HMTL Recap and Review -Swamp Thing: S1E2 – “Worlds Apart”
It is regrettable that Swamp Thing was not renewed by DC Universe before the second episode aired. More to the point, it is regrettable that the show was not renewed, period. The second episode of Swamp Thing is a strong expansion of the pilot. Of course, it presents a great deal to chew on.
The Story so Far
There are two major plot-threads to track during this episode.
Abby and Alec
Reeling from the apparent death of Alec Holland, Dr. Abby Arcane continues her CDC work in Marais. The illness from the swamp is still spreading. Local police have also tied up a solid source of information by turning Alec’s lab into a crime scene.
She finds comfort with Liz Tremane and meets Liz’s partner, Margeaux. Abby and Liz then seek out potential leads for Alec’s information. Abby visits Avery Sunderland (Will Patton) in an attempt to gain access to the lab he funded for Alec’s research. Avery ultimately refuses to grant the CDC access to the research as it is all proprietary. However, he and Abby find some form of reconnection regarding the death of Avery’s daughter, Shawna.
Abby and Liz later make their way to the room that Alec rented from Daniel Cassidy (Ian Zierling). Cassidy is a former actor and video-store owner. Abby finds some video logs from Alec and watches them for evidence. Ultimately, she finds herself missing him. During this time, she learns that Susie has fled the hospital into the swamps.
Susie has a mysterious connection to the Swamp Thing and seeks him out in the swamp. However, she accidentally witnesses a game officer being murdered by two men hired to retrieve the mutagen dispersal devices. Fleeing from the particularly malicious of the pair, she is rescued by the Swamp Thing in a particularly brutal sequence.
Abby tracks down Susie who is with the Swamp Thing. On a boat with Matt Cable, Susie reveals to Abby that the Swamp Thing is frightened and alone. She also says his name is Alec.
A Family of Secrets
Regarding the Sunderlands, Maria (Virginia Madsen) consults Madame Xanadu (Jeryl Prescott) about the pain of losing her daughter. Maria has been dealing with it for years. Trying to help, Xanadu uses her powers to bring comfort. Yet, the balance of good and evil has shifted in the swamp. Xanadu warns Maria to move on from her pain. She does not, however. At the end of the episode, she is seen with a manifestation of the long-dead Shawna, in her bedroom.
Avery, meanwhile, is using his power in town to clean up the mess that came with the mutagen research. Concerned the research is responsible for the illnesses, he summons two of his consultants. These two are Caroline and Jason Woodrue (Selina Anduze and Kevin Durand). He tasks them, the inventors of the accelerant, to determine if the accelerant is at fault for the local illnesses.
What Stood Out
Swamp Thing’s second episode is a strong follow-up to the pilot that continues what works about the show. The show is all in when it comes to the mutilation and mutation of bodies both to and around the Swamp Thing. One particularly grizzly sequence features a psychic connection between Susie and the Swamp Thing. In shock and pain, he tears away chunks of his form, which Susie feels. Each tear is visceral and has amazing Foley work.
Relationships between characters are also developing at a solid pace, even as new characters are introduced. The scene between Abby and Avery is excellent and provides a genuine bit of catharsis with some menace. This week features Abby working with officer Matt Cable who is still very much nursing a flame for her, even after she left Marais. Naturally, there is some tension there that does not manifest at the most appropriate time.
The key relationship that develops here is, oddly enough, Abby and Alec. Abby doesn’t quite know how she felt about the rogue scientist, but the scene where she watches his video logs is incredibly sweet. It makes for a good way to keep Andy Bean on the show, even as Derek Mears takes over as the Swamp Thing.
The death of the man who was chasing after Susie is also incredibly gross and satisfying. With any luck, the show will be able to keep up that intensity throughout the remainder of the series.
Final Verdict on Swamp Thing
“Worlds Apart” serves to wrap up the basic narrative of the pilot episode in a very satisfying way. It also establishes the new normal of the show with the Swamp Thing quickly being introduced into the action as a violent and mysterious force. The show is also not being weighted down by questionably written relationship drama and instead, these characters are proving to be quite compelling.
The show is still quite dark, visually, and that could be a problem in the long run. We’ll see.
(4 / 5)
Deep Roots
Two particularly significant DC Comics connections appear this week in the form of Daniel Cassidy, also known as the Blue Devil. Jason Woodrue, also known as the Floronic Man, also makes his first appearance. How far the show is willing to go with their storylines remains to be seen, however. We are likely not going to see an empowered Daniel Cassidy, though wrapping up the season with the origins of the Floronic Man would make a lot of sense.
The show also presents a much different, more voodoo-oriented take on Madame Xanadu. They have also made her blind as well. Her scene with Maria Sunderland was a real treat, so this should be a great interpretation of the character, despite being outside of the comics wheelhouse.
Please continue to join us each week for the remaining episodes of DC Universe’s Swamp Thing.
Movies n TV
Returning to the Soothing World of Evil with “The Demon of Death”
“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King.
“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate the weight of a soul. Father Frank Ignatius (Wallace Shawn) agrees to participate in this test despite his growing disillusionment. David (Mike Colter) and Kristen (Katja Herbers) deal with the ramifications of their confessions. Kristen’s girls go on the warpath with Leland (Michael Emerson). Andy (Patrick Brammall) signs his death warrant.
What I Like about “The Demon of Death”
As season 2 ended with a cliffhanger, “The Demon of Death” picks back up with an interesting addition. The episode provides a more obvious stopping point that Season 2 should have taken advantage of. It dumbfounds me because this addition makes for a more interesting and darker cliffhanger. The added context would have made the cliffhanger more palatable. However, it’s a nice twist for the episode.
Dr. Boggs (Kurt Fuller) and Sister Andrea (Andrea Martin) make an interesting pair that adds complexity to both. We even explore some of Sister Andrea’s character flaws, best displayed by her interaction with Kristen in the next scene. Few wise sage characters that display flaws, making this addition appreciated.
Father Ignatius’ introduction adds layers of interest for a character who will play a recurring role, tying into Monsignor Korecki directly. The yet-to-be-explored relationship between Father Ignatius and Monsignor Korecki (Boris McGiver) evokes an interest.
While “The Demon of Death” isn’t a haunting episode, but explores the mysteries and terror of death through science to provide an interesting environment for an episode. It introduces a new character that adds to the cast.
Tired Tropes and Triggers
There’s not much to report here that particularly crosses the line and what teeters on the line holds a dark comedic tone.
Perhaps Sister Andrea’s flaw might rub some the wrong way, as it deals with her overwhelming faith. However, it’s a minor point at the moment. Again, I lean on liking some complexity for the wise sage archetype.
What I Dislike about “The Demon of Death”
“The Demon of Death” still plays it safe with its supernatural elements, but that does seem to be Evil’s standard. At this point of the series, it seems a strange restraint. However, the new normal remains functionally paranormal.
While the premiere starts with an interesting procedural plot, it doesn’t direct the season like prior premieres. This episode doesn’t deliver a massive refocus as season 2’s premiere, but that’s because its conclusion doesn’t deliver as focused of a direction. Regardless, “The Demon of Death” is still an episode that slips away despite its premiere status.
Ben (Aasif Mandvi) seems needlessly hostile as they investigate a soul’s potential weight. The study delivers a thorough scientific process, which makes his resistance linger on the “angry atheist” archetype.
The demon shown on screen certainly isn’t the demon of death the title suggests. While the plot revolves around the mystery of death, there is a demon with a more carnal domain. As future episodes dive into their respective demons, it does seem to be an inaccurate title. However, the demon of the episode will get further focus in a different episode.
Final Thoughts
“The Demon of Death” doesn’t stand out as a premiere but provides an interesting procedural episode. As Father Ignatius will become another key character in the series, giving him an entire episode to introduce him is a nice strategy. While it’s not a haunting episode, it still provides a level of camp with interesting characters to pull it off.
(3 / 5)
Released in 2010, Rare Exports asks an important holiday question. One that no one else has dared to ask.
What if Santa was a ten-story-tall monster buried under the ice for centuries?
The story
Rare Exports is the story of a little boy named Pietari. After doing what is frankly too much research for a little boy, he realizes that Santa is not the jolly old elf we all think of. He is, in fact, a monster who eats bad children. And it turns out that Santa was trapped in the ice near Pietari’s little town. All this would be well and good if a Russian mining team weren’t in the process of cutting him out of the ice. So it’s up to Pietari to convince everyone of the dark, horrific truth.
Santa Claus is coming to town.
What worked
Some movies need to make sense. Some don’t. Rare Exports is one of the latter.
Why were the Russians digging in the snow to find Santa? What was the plan there? What happened to Pietari’s mom? And who did they sell the elves to? Do the elves need air or water to live?
We don’t get answers to any of those questions. And frankly, we don’t need them to enjoy Rare Exports.
This is a wild story about a little boy who discovers that Santa is a mythical monster with a bunch of scrawny old men with big white beards to do his evil bidding and eats bad children who haven’t been beaten by their parents enough. What sort of explanation would help this story in any way?
I mean, we could pick apart why it’s suddenly legal to sell people, or at least mythical creatures that look like naked old men, or why this all happened right next to the only little kid who had the exact knowledge needed. But in the end, wouldn’t that be like asking how Santa gets into people’s homes when they don’t have fireplaces? Doesn’t that objective reasoning just piss on the Christmas magic?
What didn’t work
While Rare Exports was fun, there were parts that I did not appreciate. For one thing, there wasn’t a single woman or person of any color in this film. Literally not one. Not an extra, not in the background. This little Finnish town is populated entirely by white men. And yes, it is Finland and there isn’t a hugely diverse population. But it’s also 2010. People move. Also, women exist.
On the subject of seeing too many white men, we also saw too much of the white men. Specifically, we saw far too many old white male actors entirely nude. There was just no reason for this. These men were portraying elves. They didn’t have to be naked. If they were naked, they didn’t have to have, um, yule logs. Maybe elves are like Ken dolls. There were so many options that didn’t include so much old man wang.
Finally, I wish we’d seen Santa Claus. Not to spoil the ending, but he never actually emerges to attack anyone. And that feels like a cop-out. If we’re going to be teased the whole movie with this depiction of monster Santa, we should at least get to see monster Santa.
Though, after what they did with the elves, maybe it’s a blessing we didn’t see him.
In the end, Rare Exports was well worth watching. It was hilarious, creepy and bloody. And while it wasn’t perfect, it was a delightful holiday horror comedy.
(4 / 5)
Released in 2016, Christmas Crime Story is about a disastrous robbery on Christmas Eve, and all the many lives impacted by the selfish decisions of one person.
And then, suddenly, it isn’t. But we’ll get to that part.
The story
Christmas Crime Story is the tale of a Christmas Eve holdup gone wrong. We see the story from several points of view, starting with Chris, the detective first on the scene.
Chris is having a hard Christmas Eve. So, on his lunch break, he visits his mom at her diner. It appears that they have a contentious relationship. But nothing is solved in this quick visit.
Chris goes on to pull over a man speeding. When the man, named David, pulls over, Chris discovers something in the trunk. That something must have been pretty damn incriminating, because rather than open the trunk, David shoots him dead.
We then switch to David’s pov for the night. Then his girlfriend’s pov. Then, the man his girlfriend has been cheating on him with. And on and on we go, until we see how all of these different stories and people come together for a dark, sordid Christmas Eve.
What worked
The first thing I want to say about Christmas Crime Story is that it’s heartwarming. Like, to a fault, which we will be talking about.
The ending is very sweet, in a Christmasy sort of way. Families come together, people are filled with joy, and all is right in the world for almost everyone. Except for Lena, who deserves to have a bad Christmas, everyone gets a happy ending.
That brings me to my next point. The characters, mostly, are all deeply sympathetic. Even when David or James are killing people, you feel bad for them.
You don’t agree with what they’re doing, but you do feel bad.
You have to feel sympathetic for the man whose girlfriend hired a killer to merk him. Or the woman whose daughter has cancer. Or the guy who just can’t find work, even though he’s trying to make good decisions. You want things to work out for them. You want them to be okay. Even when they do terrible things.
Finally, I always love stories told from so many different points of view. It’s always fun to see a story unfold in a nonlinear way, but in a way that makes more and more sense as we get more points of view. It’s a hard thing to pull off, and I think Christmas Crime Story did it very well.
What didn’t work
Unfortunately, all of the sympathetic characters and clever storytelling methods in the world won’t save a story that doesn’t work. And Christmas Crime Story just does not work.
Let’s begin with the ending. The big twist near the end of the movie. I won’t spoil it, but you will for sure know it if you’ve seen the film. Or, if you waste your time watching the film.
As a rule, twists work when they make sense. Not when it feels like the writers threw up their hands and said, “Okay, but what if everything we just did for the last hour and fifteen minutes didn’t happen, and instead…”
This wasn’t clever. It wasn’t fun. It felt like the writers didn’t know how to end their movie and just decided to cheat.
Finally, I mentioned earlier that Christmas Crime Story was heartwarming. And yes, that is nice.
But is it maybe a little too heartwarming?
I mean, we have an adorable angel of a child with cancer. Her parents don’t have enough money for her treatment. We have two poor guys who are in love with a black-hearted woman. And we have a detective so sweet and kind that he makes you rethink ACAB. And, he’s about to get married to his pregnant girlfriend. And they’re naming the baby after his mom. And his name is literally Chris DeJesus. His mom’s name is Maggie DeJesus. I tried to think of a sillier less subtle name to use as a joke, and I literally couldn’t think of one.
They could have at least named him De La Cruz. That would be more subtle, and I still would have complained.
In the end, Christmas Crime Story just missed the mark. It came very close to being a good movie. But it focused too much on how it wanted you to feel, rather than telling a satisfying story that made sense. Much like that third glass of eggnog, it’s fun in the moment and regretful after. If you’re looking for a satisfying Christmas horror, I’d suggest looking elsewhere.
(2 / 5)
