And now we come to the end. The last episode of The Outsider, from HBO.
Going into this series, I had a lot of expectations, both positive and negative. Many of those were blown out of the water, in all the best ways. Let’s break this down and look at the aspects of the last episode as a whole and the series in general today.
The last episode starts with the team being shot at by Jack. Several characters are dead, the rest are scrambling for cover. While I normally don’t like gunfights, this one was well choreographed and fun to watch.
Holly and Ralph eventually head into the caves in search of El Coco. They find him, and the showdown begins.
Let’s start with the bad since there’s only one complaint. The ending was obvious. Now, I did read the book. But I also guessed the ending of the book. It was kind of obvious that some characters were going to die from the moment they were introduced. Characters that weren’t in the source material can just wear red shirts the whole series because that’s what I’m seeing.
Much of the series has showcased realistic horror, layered on top of the monster. Yes, El Coco is there, and he wants to eat children. But there’s also the fear of losing a child, which is all too real for parents. There’s the fear of being falsely accused. The fear of falsely accusing someone, and having to live with that fear for the rest of your life. Even little things, like rotting stairs breaking out underneath you. Oh, then there’s the fear of crawling into a cave and being trapped there. I live in Western PA. We have caves and mines all around here. That’s a very real fear I was raised with.
As I’ve said before, The Outsider is a grown-up horror show. As such, there isn’t as much gore and blood as in many other things. This is good. When there haven’t been buckets of blood, the violence we do see has a much heavier impact.
This last episode brought the theme of the series, redemption, into focus. Much of the battle has been to redeem Terry Maitland and free his family from the shadow cast upon them. It’s also a story of Ralph trying to redeem himself for his hand in what happened to Terry. Maybe even redeem himself for not being able to save his son. There’s even a little redemption for our friend, the noble snake. In a moment of darkness, who comes to save the day, but a rattlesnake.
Many weaknesses of King’s writing were corrected here. In the book, Jack was an unrepentant monster who wanted to hurt Ralph. The ending was unambiguous. And there was a little unintended racism and sexism. All of that was fixed in this series. Even more so, in this last episode.
And in the end, we get to see the fallout. Most horror shows and movies end when the heroes are safe, the monster is vanquished. We don’t see the nightmares, the obsessions. We don’t see the police involvement and how the heroes have to talk their way out of this whole thing. But we do see that here. We see what happens to Grace Maitland. We see how Ralph and Joanne start mending their marriage. And we see Holly, how this whole situation has changed her.
By the way, don’t miss the stinger. It’s killer. And it leads me to look for what’s going to come next. Because it appears that the story isn’t over.(5 / 5)
Horror Noire, a Film Review
Horror Noire is a horror collection that includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.”
Horror Noire is a horror collection brought by the combined efforts of AMC+ and Shudder. The collection includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.” Horror Noire boasts Black directors and screenwriters, providing six unique stories.
As this collection explores six stories, I will skip the usual synopsis to assess the genres and ideas explored, albeit limited as needed. Expect to find supernatural horror, creature features, and psychological thrillers. Many short films deal with these genres while exploring Black issues, but this isn’t universal for the collection.
The directors and writers include Zandashé Brown, Robin Givens, Rob Greenlea, Kimani Ray Smith, Steven Barnes, Ezra Clayton Daniels, Tananarive Due, Shernold Edwards, Victor LaValle, and Al Letson.
What I Like
Each story remains unique, holding different strengths and weaknesses that highlight drastically different perspectives. Collections like VHS hold a similar premise to create their collection, but Horror Noire gives more creative freedom to its talent to be independent.
My personal favorite short film is Zandashé Brown’s “Bride Before You.” This period piece unravels a fable set in the Reconstruction Era. The entry feels Fabulistic in approach, which happens to be my preferred niche.
However, the best example of horror goes to Robin Givens’ “Daddy,” providing an existential horror tied directly to the characters involved.
What I Dislike
As mentioned, all have a particular style and idea. The downside of this approach always remains to keep the viewer interested long enough to find their favorite. If you find several underwhelming choices, this becomes a chore. But I imagine that is rare as the variety makes the options refreshing.
Personally, “Brand of Evil” had an interesting premise, but the execution fell short. On paper, it might have sounded like my favorite, which makes the lackluster execution a bigger letdown.
Horror Noire gives power and control to Black creators, providing a formula for a unique collection against others in the space. While the various subjects and approaches mean you aren’t likely to love them all, there should be a short film for everyone.
(3.5 / 5)
Episode six of Netflix’s Dahmer was not, honestly about our title character. Instead, it was about one of his victims, a man named Tony. We’ve actually seen Tony a few times during this series. We just didn’t know it was him.
And, well, he wasn’t exactly alive the first time we saw him.
Tony was born into a supportive, loving family. This is good because soon after he was born a viral infection took his hearing. He is black, deaf, and gay in the early 90’s.
Tony has a dream of becoming a model. And he certainly has the looks for it. He is beautiful, body and soul. He has lots of opportunities for romance, but it’s not what he’s looking for. He wants a real relationship.
Eventually Tony moves to Madison, trying to pursue his dream. He gets a job and starts getting modeling work.
Then, he meets Jeff Dahmer at a bar.
At first, we can almost believe that it’s going to be alright. Jeff seems happy. He’s taking care of himself. He’s not drinking as much. He even has his dad and stepmom over for dinner. It seems like his life is getting on track. Even better, he’s treating Tony right.
Then, of course, things go bad.
One thing that has always bothered me as a true crime fan is that we know so much about the killers, but not as much about the victims. Not so much if we don’t know who the killer is, of course. But the names that are part of our pop culture are those of the killers. Dahmer, Manson, Jones, Bundy, Holms. The names we don’t know are Roberta Parks, Beth LaBiancas, Leno LaBiancas, and Tony Hughes. And clearly, we should know them.
If Tony Hughes was half the shining, positive person that the show Dahmer made him out to be, I’m so sad that he isn’t with us anymore. We need so many more people like him. And many of Dahmer’s victims were likely just like him. After all, he was attracted to them for a reason.
This was a significant episode, and I understand why it’s the highest-rated episode of the series. I finished it with a heavy heart, saddened by the loss of a man who should still be with us today.(5 / 5)
Mandrake, a Film Review
Mandrake is a 2022 supernatural horror directed by Lynne Davison and written by Matt Harvey, starring Deirdre Mullins and Derbhle Crotty.
Mandrake is a 2022 supernatural horror directed by Lynne Davison and written by Matt Harvey. This film boasts a cast that includes Deirdre Mullins, Derbhle Crotty, and Paul Kennedy. It is currently available for subscribers in DirectTV, Shudder, Amazon Prime, or AMC+.
Cathy Madden (Deirdre Mullins) is a probation officer tasked with the most vilified case in her town, Mary Laidlaw (Derbhle Crotty). When a child goes missing, all eyes turn to the infamous Bloody Mary. Cathy, always believing in the best of people, tries to protect Mary. But evidence begins to mount, and Cathy finds herself in increasing danger.
What I Like
Deirdre Mullins and Derbhle Crotty add weight to the film in their performances. Cathy proves resilient against the challenges she faces, while Mary can make any actions intimidating.
To not spoil anything, the ending is bittersweet in the best of ways, showing Cathy grow and mend relationships.
The atmosphere around Mary Laidlaw brings about the intimidation that earns the nickname Bloody Mary. It becomes easier to see why a town would fear this woman as we find her motives sinister.
What I Dislike
While there may be external magical elements, I found people obeyed Mary Laidlaw a little too easily for a vilified woman. There wasn’t enough for me to be convinced she intimidated them to action or magically charmed them. Or perhaps the performances felt underwhelmingly passive?
There was an irritating moment where a stalker helped save the day. The assistance is minor, but it still irritates me.
The daytime scenes of the film are bland. Perhaps it’s intentional, but the night scenes are stunning, making the contrast greater. While this film focuses on its night scenes, I couldn’t understand why it looked so bland, and sometimes poor quality, in the day.
Mandrake can be a frightful enjoyment, especially when set at night where the details work. However, many elements left me wanting more or better. If you’re looking for a witchy tale, I’d say there are better options, but Mandrake can keep you entertained.
(2.5 / 5)