Notes from the Last Drive-In: S3E7 – Train to Busan and Spookies
The seventh episode of the third season of The Last Drive-In with Joe Bob Briggs brings us the modern classic Train to Busan (2016) and the cult classic, Spookies (1986). It is another one of those bizarre pairings that we’re growing used to, though that is not a bad thing at all. It keeps the double features fresh, week to week. You never know what you are going to get on Shudder on Friday night.
Train to Busan (2016)
Opening: Indecisiveness with a menu.
There isn’t much I can add to the discourse surrounding Train to Busan. it is one of the greatest zombie films ever made, let alone within the last decade. It is a film that manages to be scary, packed with action, and carries a strong heartfelt message. It is a movie you could honestly argue to be a perfect example of the craft of filmmaking. If you haven’t seen the film then you absolutely should. Yeon Sang-ho’s zombie thriller stars Gong Yoo, Jung Yu-mi, Ma Dong-seok, and Kim Su-an. The premise is deceptively simple: passengers aboard a train deal with a zombie outbreak as the train makes its way to safety. The simplicity of the plot makes it a perfect vehicle for tense performances, a series of claustrophobic set-pieces, and a delightfully satirical exploration of class difference. It is also, incredibly, incredibly sad. I cannot stress that enough.
I’ve written about class-conscious horror before, and Train to Busan is one of those movies that does a lot to establish a kind of canon for that sort of horror. The movie absolutely runs with the themes of wealth and status and how it renders people with too much of both as inhuman monsters – which is a fair assessment. It just happens to position that argument against frequently crushing tides of zombies. The zombies themselves are fantastic. Their contortionist movements are creepy and are contrasted by the almost fluid nature of zombie bodies in a horde. They become a gnashing, scratching wave that breaks and crashes against surfaces in satisfying ways. World War Z, a far worse film, had a similar scrambling zombie, but they do not really have the same effect like those on Train to Busan.
The film’s heart, however, is the rebuilding of the relationship between Gong Yoo’s Seo Seok-woo, a distant father, and his daughter Seo Su-an (Kim Su-an), one of the only acceptable child characters in horror films. However, their relationship is just one of several in the film which prove affecting. Tough guy Yoo Sang-hwa, played by the magnetic Ma Dong-Seok, has a touching plot with his pregnant wife with a sad, but ultimately beautiful ending. Even the film’s human villian, the greedy COO of a bus company, Yon-suk, gets a humanizing moment before his death – desperate to return to his mother. No character is wasted and no interaction feels possible to cut out of the film, every set of relationships, from the two eldery women to the rapidly diminishing baseball team, carry great emotional weight.
Joe Bob Briggs seemed particularly effusive with his praise of the film. His pronunciations of Korean names may be a bit rough, but his sentiment was clear. It seemed as though each break came with Joe Bob praising a preceding segment of the film, specifically some of the more technical set-pieces, such as the train depot or the fight through the train cars. He also shared some history regarding Yeon Sang-ho and his background in animation. Yeon Sang-ho’s background in animation certainly informed many of the scenes and as Joe Bob pointed out, seemed as though they could only have come from the mind of an animator. With any luck, Joe Bob mentioning adult animation is a sign that perhaps Seoul Station, the Busan prequel, might be shown one day. Hopefully the first in what might be many future horror-adjacent animated films.
Joe Bob Briggs handed out another four-star rating this week, but it feels entirely appropriate for Train to Busan. The movie is just that damn good. I may also be a bit biased because the film is in my top five zombie films ever made. For me, I would give Train to Busan five out of five Cthulhus. It is one of the best films ever shown on The Last Drive-In, and one which was long overdue to be shown.
(5 / 5)
Best Line: “Dad, you only care about yourself. That’s why mommy left.” – Su-an laying the emotional smackdown on her dad
Spookies (1986)
Opening: Alpacas and Llamas
Ooof – where to begin with Spookies? This independent horror film is, to put as fine a point on it as possible, a mess. The movie is incoherent, cheesy, and poorly acted. It is just barely on the verge of “so bad it’s good” territory as well. I missed the showing when it was airing on Friday, but when watching it on Sunday I started to drift off – that never happens to me when watching something on Shudder.
The movie, or perhaps, movies, given the troubled production, was directed by Brendan Faulkner and Thomas Doran, with later footage added by director Eugenie Joseph. The film was originally supposed to be a “dark house” style of a horror film, dubbed Twisted Souls, carved up and edited together with an entirely different concept, resulting in a movie where two plot lines run adjacent to one another and nothing makes sense. Thus, Spookies, named as such for who knows what reason. The film follows an inextricably mixed group of teens and adults exploring a mansion owned by a warlock who wants their lives to preserve his bride, as he has been doing for seventy years. The film stars Felix Ward, Maria Pechukas, Peter Dain, Nick Gionta, and Charlotte Alexandra.
Spookies is a cult film these days, and while I can understand how it can be, I can’t say I really enjoyed my time with it. The monster effects are pretty fun. Well, most of them. The Grim Reaper was comical, like a fancy costume from Spirit of Halloween. Also, the sheer variety of creatures, while kind of neat, ultimately feels unnecessary. Only a couple of them really have any presence and they are gone nearly as soon as they are introduced – and that is pretty specific to the 45 minutes from what was originally going to be Twisted Souls. The zombie horde at the end is fun, but again, smacks more of excess than anything else. The film also feels cheap, particularly the material that was added later, such as the basement set. Also strange was the fact that Felix Ward’s Kreon sounded like he was speaking into a cardboard tube throughout the runtime of the film. Just a confusing mess, honestly.
Also… why the fart noises?
I think Joe Bob said it best during the night when he said “Man alive, this thing is just a mess.” Joe Bob’s background on the film was welcome, of course. particularly the odd connection the movie has to John Jay, co-author of the Federalist Papers and first Chief Justice of the United States. Ultimately Spookies, shot in his historical home, helped preserve the historical site in a few ways. It’s just an odd little note, best explained by Joe Bob Briggs. Perhaps most amusing was the revelation that Spookies was the first and last acting job for a number of the crew – it is not hard to understand why. The best part of the second half of the night was the Spookies rap, put together by John Brennan and the folks at the Drive-In. it was a lot of fun and a nice follow-up to the Maniac Cop 2 discussion about rap songs for horror films.
Joe Bob Briggs gave Spookies two stars. Even he admits he was generous there. As for me, Spookies is less of a movie and instead more of something I would have on in the background at a Halloween party while some music was being played. Just some visual interest and not a whole lot else. I give Spookies two out of five Cthulhus.
(2 / 5)
Best Line: “Boo, look at me, I’m Duke the horny ghost.” – Duke, being a horny ghost.
Haunted MTL Drive-In Totals
As always, thanks, Shudder, for those official totals.
As for our own totals?
- 3 Levels Deeper
- 15 careers starting and stopping with one movie
- 1000 Zombies
- Zombie Double Feature
- Class Warfare
- Farting Monsters
- Exploding Reaper
- Skull Splitting
- Yuki sighting
- Runaway Train (never going back)
- Fanfiction Fu
- American History Fu
- Gratuitous Monsters
- Gratuitous Llama and Alpaca discourse
- Gratuitous 90s Rap Sequence
- Darcy Cosplay: Isabelle, the bride from Spookies
- Silver Bolo Award: Ghastly Grinning
Episode Score
Another fun night at the drive-in. it would take more than Spookies to ruin the show for me, personally. So far this season seems to be bringing in movies that you would think would have been on the show earlier. It’s cool that we’ve not really dipped into the well of the obvious films you would expect on the show. While Spookies was a miss for me, the rap was great. Of course, I can’t praise Train to Busan highly enough either. Overall, I think it averages out to a strong episode.
(4 / 5)
See y’all on Friday for another night of fun at the drive-in. I’ll return to live-tweeting the show as I missed this week. Thanks to Doctor Payne for taking over.
Episode four of Amazon’s Fallout wasn’t the best-liked. Of course, that’s relative to the rest of the season. While this is the second-to-last-ranked episode, it’s still an 8.1 on IMDB.
So let’s talk about why it might have slipped a bit but was still a great episode of TV.
The story
Let’s start our discussion of this episode with Maximus.
After he and Thaddeus successfully retrieved the head from the Gulper, they’re in high spirits. Together they celebrate around a fire, giving a lovely impression of two people who have been drinking despite not seeing a bottle in sight. Thaddeus even convinces Maximus to brand him.
While having a good time, Maximus’s consciousness gets the better of him. He admits to Thaddeus that he’s not Knight Titus, but he is Thaddeus’s old punching bag.
Rather than responding to this act of honesty with an equal measure of grace and brotherhood, Thaddeus immediately disables Maximus’s suit, taking the power source and the head. He then leaves Maximus trapped in the suit that he wanted so much, doomed to die in it.
Lucy isn’t in a much better place. If you’ll recall, last episode she drank radiated water out of desperate thirst. She’s now suffering from radiation poisoning. Fortunately, before she succumbs to this poison, she finds Maximus. He has the medicine she needs, and she can free him from his suit before he’s eaten by giant cockroaches. It seems like a win/win. If that is, the two of them can trust each other. And haven’t they both learned that trusting other people might be the most dangerous thing in this very dangerous world?
What worked
The first thing I want to draw attention to is the relationship between Lucy and Maximus. A lot has happened since the last time the two saw each other when there were some sparks but no time to do anything about them. Both have been betrayed and hurt. So while they’re instinct is clearly to trust each other, it’s also to be cautious. And that makes sense. They are both good people, driven by the desire to help others. But both are cautious of being hurt again.
This was not only relatable, but it gave a much different feel to a standard will they/won’t they relationship. Will they be able to trust each other enough to let their feelings out is the real question. Which is a lot more interesting, in my opinion.
I also found the giant, mutated bugs to be fantastic. They were the perfect blend of cute and terrifying. At first glance, they seem like a larger version of Hal from Wall-E. Then, you realize how few of them it would take to eat someone trapped in place. And how little time it might take.
And how long it might feel like while it’s happening.
We don’t need to see that happen to feel the terror there. And to feel some concern about the tiny pests that sometimes share our homes.
Of course, the highlight of this episode was the political intrigue surrounding Vault 33, and how its leaders always seem to be from Vault 31. This storyline is quickly becoming my favorite part of the season. It’s a dark and creepy mystery, which is always fantastic. But it’s also fascinating to see the character of Norm blossoming into someone whose life has meaning. Because at the start of the season, he was lacking that.
All in all, while this was a slower episode it was still a good one. And its ending certainly left me excited for what was to come.
(4 / 5)
If you like my work, you can check out my latest science fiction/horror novel, Nova, launching on May 17th. Pre-orders are available now on Amazon.
Movies n TV
Bodies Bodies Bodies (2022), a Film Review
Bodies Bodies Bodies (2022) is a horror comedy directed by Halina Reijn. This R-rated horror film stars Amandla Stenberg and Maria Bakalova.
Bodies Bodies Bodies (2022) is a horror comedy directed by Halina Reijn. This R-rated horror film stars Amandla Stenberg, Maria Bakalova, Myha’la, Rachel Sennott, Chase Sui Wonders, Pete Davidson, Lee Pace, and Conner O’Malley. The film is currently available on fuboTV, Netflix, Hoopla, and Showtime.
Sophie (Amandla Stenberg) brings her girlfriend (Maria Bakalova as Bee) to her friend’s hurricane party. Lasting resentment and toxic relationships infest the group, leaving Bee to witness increasingly uncomfortable situations. Soon after, bodies start dropping.
What I Like about Bodies
The chemistry between these toxic friends gives me anxiety. If toxic friendships aren’t a universal experience, toxic traits certainly make themselves apparent in any friend group, and this film maximizes this experience. It’s not revolutionary, but effective and uncomfortable.
Several subtle clues hint at the relationships of these friends, building up as the story progresses and chaos ensues. I love these moments, though the film doesn’t seem confident that the viewer picks up these clues. This decision hinders execution, an unfortunate point for later.
While the performances are strong throughout, Amandla Stenberg and Maria Bakalova remain the main characters and receive the most opportunities to perform. However, almost every character has a moment, or several, and lives up to those moments once given.
The twist seems obvious, but that doesn’t hinder the viewing experience. While not the biggest fan of the execution, I enjoy the spiraling chaos it creates.
The opening scene shows the two leads making out for viewer engagement. However, I think the contract toward the end gives this scene added context and plot relevance beyond simply sex appeal. While it is unavoidable that so well, many films will go no further. So, added relevance deserves a nod.
Far from the bloodiest film out there, but it doesn’t hesitate to bleed its cast. It uses this blood and limited gore to add weight to the deaths as opposed to haunting or nauseating its audience.
Tropes, Triggers, and Considerations
As previously hinted, toxic relationships remain key points in the plot. Falling in line with this are points of spousal abuse (physically and mentally) that should remain a consideration.
Idiocy to push the plot along certainly plays a role in the plot. In this case, I consider it a feature. However, it’s still a required taste for viewer consideration.
Addiction and recovery drive several characters. I’ll avoid pointing to them so as not to give away plot details. However, usage and relapse deserve a mention in this section.
If any of these are deal breakers, give this film a skip.
What I Dislike, or Food for Thought, about Bodies
Bodies shifts between a mindless and clever horror comedy, never comfortably sticking to one or the other. It pulls off elements of both with expertise, but the tugging and pulling of these different elements limits the execution of either. Because of the above friction, Halina Reijin gives us all the clues to piece everything together and still tells us. Pick an audience and trust them.
As a horror comedy, this film leans on the humor over the horror. The unraveling of characters certainly earns respect but expect a comedy for a better experience. It’s not a particularly scary film, and it doesn’t try to occupy that space.
Final Thoughts
Bodies Bodies Bodies spirals into a chaotic horror comedy, banking on the toxic chemistry of its cast to deliver both. The film never makes a strong stance in either claiming a mindless or clever horror comedy, shifting between both at the expense of the whole. It remains a bumpy but engaging viewing experience, nonetheless.
(3 / 5)
Episode four of Amazon Prime’s Fallout was a great one for character development. It was also great because one of my personal favorite actors was involved.
Let’s discuss.
The story
This episode’s story revolved largely around Lucy and The Ghoul. He’s still dragging her about on a rope, but we aren’t sure why. While she can track the Head, she certainly hasn’t shared that information with the Ghoul.
What he wants her for soon becomes clear, when he barters her for vials of the medication that keeps him from losing himself to the ghoul illness.
At first, Lucy thinks this is a step up. She’s taken by a robot surgeon named Snip Snip to get a new thumb. Since, you know, The Ghoul shot her thumb off.
However, after stitching a new thumb on, Snip Snip takes her to his masters. Who then say they want him to cut her up for her organs.
Lucy manages to escape and even frees the other people trapped by these organ brokers. In doing so, she comes into the possession of many, many of those vials that The Ghoul needs so desperately.
Meanwhile, Norm is starting to suspect that all is not what it should be in Vault 33. While the rest of the vault is preparing to elect a new overseer, he takes Chet and sneaks off to Vault 32. There, they find some horrific sights. Long dead bodies, next to messages scrawled in blood. There are especially bodies around the door that leads to Vault 31, where someone has written We Know What’s in There on the wall.
Of course, we don’t know what’s in there. But I’m sure we’re going to find out.
Norm continues to dig, checking for information on the old Overseer’s computer. And he finds that the door to Vault 32 was opened by a Pip-Boy. To be specific, it was a Pip-Boy owned by Norm and Lucy’s mother.
I’m sure that won’t be relevant later.
What worked
The more I see of this season, the more I like Lucy. She is growing and evolving as a person, just like Wilzig told her she would have to do. She is becoming harder. But her kindness and values haven’t changed yet. She is still a good person. I love that.
I also love the dark, creepy storyline with Norm. I love how serious he is, especially when compared to the rest of his community. I especially love that, even as emotionally disturbed he is by what he’s learning, he seems passionate. And from what we’ve seen of this character, this is possibly the first thing he’s felt passionate about his entire life. I am impressed with the writing and acting that have allowed us to see his lack of passion with minimal focus. He is a fun, well-written character.
Finally, I’d like to shine the spotlight on Matt Berry. He is a delightful actor known for What We Do in the Shadows and IT Crowd. And he is playing the remarkably funny role of Snip Snip, the robot surgeon. His voice lends an extra level of humor to an already funny premise. This was another example of the great casting we’ve seen so far on Fallout.
In the end, this was a great episode from all points. It was fun, heartfelt, and dark. In short, I have no notes. I’m only excited to see what happens in the next episode.
(4 / 5)
Frank Farel
June 5, 2021 at 10:35 am
“Thus, Spookies, named as such for who knows what reason.”
“Also… why the fart noises?”
A word of advise in doing any comprehensive movie review:
RESEARCH IS YOUR FRIEND.
David Davis
June 5, 2021 at 5:00 pm
Joe Bob explains these during the episode, of course. This is more of an existential “why?”
Just poking fun at the choices, honestly.