HMTL Recap and Review -Swamp Thing: S1E2 – “Worlds Apart”
It is regrettable that Swamp Thing was not renewed by DC Universe before the second episode aired. More to the point, it is regrettable that the show was not renewed, period. The second episode of Swamp Thing is a strong expansion of the pilot. Of course, it presents a great deal to chew on.
The Story so Far
There are two major plot-threads to track during this episode.
Abby and Alec
Reeling from the apparent death of Alec Holland, Dr. Abby Arcane continues her CDC work in Marais. The illness from the swamp is still spreading. Local police have also tied up a solid source of information by turning Alec’s lab into a crime scene.
She finds comfort with Liz Tremane and meets Liz’s partner, Margeaux. Abby and Liz then seek out potential leads for Alec’s information. Abby visits Avery Sunderland (Will Patton) in an attempt to gain access to the lab he funded for Alec’s research. Avery ultimately refuses to grant the CDC access to the research as it is all proprietary. However, he and Abby find some form of reconnection regarding the death of Avery’s daughter, Shawna.
Abby and Liz later make their way to the room that Alec rented from Daniel Cassidy (Ian Zierling). Cassidy is a former actor and video-store owner. Abby finds some video logs from Alec and watches them for evidence. Ultimately, she finds herself missing him. During this time, she learns that Susie has fled the hospital into the swamps.
Susie has a mysterious connection to the Swamp Thing and seeks him out in the swamp. However, she accidentally witnesses a game officer being murdered by two men hired to retrieve the mutagen dispersal devices. Fleeing from the particularly malicious of the pair, she is rescued by the Swamp Thing in a particularly brutal sequence.
Abby tracks down Susie who is with the Swamp Thing. On a boat with Matt Cable, Susie reveals to Abby that the Swamp Thing is frightened and alone. She also says his name is Alec.
A Family of Secrets
Regarding the Sunderlands, Maria (Virginia Madsen) consults Madame Xanadu (Jeryl Prescott) about the pain of losing her daughter. Maria has been dealing with it for years. Trying to help, Xanadu uses her powers to bring comfort. Yet, the balance of good and evil has shifted in the swamp. Xanadu warns Maria to move on from her pain. She does not, however. At the end of the episode, she is seen with a manifestation of the long-dead Shawna, in her bedroom.
Avery, meanwhile, is using his power in town to clean up the mess that came with the mutagen research. Concerned the research is responsible for the illnesses, he summons two of his consultants. These two are Caroline and Jason Woodrue (Selina Anduze and Kevin Durand). He tasks them, the inventors of the accelerant, to determine if the accelerant is at fault for the local illnesses.
What Stood Out
Swamp Thing’s second episode is a strong follow-up to the pilot that continues what works about the show. The show is all in when it comes to the mutilation and mutation of bodies both to and around the Swamp Thing. One particularly grizzly sequence features a psychic connection between Susie and the Swamp Thing. In shock and pain, he tears away chunks of his form, which Susie feels. Each tear is visceral and has amazing Foley work.
Relationships between characters are also developing at a solid pace, even as new characters are introduced. The scene between Abby and Avery is excellent and provides a genuine bit of catharsis with some menace. This week features Abby working with officer Matt Cable who is still very much nursing a flame for her, even after she left Marais. Naturally, there is some tension there that does not manifest at the most appropriate time.
The key relationship that develops here is, oddly enough, Abby and Alec. Abby doesn’t quite know how she felt about the rogue scientist, but the scene where she watches his video logs is incredibly sweet. It makes for a good way to keep Andy Bean on the show, even as Derek Mears takes over as the Swamp Thing.
The death of the man who was chasing after Susie is also incredibly gross and satisfying. With any luck, the show will be able to keep up that intensity throughout the remainder of the series.
Final Verdict on Swamp Thing
“Worlds Apart” serves to wrap up the basic narrative of the pilot episode in a very satisfying way. It also establishes the new normal of the show with the Swamp Thing quickly being introduced into the action as a violent and mysterious force. The show is also not being weighted down by questionably written relationship drama and instead, these characters are proving to be quite compelling.
The show is still quite dark, visually, and that could be a problem in the long run. We’ll see.
(4 / 5)
Deep Roots
Two particularly significant DC Comics connections appear this week in the form of Daniel Cassidy, also known as the Blue Devil. Jason Woodrue, also known as the Floronic Man, also makes his first appearance. How far the show is willing to go with their storylines remains to be seen, however. We are likely not going to see an empowered Daniel Cassidy, though wrapping up the season with the origins of the Floronic Man would make a lot of sense.
The show also presents a much different, more voodoo-oriented take on Madame Xanadu. They have also made her blind as well. Her scene with Maria Sunderland was a real treat, so this should be a great interpretation of the character, despite being outside of the comics wheelhouse.
Please continue to join us each week for the remaining episodes of DC Universe’s Swamp Thing.
To a lot of fans, this is the film that killed the franchise. It says a lot that the next installment is yet another retcon. Halloween VI: The Curse of Michael Myers attempts to explain Michael’s unrelenting evil, which lead to mixed opinions from longtime fans. There are two cuts of the film, theatrical vs producer’s. For a lot of people, the latter is the only one worth mentioning. Aiming to be as accurate as possible, I will be talking about the producer’s cut. Let’s begin!
Plot
We start Halloween VI with a six-year time jump from part five. Jamie is now barefoot and recently pregnant, running away from Michael as he wants her baby. While she manages to hide the little one away, Michael finally gets his hunger satiated by killing her. The moment is one of the most brutal ways in the franchise up until that point. Rest in peace, Jamie, you held your ground for as long as you could, the sequels were just too relentless.
The movie then cuts to a whole different scene going on. We have a new family living in the Myers house and their youngest child is hearing voices telling him to kill his loved ones. Tommy Lloyd is watching the family, played by none other than Paul Rudd in his first-ever theatrical role. Tommy still carries trauma from the events all those years ago when Laurie Strode was babysitting him. So when he finds Jamie’s baby, his part in the story becomes even more essential.
Dr Loomis also stars in what was Donald Pleasance’s final role before his passing. He and Tommy try to stop Michael once and for all before the cycle can repeat itself. As it turns out, Michael is a victim of a druid cult which makes him want to kill his family members every Halloween. Thorn, the cult in question, thinks they can control Michael and make him do their bidding. This results in catastrophe and Michael goes berzerk and kills all the cult members. Once again, it’s one of the most gruesome montages for the franchise up until that point.
Tommy and Kara are left to face Michael on their own which they manage to do with some corrosive liquid and good luck. However, nothing stays dead in this franchise as it’s soon revealed Michael somehow escaped and this time Dr Loomis might not be so lucky…
Overall thoughts
I would say for me personally Halloween VI definitely ranks somewhere near the bottom. The whole point of Michael is that there is no rhyme or reason to his killings and this film tries to go against that. I am glad the mistake was rectified by the upcoming installment. There were still some good things about it, such as Paul Rudd’s acting that reveals some raw talent as far as I’m concerned, as well as some direction choices and musical score. However, I also think it absolutely deserves all the criticism that it gets.
(2.5 / 5)
We’ve reached the final episode of American Horror Stories, season three. After the ups and downs of the season, I didn’t know what to expect. I felt that we were due a big finish, Killer Queens. But I feared we were in for a big letdown.
As it turns out, The Thing Under The Bed was neither.
The story
We begin our story with a little girl named Mary, who is scared of something under her bed. She sneaks out of her room, only to be caught by her father and sent back to sleep. And of course, there is something horrible waiting for her under her bed.
This scene cuts away to a woman named Jillian. She has strange dreams, including one about Mary. But her husband, Mark, doesn’t want to hear about it. He’s only interested in a little lovemaking because he wants a baby. Jillian doesn’t, which makes total sense because she’s already married to one. But her irritation with her childish husband goes away when he goes away. And by goes away, I mean he’s sloppily devoured by something vicious under their bed.
What worked
In short, this episode just worked. The acting was professional and believable. The cinematography and lighting work were wonderful, adding spooky effects and startling moments without impairing visibility.
Best of all, the story was solid. There were no plotholes to be found. Our main character, Jillian, was relatable and sympathetic.
This was maybe my favorite part of the story. I thought Jillian was a remarkably sympathetic character. She was dealt a hand she never asked for, having her husband slaughtered in their bedroom. I don’t think she missed him, so much as she was afraid of the legal ramifications of being caught with literal blood on her hands.
Then, when it would have been safest for her to just lay low and save up for a good defense attorney, she instead goes into unlikely hero mode. She does her best to save people, putting herself in legal and physical danger. It’s hard not to root for her.
It’s also a little hard not to root for the antagonist, too. I don’t want to ruin the twist for you, so I’m going to tread lightly here. But it’s great when you have an antagonist who might be off their rocker, but also maybe has a point.
What didn’t work
I can only really think of one complaint with this episode. And that is how frequently one character says the word Chickadee. And if you’ve seen the episode, you know what I am talking about.
I get it, he has a pet name for his daughter. It’s adorable. It’s meant to convey that the two of them have a healthy loving relationship and I get it. We all get it. Blind monks get it. But the fact remains that no parent on Earth calls their kid by their pet name every single time they speak an individual sentence to them. It was just too damn much.
All in all, this was a good episode. It was a classic story, turned on its head, told by professionals from start to finish. And I hope that if there is another season, we see more stories like this one. But after the efforts put into this season at large, I wouldn’t be surprised if this is the last we see of American Horror Stories.
(4 / 5)
If you’ve watched enough short-form horror anthology shows, you’ll notice that some stories are mainstays. Each show seems to put on the same sort of episodes, with the occasional surprising storyline that we’ve never (or at least rarely) seen before.
Leprechaun was an example of a repeated story—the story of a greedy thief whose punishment far outweighs the crime.
The story
We begin our story in 1841, with a drunk man leaving the bar one late night. He’s distracted by something glowing at the end of the well. When he reaches down for the glowing thing, he falls in. Moments later, he screams.
We then cut to the modern day. The well is still there, and now it’s surrounded by a dying town. In this town lives a young man named Colin. He’s married, his wife is pregnant, and he’s out of work. Like many of his friends.
Desperate for cash, Colin and his friends decide to rob a bank. They put together an Equate version of Ocean’s Eleven, and break in one night. But, of course, they find that the gold is nothing more than bait. And the creature waiting for them is something they never expected.
What worked
The first thing I want to point out is how real this episode felt. At least to anyone currently living in the same small town they grew up in. These characters felt like guys I went to school with. Guys I would see at the bar.
I appreciated the real anger and frustration these characters are feeling. Especially Colin. He’s bitter, and maybe he has a right to be. He did exactly what he was supposed to do to succeed. He went to school and invested in his career, and yet now he’s out of work and struggling to support his family. I probably don’t need to tell you how that feels. Because of this, we can all kind of understand why he was tempted to rob a bank.
I also want to talk about the fact that this was, as I said, an often-explored story. That can be a bad thing, but it can also be a good thing. This story is told over and over because it’s a good story. A relatable story. And there’s nothing wrong with that.
What didn’t work
That being said, this version didn’t try to do much to break out of the mold.
Because we have seen this story so many times, most of us could tell the story themselves. I would have expected something new, or some twist. But, in the end, the story didn’t bring anything new to the discussion.
Maybe because of this, the ending left a lot to be desired. Trapped in the basement of the bank, everyone just sort of stares at everyone else, until the thieves give up. And that’s it. The ending wasn’t scary, shocking, or funny. It was just sad, on multiple levels.
Overall, this was an okay story. It was entertaining, if not surprising. I would compare this episode to homemade macaroni and cheese. Everyone’s got their own version, they’re all pretty good, and none of them are exciting.
There’s just one episode left in this season of American Horror Stories. Let’s hope they’ve saved the best for last.
(3.5 / 5)
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