Connect with us

Published

on

The Platform, or ‘El Hoyo’ (The Hole) is a Spanish film that’s more than just horror or science fiction. I got major ‘The Cube’ vibes, but with a more political and poignant message. There’s drama. There’s dystopian. There’s subtly. There’s a SPOILER-FREE review below? (Gasp!) 

From my poking around, it looks like this is the full-length feature from director Galder Gaztelu-Urrutia, but you wouldn’t know it in the least. Honestly, I could have had this as a short series, as each level is a new episode. But I’m a sucker for character development and slow-burns. This director has so much talent, I’m seriously blown away by the finished product, so let’s hurry up and get to the “meat and potatoes” of it.

The Plot:

Our Main

Our Main Protagonist is Goreng (Iván Massagué). He’s young, thoughtful, smart and compassionate. He wakes to find himself in a prison-like room with an older man (Zorion Eguileor) and a hole in the floor which drops into a seemingly bottomless pit, with other rooms like theirs below them. The other man explains that they are on the 48th level of a vertical structure. Every month, they change levels. Food passes through each floor for a short amount of time from the first level, down to the bottom. However, as it gets to the lower levels, food becomes scarce or non-existent. 

I’m getting vertigo just from drawing this

The story follows Goreng and his reasons for being in the facility, his relationships between other prisoners, and his struggles to keep alive and sane. Can he make a change within the system? Can he even make it out alive? 

And what’s the deal with cake, apart from it being a lie?

Thoughts:

Beautiful. Dark. Wonderful. The acting is fantastic. The cinematography is gorgeous (especially for being inside such a sanitized and stationary set). The music is hauntingly atmospheric, never taking away from the scenes and carefully adding to each performance. Makeup and effects are spot-on, being mostly practical and incredibly realistic.

The pacing is slow and sweetly tortuous as we all scramble to make sense and purpose as the tensions and stakes build. And can I talk about the acting again? Of course I can, it’s my review. Phenomenal. Everyone was perfect. From the couple above them to the lispy visionary. Spot-on and flawless, especially Iván Massagué and Zorion Eguileor.

Like, I’m going to be watching this a few more times, everyone. And you know how much I hate wasting my time, so that says something. This story will only grow with more viewings.

It’s just a stunning and painful experience, and to that, I thank and congratulate everyone involved. It was legitimately hard for me to find flaws to critique.

Advertisement

Brain Roll Juice:

So much lovely juice! I don’t want to go too much into the plot, but there’s questions and criticisms of humanity. Of socialism and capitalism. Of the future and the past. Of sacrifice and self-preservation. Of attachment to things and who we once were.

It’s a surreal and yet recognizable trip into horror. We see glimpses of ourselves, or what we hope ourselves to be, or terrifyingly what we may become. 

This movie makes me feel like a proud Chef Ramsey. Stunning! Damn near perfect, in fact.

Bottomline:

That being said, it won’t be for everyone. Definitely not for a “fun” movie night. But a wonderful piece for a night when you need to feel something. This is for a discussion night. Or a “drinking alone, but you have a friend coming over later” night. 5 out of 5 stars (5 / 5)

Advertisement

When not ravaging through the wilds of Detroit with Jellybeans the Cat, J.M. Brannyk (a.k.a. Boxhuman) reviews mostly supernatural and slasher films from the 70's-90's and is dubiously HauntedMTL's Voice of Reason. Aside from writing, Brannyk dips into the podcasts, and is the composer of many of HauntedMTL's podcast themes.

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Movies n TV

Returning to the Soothing World of Evil with “The Demon of Death”

“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King.

Published

on

“The Demon of Death” is the season 3 premiere of the supernatural drama Evil, created by Michelle King and Robert King. The central cast includes Katja Herbers, Mike Colter, Aasif Mandvi, Michael Emerson, Christine Lahti, and Andrea Martin. As of this review, it’s available through Netflix and Paramount+ and its add-ons.

The assessors investigate the weight of a soul. Father Frank Ignatius (Wallace Shawn) agrees to participate in this test despite his growing disillusionment. David (Mike Colter) and Kristen (Katja Herbers) deal with the ramifications of their confessions. Kristen’s girls go on the warpath with Leland (Michael Emerson). Andy (Patrick Brammall) signs his death warrant.

Evil written in bold, a snake reaches for an apple. Beneath reads Season 3
Evil Season 3 Cover

What I Like about “The Demon of Death”

As season 2 ended with a cliffhanger, “The Demon of Death” picks back up with an interesting addition. The episode provides a more obvious stopping point that Season 2 should have taken advantage of. It dumbfounds me because this addition makes for a more interesting and darker cliffhanger. The added context would have made the cliffhanger more palatable. However, it’s a nice twist for the episode.

Dr. Boggs (Kurt Fuller) and Sister Andrea (Andrea Martin) make an interesting pair that adds complexity to both. We even explore some of Sister Andrea’s character flaws, best displayed by her interaction with Kristen in the next scene. Few wise sage characters that display flaws, making this addition appreciated.

Father Ignatius’ introduction adds layers of interest for a character who will play a recurring role, tying into Monsignor Korecki directly. The yet-to-be-explored relationship between Father Ignatius and Monsignor Korecki (Boris McGiver) evokes an interest.

Advertisement

While “The Demon of Death” isn’t a haunting episode, but explores the mysteries and terror of death through science to provide an interesting environment for an episode. It introduces a new character that adds to the cast.

White background, rubber stamp with disclaimer pressed against the white background.
Disclaimer Kimberley Web Design

Tired Tropes and Triggers

There’s not much to report here that particularly crosses the line and what teeters on the line holds a dark comedic tone.

Perhaps Sister Andrea’s flaw might rub some the wrong way, as it deals with her overwhelming faith. However, it’s a minor point at the moment. Again, I lean on liking some complexity for the wise sage archetype.

A nun looks down at a therapist who lays on his back. The room suggests a therapists office with certifications lined up on the wall.
A Nun and a Therapist Discuss Certainty

What I Dislike about “The Demon of Death”

“The Demon of Death” still plays it safe with its supernatural elements, but that does seem to be Evil’s standard. At this point of the series, it seems a strange restraint. However, the new normal remains functionally paranormal.

While the premiere starts with an interesting procedural plot, it doesn’t direct the season like prior premieres. This episode doesn’t deliver a massive refocus as season 2’s premiere, but that’s because its conclusion doesn’t deliver as focused of a direction. Regardless, “The Demon of Death” is still an episode that slips away despite its premiere status.

Ben (Aasif Mandvi) seems needlessly hostile as they investigate a soul’s potential weight. The study delivers a thorough scientific process, which makes his resistance linger on the “angry atheist” archetype.

The demon shown on screen certainly isn’t the demon of death the title suggests. While the plot revolves around the mystery of death, there is a demon with a more carnal domain. As future episodes dive into their respective demons, it does seem to be an inaccurate title. However, the demon of the episode will get further focus in a different episode.

Advertisement

Final Thoughts

“The Demon of Death” doesn’t stand out as a premiere but provides an interesting procedural episode. As Father Ignatius will become another key character in the series, giving him an entire episode to introduce him is a nice strategy. While it’s not a haunting episode, it still provides a level of camp with interesting characters to pull it off.
3 out of 5 stars (3 / 5)

Continue Reading

Movies n TV

Rare Exports, a Magical Christmas Horror Movie Mess

Published

on

Released in 2010, Rare Exports asks an important holiday question. One that no one else has dared to ask.

What if Santa was a ten-story-tall monster buried under the ice for centuries?

The story

Rare Exports is the story of a little boy named Pietari. After doing what is frankly too much research for a little boy, he realizes that Santa is not the jolly old elf we all think of. He is, in fact, a monster who eats bad children. And it turns out that Santa was trapped in the ice near Pietari’s little town. All this would be well and good if a Russian mining team weren’t in the process of cutting him out of the ice. So it’s up to Pietari to convince everyone of the dark, horrific truth.

Santa Claus is coming to town.

Advertisement
Peeter Jakobi in Rare Exports.

What worked

Some movies need to make sense. Some don’t. Rare Exports is one of the latter.

Why were the Russians digging in the snow to find Santa? What was the plan there? What happened to Pietari’s mom? And who did they sell the elves to? Do the elves need air or water to live?

We don’t get answers to any of those questions. And frankly, we don’t need them to enjoy Rare Exports.

This is a wild story about a little boy who discovers that Santa is a mythical monster with a bunch of scrawny old men with big white beards to do his evil bidding and eats bad children who haven’t been beaten by their parents enough. What sort of explanation would help this story in any way?

Onni Tommila in Rare Exports.

I mean, we could pick apart why it’s suddenly legal to sell people, or at least mythical creatures that look like naked old men, or why this all happened right next to the only little kid who had the exact knowledge needed. But in the end, wouldn’t that be like asking how Santa gets into people’s homes when they don’t have fireplaces? Doesn’t that objective reasoning just piss on the Christmas magic?

Advertisement

What didn’t work

While Rare Exports was fun, there were parts that I did not appreciate. For one thing, there wasn’t a single woman or person of any color in this film. Literally not one. Not an extra, not in the background. This little Finnish town is populated entirely by white men. And yes, it is Finland and there isn’t a hugely diverse population. But it’s also 2010. People move. Also, women exist.

On the subject of seeing too many white men, we also saw too much of the white men. Specifically, we saw far too many old white male actors entirely nude. There was just no reason for this. These men were portraying elves. They didn’t have to be naked. If they were naked, they didn’t have to have, um, yule logs. Maybe elves are like Ken dolls. There were so many options that didn’t include so much old man wang.

Finally, I wish we’d seen Santa Claus. Not to spoil the ending, but he never actually emerges to attack anyone. And that feels like a cop-out. If we’re going to be teased the whole movie with this depiction of monster Santa, we should at least get to see monster Santa.

Though, after what they did with the elves, maybe it’s a blessing we didn’t see him.

In the end, Rare Exports was well worth watching. It was hilarious, creepy and bloody. And while it wasn’t perfect, it was a delightful holiday horror comedy.

Advertisement

4 out of 5 stars (4 / 5)

Continue Reading

Movies n TV

Christmas Crime Story, A Nonsensical Holiday Romp

Published

on

Released in 2016, Christmas Crime Story is about a disastrous robbery on Christmas Eve, and all the many lives impacted by the selfish decisions of one person.

And then, suddenly, it isn’t. But we’ll get to that part.

The story

Christmas Crime Story is the tale of a Christmas Eve holdup gone wrong. We see the story from several points of view, starting with Chris, the detective first on the scene.

Scott Bailey in Christmas Crime Story.

Chris is having a hard Christmas Eve. So, on his lunch break, he visits his mom at her diner. It appears that they have a contentious relationship. But nothing is solved in this quick visit.

Advertisement

Chris goes on to pull over a man speeding. When the man, named David, pulls over, Chris discovers something in the trunk. That something must have been pretty damn incriminating, because rather than open the trunk, David shoots him dead.

We then switch to David’s pov for the night. Then his girlfriend’s pov. Then, the man his girlfriend has been cheating on him with. And on and on we go, until we see how all of these different stories and people come together for a dark, sordid Christmas Eve.

What worked

The first thing I want to say about Christmas Crime Story is that it’s heartwarming. Like, to a fault, which we will be talking about.

The ending is very sweet, in a Christmasy sort of way. Families come together, people are filled with joy, and all is right in the world for almost everyone. Except for Lena, who deserves to have a bad Christmas, everyone gets a happy ending.

That brings me to my next point. The characters, mostly, are all deeply sympathetic. Even when David or James are killing people, you feel bad for them.

Advertisement

You don’t agree with what they’re doing, but you do feel bad.

You have to feel sympathetic for the man whose girlfriend hired a killer to merk him. Or the woman whose daughter has cancer. Or the guy who just can’t find work, even though he’s trying to make good decisions. You want things to work out for them. You want them to be okay. Even when they do terrible things.

Finally, I always love stories told from so many different points of view. It’s always fun to see a story unfold in a nonlinear way, but in a way that makes more and more sense as we get more points of view. It’s a hard thing to pull off, and I think Christmas Crime Story did it very well.

What didn’t work

Unfortunately, all of the sympathetic characters and clever storytelling methods in the world won’t save a story that doesn’t work. And Christmas Crime Story just does not work.

Eric Close in Christmas Crime Story.

Let’s begin with the ending. The big twist near the end of the movie. I won’t spoil it, but you will for sure know it if you’ve seen the film. Or, if you waste your time watching the film.

Advertisement

As a rule, twists work when they make sense. Not when it feels like the writers threw up their hands and said, “Okay, but what if everything we just did for the last hour and fifteen minutes didn’t happen, and instead…”

This wasn’t clever. It wasn’t fun. It felt like the writers didn’t know how to end their movie and just decided to cheat.

Finally, I mentioned earlier that Christmas Crime Story was heartwarming. And yes, that is nice.

But is it maybe a little too heartwarming?

I mean, we have an adorable angel of a child with cancer. Her parents don’t have enough money for her treatment. We have two poor guys who are in love with a black-hearted woman. And we have a detective so sweet and kind that he makes you rethink ACAB. And, he’s about to get married to his pregnant girlfriend. And they’re naming the baby after his mom. And his name is literally Chris DeJesus. His mom’s name is Maggie DeJesus. I tried to think of a sillier less subtle name to use as a joke, and I literally couldn’t think of one.

Advertisement

They could have at least named him De La Cruz. That would be more subtle, and I still would have complained.

In the end, Christmas Crime Story just missed the mark. It came very close to being a good movie. But it focused too much on how it wanted you to feel, rather than telling a satisfying story that made sense. Much like that third glass of eggnog, it’s fun in the moment and regretful after. If you’re looking for a satisfying Christmas horror, I’d suggest looking elsewhere.

2 out of 5 stars (2 / 5)

Advertisement
Continue Reading

Trending