SKINWALKER: THE HOWL OF THE ROUGAROU-Down by the crawdads of the bayou waters in Louisiana lives a dark and fearsome monster…er, well, maybe. He could be there to take your blood because of his abysmal curse…or just, like, ask for his stuff back. He could be there to hunt you down in the dead of night, deep in the deserted swamps of the South…or maybe he’s just there to knock on your door and stare at you for a while.
Whatever his reason and rhyme, we know one thing – he is the new subject of Seth Breedlove’s Small Town Monsters series, SKINWALKER: THE HOWL OF THE ROUGAROU.
And I am thrilled to officially be “That Guy” of our website: I am gleefully the “Small Town Monsters Guy”. (Takes a very awkward bow) I know this because I was the first go-to of our boss who barely remembers my name, let alone my area of the horror genre I typically haunt. So, when he sent me the screener and said, “knock yourself out”, well…it’s already on my business card, let’s say.
SKINWALKER: THE HOWL OF THE ROUGAROU – The Plot:
We head back to the typical Small Town Monsters set-up, focusing on the state of Louisiana and its history, hopping into small pockets of Americana along the way. The story of the ROUGAROU comes from a blend of legends from Native American and French settlers (ahem, not so unlike our folklore up here in Detroit). It tells of a story of a half-man, half-wolf…and that’s about as consistent as it gets.
From there, they branch into different variations, including local legends, personal anecdotes, and archetypal themes of the monster. In one of the eye-witness reports, she had collected some Native American artifacts and the ROUGAROU visited her at night to politely ask her to return them.
Another spoke of being babysat and the creature knocking on the door and stepping inside the house to just kinda…stare at everyone for a few minutes before leaving.
Others talk about the ROUGAROU asking people to hurt it to break the curse…
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Honestly, I feel bad for it. I kinda like it. It’s basically a very large EEK! The Cat. There’s really no account of it actually hurting anybody. There’s one account where it might have been headless (?) and scared some kids, but even in the documentary, they basically admit, “Eh, the Bayou is full of weird monsters and stuff, it could have been something else.”
The ROUGAROU just needs some friends, I think.
Thoughts:
THIS. THIS, my friends, is my Small Town Monsters jam. It checked my boxes. The effects were good (creature design was way creepier than my goofy drawings would suggest). There were still STM staples throughout, including colorful local characters and stories, local histories, art of the creature, and beloved Lyle Blackburn as narrator.
It somewhat veered away from the ROUGAROU story towards the middle with some ghost stories and other creatures of the area, but brought it back together again nicely (honestly, those could have been cut for better flow, but it wasn’t a big deal).
But in entirety, SKINWALKER was sweet and full of heart and full of amazing shots of the area and its people.
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Brainroll Juice:
I’ve said it before and I’ll say it again since I’m here and you’re here – Breedlove has a special knack at capturing a visual love letter to Americana via cryptids. Seriously, from the beginning and throughout, the real story of SKINWALKER: THE HOWL OF THE ROUGAROU isn’t so much the ROUGAROU, but the state and its people. It’s about the levees. It’s about the literal foundation of Louisiana and its people, both Native and settled. It’s about change, both climate and culturally.
He has an incredible talent at focusing on this without any hint of exploitation. He does this out of love and tremendous care; and it shows in each movie, and SKINWALKER is no different. The true message isn’t about a monster, but about community and supporting these small pockets of America. And what a beautiful message that is.
SKINWALKER: THE HOWL OF THE ROUGAROU – Bottomline:
A fantastic addition to the Small Town Monster Series and full of great campfire stories of the bayou werewolf who may or may not politely knock on your door to stare at you.
(4.5 / 5)
Skinwalker: The Howl of the Rougarou will be available to purchase or rent on September 14th on a number of platforms from 1091 Pictures, including iTunes, Amazon Prime Video, Vudu and FandangoNOW. Small Town Monsters will also release a special edition Blu-ray ($18.99) and DVD ($14.99) from their official store.
When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason.
Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.
Episode two of Dexter, Original Sin, was just as wonderful as the first. As a long-time Dexter fan, I find it added so much to the background of the story. And if you’re a new fan, I promise you won’t feel left behind.
The story
At the start of our episode, Dexter is learning the ropes of his new internship at Miami Metro. He’s getting a little hazing but is learning how to fit in.
Especially when he starts digging into the old files and finding new playmates for his Dark Passenger.
Meanwhile, Deb is struggling. She feels underappreciated and ignored at home. So, she decides to steal some jewelry from around the house for some quick spending money. Having little in the house in the way of jewelry, she happens upon a pair of earrings in Dexter’s room.
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Nurse Mary’s earrings, to be specific.
And finally, in what will probably be the storyline for the series, a little boy is kidnapped. While he looks like a victim from the first episode of Dexter, or at least dressed in the same school uniforms, we soon find out that he’s the son of a judge. And his kidnapping might have something to do with the death of Dexter’s biological mother.
What worked
I’ve often complained about slow episodes in a TV season or mini-series. The episodes that just don’t have anything going for them. The episodes that are needed to set up the story, but otherwise are kind of dull.
This is an example of that sort of episode done well. It is true that there were no murders in this episode. There was only one dead body, and it was already dead when we got there.
But that didn’t mean the episode was uninteresting. There was character development. There was comedy. And most importantly, it had a storyline that had a satisfying conclusion. Specifically, Deb stealing Dexter’s trophy earrings and trying to sell them.
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This little storyline worked on so many levels. One, it heightens tension because we know those earrings can lead the police to Dexter for the murder of Nurse Mary. Two, it shows how frustrated Deb is with her life and how far she will go to have a little fun. Three, it shows how far she won’t go when she refuses to sell her mother’s pearls. And four, it gives us a satisfying beginning, middle, and end of a story while we’re doing the necessary work of laying a foundation for the rest of the series. This was a masterclass in subplots.
I also want to point out that, so far, this series works by itself as much as it works as a prequel. I would watch Dexter Original Sin if I’d never heard the name Dexter Morgan before. And while it certainly benefits from its predecessors, it isn’t only relying on that.
What didn’t work
All that being said, I’m afraid there is still one glaring issue with this series. I hate Gellar’s character.
Yes, I am biased. But hear me out.
Tanya is supposed to be Dexter’s mentor. She got him the job as a paid intern. It would stand to reason that she did that because she wanted to take him under her wing. And yes, I am aware that a certain kind of teacher likes to knock their students down a peg or two. But she seems more interested in proving what a Strong Female she is to this college student than actually teaching him.
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And frankly, this is some of the most sexist stuff I’ve ever seen on Dexter. This show has a long history of being pretty good about gender relations. It passes the Bechdel test. All of the female characters have flaws, strengths, and personalities. It’s almost like they’re, gasp, real people. None of them have been the girl hero with no personality other than being the Strong Female until Tanya was introduced. And given how similar she is to Buffy, and how unlike the rest of the cast this character is, I sense some meddling from Gellar herself.
Do better.
I am so pumped for the rest of this mini series. It is clear that everyone working on this series, except Gellar, are huge fans of the original show. Everyone is going a great job, the story is great, and I cannot wait to see what happens next.
A24‘s chilling religious horror film, Heretic, arrived in theatres this November, forcing viewers to confront the unsettling line between faith and doubt. Directed by Scott Beck and Bryan Woods, this edge-of-your-seat thriller will leave audiences deeply disturbed as Sister Barnes (Sophie Thatcher) and Sister Paxton (Chloe East) pass over the threshold of Mr. Reed’s (Hugh Grant) home where they undergo a terrifying experience that shatters their beliefs.
The Plot.
Sister Barnes and Sister Paxton are Mormon missionaries for The Church of Jesus Christ of Latter-day Saints. As the opening scenes roll they are visiting houses in an unnamed, rural Colorado town. These houses are from a list of people who have shown interest in joining the church. After being rejected and ignored several times, they arrive at the door on Mr. Reed, a pleasant gentleman who invites them in the discuss the church, promising his wife is home in the kitchen to put the Sister’s minds at ease.
Welcoming the women to sit in his living room, Mr. Reed initiates what amounts to be an awkward conversation, questioning the faith of the missionaries. Sensing that something is amiss, with Mr. Reed’s wife still not coming to meet them and a storm brewing outside, the women decide it is time to leave. Sneaking to the front door when Mr. Reed leaves the room they find the front door locked, and the only way out is to go deeper into the strange house.
Highlights.
I have never really understood the appeal of Hugh Grant. I found him lackluster in Love Actually and just plain annoying in Bridget Jones’s Diary. After watching Heretic though I think the problem is that his career focus has been on the wrong genre. Hugh Grant is terrifying, but not in the conventional sense, in the creepy religious uncle that you only see on Boxing Day sense. It might be in the jerky way Mr. Reed walks, or the near-whispered dialogue throughout the movie. Also, whoever put Mr. Reed in those glasses is a genius, they give chilling Jeffrey Dahmer vibes.
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I must also note the intense monologues that Hugh Grant delivers in Heretic. It is hard to take your eyes off him. The ideas and theories that are presented are not unknown and rather convincing. I was surprised to find myself nodding in agreement with an obviously deranged and hostile character.
Drawbacks.
It is hard to explain the main drawback of this movie without spoiling the ending, but let me try. The explanation and big reveal at the end of Heretic was a bit… on the nose. I just couldn’t hitch myself to that wagon. I understand what the writer was trying to say. That there are people who have such strong faith that they are willing to give up their lives to prove the belief true. It is the way this is presented in the plot however… I didn’t like it and wonder if there might have been another way to present this idea.
The Final Take.
Ahh, how I loved this movie. Never mind National Lampoon’s Christmas Vacation, Krampus or Die Hard, Heretic is my new favorite Christmas film. There is nothing more to be said.
“The Demon of Death” is the season 3 premiere of the supernatural dramaEvil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.
The assessors investigate the weight of a soul. Father Frank Ignatius (Wallace Shawn) agrees to participate in this test despite his growing disillusionment. David (Mike Colter) and Kristen (Katja Herbers) deal with the ramifications of their confessions. Kristen’s girls go on the warpath with Leland (Michael Emerson). Andy (Patrick Brammall) signs his death warrant.
Evil Season 3 Cover
What I Like about “The Demon of Death”
As season 2 ended with a cliffhanger, “The Demon of Death” picks back up with an interesting addition. The episode provides a more obvious stopping point that Season 2 should have taken advantage of. It dumbfounds me because this addition makes for a more interesting and darker cliffhanger. The added context would have made the cliffhanger more palatable. However, it’s a nice twist for the episode.
Dr. Boggs (Kurt Fuller) and Sister Andrea (Andrea Martin) make an interesting pair that adds complexity to both. We even explore some of Sister Andrea’s character flaws, best displayed by her interaction with Kristen in the next scene. Few wise sage characters that display flaws, making this addition appreciated.
Father Ignatius’ introduction adds layers of interest for a character who will play a recurring role, tying into Monsignor Korecki directly. The yet-to-be-explored relationship between Father Ignatius and Monsignor Korecki (Boris McGiver) evokes an interest.
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While “The Demon of Death” isn’t a haunting episode, but explores the mysteries and terror of death through science to provide an interesting environment for an episode. It introduces a new character that adds to the cast.
Disclaimer Kimberley Web Design
Tired Tropes and Triggers
There’s not much to report here that particularly crosses the line and what teeters on the line holds a dark comedic tone.
Perhaps Sister Andrea’s flaw might rub some the wrong way, as it deals with her overwhelming faith. However, it’s a minor point at the moment. Again, I lean on liking some complexity for the wise sage archetype.
A Nun and a Therapist Discuss Certainty
What I Dislike about “The Demon of Death”
“The Demon of Death” still plays it safe with its supernatural elements, but that does seem to be Evil’s standard. At this point of the series, it seems a strange restraint. However, the new normal remains functionally paranormal.
While the premiere starts with an interesting procedural plot, it doesn’t direct the season like prior premieres. This episode doesn’t deliver a massive refocus as season 2’s premiere, but that’s because its conclusion doesn’t deliver as focused of a direction. Regardless, “The Demon of Death” is still an episode that slips away despite its premiere status.
Ben (Aasif Mandvi) seems needlessly hostile as they investigate a soul’s potential weight. The study delivers a thorough scientific process, which makes his resistance linger on the “angry atheist” archetype.
The demon shown on screen certainly isn’t the demon of death the title suggests. While the plot revolves around the mystery of death, there is a demon with a more carnal domain. As future episodes dive into their respective demons, it does seem to be an inaccurate title. However, the demon of the episode will get further focus in a different episode.
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Final Thoughts
“The Demon of Death” doesn’t stand out as a premiere but provides an interesting procedural episode. As Father Ignatius will become another key character in the series, giving him an entire episode to introduce him is a nice strategy. While it’s not a haunting episode, it still provides a level of camp with interesting characters to pull it off. (3 / 5)
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