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Gringo Fantastico is a tormented luchador presenting Troma films from the safety of an abandoned recreation center in Tromaville. He is plagued by the French-Canadian Demon Piñata Francois who hurls insults and snide remarks throughout the episodes. The eight-episode season two premiered August 1st on Troma NOW and new episodes will be released on the first of each month.

Promo poster for Chapter Uno of Fantastico Disasterpiece Theater season 2 as available on Troma NOW.
Fantastico Disasterpiece Theater: Lament of a Luchador

CW // Troma aka every warning under the sun and some that don’t even exist yet

Gringo Fantastico (Nate Turnpaugh) returns to Tromaville in spectacular fashion with the season two premier of Fantastico Disasterpiece Theater on Troma NOW. He continues from the season one finale where he presents Lloyd Kaufman’s Return to Nuke ‘Em High Volume 1 (2013). This episode he hosts Return to… Return to Nuke ‘Em High aka Volume 2 for the premier.

Turnpaugh has the entirety of the Tromaverse at his disposal when deciding what to show on Disasterpiece Theater. For those unfamiliar with Troma or Kaufman, these movies “typically contain overt sexuality, nudity, and intentionally sadistic, gory, and blatant graphic violence,” according to Wikipedia. These movies are not for everyone, and Kaufman likes it that way.

Movie poster for Troma's Return to... Return to Nuke 'Em High aka Volume 2. It features many characters of the movie.
Return to… Return to Nuke ‘Em High aka Volume 2

Trouble in Tromaville

In an interview with Turnpaugh, he reveals the episode had a minor production issue which led to the original guest not being available for filming. “This episode, this script… it was a whole different script.” Amazingly, the episode was recalibrated and rewritten in three days to meet the shooting schedule. Turnpaugh holds a masters degree in screenwriting and his skill is on display despite the hasty rework.

The episode opens with a VHS recording of an interview with Fantastico from 1995. The interview goes wrong and Fantastico ends up storming away angrily. This is part of an ongoing narrative Turnpaugh is building with Fantastico. I am excited to learn more about the luchador’s tortured past.

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Your father underestimates you, I think.

Audiences are also treated to a Fantastico on Fantastico interview due to the aforementioned guest scheduling issue. He splits into two and much to his chagrin, Other Fantastico quickly teams up with Francios in bullying him.

He interviews himself about his past and makes reference to a highly censored film project he worked on. They also receive a call from the Guadalajarian government, but you need to tune in to see what that is all about.

Turnpaugh says this self-interview is his favorite part of the episode and attributes his love of body doubling in media surprisingly to The Parent Trap (1961). He is excited for audiences to see “the ridiculousness of the two Fantasticos.”

Other Fantastico sits on the set for his interview.
Other Fantastico

Dynamic Duo

Several pieces of media are treated to an homage throughout the episode. Despite thinking he eliminated Francois at the end of season one, the Demon Piñata pops up in the back seat of his ‘68 Firebird ala Psycho III (1986). When Projector Guy is pulled back into the recreation center, it is done with a brilliant classic Doctor Who reference. And how else would the Fantisticos reunite but a Dragon Ball fusion dance?

At the end of the episode, Fantastico quotes Teen Wolf (1985) and Francois angrily responds “You ruined something cool again with your movie quoting.” The dynamic between Fantastico and Francois sets Disasterpiece Theater apart. I have never seen such entertaining and vitriolic interactions between “co-hosts.” Francois rarely, if ever, has a nice thing to say about Fantastico.

Francois sits in a wiker basket next to Fantastico in the safe-zone recreation center set in Tromaville.
Fantastico and Francois on set.

Fantastico only sometimes has the energy to properly fight back against the demon. He frequently threatens the demon with a giant squirrel instead of attacking him directly. This is partly because, as Francois puts it, Fantastico is a “concussed asshole.”

That’s not candy!

It is becoming more and more evident there is much more to the Demon Piñata than audiences currently know. I am very much looking forward to watching the backstory for Francois Turnpaugh teased during our interview unfold throughout the season.

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When I ask, “Is Francois tormenting Fantastico or is Fantastico tormenting himself?” Turnpaugh laughs and responds “That’s actually the whole narrative of this season. Because it is all based around all Fantastico’s concussions and all of the PTSD and all of this weird stuff from all these crazy things that are happening.”

Turnpaugh doesn’t shy away from his own history with PTSD and its influence on the show. He says he has had PTSD for 20 years and “I try to make light of it so it doesn’t have so much of a stigma.” He hopes someone else out there who is struggling can see him and go “Maybe I can do that too.”

I agree with him and liken him to other horror hosts who serve as a beacon of hope to their audiences. He seems a little uncomfortable with being placed alongside them, but watching the show proves he has earned his praise.

My rating for the episode: 4.2 out of 5 stars (4.2 / 5)

Future Trips to Tromaville

There are a lot of super cool guest interviews to look forward to this season including but not limited to Lloyd Kaufman himself, C. Robert Cargill, and Jonah Ray Rodrigues. Turnpaugh was also able to snag Toby Poser, John Adams and Lulu Adams of Adams Family Films. For those who watch The Last Drive-In with Joe Bob Briggs, they were featured in season four with their film Hellbender (2021).

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Follow @realfantastico on the platform formerly known as Twitter to join in with the rest of the Fantasticats as they live-tweet each episode the Friday after release.

Kait (she/her) haunts the cornfields of the Midwest after being raised in a small Indiana town built on sickness and death. She consumes all sorts of horror-related content and spits their remains back onto your screen. You can follow her on Twitter at @ KaitHorrorBreak, where she live tweets The Last Drive-In with Joe Bob Briggs and posts other spooky things.

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Fallout, The Ghouls

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Episode four of Amazon Prime’s Fallout was a great one for character development. It was also great because one of my personal favorite actors was involved.

Let’s discuss.

The story

This episode’s story revolved largely around Lucy and The Ghoul. He’s still dragging her about on a rope, but we aren’t sure why. While she can track the Head, she certainly hasn’t shared that information with the Ghoul.

What he wants her for soon becomes clear, when he barters her for vials of the medication that keeps him from losing himself to the ghoul illness.

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Ella Purnell in Fallout.

At first, Lucy thinks this is a step up. She’s taken by a robot surgeon named Snip Snip to get a new thumb. Since, you know, The Ghoul shot her thumb off.

However, after stitching a new thumb on, Snip Snip takes her to his masters. Who then say they want him to cut her up for her organs.

Lucy manages to escape and even frees the other people trapped by these organ brokers. In doing so, she comes into the possession of many, many of those vials that The Ghoul needs so desperately.

Meanwhile, Norm is starting to suspect that all is not what it should be in Vault 33. While the rest of the vault is preparing to elect a new overseer, he takes Chet and sneaks off to Vault 32. There, they find some horrific sights. Long dead bodies, next to messages scrawled in blood. There are especially bodies around the door that leads to Vault 31, where someone has written We Know What’s in There on the wall.

Of course, we don’t know what’s in there. But I’m sure we’re going to find out.

Moises Arias and Dave Register in Fallout.

Norm continues to dig, checking for information on the old Overseer’s computer. And he finds that the door to Vault 32 was opened by a Pip-Boy. To be specific, it was a Pip-Boy owned by Norm and Lucy’s mother.

I’m sure that won’t be relevant later.

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What worked

The more I see of this season, the more I like Lucy. She is growing and evolving as a person, just like Wilzig told her she would have to do. She is becoming harder. But her kindness and values haven’t changed yet. She is still a good person. I love that.

I also love the dark, creepy storyline with Norm. I love how serious he is, especially when compared to the rest of his community. I especially love that, even as emotionally disturbed he is by what he’s learning, he seems passionate. And from what we’ve seen of this character, this is possibly the first thing he’s felt passionate about his entire life. I am impressed with the writing and acting that have allowed us to see his lack of passion with minimal focus. He is a fun, well-written character.

Finally, I’d like to shine the spotlight on Matt Berry. He is a delightful actor known for What We Do in the Shadows and IT Crowd. And he is playing the remarkably funny role of Snip Snip, the robot surgeon. His voice lends an extra level of humor to an already funny premise. This was another example of the great casting we’ve seen so far on Fallout.

In the end, this was a great episode from all points. It was fun, heartfelt, and dark. In short, I have no notes. I’m only excited to see what happens in the next episode. 4 out of 5 stars (4 / 5)

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American Horror Story Delicate, The Auteur

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The finale of American Horror Story Delicate aired last night. And if you were watching along with us on Threads, then you already know that it didn’t live up to any of my expectations.

Let’s discuss.

The story

We begin with Anna being ushered off stage and into an ambulance. Dex is there because Siobhan called him.

Once in the ambulance, though, the blood starts to spill. And it’s not just Anna’s. She soon finds herself in the clutches of the coven, giving birth in the most anxiety-inducing place possible. And when the baby is born, he’s taken away at once.

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Because that’s the agreement that Anna made, without fully realizing what she was agreeing to.

If Anna’s going to get her baby back, she’s going to have to make another sacrifice. She is going to have to join the coven herself. Is she strong enough to do it? Is she strong enough to raise a monster?

Leslie Grossman, Emma Roberts, Annabelle Dexter-Jones, Ashlie Atkinson, Michaela Jaé (MJ) Rodriguez, Billie Lourd and Juliana Canfield in American Horror Story Delicate.

What worked

This episode did have some fun elements. As a practicing witch myself, I appreciate the addition of Hestia in a positive light. Especially when this season was so focused on motherhood, womanhood, and sisterhood, Hestia was a lovely goddess to include.

For those who don’t know, Hestia is a goddess of the home and hearth, but not a maternal goddess. She was, in fact, a virgin goddess. So Adeline’s devotion to her made sense in a real-world witchcraft way. Adeline was supposed to be a symbol of female love and support. Including Hestia in this made that crystal clear.

This was made most clear with the behavior of Siobhan. She was a perfect example of a toxic person who uses sisterhood to use and manipulate others. This can be seen clearly in the flashback that begins this episode. We see Siobhan show kindness to Anna, who she wants to use while being cruel to the woman who shared her story at the start of the meeting. For Siobhan, kindness is a currency she spends to get something. And that is clear.

What didn’t work

Sadly, those two elements weren’t enough to save this episode. My first concern is that this ending had more holes in it than Swiss cheese.

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This wasn’t just a matter of having questions left after the ending. These were elements that we should have seen and just didn’t. Why were the witches diluting and working with blood near the end of the episode? Why didn’t Dex Senior get what was coming to him? What the hell was with those pointed green heels? My largest question, however, is this.

Did Anna imagine all of this? Did any of it happen? We don’t know. Consider the ending. I don’t want to spoil too much of this, so I’ll only point out Anna’s gown. It’s bloody in one scene and newly clean the next. This is only the example I can share without spoiling the ending. But we have no proof that any of these things happened to her.

While it’s fine to leave some questions up to the viewer, there were too many here. Rather than feeling mysterious, it just felt incomplete. And seeing as how this episode was much shorter than a standard one, this could have easily been corrected.

I would also like to hold some space for how this season ruined the good message of the book Delicate Condition. This novel was bloody, gory, and disturbing. But it also had a beautiful message about sisterhood, and women supporting women through motherhood, career choices, and life in general. There is so much pure, sisterly love in that book.

This is entirely missing from this season. It’s often turned on its head, with women betraying each other for their own selfish desires. And honestly, I hated that.

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Leslie Grossman, Kim Kardashian and  Billie Lourd in American Horror Story Delicate.

Finally, this season finale is another example of an ending ruining a good season. AHS Delicate wasn’t without its charm. Some episodes were great fun. There were elements that I truly enjoyed as a horror fan, a witch and a woman. But this ending just soured everything good about the season. It spoiled all of the enjoyment I had. Much like Sabrina, Dexter, and the podcast Dolores Roach, the ending ruined everything that came before it.

In the end, this finale was disappointing. It didn’t deliver on its promises, it did a disservice to the source material, and it was poorly executed. This series is more than capable of better. Delicate Condition, the novel, deserved a better interpretation.

However, as a long-time fan, I can honestly say that in twelve years of content, I have genuinely disliked a season and a half of American Horror Story. This one, and the second half of Double Feature. So while AHS Delicate was a disappointment, I am looking forward to season thirteen. In the meantime, I’m going to rewatch Coven and look forward to better stories to come. 2 out of 5 stars (2 / 5)

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Fallout, The Head

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Episode three of Amazon Prime’s Fallout continued the themes we’ve seen so far, with an added twist. With comedy and gore already blending, the story has added an air of tragic history for one of its least cuddly characters.

Let’s discuss.

The story

Walton Goggins in Fallout.

Our story starts with a flashback to before the bombs dropped. We see Coop, filming a movie. His wife is on set as well, and their adorable daughter. Coop has a comfortable life with a family he loves.

Isn’t that just a knife in the heart?

Back in the present, Lucy is traveling through the wastelands with the head of Wilzig. And she’s doing so with the same fear and joy that we’ve seen from her so far. Until that is, she runs into a Gulper. And after eating a defenseless deer, it swallowed up the head.

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Eventually, The Ghoul catches up with Lucy and decides to capture her. After using her as bait, he decides to drag her along with him.

Meanwhile, Maximus gets a message from the Brotherhood of Steel. Rather than coming clean, he claims to be Knight Titus and is accidentally sent a new Squire. That squire is Thaddeus, one of Maximus’s bullies from the base. And Maximus wastes no time in taking some sweet, sweet revenge.

Finally, we return to Vault 33. The vault is healing from the Raider attack and the loss of Lucy. Norm and Chet are being punished for letting Lucy leave, by being fired from their jobs. This throws Chet because he had a cool job.

Norm, on the other hand, didn’t like his job. He didn’t like any job. So, since this is the only way anyone gets punishments in the vault, he’s given the task of feeding the Raiders.

And talking to the Raiders was maybe not a healthy thing for Norm to be doing. He might learn something he didn’t want to know.

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What worked

The first thing I have to talk about is the massive creature called The Gulper.

This thing was fascinating. It was voracious, fast, and horrifying to look like. It was like a giant axolotl from Hell, with human fingers lining its whole mouth and throat. Why did it need fingers lining its mouth and throat? The better to drag someone down its throat and into its stomach. And the better to drag itself into my nightmares. This creature was well done.

The Gulper from Fallout.

On the flip side of this, I love the fact that the people of Vault 33 are so kind. They’re so willing to forgive, willing to care for their fellow man even when their fellow man is trying to kill them.

I don’t trust it, to be clear. But the perceived kindness from these people is uplifting. And I’m sure it will make whatever is going to eventually happen to them all the worse.

Of course, I can’t talk about the goodness of the vault dwellers without talking about the absolute horribleness of The Ghoul. The Ghoul is not a good person. He is cruel, and selfish, and clearly dislikes Lucy for some reason we do not yet know, and is probably not her fault.

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But we kind of understand how he got that way, don’t we? During the flashbacks, we see that he’s lost his wife and daughter. We also see that he was used as a mascot for the very company that created the vaults. And, while we don’t have any concrete proof yet, we can probably guess that these are not the good guys. Even if we haven’t played the games, anyone who’s even slightly genre-savvy can already guess that.

Which is the last thing I want to bring up here.

We know something stinks with the vaults. Something beyond the obvious issues of wealth disparities and the people left outside to die while those who could afford a Vault spot were saved. Something is rotten with the vaults, we all know this. What we don’t know is what form this rot will take.

Not yet.

What didn’t work

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Now, I wish I could say this was a perfect episode. But sadly, it wasn’t. And my biggest issue with the episode is with the character Maximus.

Now, I love Maximus. He wants to do good things in the world. He’s the underdog, and who doesn’t love that? He’s honorable and believes in the organization he belongs to.

I don’t love that he cannot do anything right. It feels like he wins fights by falling over and tripping into succeeding. And this character deserves so much more than that. Can we please, just once, see him be good at something or make a sound decision?

All that being said, this was still a fun episode. It was funny and bright, with an ominous feel and a horrific finger-ridden monster. I had a great time with it.

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4 out of 5 stars (4 / 5)

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