Buffy S1E6- “The Pack” When Comparing High School to a Zoo goes Literal
CW: Attempted Sexual Assault
How many of us went on a school trip to the zoo? (I did when I was 6) How many of us fell under mind control from evil hyenas? (I was too busy watching the gorillas throw poop.) Anyways, our favorite sleaze bag Xander does both and what happens next becomes, in my opinion, one of the worst episodes, maybe in the series. Buckle up as we delve into “The Pack”.
Do we not chaparone field trips anymore?
We open at the oft-mentioned Sunnydale Zoo, full of teenagers running amok with no chaperones. This will turn out well. Anyway, Buffy is looking over the zoo map where she is accosted by the bullies of the episode. They come by and accost her for no reason other than ‘bullies’. The gang meanders off right before Xander and Willow excitedly come up and tell about them seeing zebras mate, which Willow so eloquently put it Like the Heimlich, but with stripes”. They mosey on for a bit more talking about how this is not a bad trip because of no classes, which Xander (not so) surprisingly loves.
We are then introduced to the seeming loner of the episode, Lance. He is either writing or drawing something as he stares at the chimpanzee enclosed before the group of miscreants approach. They surround the poor kid and treat him like crap for no reason other than their enjoyment. They surround him and before anything bad could happen, they are stopped by Principal Flutie. Lance tells Flutie that everything is ok and nothing is going on. Flutie glares at the gang before leaving.
The cretins decide to reward Lance with a trip to the hyena house, which is closed off. They ignore that and go in anyway. We do need to mention the shoddy way the zoo booked off the hyena house. Anyway, Xander sees this and chases after them. Buffy and Willow follow suit but are stopped by a zookeeper. Xander goes in and interrupts the gang of n’er do wells, leaving Lance to run off. But before they can do anything, one of the hyenas flashes a glow from its eyes, which causes the same from Xander and the bullies.
Xander has changed…by being more Xander
Shock of all shocks, we open back up at The Bronze, where there is no cover for DJ Night. Buffy and Willow are hanging out as besties do, with Willow asking if Buffy noticed any changes from Xander once they left the zoo. Buffy smirks, knowing the reason that Willow noticed as much as she did as she is still head over heels for Xander. Willow tosses the head over heels moment in Buffy’s face, mentioning Angel and his leather jacket she still has. As if on cue, Xander shows up being his usual ‘charming’ self, but hyena-powered. On top of his usual creepiness, we now add smelling Buffy’s hair and munching on her croissant. Then here comes the superpowered gang of bullies who make people move because ‘it was their table’ as well as making a fat joke which makes Xander laugh, to the ladies’ chagrin.
When one goes to a library in school, what do you expect to use it for? Studying? Research? Not even close. If you go to Sunnydale, Giles and Buffy use it for kickboxing practice. After quickly finishing, Giles sends her to class so he can heal. Then we see a POV shot of something low to the ground chasing students in the hallway. Oh no! Killer hyenas! But Buffy is able to pick it up? False alarm, the new mascot got loose. Principal Flutie introduces us to Herbert the Razorback. What exactly is a Razorback? Simply an actual pig with foam dorsal spines, an ill-fitting football helmet, and false tusks.
Dodgeball wasn’t much different than when I was in school
As someone who was short and scrawny, you would think I hated dodgeball. Au contraire, I loved it. However, these were weird rules. No cones to hit to bring out eliminated teammates, no real rules, just random teams throwing the balls. Anywho, on one side had Xander, the bullies, and Lance among the extras. And the other hand Buffy, Willow, and their group of extras. It comes down to Buffy on her side, with the other side consisting of Xander, the bullies, and Lance. Instead of taking care of Buffy and winning the game, everyone turns on Lance and showers rubber ball doom onto him. Buffy rushes to save them, with the villainous group slinking away.
Willow later catches up with Xander to talk to him about his recent attitude change. At first, he mentions going through changes, and perhaps he has some sort of feelings for her. But, he twists it to tell her he is dropping geometry and will not need her to tutor him anymore, while also mentioning her having a ‘pasty face’, causing her to run off. Buffy walked in during the middle of it, walking up to the group as Willow rushes away. She glares at Xander, daring him to say something to her. He simply snickers at her and walks off.
Careful of eating raw pork
Ah, lunchtime. The most segmented part of the school day. You eating at the same table with the same people every day. We all remember that scene from Mean Girls. The group o’ meanies walks up to a table outside where one of the guys sitting down asks Xander about some singer of a band, like seen at one of the nightly sojourns to The Bronze. Instead of engaging in a deep philosophical discussion about frontmen, Xander and the group of hyena types just glare before stealing their hot dogs and walking off because they smell something less cooked. Their heightened sense of smell leads them to the room Herbert the mascot is in. After surrounding the cage and frightening the poor thing, they all dive in and devour the poor pig.
We then turn to a devastated Willow who is pouring her broken heart out to Buffy. Willow has convinced herself that she is the third wheel and Xander is nicer to Buffy because he wants her (Yeah, that adds up). Buffy reassures Willow and heads to Giles to see if she can pinpoint the problem. She brings him all the warning signs, which he somewhat humorously writes off as him being a teenage boy. Buffy keeps failing to convince Giles that something more than hormones is at work until he mentions about ‘preying on the weak’. It clicks to Buffy of the attitude change after the hyena cage. Before they can get any further into this, Willow rushes in to say that they found a dead…and eaten Herbert.
Principal Flutie, we hardly knew thee
Principal Flutie, rightfully so, is on the warpath as he approaches the group, sans Xander. He demands that they meet him in his office, as he knows what they did. They did themselves no favors with all but admitting it. Meanwhile, the 3/4 of the Scooby Gang not possessed by evil hyena spirits figure out what we knew all along. Giles has the bad news that if they cannot figure out how to stop the possession, there could be some deadly consequences, so Buffy rushes off to find Xander.
CW: Attempted SA Buffy rushes into the classroom that held the former mascot looking for Xander. While looking around and discovering pieces of the poor pig’s spine among other bones, she is surprised from behind by Xander, who is creepier than usual. At more than one point, Xander is able to overpower her, apparently getting stronger is one of the side effects of the possession. Xander starts to tell her creepy things that you know have been in his head since the beginning. The scene cuts just ass he starts to sniff and nuzzle her. The next scene has Buffy dragging an unconscious Xander into the library and into the same cage we all had in our high school libraries. Before anyone says it never went that far, Buffy actually says he tried his hand at ‘felony sexual assault’.
While this scene is going on, they keep cutting back to Principal Flutie in his office with the other hyena-possessed crowd. They slowly surround him as Flutie tries to get to the bottom of the issue, even threatening to call their parents. Before he can dial one number, they all jump onto the principal, kill him, and eat him. Even sadder the camera pans down to a photo on his desk of himself. No significant other, no pets, nothing.
Zoo Tycoon never played like this
Xander finally wakes up in the library cage, while poor Willow is still doing her hyena research all alone in the library. While Willow does seem, genuinely concerned for her friend, Xander seems uncharacteristically the same to her. He seems to finally be over Buffy and lays out how he finally wants to show her affection. Willow once again shows how lowkey clever she is, but goaded Xander into revealing that he is still under the spell.
Meanwhile, Buffy and Giles are talking to the zookeeper, trying to convince him about the hyena possessions. According to the zookeeper, this is a special breed of a hyena (of course it is) that was worshipped by ancient priests. The best way to solve this issue is a reverse transpossesion , but he needs the kids to come to the hyenas. The keeper states that because after feeding and sleeping they will meet up with the rest of the pack…Uh-oh! That means they are coming for Willow at the library. As if on cue, the rest of the ruffians crash into the library to release Xander and go after a scrambling Willow. Just when it seemed like Willow’s time ran out, here comes Buffy and Giles to save her. They decide to split the party with Willow and Giles heading to the zoo right away while Buffy guides the baddies there.
How did Giles and Willow get so dumb so quick?
Back at the entrance to the hyena house, Giles runs inside and leaves Willow outside to help guide them in. The zookeeper in his finest Violet Beauregard robes and facepaint as Giles runs in. With the ceremonial markings on the floor, it takes too long for Giles to figure out that the keeper was one of these high priests trying to gain the hyenas powers, but the teens were able to do this before him. As a reward for him finally figuring this out, the zookeeper knocks him out and stuff him in a closet.
Willow hears Buffy running in with the gang close behind. Being one of the intelligent ones, Willow readily agrees to get her hands tied and the keeper putting a knife to her throat because they need a predatory act for the transpossesion. Willows finally yells that it was a trap all along, causing her to stop and get tackled. Before they could finally finish her, the keeper screams something in another language, causing all the hyena souls(?) to transfer to him. So, here we go, the final battle between him and Buffy. Could someone with all the souls topple here when she had trouble with one soul? Nope, a quick couple of blows and she throws the priest/druid cross-class who gets eaten by the hyenas.
Couldn’t be more tone deaf
The episode closes on the gan reviewing what happened in the past few days with Xander not remembering what happened while he was under the spell. The girls brush it off before he runs into Giles. Giles talks about no mention of memory loss, meaning that Xander remembers everything he did during the episode. So, do we use this as some sort of character development and see Xander grow as a person. Does this cause a rift between everyone? Do we use this as a teaching tool on SA? Nope, we end on whimsical music and never speak of it again.
In closing, this would have been a pretty good and interesting episode if they never had that scene. But by keeping it, trivializing it, and brushing it under the rug, it really put a huger sour note on the episode. The way such a sensitive topic was handled really put this as the weakest episode of the season, maybe of all time. The big blemish on an overall solid first season.
(1.5 / 5)
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Movies n TV
Anna (2013) To Some, Mindscape to Others, a Thriller Film
Anna (2013), also known as Mindscape, is a psychological thriller of a struggling memory detective named John.
Anna (2013), also known as Mindscape, is a psychological thriller directed by Jorge Dorado. This R-rated directorial debut stars Mark Strong, Taissa Farmiga, Brian Cox, Saskia Reeves, Richard Dillane, and Indira Varma. As of this review, interested viewers can watch this film on VUDU, Hoopla, Plex Channel, Pluto TV, Roku Channel, Tubi TV, Amazon Prime, and more. Anna originally released in 2013, but it released in the US in 2014.
Struggling to return to his work as a memory detective, John (Mark Strong) pursues a new assignment. Anna (Taissa Farmiga) views John as her last chance to prove her innocence before she’s condemned to an asylum. As John searches through her memories, a tale of abuse and manipulation unravels.
What I Like about Anna (2013)
Anna earned three nominations but no award recognition. From the Sitges–Catalonian International Film Festival, it earned a nomination for Best Motion Picture. The Goya Awards recognized Jorge Dorado with the 2014 nomination for Best New Director. Finally, Anna received a nomination from the Gaudí Awards for Best Art Direction.
Taissa Farmiga’s performance balances the line between suspicious and innocent, which is necessary for this unraveling mystery. It’s a delicate role, but Taissa Farmiga brings to life the material given.
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Anna‘s plot rotates around a new fringe science that’s slowly gaining traction. It’s less a dissection of this science and more a norm that Anna expects viewers to believe. It’s an interesting concept, though not unique. Still, it’s a nice additional dynamic to the mystery.
While not a horrifying film, it does deliver a mystery that keeps viewers engaged with enough hooks to add an extra layer before something gets stale. That mystery does linger in the mind in some respects but doesn’t haunt the viewer.
Tired Tropes and Triggers
Despite Anna not depicting these moments, sexual assault remains a recurring element of the film. Little remains conclusive, with some suggestions that these are false allegations. Furthering this point, the film depicts Anna as a manipulator and flirt when some incidents suggest she’s a survivor of assault.
Derogatory language might upset some, but these remain brief moments. The use indicates a particular character’s immaturity, but I’ll raise the point regardless. Furthering this line of analysis is a moment where a bullied character is implied to be gay, but it’s likely just an insult.
While not inherently a trigger, this new field of science earns the claim of being somewhere between forensic science and lie detector tests, a massive gap that anything can fit in. It makes everything subjective when the film wants to claim absolute evidence. I can’t help but wonder what exploring that unreliability might look like, but that’s not this film.
What I Dislike about Anna (2013)
The biggest deal breaker for some is this concept of a teen mastermind. I won’t go into details about the mystery, but I am often fatigued with this idea of a teen femme fatale. While Anna gives enough mystery, it’s an overused trope.
Mark Strong’s performance delivers on the material, but John seems so easily manipulated for someone who does this as a profession. While out of practice, I don’t understand why he believes or doesn’t believe information. If Anna depicts John as overly critical or gullible, the film will have a more consistent character.
I assume there remains an understandable reason for the name change, but Anna appears as a common title for a film, spinning a series of some recognition. Mindscape also earns some recognition and competition, but it’s a more memorable title than a single noun name.
Final Thoughts
Anna provides an interesting concept and mystery, but many shortcomings hinder the execution. Viewers eager for a psychological mystery with a drop of sci-fi, Anna delivers an engaging story. However, the market does provide competition, making it a tough film to recommend. 
(3 / 5)
Movies n TV
Tips on Raising Evil from “The Demon of Parenthood”
The assessors investigate cursed toys in an attack against commerce, but Ben has a finger on the issue in “The Demon of Parenthood.”
“The Demon of Parenthood” is the eighth episode of season 3 of Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate cursed toys in a terrible attack against commerce, but Ben (Aasif Mandvi) has a finger on the potential issue. David (Mike Colter) receives another task from the Entity. Kristen (Katja Herbers) learns more about her missing egg. Leland (Michael Emerson) invites Dr Boggs (Kurt Fuller) to the darker side of spirituality. Sheryl (Christine Lahti) takes her granddaughter to work.
What I Like about “The Demon of Parenthood”
I enjoy the espionage aspect of the Entity, pushing David to questionable grounds as he navigates what’s right against what’s demanded of him. While this plotline doesn’t reach its full potential, this episode highlights one of the more interesting opportunities of this idea. The Entity consistently interferes with the procedural case, possibly covering up abuse to support its objectives. This episode highlights this dynamic to perfection.
Kristen gets pulled in multiple directions, forced to question her trust in David, and faces a unique horror after learning about her missing egg. While I won’t dive deeper into this issue for this review, it’s safe to say this episode belongs to Kristen, and Katja Herbers delivers.
Her unsettling night terrors suggest an intuitive understanding of some of the manipulations around her, highlighting these moments to the viewer by proxy. Beyond these meta moments, the execution of these night terrors remains pleasantly unsettling.
![Evil: Season Three [DVD]](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2TlRGYWJYaGtVVFpFYlV3dVgxTk1NVFl3WHk1cWNHYz18MTc0MDQyODQ5NQ=)
- Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
- Robert King (Director)
- Audience Rating: NR (Not Rated)
![Evil: Season Three [Blu-Ray]](https://hauntedmtl.com/wp-content/plugins/aawp/public/image.php?url=YUhSMGNITTZMeTl0TG0xbFpHbGhMV0Z0WVhwdmJpNWpiMjB2YVcxaFoyVnpMMGt2TlRFdGJuQndVRmhtU1V3dVgxTk1NVFl3WHk1cWNHYz18MTc0MDQyODQ5NQ=)
- Katja Herbers, Mike Colter, Aasif Mandvi (Actors)
- Robert King (Director)
- Audience Rating: NR (Not Rated)
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Among a constant trail of failures, Leland lingers in the background as he puts pieces together for his master plan. We don’t see the full scope of his vision yet, but the suspense it builds for future episodes earns its place. I’m interested to see how these plots will evolve, even if Leland’s luck seems to turn sour. Perhaps it’s because of this dynamic that the tension works so effectively.
With a shocking moment tied into this episode, “The Demon of Parenthood” creates one of the more haunting episodes. However, the greatest accomplishment in the episode is what it establishes for the future of the series. While not all these points follow through by the end of Evil, it’s still an episode that ripples across the show’s progression.
Tired Tropes and Triggers
Without diving into too many details, spousal abuse and murder occur in the episode. This abuse might indicate a demonic influence, but such points remain speculation.
A severed body part and some gore stand out in this episode. It hardly earns enough attention from fans of gory horror, but the squeamish should tread carefully toward the end.
What I Dislike about “The Demon of Parenthood”
Many dropped ideas seem genuinely interesting, building to some potential development that receives little payoff. Missing these opportunities will never feel satisfying. While some changes are understandable, it creates holes in the narrative. For example, Dr. Boggs’ dark seduction slows in pace, becoming implied or withheld from the audience soon after “The Demon of Parenthood.” These experiences often adapt the concept of evil that the show seeks to bring to life.
Sheryl’s compliance with Leland’s plan still seems underdeveloped as a concept, especially with how far she takes it in this episode. While later episodes add a different perspective, I can’t help but feel these are retcons or concepts not thoroughly thought out.
Final Thoughts
“The Demon of Parenthood” progresses the plot and delivers some genuinely haunting moments. While a retrospective assessment does note many missed opportunities, the episode stands up beyond these missed opportunities. 
(4.5 / 5)
Movies n TV
You’ll Have a Bloody Good Time with this Eternal (2004) Health Tip
When Raymond Pope’s wife disappears, he follows the trail. But each lead points him to the Eternal beauty of Elizabeth Kane.
Eternal (2004) is a horror thriller written and directed by Wilhelm Liebenberg and Federico Sanchez. This R-rated film stars Caroline Néron, Victoria Sanchez, Conrad Pla, and Ilona Elkin. As of this review, it is available for Amazon Prime members with renting options from Spectrum on Demand.
When Raymond Pope’s (Conrad Pla) wife disappears, he’s swept into the mystery of Elizabeth Kane (Caroline Néron). As his investigation becomes increasingly bizarre, bodies pile up and point to Raymond Pope. Will he clear his name, or will this bloody rampage drown him?
What I Like about Eternal
While all of the performances add to the film, Eternal thrives on the charisma and mystique of Caroline Néron’s Elizabeth. She enchants her targets, lowering their defenses until that final moment.
Conrad Pla’s Raymond Pope also requires a delicate approach to succeed. The sleazy and hypocritical detective seems genuinely concerned for his wife (at least initially) and sells that concern. While far from an easy character to root for, the audience understands him and the danger he faces.
There’s a heavy erotic thriller angle that Eternal delivers on. I’ll linger on this point in later sections, but it certainly knows how to build tension within a single scene or between characters. These moments don’t feel forced, and while they often target a male audience, interesting dynamics rise above general exploitative content, if only slightly.
This seems to be a passion project between the creators, Wilhelm Liebenberg and Federico Sanchez. This passion lingers in the moments to deliver something unique, if not without its flaws. The film doesn’t hold back, a point that fluctuates between negative and positive depending on the situation. Regardless, it holds a charm in that commitment that’s hard to replicate without passion behind the scenes.
Tired Tropes and Triggers
The film labels itself as “Inspired by True Events,” which only relates to the general discussion of Elizabeth Báthory. It’s also worth mentioning that, much like Vlad Dracula, her story remains heavily dominated by modern interpretations. I won’t pretend to hold exclusive knowledge of these historical figures, but cultural interpretation reduces realism. The claim means little to nothing.
The predatory queer trope applies to Eternal, with little complexity to challenge the point as the violence often targets women. It’s important to note that Elizabeth acts as a femme fatale in general, but the targets remain clear. However, this film did earn a moment of recognition from the Glitter Awards (a clip was used in 2006), which might suggest the standout performance of Caroline Néron’s Elizabeth earns back some goodwill.
What I Dislike about Eternal
The erotic thriller holds a stigma that Eternal doesn’t challenge. Elizabeth remains a clear femme fatale with a slightly supernatural twist. While the performance executes this character perfectly, viewers likely know if this remains an interest or a tired cliche for themselves.
While most of Raymond’s acts make sense for the character, I hold issue with the end. Without going into too many details, he is asked to do one thing to protect himself and does the opposite for no reason. Perhaps this indicates supernatural influence, but such a claim lingers in headcanon.
The film ends ambiguously, which hardly seems fitting given the evidence and weakens the overall film. A definitive ending, or something moderately more definitive, would strengthen Eternal.
Final Thoughts
Eternal’s major obstacle in executing its erotic thriller is that of tired tropes in the modern era. If one looks past these dated points, there’s a haunting thriller that can meet moments of excellence. The plot falls short in many areas towards the end of the film. Ultimately, if a vampire-esque thriller interests you, Eternal certainly adds its perception to the niche but in a familiar form.
(3.5 / 5)
