Disclaimer: While I am not myself Pagan I have the utmost respect for those of these faiths. I have known several pagans in my professional and personal life and been honored to count them among my friends. The depiction of the Pagan faith in this season of Sabrina does not reflect my experiences with it at all and is, frankly, insulting. That being said, Sabrina is a work of fiction and I will attempt to review it as such.
This episode of Netflix’s Chilling Adventures of Sabrina had a little bit of an American Horror Story, Roanoke vibe. At least, it felt like that’s what they were trying for. It missed the mark, but at least it felt like they were trying to be more chilling.
Sabrina is trying to help her coven, by finding a new source for their magic. She’s the queen of Hell, after all, she should be able to figure out something. But when she discusses the matter with Lilith, she finds out that the witch’s powers come from Lucifer being an angel. They’re not demonic at all.
As it turns out, there happens to be a trapped angel at Dorian’s bar.
While Sabrina is draining an angel of his blood, her mortal friends are being awful smart and awful stupid all at the same time. Harvey wakes up to find that his dad spent the night with the snake dancer from the carnival. He’s on the ball, and realizes right off that this isn’t some booty call; she’s after something that probably spells trouble. Clever Harvey. So he, Ros and Theo decide to go to the carnival to investigate.
I think they forgot that Ros isn’t a witch and that magic is nothing to mess with if you don’t know what you’re doing. And they really, really don’t know what they’re doing. Ros is attacked in the tent of the snake dancer, and the others finally realize this is way above their pay grade. So Harvey goes to find Sabrina.
Sabrina is having enough trouble on her own, though. She’s brought back the angel blood and Aunt Helga has devised a way to use it to bring back the coven’s powers. They plan to do a moon bath, right after they celebrate the Hare Moon.
Of course, nothing can be that easy. Nick is losing his mind completely. He cannot get over having Lucifer inside of him. He’s drinking too much, doing drugs. Visiting sex demons, which was a scene I didn’t want to see. This all leads to him and Sabrina having a nasty fight. Maybe it’s because I’m a little older, and my teenage years are two decades behind me. But I never felt more in touch with a character as I did with Aunt Zelda when she responded to Nick’s attitude problem. “I detest teen angst.”
This episode was pretty infuriating, setting aside my feelings about how the Pagan faith was treated. My biggest issue (aside from that) was that everyone took turns with the selfish/martyr ball this episode. Aunt Zelda is angry at Sabrina for becoming the queen of Hell, and she’s mad at Aunt Hilda for getting married. She’s feeling left behind without the support of her family, but it’s not like she’s ever thought about how her actions impacted them. So I’m not feeling too sympathetic.
Sabrina is, as ever, in her own little happy go lucky world. She doesn’t understand why Nick hasn’t just gotten over his trauma. Because it’s, you know, trauma. And it’s not like she’s ever taken a beat to try to deal with her issues. Someday the dam is going to break in her mind and all these legit traumatic things she’s experienced are going to spill all over. So, of course, she doesn’t understand how Nick’s feeling right now.
In my opinion, though, the worst villain in this episode was Aunt Hilda.
I know, she’s usually my hands down favorite character. But she did something selfish here.
Harvey comes to Sabrina, to tell her that Ros is sick. Ros is Sabrina’s best friend. For sure Sabrina would have dropped everything to go save Ros. And I’m willing to bet that a witch at half power is probably still going to do more than two mortal boys who have no idea what the hell they’re doing. Helga and Sabrina could have gotten there, saved Ros and then headed out to the moon bath after.
They didn’t, though. And for once it wasn’t Sabrina’s fault. Helga way underplayed the severity of the situation, and I am convinced she’s too damn smart to have done it on purpose.
I’m hoping this season starts turning around. It’s going to take a lot to get over my current disappointment and fury.
Let’s end this on a good note, though. There was a song in this episode, but it made sense. Music is often part of rituals, and this one fits in well. So, they had that going for them at least.(2 / 5)
Most true crime content includes a dramatic courtroom scene. Two dashing lawyers face off, defending their clients no matter how gruesome their crimes were.
While there was a courtroom scene, it wasn’t exactly what I expected. It’s something that, again, I don’t think I’ve seen before.
As the title would suggest, most of this episode was from Lionel Dahmer’s point of view. And Lionel, it should go without saying, is not in a great place right now. His son, who he loves, is in a hell of a lot of trouble. And Lionel is doing his best to make this whole mess not his fault.
The fault, as far as he’s concerned, lies with Joyce. It should be no surprise to anyone that Joyce doesn’t agree. She’s been doing her best to distance herself as much as possible from her oldest son and former husband as possible.
This doesn’t work, as reporters find and hound her just the same.
With Jeff in jail, an angry population doesn’t have anyone to turn their anger on, except Jeff’s family. And they are all getting harassed. Jeff’s grandma, suffering from dementia, is having her home raided by the police. People are coming forward, claiming to be Jeff’s friends from childhood. We know that’s a like, Jeff didn’t have any friends. Accusations are flying against Lionel, that he sexually abused Jeff when he was a little boy.
All in all, it’s hard to not feel bad for the Dahmers. Yeah, they were bad parents. They made some pretty serious mistakes. But honestly, no more than lots of parents. And most people don’t go on cannibalistic murder sprees.
Now, to the court scene. Honestly, this was so hard to watch.
Dahmer’s attorney tried to convince him that he can plead insanity like Ed Gein. On the off chance you don’t know who Ed Gein is, he’s the notorious serial killer who inspired both Norman Bates and the Texas Chainsaw Massacre. He killed women who resembled his mother, cut them up, and did stuff to them. And yes, just like it says in this episode when he was caught he sold himself out for an apple pie with a slice of cheddar cheese on top.
Gein spent the rest of his life in a mental ward, and Lionel would like to see the same for Jeff. It’s hard to argue with him.
But that argument fails. And before sentencing, the families of the victims are allowed to speak.
They have a lot to say.
This is what I meant when I said the courtroom scenes were unusual. We saw non of the actual trial, it was hopped right over. This is normally a dramatic moment in true crime shows. Instead, we see the impact that these murders had. Dahmer’s actions destroyed his family. He destroyed the families of the people he killed.
There is so much collateral damage when a life is lost. And that, I think, is what this episode is truly about. The extensive, heartbreaking collateral damage of Jeff Dahmer.
With Dahmer sentenced to fifteen life sentences, I’m honestly not sure how we still have two episodes to go. One I could understand, but two seems a bit much. I’m hoping that the creators have some additional chapters of the story that we haven’t yet explored.
I guess we’ll have to see.(3.5 / 5)
“The Menu” Gives Us A Bloody Good Time
Writers Seth Reiss and Will Tracy have outdone themselves with the plot of “The Menu.” Spoilers ahead!
Tyler and Margot are attending a high-class restaurant located on a remote island for the meal of a lifetime. This meal comes at a steep cost: thousands of dollars ($1,250 a plate to be exact) as well as possibly your life. Those who attend the dinner at Hawthorne are the type who frequently ask: “Do you know who I am?”
Chef Julian does not care who you are, and after years of serving the privileged elite, he has had enough. Julian commands his chefs and the room with a loud clap, his chefs answering him in tandem with a bone-chilling “yes, chef.” Ralph Fiennes as Julian gives a shiveringly scary performance. Julian commands the space as well as everyone in it and Ralph Fiennes is dastardly, dark, and daunting.
Chef Julian’s sidekick is creepy herself, doing his bidding just as the other chefs do. Female subservience is addressed through this side character as well as sous chef Catherine, who created one of the courses that is served to the guests.
This course is introduced by Catherine telling the story of how Chef Julian tried to have sexual relations with her. When she denied him, he refused to look at her in the eye anymore. Before Catherine serves her dish, she stabs Julian with scissors in the thigh, getting revenge for his behavior. Julian acts none the wiser, pulling the scissors from his thigh before serving the diners the hunk of meat with the same kind of scissors plunged into it.
Everyone obeys Chef Julian except for Margot. Women and men in the room accept that this is their last night alive, not protesting too hard or trying to escape. Margot is the only fighter. Perhaps this is why she escapes.
In a world where we have seen a rise in slasher films, The Menu lives in a place between darkly satirical horror and a slasher film.
The Menu is whip smart, remarking on our class system, displaying those who can afford a $1,250 a plate meal on a remote island against the thought of the character of Margot. Margot is revealed halfway through the film to have been a sex worker, hired by Tyler to attend the dinner. His girlfriend, the original intended guest, had broken up with him and Tyler knew that there was never a table for one at Hawthorne.
Tyler knew everyone would die at the meal, yet still involved Margot, an innocent bystander who turns out to be the only one that makes it out alive. Chef Julian does this as it is clear he believes Tyler tainted his final menu experience by not bringing the guest who RSVP’d.
Tyler gets what is coming to him in the end. He comments on each course in mostly negative ways and snaps photos (which was expressly forbidden). Chef Julian asks Tyler to make him a meal since he knows so much more than anyone about cuisine. When Tyler’s meal doesn’t live up to Chef’s expectations, he is killed.
Margot is juxtaposed with the famous and rich at the dinner who can afford such an experience while she is being paid to attend. The film remarks on the lavish actions of the rich in the movie versus those who may not know where their next meal will come from.
The food that the film shows is gorgeous and conceptual, Chef Julian giving backstory to each dish. The film is the darkest version of Hell’s Kitchen I’ve ever seen. As a foodie and a horror lover, this film touched on all my favorite genres. It was deep, had something to say, and screamed it at the top of its lungs.
I respect the filmmakers and writers of this movie as it was compelling, engrossing, and kept me guessing, all while remarking on important social themes.(5 / 5)
Episode seven of Netflix’s Dahmer brings the spotlight, finally, to the hero of our story. Glenda Cleveland.
Glenda was Jeff’s neighbor. And honestly, I can’t think of a worse neighbor. A horrific stench is always coming from his apartment. He has people over, and they make a lot of noise.
While they’re dying.
If you’ll recall episode one of Dahmer ended with all of his neighbors, including Glenda, being forced to leave their homes. The whole building was declared a crime scene. They’re not given any place to go, of course.
Everyone’s got a few thousand dollars socked away for an unexpected motel stay, right?
Fortunately, Glenda was able to get a motel room. And that’s where she is when Reverend Jesse Jackson finds her.
Glenda pours out her story to Reverend Jackson. The rest of the episode consists of her dark and troubling encounters with Dahmer.
The most compelling scene, I think, is when Dahmer brings Glenda a sandwich. He’s being evicted, and he knows it’s because she’s been complaining about the smells coming out of his apartment.
He tries to pour on his little boy charm. He tells her that he got his apartment cleaned, just for her. He brings her a pulled meat sandwich as a present.
Notice I don’t say pulled pork, because I’m fairly sure it was human meat. Or, it was just drugged.
This episode just hummed with tension and rage. I was so happy to see Reverend Jackson tear into the police in the most polite way possible. I hated seeing what Glenda went through. And even though I know she lives through this horrific encounter, I held my breath the entire time she was alone with Jeff.
Dahmer is certainly not afraid to jump back and forth between the past and present. But they are careful to never do it in such a way that I felt lost. And I honestly think this was the best way to do it.
The reason for this is that it adds a level of suspense that Dahmer might have lacked without it. Suspense is something that true crime stories can lack. Especially well-known ones. We have heard this story before. We know how it ends. But in presenting the tale this way, first from one point of view and then another, it reveals sides of it that we may not have seen before.
I loved seeing the story from Glenda’s point of view. She was brave, determined, and selfless. She had every right to be furious at the way the police dismissed her concerns for years. And yet she continued to handle everything professionally. She never stopped trying to help people, even when no one else seemed to care. And for that, she is a true hero.(4 / 5)
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