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Practically speaking, Mick Jackson’s Threads is not a horror movie, but many (including myself) would say it’s at least on the outskirts of the genre. While many remember the Cold War as a series of scares and propaganda triumphs (such as the fall of the Berlin Wall), “Threads” reminds us what an apocalyptic hellscape would be like. And, although the movie is dark and depressing, it’s also oddly refreshing to see an apocalyptic scenario without things like zombies, cyborgs, vampires, or god knows what else, making it a bit more “fun” for viewers. I think sometimes we need to get a glimpse of horror without the silly tropes (though let’s be real, some aspects of films even like The People Under the Stairs actually could happen, as unseemly as they appear).

Now, obviously, real life is also letting us view such scenarios, with Russia’s current attack on Ukraine, as well as other wars and assorted hellscapes created over the years (in the name of progress, freedom, and peace). So reality itself is reminding us what horror looks like, too, and it feels a bit odd talking about a film being scary when you can already see horrifying scenes on the news. So, with this kind of factual backdrop, how can one view a movie like Threads?

Does it merely distract from real issues, as we might accuse sillier films of doing? Is it even appropriate to focus attention on fictional depictions of deadly attacks, or is it a pathetic distraction? Personally, I think these are odd, specialized issues that pop culture writers don’t often seem to address, and I hope to be a bit sensitive to them as I proceed (though not so over-sensitive that I completely de-value powerful films such as these).

What “Threads” Can Tell Us About Today’s World

Honestly, Threads is one of those movies that I didn’t feel as much as I perhaps should have, and I don’t think I can fully convey why. Perhaps more horrifying than the movie is the fact that, for the most part, it didn’t really move me. I know it has impacted others, and they recount it as being among the scariest movies they have seen. However, it just didn’t rile me up or have me recoiled in fear. That’s when I realized I was simply feeling jaded with a lot of these apocalyptic scenarios. I was desensitized.

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Now, obviously, that makes my intake of TV shows and films look bad, but I actually still think those would be a scapegoat. I also generally don’t feel comfortable pinning so much blame on the arts and entertainment. After all, a movie like Threads never really invented the problems it depicts. It only highlights them. The fact that I felt jaded likely has more to do with the broader life circumstances.

As I watched Threads, I am guessing I was thinking, “Well, we won’t be able to entertain or talk our way out of this situation.” And that is exactly the problem with authoritarianism and the dangers of nuclear weapons. After so many decades of being bombarded with all of this pro-war propaganda and artificially inflated scandals, it only makes sense to hit the snooze alarm every so often. At the very least, the non-stop panic alarm gets old, annoying, clichĂ©d, and possibly even stops serving its purpose anymore, much like a car alarm that people ignore. Rather than spring to the vehicle or the motorists’ aid, many think “Man, that’s annoying!”

The Good Things About “Threads”

If you can’t tell, this is by no means a conventional movie review. In fact, I’ll merely mention the main actors’ names here: Karen Meagher, Reece Dinsdale, and David Brierly. That name-dropping out of the way, I might as well discuss some aspects of Threads that I remember appreciating. To begin with, I appreciate that the main characters are all quite detached from the political aspects of nuclear conflagration. There is a confluence of forces that they have little control over, do not fully understand, and wish to ignore. And who could blame them?

Also, in an odd sort of way, I felt out of place watching the whole thing. I live in (and, to some extent, with) the United States, not Britain. So there was already some comfortable distance between myself and the characters and events immediately depicted in the film. However, one thing becomes crystal clear: The social or political positions of the characters would no longer matter after the nuclear bombs go off.

That’s very similar to how it would be in the United States. There would be reduced interest in “Red States” vs. “Blue States” or petty debates in Washington. Would the Central Intelligence Agency even matter, by a certain point, if the mushroom clouds were large enough? And, on that note, if you watch Threads, I urge you to also watch real footage of various nuclear tests, maybe try to remember the cute little codenames. Also, remember how childish the arms race was, with the USSR’s launch of Sputnik inspiring the US to intensify its own efforts to build up its war technology. Also, it should be mentioned that a nuclear attack on the Soviet Union would have been just as devastating as one inflicted by them.

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Could a Nuclear Conflagration Lead to Fun?

Obviously, we may look back upon the Cold War “for historical reasons”, but that’s not all. We can still find some relic ideas from that era prominently displayed today. But, again, it’s fortunate that “Threads” dared to strip out the entertainment aspects, just leaving us with the horror. Obviously, a spy aspect would prove attractive to filmmakers and moviegoers, but not every movie or TV show has to be attractive, and not everything should.

That being said, there’s still nothing wrong with looking at art that makes the apocalypse more palatable. After all, humor would become a struggle once such an event occurs…and that pretty much does seem inevitable at some point. But by all means, if the proverbial phoenix can occasionally rise from the nuclear ashes and wink at the camera, we might as well let it. Tragicomedy has its place, too.

What are your thoughts on Threads? Let us know in the comments!

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Movies n TV

The Wolf of Snow Hollow, a Film Review

The Wolf of Snow Hollow is a 2020 horror comedy directed by Jim Cummings, starring Jim Cummings, Riki Lindhome and Robert Forster.

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The Wolf of Snow Hollow is a 2020 horror comedy directed by Jim Cummings. The cast of this horror includes Jim Cummings, Riki Lindhome and Robert Forster. This R-rated film is currently available for DirecTV and Shudder subscribers.

Deputy John Marshall (Jim Cummings) faces a messy divorce, an ill father, a serial killer and crippling addiction. With Marshall’s life spiraling, he focuses on a mysterious killer plaguing the town. The brutality of the crime convinces locals that the murderer is a werewolf, a possibility Marshall cannot entertain. As John Marshall tries to keep order in the town, his conviction crumbles.

Deputy Marshall engulfed in red flames that look like the fur of the red wolf behind him. Black background
Jim Cummings as Deputy John Marshall

What I Like

The comedy reflects the spiraling chaos that runs through a control freak’s mind as they lose control. This comedy lands best as Marshal spirals further and further into disarray. Viewers should expect a dry wit layered with sarcasm. If this type of humor doesn’t sound like your cup of tea, The Wolf of Snow Hollow would be hard to recommend. Nearly every character plays their part to perfection, building off each other. Jim Cummings seems to have created a team to complement his project.

Another impressive comedic element comes from the film’s ability to jump between serious issues and comedy without the humor undercutting the weight of those essential moments. Though somewhat flawed, it remains consistently effective.

Despite the fact this is a horror comedy, the monster adds genuine horror to the film. Part of the mystery comes from that line between the possibility of a killer or a real-life werewolf, which I won’t spoil here.

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The werewolf design, though traditional, is consistently believable. With one exception that felt purposeful in context, the creature works surprisingly well for a horror comedy.

Jim Cummings creates these rapid scenes that show time passing. As mentioned earlier, these scenes reflect Marshall’s mental state. It surprises me how clearly and haunting they convey information while noting elements of comedy. Again, not always perfect, but effective.

Three officers (Robert Forster as Sheriff Hadley, Riki Lindhome as Detective Robson, & Jim Cummings as Deputy Marshall) look in horror
Robert Forster as Sheriff Hadley, Riki Lindhome as Detective Robson, & Jim Cummings as Deputy Marshall

Trigger Warnings and Tired Tropes

John Marshall struggles with alcoholism, often falling victim to the disease. Despite the comedy label, this element remains mature and respective. Regardless, I understand this is a sensitive issue that worth noting.

The film can get gory and dark, but rarely more than a horror fan expects. However, one of the victims is a baby. Though no act appears on screen, viewers may require prior knowledge.

Sheriff Marshall with a shotgun, looking behind him with the title "The Wolf of Snow Hollow" written in red
The Wolf of Snow Hollow Promotional Art

What I Dislike or Points to Consider

Don’t expect a detective tale or any focus on a mystery. If this movie is anything, it’s a character study of John Marshall. The killer isn’t a figure we uncover through available information. The Wolf of Snow Hollow focuses on the stress that unravels our characters as they investigate. The trailer was a bit misleading, creating a focus more centered on the mystery and comedy of the film.

Without going into too much detail, some of the deaths get overshadowed by those earlier-mentioned scene cuts. While I still stand by my praise of these scenes, some of these deaths needed more silence and longevity. Though I recognize this might ruin the comedy focus of the film, death should have weight in a story.

This film isn’t scary. While some moments might unnerve you, don’t expect to be haunted.

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Zeth M. Martinez

Final Thoughts

While not a traditional werewolf film, The Wolf of Snow Hollow remains a surprisingly effective horror comedy. If you like your humor dry and dark, this film might align with your taste. However, this barely makes the cut in the horror genre. Don’t expect to jump or scream. If this sounds like your taste, then give The Wolf of Snow Hollow a view.
3.5 out of 5 stars (3.5 / 5)

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The Last Drive-In Season 5 Premiering April 21st Exclusively on Shudder!

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They say good things come to those who wait, and boy have we been patient. It has been close to a year since our eyes have indulged a full season of The Last Drive-In with Joe Bob Briggs’, in fact, the season 4 finale premiered on Shudder July 1st, 2022. Since then, we have been able to satisfy our appetites with festive holiday specials sprinkled throughout the past year. Specials such as ‘Joe Bob’s Halloween Hangout’ guest starring horror’s favorite Mistress of the Dark, Elvira (played by the legendary Cassandra Peterson) and ‘Joe Bob’s Ghoultide Get-Together’. Last month was a treat in itself, as we were able to witness Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) marry one lucky couple for the first time on the show with Joe Bob’s Vicious Vegas Valentine‘ special.

picture of Joe Bob Briggs and Darcy the Mail Girl sitting in lawn chairs on the set of The Last Drive-In. Behind them we see a white camping trailer with red string lights along the top and a bright red and blue neon sign that reads "The Last Drive-In' in the background. Joe Bob is seen wearing an orange collard button down long sleeve shirt and black jeans with snake skin cowboy boots. His hands rest on his thighs as he invites you in with a warm smile. Darcy is seen sitting to Joe Bob's left wearing a mail girl costume with fishnet stockings, her legs neatly crossed over one another. Surrounding the two hosts is an ice box with empty beer bottles and cans resting on the top and an old tube screen television in the front of them.
host Joe Bob Briggs and co-host Darcy the Mail Girl on the set of ‘The Last Drive-In‘.

While the current changes in staff at Shudder have left fans questioning whether we will receive a new season of the popular series, I can happily say mutant family, we need not worry. In fact, to our wonderous surprise, Joe Bob Briggs has officially announced via Twitter, season 5 of ‘The Last Drive-In will be premiering April 21st, exclusively on Shudder! One thing that is noteworthy, is unlike previous seasons, it has been reported by 1428Elm that season 5 will be broken up into two parts of five double-feature blood-curdling episodes. Though we have not been provided the official release schedule for the second block of season 5, here is a sneak peek of what we can expect for the first half of the season:

April 21: Season 5 Launch Party!
April 28: Walpurgisnacht Part 2!
May 5: Cinco de Fucking Mayo!
May 12: Mama’s Day!
May 19: Dysfunctional Family Jubilee!

Unfortunately, we do not have an official list of the brand-new double feature films for the first half of season 5 but, with amusing episode titles such as these, one can only imagine what grindhouse-classics will be joining ‘The Last Drive-In’s’ already eclectic list of sloshy goodness. For those impatient mutants eagerly waiting for more hilarious Joe Bob rant-filled commentaries, or those newcomers who’ve yet to experience the magic that is ‘The Last Drive-In‘, all previous four seasons, including past holiday specials are currently available to stream now on Shudder.

If you are just as big of fans of ‘The Last Drive-In‘ as we here at HauntedMTL are, please be sure to follow us on Twitter @HauntedMTL and join us April 21st as we tweet along with Joe Bob and Darcy the Mail Girl for the season premier. As is tradition, we will be hosting live watch parties every Friday with each new episode, including fresh holiday specials. The road to season 5 is upon us…let the countdown begin!

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Shudder March 2023 Release Schedule

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Mutant family, please gather ’round as February kicks rocks and we shove our way into March. With the new month comes the shifting from winter to spring as death beautifully resurrects back to life, drunken patrons swarm our local bars like rabid locusts for St. Patrick’s Day celebrations, and of course new exclusives and returning favorites on Shudder to satisfy the horror fiend in us all. To quote the prestigious Samuel L. Jackson, “hold onto your butts” and let’s dive right into Shudder’s March 2023 release schedule.

Shudder Exclusives

While it is true that the release schedule for the start of 2023 on Shudder has been minor and slightly mixed, with films such as the much talked about experimental low-budget indie ‘Skinamarink‘, the surprisingly entertaining horror comedy ‘Sorry About the Demon‘, and writer/director Neil Marshall’s return to the genre with ‘The Lair‘. We also graciously received the wildly fun ‘The Last Drive-In: Joe Bob’s Vicious Vegas Valentine” special, with season 5 currently in production and premiering later this year; though it can’t come soon enough. As we like to do here at HauntedMTL, let’s kick off March with Shudder’s newest exclusives currently streaming now and in the coming weeks.

Spoonful of Sugar – Now Streaming

official film poster for Spoonful of Sugar. We see a vial filled with a red liquid, possibly blood being dripped into a young woman's open mouth. Her tongue slightly extended out ready to receive the scarlet drop. We see an individual in a space helmet standing in the background behind her, slightly blurred. The title Spoonful of Sugar reads in red capital letters.
Spoonful of Sugar‘ official poster.

Starting off this list we begin with director Mercedes Bryce Morgan and writer Leah Saint Marie’s latest film Spoonful of Sugar, now currently streaming.

Millicent (Morgan Saylor), a disturbed college student working on her thesis about children with severe allergies, is hired to babysit little Johnny (Danilo Crovetti), a sickly, mute child who suffers from every allergy under the sun. His mother Rebecca (Kate Foster) is an accomplished author currently focused on her newest book release, while his father Jacob (Myko Olivier) spends his days in the backyard working on frivolous carpentry projects. After experiencing a bizarre sexual awakening while using LSD as an alternative treatment for Johnny, she soon uncovers the family’s dark secrets as things begin to become unhinged.

Leave – Premiering Friday 3/17

official film poster for Leave. We see a hooded individual holding a silver inverted cross necklace engulfed in bright orange and yellow flames. The individual holding the flaming cross has yellows hands and long rotted finger nails. one eye peers from thick-long black hair. The title Leave is smeared along the bottom in bright blood.
Leave‘ official poster.

After having been abandoned as an infant at a cemetery wrapped in a cloth with satanic symbols, Hunter White (Alicia von Rittberg) grows obsessed with figuring out who her biological parents are and why they seemingly abandoned her. However, as she gets closer to the answers she so desperately seeks, a malevolent spirit is warning her to leave.

Leave‘ premiers exclusively on Shudder Friday 03/17 and is directed by Alex Herron and written by Thomas Moldestad, starring Alicia von Rittberg, Herman Tømmeraas, Ellen Dorrit Petersen, and Stig R. Amda

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The Unheard – Premiering Friday 03/31

Official poster for The Unheard. We see the main Character Chloe staring out of a window, the image has a static blur. as we only see Chloes pale face and bright blue eyes. The title The Unheard is seen below written in White bold font.
The Unheard‘ official poster.

The Unheard‘ follows the story of deaf 20-year-old Chloe Grayden (Lachlan Watson) after she undergoes an experimental treatment to restore her hearing. While recovering at her family’s beach home after the successful procedure, Chloe begins to fear she is not alone as she begins to experience auditory hallucinations related to the mysterious disappearance of her mother.

The Unheard’ is directed by Shudder alumni Jeffrey A. Brown (The Beach House) and written by brothers/screenwriting partners Shawn Rasmussen and Michael Rasmussen (Crawl), co-starring Michele Hicks and Nick Sandow. ‘The Unheard‘ premiers exclusively on Shudder Friday 03/31.

Returning Classic and Fan Favorites

Now that we’ve removed the veil for the new exclusive titles dropping this month, I think it’s time we reveal the returning classics jump starting our transition into spring for 2023. Allow me to highlight some of my favorite films returning to Shudder for March including ‘Gretel and Hansel‘ and ‘The Company of Wolves‘; grim re-telling’s of popular children’s fairy tales. We also cannot forget John Carpenter’s haunted coastal horror ‘The Fog‘; no, not the remake…thankfully.

Gretel and Hansel – Now Streaming

image of Alice Krige as The Witch in Gretel and Hansel. She stares in the camera with a sinister smirk. Her head covered and body drapped in black clothing. Her right eye a dark grey/brown color with her left pale white...blind.
Alice Krige as “The Witch” in ‘Gretel and Hansel’.

Directed by Osgood Perkins, ‘Gretel and Hansel’ is a terrifyingly dark and unique vision to one of history’s most famous childhood fairy tales. After being thrown out of their mother’s home, Gretel (Sophia Lillis) leads her younger brother, Hansel (Samuel Leakey), through the woods in search of food and work. The children soon discover a quaint cottage where a fragile old woman Holda (Alice Krige) offers fresh food and bed. The children accept all Holda has to offer, with little thought as to what may be asked of them in return.

Though it has been met with mixed reviews, ‘Gretel and Hansel‘ offers astounding performances by veteran actress Alice Krige as the films iconic Witch of the woods and Sophia Lillis as lead Gretel. Director Osgood Perkins does well to draw his viewer in with a beautifully haunting score and unnerving cinematography, making this one grim re-telling worth checking out at least once. ‘Gretel and Hansel‘ is available to stream now.

The Company of Wolves – Now Streaming

Image of a werewolf transformation. A mans head is tilted back as the snout of a wolf begins protruding from his mouth. The fur on the snout white as the large fangles gnarl and growl. The mans eyes are a bright yellow and his hair long flowing brown locks. A terrifying image as his mouth extends in an inhumanely manner.
My, what big teeth you have…

Continuing our list of returning classics, we have yet another bold re-telling of a beloved children’s fairy tale, 1984’s ‘The Company of Wolves‘. While the story of ‘Little Red Riding Hood‘ has been retold through various forms of media, including numerous films, ‘The Company of Wolves‘ is a beloved horror interpretation with adult themes and memorable practical effects including one of the genres best werewolf transformations.

A wise grandmother (Angela Lansbury) tells her granddaughter Rosaleen (Sarah Patterson) a disturbing tale of innocent maidens falling in love with handsome strangers … and of their sudden mysterious disappearances when the moon is full and accompanied by the strange sound of a beast in the woods.

‘The Company of Wolves’ is co-written and directed by Neil Jordan and stars Sarah Patterson, Angela Lansbury, Micha Bergese, and David Warner, streaming now.

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John Carpenter’s The Fog – Streaming 03/31

Haunting ghoslty image of 8 figures standing in a cloud of mist and fog. They are outlined in eeire blue and white lighting. All we see is the outline of these ghostly figures and their glowing red eyes.
When the fog comes, run!

Writer, director, musician, and horror master John Carpenter is a legend in the genre having provided countless classics such as ‘The Thing‘, a terrifyingly gruesome remake of ‘The Thing from Another World‘. Or his sci-fi action/horror ‘They Live’ where he deals with societal control through corporations and government. And of course, my personal favorite, the film that jumpstarted his career and created one of horror’s most iconic slashers…’Halloween‘.

1980’s ‘The Fog‘ is a terrifying shoreside tale of vengeful spirits haunting the fictional coastal town of Antonio Bay, OR. as they begin preparations to celebrate its centenary. Following exactly 100 years after a ship mysteriously sank in the town’s waters, a thick unearthly fog harboring the souls of those who perished rolls in and with them, the dark secrets of Antonio Bay’s past.

John Carpenter’s ‘The Fog’ stars scream queen and recent Academy Award winner Jamie Lee Curtis, genre alums Adrienne Barbeau, Janet Leigh, Tom Atkins, Charles Cyphers, and Nancy Kyes, and was co-written by the late Debra Hill. ‘The Fog‘ will be available to stream on Shudder 03/31.

Full Shudder March 2023 Film Releases

For a full comprehensive list of all the titles being added to Shudder for the month of January, please refer to the graphic below. Please be on the lookout for our review of ‘The Last Drive-In: Joe Bob’s Vicious Vegas Valentine’ to drop later this week here on HauntedMTL and be sure to follow us on Twitter and Instagram for more Shudder news and spooky reviews!

Image list of the films releasing on Shudder for the month of March.
Shudder March 2023 film release schedule.

3/1:

Gretel and Hansel

3/2:

Spoonful of Sugar

3/9:

The Company of Wolves

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3/13:

Holidays

3/17:

Leave

3/20:

Jack be Nimble

3/27:

Ultra Pulpe

After Blue

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3/31:

The Unheard

The Fog

The Blair Witch Project & Book of Shadows: Blair Witch 2

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