‘Threads’ (1984) Reminds Us That Dying in a Nuclear Apocalypse Isn’t Fun
Rather than make a nuclear conflaration look fun, the TV movie “Threads” reminds us we’ll suffer from it, if not die immediately. Bold!
Practically speaking, Mick Jackson’s Threads is not a horror movie, but many (including myself) would say it’s at least on the outskirts of the genre. While many remember the Cold War as a series of scares and propaganda triumphs (such as the fall of the Berlin Wall), “Threads” reminds us what an apocalyptic hellscape would be like. And, although the movie is dark and depressing, it’s also oddly refreshing to see an apocalyptic scenario without things like zombies, cyborgs, vampires, or god knows what else, making it a bit more “fun” for viewers. I think sometimes we need to get a glimpse of horror without the silly tropes (though let’s be real, some aspects of films even like The People Under the Stairs actually could happen, as unseemly as they appear).
Now, obviously, real life is also letting us view such scenarios, with Russia’s current attack on Ukraine, as well as other wars and assorted hellscapes created over the years (in the name of progress, freedom, and peace). So reality itself is reminding us what horror looks like, too, and it feels a bit odd talking about a film being scary when you can already see horrifying scenes on the news. So, with this kind of factual backdrop, how can one view a movie like Threads?
Does it merely distract from real issues, as we might accuse sillier films of doing? Is it even appropriate to focus attention on fictional depictions of deadly attacks, or is it a pathetic distraction? Personally, I think these are odd, specialized issues that pop culture writers don’t often seem to address, and I hope to be a bit sensitive to them as I proceed (though not so over-sensitive that I completely de-value powerful films such as these).
What “Threads” Can Tell Us About Today’s World
Honestly, Threads is one of those movies that I didn’t feel as much as I perhaps should have, and I don’t think I can fully convey why. Perhaps more horrifying than the movie is the fact that, for the most part, it didn’t really move me. I know it has impacted others, and they recount it as being among the scariest movies they have seen. However, it just didn’t rile me up or have me recoiled in fear. That’s when I realized I was simply feeling jaded with a lot of these apocalyptic scenarios. I was desensitized.
Now, obviously, that makes my intake of TV shows and films look bad, but I actually still think those would be a scapegoat. I also generally don’t feel comfortable pinning so much blame on the arts and entertainment. After all, a movie like Threads never really invented the problems it depicts. It only highlights them. The fact that I felt jaded likely has more to do with the broader life circumstances.
As I watched Threads, I am guessing I was thinking, “Well, we won’t be able to entertain or talk our way out of this situation.” And that is exactly the problem with authoritarianism and the dangers of nuclear weapons. After so many decades of being bombarded with all of this pro-war propaganda and artificially inflated scandals, it only makes sense to hit the snooze alarm every so often. At the very least, the non-stop panic alarm gets old, annoying, clichéd, and possibly even stops serving its purpose anymore, much like a car alarm that people ignore. Rather than spring to the vehicle or the motorists’ aid, many think “Man, that’s annoying!”
The Good Things About “Threads”
If you can’t tell, this is by no means a conventional movie review. In fact, I’ll merely mention the main actors’ names here: Karen Meagher, Reece Dinsdale, and David Brierly. That name-dropping out of the way, I might as well discuss some aspects of Threads that I remember appreciating. To begin with, I appreciate that the main characters are all quite detached from the political aspects of nuclear conflagration. There is a confluence of forces that they have little control over, do not fully understand, and wish to ignore. And who could blame them?
Also, in an odd sort of way, I felt out of place watching the whole thing. I live in (and, to some extent, with) the United States, not Britain. So there was already some comfortable distance between myself and the characters and events immediately depicted in the film. However, one thing becomes crystal clear: The social or political positions of the characters would no longer matter after the nuclear bombs go off.
That’s very similar to how it would be in the United States. There would be reduced interest in “Red States” vs. “Blue States” or petty debates in Washington. Would the Central Intelligence Agency even matter, by a certain point, if the mushroom clouds were large enough? And, on that note, if you watch Threads, I urge you to also watch real footage of various nuclear tests, maybe try to remember the cute little codenames. Also, remember how childish the arms race was, with the USSR’s launch of Sputnik inspiring the US to intensify its own efforts to build up its war technology. Also, it should be mentioned that a nuclear attack on the Soviet Union would have been just as devastating as one inflicted by them.
Could a Nuclear Conflagration Lead to Fun?
Obviously, we may look back upon the Cold War “for historical reasons”, but that’s not all. We can still find some relic ideas from that era prominently displayed today. But, again, it’s fortunate that “Threads” dared to strip out the entertainment aspects, just leaving us with the horror. Obviously, a spy aspect would prove attractive to filmmakers and moviegoers, but not every movie or TV show has to be attractive, and not everything should.
That being said, there’s still nothing wrong with looking at art that makes the apocalypse more palatable. After all, humor would become a struggle once such an event occurs…and that pretty much does seem inevitable at some point. But by all means, if the proverbial phoenix can occasionally rise from the nuclear ashes and wink at the camera, we might as well let it. Tragicomedy has its place, too.
What are your thoughts on Threads? Let us know in the comments!
Wheel of Time, What Might Be
Episode three of Wheel of Time was easily my favorite so far. It’s dramatic, dark, and speaks to the growing concerns about evil invading the world.
Let’s begin with Nynaeve. After showing little to no progress, Liandrin thinks she’s ready to go through the Trial of The Arches. This is an initiation that all Aes Sedai have to go through to become a sister. It’s dangerous, not totally understood, and doesn’t have a great survival rate.
One would think some cooler heads would prevail and not let the very new person do this so early. Especially since Nynaeve seems to have some issues with impulse control.
But she goes into the trial, seeing first a scene from her childhood where her parents are attacked.
The point is to walk back through the arches, leaving her family behind. This she does, but doesn’t look very happy about it. Her second trial involves finding herself back in Two Rivers, where a horrible plague has ripped through the people. Again, she has to walk away from the people that she cares about and come back to reality.
The third test is a little more tricky. It appears that Nynaeve comes back covered in blood, with no memories of what happened.
Terrified, she runs from the castle only to find Lan waiting for her.
In the real world, where Liandrin and the others are waiting for her, she simply never returns.
This shakes Liandrin. She decides she’s done holding Mat against his will, and lets him leave. Excited, but also smelling a trap, he takes Min with him.
Still not sure why she had him to start with, but I guess it’s cool that she let him go.
Meanwhile, Rand is working with a familiar face at his hospital. It’s Logain, who we might remember as the false dragon from season one.
Rand would love some advice about channeling as a man. But it appears that Logain might really have lost his mind.
My favorite scene in the episode was the one involving Perrin and Lady Suroth. This scene was perfect.
First off, the character design for Lady Suroth was just perfect. Without moving more than a hand and the crook of her mouth, she manages to be terrifying.
The massively scary nails help, as does the headdress that is both beautiful and reminiscent of an insect. The sort of insect that seems likely to bite and lay eggs under the skin of a victim.
Her absolute authority was terrifying. Uno certainly learned that.
What was more scary, of course, was who was standing next to her. Does she think she’s the one in charge? Or is she perfectly clear on where stands?
What didn’t work
One thing that I don’t love about this season is, unfortunately, not likely to change. It’s true in the books, and it’s true in the show.
The ensemble cast structure doesn’t work for me.
It fractures the story in too many directions. It’s too busy, there’s too much going on. At the same time, there isn’t enough going on with individual characters for me to establish an interest in all of them.
I care what’s happening with Egwene and Nynaeve. I care what’s happening with Perrin.
I don’t care as much about Rand right now. And she wasn’t as involved in this episode, but I don’t care about what Moiraine is going through either.
That could be because the world is coming to an end and they’re refusing to be team players. But maybe that’s just me.
Overall, this was a fun episode. It feels like pieces are being put into place. The characters are getting ready for something big. Something that we can only see the beginnings of.
Something that they clearly don’t think they’re ready for.(3.5 / 5)
American Horror Story Delicate, Multiply Thy Pain
American Horror Story Delicate began last night, Killer Queens. And it was, well, a complicated episode. This makes sense because this season is about a complicated topic.
Just in case you didn’t know, this whole season is based on the novel Delicate Condition by Danielle Valentine. If you haven’t read it yet, you should.
Anna Victoria Alcott is an actress who just got her big break. She was in a horror movie that no one can stop talking about.
Except Anna herself. Because this career success couldn’t have come at a worse time. She and her husband Dex are in the middle of the difficult IVF process. It’s expensive, time-consuming and painful. Ironically, so is trying to win an Oscar.
But Anna has other things to worry about. Someone is messing with her. Several women are watching her in public. Worse, someone appears to be getting into her home, slashing notes she leaves for Dex, and removing her vital IVF medication from the fridge so it spoils. Her calendar is hacked to move her doctor appointments around so she misses them. Worst of all, someone broke into her home and crawled into bed with her.
Of course, no one takes any of these concerns seriously. Her agent, Siobhan, is focusing on getting her an Oscar. Her husband, Dex, doesn’t seem to give a shit about her except for when it comes to having a baby. He’s frequently dismissive of her concerns and only seems to want her around when it’s convenient for him. He goes so far as to kick her out of his show opening because she’s on edge.
You know, maybe because she’s clearly being stalked by someone who is trying to keep her from having a baby.
AHS Asylum had a lot of dark and important things to say about mental health care in America. AHS Coven had a lot of dark and important things to say about race and gender relationships.
Last season, AHS NYC wasn’t so subtle. Yes, there was a killer. But the real historical horror of the AIDs epidemic in the 80s was the focus of the season. And that worked very well.
This season, the story is clearly about female body autonomy. Anna is a woman struggling with so many issues that modern women face. The balance between our careers and our families. Feeling like growing old is the most unforgivable thing a woman can do. And of course, the fact that our bodies often feel like they don’t belong to us.
I was also pleased to see some AHS alumni. Denis O’Hare as Dr. Hill was delightful. Leslie Grossman and Billie Lourd will be involved soon, and they never bring anything less than their A-game.
This episode also did something I never thought could happen. It managed to scare me with a calendar notification. That was a special moment for me as a horror fan and calendar-obsessed person.
What didn’t work
Here are some things I didn’t love. First off, the main character Anna is a pushover. She can’t say no to Dex, Talia, Dr. Hill, or Siobhan. No one gets a no from this woman!
Anna didn’t act like that in the book. She stood up to everyone all the time, it was great. She wasn’t getting any support, but she was advocating for herself! That was such an important part of her character, and I’m sad to see that she’s lost that here.
I also hate the changes made to Siobhan and Talia. Now, please understand that this isn’t me complaining that the book was different. That’s not my point. Siobhan was a kind, loving woman who supported her best friend even while dying of cancer. Talia was a smart, business-oriented woman who was still kind. She was trying to start a family with her transgender husband, and bonded with Anna over their IVF journeys. These were vital characters in the story.
I feel like they’ve been railroaded.
All that being said, this was a decent start to AHS Delicate. It’s not the best start of a season we’ve had. But it’s okay. I’m looking forward to seeing what the rest of the season is going to bring. (4 / 5)
Wheel of Time, Strangers and Friends
Episode two of Wheel of Time, widened the divide between the show and the books. Things are happening out of order, people are acting out of character. Whether this is to the detriment of the show, however, has yet to be determined.
One character missing from episode one was Rand. You know, our main character. But we finally catch up with him now.
He’s living in a city with a woman named Selene. They don’t have what I’d call a super healthy relationship. She spends a bit too much time talking about her ex.
Yes, for those of you who didn’t read the books, this is going to be important.
Rand is also working at an insane asylum. He’s kind and patent with his charges, but not all of his fellow caregivers are.
Meanwhile, Lan and Moiraine are recovering form their Fade attack from last episode. Rather than taking the time to actually heal, Moiraine decides to head out to find Rand. Her team comes with her, which seems to really bother her.
While that little hissy fit is taking place, Nynaeve is causing issues. Not by anything she’s doing, but by what she’s not doing. As none of the regular novice teacher have been able to get her to use the One Power, Liandrin offers to try. No one, including me, is thrilled with this. But, the Aes Sedai are desperate. They know that The Dark One is around, and they need Nynaeve to be ready. So, they let the person who’s driven other students to their deaths and actively committed multiple hate crimes take over.
What could go wrong?
The special effects in this episode were really well done. I especially liked the dead fade nailed to the wall.
I was also pleased with the introduction of Elayne. Ceara Coveney is playing her, and doing a fine job. She’s warm, kind and sweet. I am thrilled that she’s around.
One of the greatest things about Wheel of Time is the friendships between the characters. Rand, Perrin, Mat, Nynaeve and Egwene legitimately care about each other. Elayne seems to care for Egwene right away. I really love that.
What didn’t work
One thing that bothered me in this episode, and frankly the last episode, was Liandrin keeping Mat in prison. I feel like this wasn’t adequately explained. Why does she have him? How did she trap him? What in the hell is she trying to get from him? Perhaps I simply missed something, and please let me know in the comments if this is the case. But it feels like some poor writing to me.
I also don’t love how Moiraine is portrayed in this episode. Really, in this season so far.
I get that she’s never exactly been a warm person. She’s not personable, open, or kind. Some (most) fans of the book would likely agree that she’s kind of a bitch.
But she’s not a bitch for no reason. She certainly isn’t the sort to lash out at the people who love her because she’s in pain. And that’s what she’s doing through this episode. She’s taking her pain out on Lan. And that’s just out of character for her.
It feels very much like a lot is being skipped over from the Wheel of Time books. But, so far at least, I don’t feel like anything vital has been missed. It feels more like the story is being streamlined.
Yes, I understand how this might go horribly wrong. I think we’ve all seen that. But as of right now, the changes make sense for the switch in mediums.
Now, let’s see if it stays that way.
(3 / 5)