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We have a new Shudder Original to cover this month with the release of Glorious (2022). Does the film live up to the name? Find out in our review below how the sticky restroom-set horror comedy lands.

Glorious (2022) Poster depicting Wes (Ryan Kwanten) with a severed leg amidst cosmic images
– Glorious _ Key Art – Photo Credit: Shudder

Glorious (2022)

Glorious, directed by Rebekah McKendry and written by Josuha Hull, David Ian McKendry, and Todd Rigney, follows a man named Wes after a particularly nasty breakup. After a series of drunken mishaps, he arrives at a rest stop. Soon he finds himself trapped in a men’s room with a mysterious stranger engaging him in conversation through a gloryhole. However, the conversation has cosmic consequences.

The film’s stars are Ryan Kwanten, J.K. Simmons, Tordy Clark, Sylvia Grace Crim, and André Lamar.

What worked with Glorious

The film is an excellent example of the fun that can be hand with Shudder’s Originals and Exclusives. This film wouldn’t have set box offices ablaze, but as a streaming offering, it works pretty well. The overall story is a neat blend of comedy, mystery, and Lovecraftian cosmic horror. It is a movie that can pivot from disturbing to funny several times within the same scene. The film’s two leads, Wes (Ryan Kwanten) and Ghat (J.K. Simmons), who spend most of the movie talking, carry it. A very dialogue-heavy film, moments of gore and surreal cosmic imagery punctuate Glorious. However, it balances the shocks with the dialogue well.

One of the great things about J.K. Simmons is that the man could read a phonebook, which everyone would hail as a stunning performance. Through Simmons’ voice acting, Ghat appears simultaneously charming and intimidating. Almost like a stern but loving uncle trying to guide Wes to do something significant. The balance of power switches periodically, but not significantly enough to give Wes any real agency in the story. This can be good or bad, depending on your interpretation.

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The other performances, brief though they are, are compelling. André Lamar gets the most to do as Gary, the unfortunate property manager of the rest stop. He delivers some fleeting fun moments. Sylvia Grace Crim, who plays Brenda, Wes’s object of affection, plays the haunting lover well enough. However, her role doesn’t offer much beyond that. She becomes the trope of the development of a traumatized male in horror. Tordy Clark’s mysterious Sharon has a brief scene full of mystery. Yet, it doesn’t seem overly important to the story. She just more or less shows that other people have been to the rest stop.

Technical Aspects

Visually, the movie does a great job of taking a rest-stop bathroom and giving it enough visual interest not to grow monotonous. David Matthews’ cinematography is admirable given the unusual scale of the film. Cramped when needed, imposingly open otherwise, and the strange, out-of-time paintings within the restroom give it a sense of the uncanny, especially where the cosmic gloryhole is concerned. The film has a lot of visual similarities to the Color Out of Space. Glorious is drenched in cosmic purple lighting from time to time.

The audio engineering was solid, giving Ghat an otherworldly quality, but the music didn’t stand out that much, generally leaning into weird, cosmic synth without doing anything notable.

A Still from the Upcoming Shudder streamer 'Glorious' (2022); Glorious (2022)
Wes (Ryan Kwanten) is in a sticky situation in a restroom.

What didn’t work with Glorious

The film’s structure does have some weak spots, and even at a meager runtime of 89 minutes (a rarity for movies these days), the film does feel longer than it needs to be. Glorious does drag as the single location features similar beats across different scenes; Ghat asks Wes to do something, Wes attempts to escape or refuses, and Wes gets punished. This loop makes up most of the film, and only with the introduction of property manager Gary for a single scene do we get a natural break in that loop until the end.

Glorious is a story that the team could have trimmed by 20 minutes. The film doesn’t quite overstay its welcome, but I often questioned when the story would progress after a certain point.

The film’s attempted shocking revelation about Wes does not really land. Hints to Wes’ true nature show up but end up too obscured or subtle for the “aha!” moment. Most of Wes’s character’s depth stems from Kwanten’s performance instead of the writing.

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While I think the cinematography overall was excellent, I did find two scenes featuring a space-level zoom-out to be a bit ridiculous and unnecessary. In a film that could benefit more from the subtext, the transparent nature of showing ‘cosmic implications’ felt downright silly.

Final Thoughts on Glorious (2022)

Glorious hits that sweet spot of Shudder Originals and Exclusives where interesting, fun horror films are given a chance to shine on an enthusiast’s platform. It is one of those films where horror fans can appreciate them for what they are as opposed to struggling at the box office. Glorious is not the best of Shudder’s offerings, but it is a lot of fun with two solid performances and a nice pairing of gore and comedy wrapped up in a Lovecraftian shell. 3.5 out of 5 stars (3.5 / 5)

Movies n TV

Suburban Screams, The Bunny Man

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Someone is stalking the children of Fairfax, Virginia. He comes bearing an axe. He comes from the forest. He comes in the night.

He comes dressed as a bunny.

The story

In the 1970s, the sleepy town of Fairfax Virginia was menaced by a man dressed as a rabbit. He stalked kids and teens with an axe while they were playing in the woods, or ‘parking’. Children were cautioned to not play outside after dark. Parents were terrified. The whole community was rocked by the horrific killer who, well, didn’t kill anybody. And who might have been a whole bunch of people inspired by a truly sad tale?

Still from Suburban Screams The Bunny Man.

The story begins a hundred years earlier. A man whose name is lost to time is accused of stealing a cow. For this crime, he’s sentenced to death because things were a lot tougher back then. The man escaped but swore vengeance on the town. A few days later several children were found hanging from a bridge underpass, butchered and hung as though they were slaughtered rabbits.

What worked

The biggest thing to love about this episode, the one thing that sets it apart from the rest of the season, was the presence of Historian Cindy Burke. Finally, we have an actual professional talking about one of these stories. Yes, there are still first-hand accounts. But that is how these sorts of stories work best. We have the emotional retelling of evocative survivors. But we also have a professional who is emotionally separated from the situation backing up these stories with historical knowledge.

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This wouldn’t have mattered as much in any other setting. But Suburban Screams has been clear from the start that it wants to be seen as a documentary. This is supposed to be real. And if you’re going to claim that your ghost story is real, bring receipts. As many as you can.

If we’d seen more historians, detectives, and police reports through this series, it probably wouldn’t have the bad rating it does on IMDB.

What didn’t work

Well, it might still have had a bad rating. Because the acting in this episode was, for lack of a stronger word, terrible.

I don’t know if it was the directing, the casting, or just a weak talent budget. But not a single person except for the man playing the Bunny Man could act in any of these dramatic reenactment scenes.

The worst offender was probably the child playing Ed’s childhood friend. This character was way overacted. It’s as though the child had seen a parody of how little boys behave, and was told to act like that. As this was a little boy, he was likely a bit embarrassed.

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And I know, I’m trash-talking a child actor. I’m trash-talking all of the children actors in this episode. But children can act. There are lots of examples of kids doing great acting jobs. Stranger Things is an obvious example. Violent Night is another. The kid can act. These kids couldn’t act.

Is it true?

Unlike most of the other episodes in this series, The Bunny Man is a story I’ve heard before. It is a legitimate urban legend that blossomed from a few firsthand accounts of madmen doing scary things dressed as rabbits in Fairfax County, West Virginia. These events probably inspired others to do stupid things like dress up like a rabbit and run around with an ax. Much like the people who decided to dress up like clowns and scare the hell out of people across the country in 2016.

So, yes, the Bunny Man is very much real. He’s real in the hearts and minds of pranksters and West Virginia frat boys. And he is based on some very real, very upsetting, actual events.

I honestly wish the whole season of Suburban Screams had been exactly like this. Filled with facts, first-hand accounts, and proof of scary events. This was everything I wanted in a supernatural/true crime story. So if you’re giving the rest of the season a pass, I would suggest watching this episode.

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4 out of 5 stars (4 / 5)

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Movies n TV

The Girl in the Trunk (2024): A Tense Danish Horror-Thriller Led by Katharina Sporrer

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If you grew up in the 90s you will know one thing–ol’ Jimbo used to have ‘trunk rides’ through the north woods with people in various states of drink screaming for more. This Girl in the Trunk movie is a different type of screaming in the film and in the audience.

The premise at first glance is simple–a terrifying snatch and grab kidnapping. The modern day twist with cell phones, cell reroutes, and trunk escape buttons all come into play with just enough realism to have you wonder if this could happen to you.

The strengths of this contained thriller fall squarely on the shoulders of Katharina Sporrer, who carries the film with such abandon that I’m pretty sure she’s in traction as I type this with an overstrained back. Make no mistake — this Danish horror-thriller works because of Katharina. The end. Not the writing. Not the direction from Jonas Kvist Jensen. Not the edits. It’s her film and she does marvels with walking the tightrope of victim and vengeance as the thriller girl.

What Worked

This movie is a weird catch. What works is one actor. That’s it. Really. Katharina does a lot with little and this is something that can stand out in movies grand and small, especially in an understated Danish horror movie.

I did enjoy the filming style and the thoughts of a low budget gripping thriller. It goes to show that with a talented person you can make a movie with very little set switches, without many effects, and without multiple casts members feeding off each other. All you need is a good basic story of abduction of girl in a trunk–some solid tense pacing–and one amazing actress like Katharina. The rest of the magic is just getting out of your movie’s way.

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I think this is what works the best: The movie doesn’t sabotage itself. It knows its limits. It knows its strength and it plays to that strength.

Make no mistake — this film works because of Katharina. The end. Not the writing. Not the direction. Not the edits. It’s her film and she does marvels with walking the tightrope of victim and vengeance. Jim Phoenix on The Girl in the trunk

What Didn’t Work

When I saw this screener pop into my box, I knew there was just something about the setup I wanted to see play out. This could have gone extremely bad–but because of Katharina’s presence it swerves out of the ditch and into cinema gold.

I am not sure if this movie works only because of her acting, but I know it doesn’t work without her. The other cast members seem out of place–clunky at times. Some of the writing is a level of bizarre ‘I call bullshit’ that I haven’t seen this side of film school.

With that said, there really isn’t much of anyone else in the film for most of this mysterious true crime style film. This seems to work to its advantage, as we focus on the painful consequences for the kidnapped girl in the desert heat, with no bystander to help as she suffers heat exhaustion, bites, mental and emotional abuse, and deep uncertainty all in a very tiny trunk.

Final Verdict of The Girl in the Trunk:

The Girl in the Trunk is a story we’ve heard before, and sometimes in better ways. However, this film is worth the stream. The runtime is tight, the pacing works well, and, as I stated before, Katharina is an amazing actress who pulls this entire thing off. Almost on her acting alone, I give this 4 out of 5 Cthulhu.

4 out of 5 stars (4 / 5)

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Dark Deviations: A Halloween Episode in May

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Smiling Friendsfirst Halloween episode aired in January 2022, so this May release isn’t completely out of character. The much anticipated second season of the bizarre Adult Swim show has, as of June 5,2024, delivered five intriguing stories about geometrically-distorted beings and blob-shaped humans. Episode four, “Erm, the Boss Finds Love?” is a truly terrifying sight to behold.

A Mission to Make the Boss Smile

Smiling Friends is a small company whose mission is to make anyone and everyone smile, per the customer’s request. Each episode consists of various missions the four main characters, Allan, Glep, Pim and Charlie, must accomplish. These tasks can range from saving the career of a homicidal frog to finding true love for a reclusive shrimp. Season two episode four’s dilemma is to save the Boss, a charismatic, unnaturally proportioned man and Smiling Friends’ CEO. We rarely get a glimpse into the Boss’ personal life, but now we are invited to his wedding, where he is marrying none other than Satan’s daughter, Brittney.

The Smiling Friends main cast at the Boss's wedding.
(Left to right) Allan, Glep, Pim, Charlie and a new friend at the Boss’ wedding.

Naturally, marrying Satan’s daughter comes with some major consequences, the biggest of which is losing all free will. Brittney has completely possessed the Boss and transformed the Smiling Friends business into Brittney’s Beautiful Demonic Flowers. It is up to the smiling friends must find a way to save their jobs and creepy, beloved employer.

The Scariest Smiling Friends Mission

“Erm, the Boss Gets Married” is one of the scariest episodes in the series. There are jump scares, Brittney’s hellish face is even worse when she smiles. The animation is enthralling, terrifying and hilarious. Creators Zach Hadel and Michael Cusack went out of the box for this Halloween special and were especially creative with the journey to the Boss’ exorcism. Britney’s screechy demise is abrupt, as most endings in Smiling Friends are. The show is wholly unhinged, and the final lines come from Pim shouting, “HAPPY HALLOWEEN EVERYBODY!!!!”

While the plot is similar to South Park‘s season three episode “Succubus,” this Smiling Friends episode still upholds its own uniqueness and is fun to watch. Stick around after the credits, and you will see a delightful scene: the Boss in the middle of a screaming match with his ex-father-in-law, Satan, over their personal property in hell.

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The Verdict

“Erm, the Boss Finds Love?” is a ridiculous May Halloween special that keeps the audience on their toes. It is one of the scarier episodes in the season. The creators have a knack for illustrating uncomfortable-looking characters and complicating the simplest of storylines. It would be exciting for Smiling Friends to do more than just one horror themed episode per season, especially with how good Hadel and Cusack are at creating terrifying creatures. However, since the seasons are short, these special holiday episodes are a fun once-a-year treat. The show is already weird and scary enough; it would be overkill if they did too many spooky specials.

(That said, if the Smiling Friends creators ever decided to make an entirely new horror animated series, I would be first in line to watch the entire thing.)

“Erm, the Boss Finds Love?” earns 4.5 out of 5 cthulhu. 4.5 out of 5 stars (4.5 / 5)

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