apparently fallen asleep in her chair, waiting for the brass bell tied to the door to ring and alert her to any would-be shoppers.  Chester was nowhere to be found.  The downstairs lurked, dark and unobserved.  Slowly, Pauline crept down the stairwell, slinking along the wall.  It ended in a tight hallway.  An open door straight ahead gestured into a small closet boasting a mop bucket, broom, and other cleaning supplies.  A closed wooden door to the left led under the main body of the shop.  The hushed wailing was louder now, emanating from behind the closed door.

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Pauline felt the doorknob.  It was cold and clammy, worn with age and use.  It turned easily, apparently left unlocked.  Pauline glided slowly into the room.  It was dark, save for a small work lamp clamped to the corner of a reappropriated office desk that had been left on, but her eyes adjusted quickly.  The room was a library of mannequin parts.  Everything was categorized and shelved on hardware store metal racks accordingly.  The lower level cradled an array of legs, some attached in pairs at the hip, others singly spilling over one another, loosely arranged in a pile.  A higher shelf held a tangle of arms.  An array of torsos sat motionless in the corner.

As she slid past the metal shelves, Pauline noticed a plastic bin with drawers of glass eyes, all sorted into pairs by color.  Chipped china bowls held various nuts and bolts, a small jelly jar of nails and other metal tacks among them.  Some cleaning and painting supplies took up one end of a shelf, their cracking paper labels faded and peeling beyond readability, along with several very used and notably rust-stained rags that reeked of strong chemicals and lingering funk.  The sobbing grew louder as Pauline approached the desk, an out-of-date office monstrosity of rusted metal painted to look like wood with a poorly maintained melanine work surface streaked with gouges, stains, and glued-on detritus.

A lone mannequin torso was perched on the desk, that of a strikingly beautiful young woman.  She seemed almost too real, eerily even more so than the elegant mannequin that had drawn Pauline to work in this creepy backwash in the first place.  Her Fiberglass frame had a quality about it that seemed almost genuinely fleshy or waxy, like it was still pliable and malleable.  A blonde cascade of curls draped itself over her shoulders and spilled onto the desk, coiling into a chipped china saucer filled with small wig pins.  Her pale blue eyes appeared wet, staring pleadingly at Pauline.  Everything about her looked alive but frozen in time and space, caught in a static hollow shell.  She smelled of Fiberglass and harsh chemical cleaners, but also faintly of lilacs and lavender oil and of something else more offputting that Pauline couldn’t place, something decaying.

As she studied the mannequin intently, she realized the soft sobbing seemed to emanate from her.  As Pauline stood staring, a single tear welled in the mannequin’s right eye, pooling into a full droplet before streaking down her cheek towards her pouty full lips.  The lone drip was quickly reabsorbed into the Fiberglass form tracing only a shiny streak through the paint on her face until that too dried and she was again wholly static.  The low weeping continued, and a second droplet began to form, again in her right eye.  It pooled before streaking down her cheek like its predecessor.  Pauline’s stomach tightened into a ball and locked in her gut.  Something was decidedly amiss.

Pauline was shaken from the scene as she heard the bell on the door ring and muffled footsteps trail above her head.  She dashed out of the room as fast as she could quietly muster, closing the door behind her on her way out.  She slid up the stairs and slunk back to the dishes, returning those she had been cleaning to their shelf as if she had been there the whole time.

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Betty Lou was engaged in talking to a couple of drag queens who came to pore through the boxes of old wigs, looking for gems that had henceforth gone undiscovered.  As they rifled through a box, Betty Lou pointed out other crates hidden under clothing racks and on lower shelves.  One of the visitors was trying on a pair of vintage crystal heels and trying to convince the other that they would work for the show if they just extended the straps a bit.

Pauline finished arranging the shelf of dishes wordlessly, focusing on the task at hand.  She was still shaken by her experience downstairs, and could not get the image of the single tear winding its way down the mannequin’s cheek out of her head.  She wrapped up what she was doing and flashed a goodbye at Betty Lou as she streaked past and out the door.  Betty Lou was still fumbling through a box of wigs, pulling out one after another to run her thick fingers through them and hold them aloft for her visitors to consider.  A pile of rejects sat to her side while those that passed inspection were lined up on the counter.

“Bye, hon,” Betty Lou cooed from behind the register.  “See you next week.”

After what she had experienced downstairs, for all that she had no idea what exactly she’d seen, Pauline wasn’t entirely sure she’d be back…

Mannequin feet in the air, detail from featured image with the writer
Mannequin feet in the air, detail from featured image with the writer
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

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Jennifer Weigel is a multi-disciplinary mixed media conceptual artist residing in Kansas USA. Weigel utilizes a wide range of media to convey her ideas, including assemblage, drawing, fibers, installation, jewelry, painting, performance, photography, sculpture, video and writing. You can find more of her work at: https://www.jenniferweigelart.com/ https://www.jenniferweigelprojects.com/ https://jenniferweigelwords.wordpress.com/

Original Series

Finger Spiders What You Get

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Wow, you’re still with us… So, taking it from Part 1 and Part 2 of this saga, we’re still knuckle deep in finger spiders here at Haunted MTL! Because I made A LOT of unfulfilled requests for a spider out of fingers, I will continue this snarky little AI art series with NightCafe and Canva through the month of September…

finger spiders

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: fingers spider; fingers as spider; fingers as spider legs no hand; spider out of fingers.

Text reads: Creepy Crawlies Finger Spiders What You Get! This is all on you… You let the terrifying AI art generated finger spiders in the house and then let them crawl on you. When you turn into a spider, that’s all your own doing. Leave me out of it.

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: spider hand; fingers as spider legs; spider hand fingers; spider as fingers.

Text reads: Creepy Crawlies Finger Spiders Look I’m Sorry! I wish I could help. I really really do. Keep scrubbing at it even if your flesh falls off. It’s really your only hope now. You’ve been bitten and there’s not much to do for it now.

All of the AI art images used in this series were generated on Thursday, June 13, 2024. If you want to see more freaky spiderness in art here on Haunted MTL, check out Bitten and Soul Catcher. More AI art graphic narratives from Jennifer Weigel have explored Little Red Riding Hood and Into the Deep Woods. Oh, and the Tiny Brain Computers exploration. To see more such devolutions into AI generated art, check out the Will the Real Jennifer Weigel Please Stand Up? blog.

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Original Series

Finger Spiders Too Late

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They’re back… So, continuing where we left off, we’re still knuckle deep in finger spiders here at Haunted MTL! Because I made A LOT of unfulfilled requests for a spider out of fingers, I will continue this snarky little AI art series with NightCafe and Canva through the month of September…

finger spiders

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: finger spider; spider out of nothing but fingers; spider made out of only fingers; fingers as spider.

Text reads: Creepy Crawlies Finger Spiders Too Late! Well now that they’re in the house and you’re hunting them down, don’t let them crawl on you. Not only are they seriously creepy, but the AI art generation can warp time and space around itself and allow them to evolve to your biology.

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: spider out of only fingers; fingers into spider; finger spider; fingers as spider legs only.

Text reads: Creepy Crawlies Finger Spiders No You Didn’t! I can’t believe you let the AI art generated finger spiders crawl on you! What were you thinking?! Just try to wash it off as best you can… Like seriously, I can’t help you any more, you’re on your own.

All of the AI art images used in this series were generated on Thursday, June 13, 2024. If you want to see more freaky spiderness in art here on Haunted MTL, check out Bitten and Soul Catcher. More AI art graphic narratives from Jennifer Weigel have explored Little Red Riding Hood and Into the Deep Woods. Oh, and the Tiny Brain Computers exploration. To see more such devolutions into AI generated art, check out the Will the Real Jennifer Weigel Please Stand Up? blog.

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Original Series

Finger Spiders Are Coming

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So I tried to convince the AI to give me a spider made out of fingers, because there’s no way it could possibly mess that up right? Wink. After multiple unfulfilled requests for finger spiders, I bring you this snarky little AI art series with NightCafe and Canva for the month of September…

finger spiders

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: fingers as spider; spider made of fingers; a spider out of nothing but fingers; finger spider hand.

Text reads: Creepy Crawlies Finger Spiders Coming Soon! It’s just a matter of time before these horrifying AI art generated creations come crawling into your home to feast on your blood. For they are hungry and they are evolving…

Images: Overall design aesthetic of fashion / design advertising spread in muted tones with four AI art rendered images of spiders, built spiders, and spiders on hands, with any given number of legs on spiders and fingers on hands as you’d expect from AI interfacing at this time. Prompts used from top left to lower right include: fingers as spider; spider hand shadow puppetry; fingers in shape of spider; spider that is a hand.

Text reads: Creepy Crawlies Finger Spiders They’re Here! Too late, you let them into the house. You’d better be sure to find and squish them all before they breed and come after you. They are still hungry, and they are still evolving…

All of the AI art images used in this series were generated on Thursday, June 13, 2024. If you want to see more freaky spiderness in art here on Haunted MTL, check out Bitten and Soul Catcher. More AI art graphic narratives from Jennifer Weigel have explored Little Red Riding Hood and Into the Deep Woods. Oh, and the Tiny Brain Computers exploration. To see more such devolutions into AI generated art, check out the Will the Real Jennifer Weigel Please Stand Up? blog.

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