With Halloween having come and gone we begin to end the year 2019. November promises some real horrifying treats, however. We continue now with our dedicated highlights of Shudder’s monthly offerings.
Wes Craven’s New Nightmare (1994)
This time Freddy’s fucking pissed
The month starts on the right foot with the addition of Wes Craven’s New Nightmare to Shudder. This horror film approaches the characters and themes of A Nightmare on Elm Street through a meta-lens, delivering what may be the best film of the series and the most brutal and terrifying Freddy Kreuger of the series.
Written and Directed by Wes Craven, the film features Heather Langenkamp playing herself as well as reprising the role of Nancy Thompson. Of course Robert Englund and John Saxon also get in on the fun as well.
Audition (1999)
We hope you like torture!
Takashi Miike makes yet another appearance on Shudder with 1999’s Audition, an adaptation of a novel by Ryu Murakami. The movie has had an influence on western filmmakers such as Eli Roth and the Soska sisters. The film, directed by Miike, stars Ryo Ishibashi and Eihi Shiina.
Bride of Re-Animator (1990)
Out old buddy Herbert West returns
Again teaming up writer/director Brian Yuzna with Bruce Abbott and Jeffrey Combs, Bride of Re-Animator borrows themes from the work of H. P. Lovecraft and is a sequel to the 1985 Re-Animator. The film is a very loose adaptation of the serialized H. P. Lovecraft’s Herbert West – Reanimator‘s fifth and sixth chapters.
Cat O’Nine Tails (1971)
The yellow on the poster seems to be a nice nod to giallo in general
Shudder offers up some giallo this month with a film written and directed by the legendary Dario Argento. The film Cat O’Nine Tails is adapted from a collaborative effort by Dardano Ascchetti, Luigi Cozzi (of Starcrash), and Bryan Edgar Wallace. Cat O’Nine Tails, the movie, has little to do with cats or the whip. It stars James Franciscus, Karl Malden, and Catherine Spaak.
Nekrotronic (2019)
Looks like Tron, but with demons
This Australian science fiction horror film was co-written and directed by Kiah Roache-Turner. The film involves the hunt for demons on the internet (!) and sounds like top-quality drive-in fare. The film may also be referred to as Nekromancer. It stars Ben O’Toole, Monica Bellucci, and David Wenham.
What else is on?
As always, Shudder saves the day by providing a helpful list of what is being released throughout the month in each region. Your schedule will likely vary depending on which market you are in each month.
So, what are you going to watch on Shudder this month? Let us know in the comments.
The sweet putrid stench of love lingers through the air which can only mean one thing…Valentine’s Day and its annoying little winged cherub, Cupid, is fast approaching. Soon, partners will be spoiling one another with extravagant bouquets of roses, heartfelt Hallmark cards, obnoxiously large teddy bears, glistening diamond jewelry, and heart-shaped candies or boxes filled with assorted mediocre chocolates. You know? Normal things couples do. I tend to prefer my chocolate boxes filled with bleeding hearts, Ă la ‘My Bloody Valentine’ but, beggars can’t be choosers, right? All jokes aside, Valentine’s Day is special for many couples, however, there are also many others who find themselves celebrating this day without a significant other. Luckily, Shudder, along with drive-in king Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) will graciously be keeping us lonely mutants’, and yes, all you horror fanatic couples’ company on Friday, February 10th as they return with The Last Drive-In Valentine’s Day Special, premiering live at 9pm EST.
Love Spells Abound…
Back in 2021, Joe Bob and Darcy invited us to a gruesomely passionate night of spell-binding love witches and animatronic dinosaurs infused with teenage human brains during The Last Drive-In: Joe Bob Put a Spell on You. Many, including myself, were introduced to the tantalizing 70’s inspired retro throwback ‘The Love Witch’and the graphically goofy cult classic ‘Tammy and the T-Rex’, providing the perfect viewing pleasure to mend any broken heart. While the two films for this year’s morbid love-induced special have yet to be announced, we here at HauntedMTL are eagerly awaiting the return of the ghoulish duo. As is tradition, we will be proudly hosting a watch party on Twitter during the live broadcasting of The Last Drive-In Valentine’s Day Special. Be sure to follow us on Twitter and tag us  @hauntedMTL as well as @shudder, @therealjoebob, and @kinky_horror to partake in this night of unholy love.
Follow @hauntedMTL for live tweets and replies!
What started off as a one-time special premiering on Shudder July 13, 2018, ‘The Last Drive- In’ was originally meant to be Brigg’s swan song; one last special before hanging up the bolo tie in retirement. However, due to so many mutants, excuse me…viewers tuning in and breaking the Shudder servers, it was only natural to announce an official full season of ‘The Last Drive-In‘, which would make its explosive debut March 19, 2019. Since then, Darcy and Briggs have spawned many exclusive holiday specials, have graciously donated to many charities within the community, and have accumulated 4 seasons of ‘The Last Drive-In’, with a fifth currently in production premiering on Shudder’s 2023 schedule sometime this year, let’s hope sooner rather than later.
An unexpected ceremony during The Last Drive-In: Joe Bob Put a Spell on You (2021) special.
Horror Noire is a horror collection that includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.”
Horror Noire is a horror collection brought by the combined efforts of AMC+ and Shudder. The collection includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.” Horror Noire boasts Black directors and screenwriters, providing six unique stories.
As this collection explores six stories, I will skip the usual synopsis to assess the genres and ideas explored, albeit limited as needed. Expect to find supernatural horror, creature features, and psychological thrillers. Many short films deal with these genres while exploring Black issues, but this isn’t universal for the collection.
Each story remains unique, holding different strengths and weaknesses that highlight drastically different perspectives. Collections like VHS hold a similar premise to create their collection, but Horror Noire gives more creative freedom to its talent to be independent.
However, the best example of horror goes to Robin Givens’ “Daddy,” providing an existential horror tied directly to the characters involved.
Image from “Fugue State” directed by Rob Greenlea
What I Dislike
As mentioned, all have a particular style and idea. The downside of this approach always remains to keep the viewer interested long enough to find their favorite. If you find several underwhelming choices, this becomes a chore. But I imagine that is rare as the variety makes the options refreshing.
Personally, “Brand of Evil” had an interesting premise, but the execution fell short. On paper, it might have sounded like my favorite, which makes the lackluster execution a bigger letdown.
Zeth M. Martinez
Final Thoughts
Horror Noire gives power and control to Black creators, providing a formula for a unique collection against others in the space. While the various subjects and approaches mean you aren’t likely to love them all, there should be a short film for everyone. (3.5 / 5)
Episode six of Netflix’s Dahmer was not, honestly about our title character. Instead, it was about one of his victims, a man named Tony. We’ve actually seen Tony a few times during this series. We just didn’t know it was him.
And, well, he wasn’t exactly alive the first time we saw him.
Tony was born into a supportive, loving family. This is good because soon after he was born a viral infection took his hearing. He is black, deaf, and gay in the early 90’s.
Tony has a dream of becoming a model. And he certainly has the looks for it. He is beautiful, body and soul. He has lots of opportunities for romance, but it’s not what he’s looking for. He wants a real relationship.
Eventually Tony moves to Madison, trying to pursue his dream. He gets a job and starts getting modeling work.
Then, he meets Jeff Dahmer at a bar.
At first, we can almost believe that it’s going to be alright. Jeff seems happy. He’s taking care of himself. He’s not drinking as much. He even has his dad and stepmom over for dinner. It seems like his life is getting on track. Even better, he’s treating Tony right.
Then, of course, things go bad.
One thing that has always bothered me as a true crime fan is that we know so much about the killers, but not as much about the victims. Not so much if we don’t know who the killer is, of course. But the names that are part of our pop culture are those of the killers. Dahmer, Manson, Jones, Bundy, Holms. The names we don’t know are Roberta Parks, Beth LaBiancas, Leno LaBiancas, and Tony Hughes. And clearly, we should know them.
If Tony Hughes was half the shining, positive person that the show Dahmer made him out to be, I’m so sad that he isn’t with us anymore. We need so many more people like him. And many of Dahmer’s victims were likely just like him. After all, he was attracted to them for a reason.
This was a significant episode, and I understand why it’s the highest-rated episode of the series. I finished it with a heavy heart, saddened by the loss of a man who should still be with us today.Â
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