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The Green Coil

By Paul Stansbury

“The jungle is the green coil. It squeezes the blood from your heart, the air from your lungs and the humanity from your soul,” intoned Silvio, the guide, trying to sound dramatic. It was the end of the first day up the Tuichi River and the adventure vacation group had set up camp in a small clearing on the bank. “You go 100 meters into the green labyrinth without a guide and you’re lost – never find your way back.”

After supper, back in their tent, Ash pulled some weed from his backpack. “Scored this yuyo from a guy in Rurrenabaque,” he said. After lighting a joint, he inhaled a slow, deep breath, then held it out to his tentmate.

“Naw,” replied Lynda. “You don’t know what kind of weird crap they put in that stuff. You’re crazy to smoke that junk.”

“Gotta do something to make this carnival ride tolerable,” Ash whined. “So far, this little soiree has been a bust. We sit in a damn boat all day, camp in some dumpy clearing with the ants and mosquitoes. Added to that, we have to listen to the guide go on and on and on about the ecosystem and not getting lost in the woods. I’m ready for some excitement.”

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“What’d you expect? This is the Amazon, not a tube ride at the amusement park.”

“Well, I expected more than this,” Ash grumbled. “Remember what the ad said?” He read from a damp, folded brochure fished from a shirt pocket. “Make your own camp, catch your own food, swim and wash in rivers or lakes and carry all your own belongings. Visit pristine parts of the jungle by the river Tuichi. Learn survival secrets from authentic Indian guides. What a pile!”

“Finish that up, Ash. Silvio is fixing supper.”

The dark descended rapidly. After they ate their meal of mystery fish Silvio had caught in the river and some rice and beans, Lynda and Ash zipped their tent against the onslaught of mosquitos. Ash lit up another joint. He insisted the smoke from his yuyo would keep the bloodsucking vermin at bay.

Even second-hand, the yuyo’s potent vapor made Lynda’s head grow woozy. Soon, she drifted off to sleep only to be awakened by the sound of thrashing inside their tent. She fumbled for her flashlight and pointed in the direction of the noise.  She saw Ash disappearing through the open tent flap. Pulling her boots on, Lynda scurried out after him, sweeping the flashlight around the camp. Ash was at the far edge of the clearing. He looked back once, eyes wild, before leaping into the jungle. Forgetting the guide’s warnings, Lynda followed. Two steps in and the jungle swallowed them up.

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“Ash!” Lynda called, as she stumbled through the roots and vines in the black folds of the jungle. Plant fronds, razor sharp, tore her flesh. Stumbling forward, she rubbed her stinging cheek, then turned the flashlight on her fingers. They were covered in blood. She continued searching for some time until she found Ash crumpled on the jungle floor.

* * *

In the afternoon on their third day of wandering, they came upon the Indios, wraith thin with angular faces and round black eyes. Bones pierced their ears and noses.  Painted bands of white covered their frail bodies. Occasional blotches of ochre completed the decorations.

The Indios led Lynda and Ash further into the jungle until they arrived at a small village. It was little more than a small patch of dirt circled by crudely lashed lean-tos. In the center was a smoldering firepit. Lynda and Ash stood silently as the Indios placed green fronds on the coals, sending a thick column of smoke up through the jungle mantel. An old woman disappeared into one of the huts and returned with a sparse meal of berries and dried meat which she offered to them. They devoured the offerings ravenously while the Indios watched intently.

“Think maybe we could get something to drink around here?” asked Ash, still gnawing on a wad of meat.

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The Indios remained silent.

“Don’t think they speak English,” said Lynda.

“You’re probably right. Think there’s a chance they’ll take us back to Silvio?” he asked.

“I doubt they can be of help getting us anywhere except maybe to the river.”

“That’d be a start. How far away from the river do you think we are?”

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“Your guess is as good as mine,” said Lynda. “Hell, we’ve been wandering around for three days now. Could ‘a been going in circles or heading deep into the wild. No telling how close we are to the river.”

“So, how we gonna get them to help us?”

Lynda sat quietly for a moment, then got on her knees. “Here goes nothing,” she whispered, smoothing out a patch of dirt with her hand. She traced two wavy lines with her forefinger. Raising up, she placed her hand on Ash’s shoulder, then on her own chest. “You take us to the river?” she asked, extending his arm outward, then pointing to the wavy lines

The Indios sat motionless.

“Yeah! To the river,” pleaded Ash, furiously jabbing his finger at the wavy lines.

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The Indios placed more wood on the fire. Soon the flames burned brightly. They stood, facing the jungle, chanting solemnly in their cryptic tongue. “Hwarro,” they called out over and over, arms outstretched as if in supplication.

“Waddya think that’s about?” asked Ash. “I hope they ain’t planning to eat us.”

“Shut up, Ash. If they were gonna eat us, we’d be dead already.”

The chant continued for some time until without warning the Indios fell silent. A tall, gaunt figure, with features like the Indios, emerged from the jungle carrying a large communal bowl. He held it out. One by one, the Indios each took a drink. Then they held the bowl out to Ash.

He looked at Lynda. “What should I do?”

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“You asked for something to drink, didn’t you?” she barked. “Better not risk getting these folks upset. Besides, if you can smoke yuyo, you sure as hell can take a sip of whatever that stuff is.”

“I guess you’re right,” conceded Ash. He took the bowl in his shaking hands and took a sip. Grimacing, he held the bowl out for Lynda, who brought it to her lips. The bitter concoction squirmed down her throat.

The Indios began to sway, murmuring in raspy whispers, “Hwarro… Hwarro… Hwarro…”  Lynda sensed a deeper, more sinister underlying drone. It seeped into her soul. The Indios slumped to the ground. They thrashed in the amber glow of the fire, arms melting into their torsos, legs fusing together.

Lynda’s head was reeling. The Indios’ flesh began to quiver as they thrust their heads back, jaws straining open, cheeks splitting at the corners of their mouths. From each, a sleek glistening snake emerged, leaving behind a flaccid sheath of skin.  The snakes writhed in a knotted coil at her feet. Fangs sank deep into her legs. Lynda now grimly realized the tall figure was the Hwarro of the Indios’ chanting.

 “Lynda,” his loathsome voice throbbed in her head. His black eyes focused on her. Hwarro held out his bony hands, beckoning.

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“Run Ash!” Lynda screamed, bolting into the jungle. She ran headlong into the black, thrashing through the vegetation. It tore her flesh and snarled her feet. Fangs bit at her. She could hear Ash behind stumbling, gasping for air between shrieks of pain.

“Lynda,” Hwarro whispered in her soul.

* * *

Unaware of time and distance, Lynda ran until she thought her lungs would burst. Finally, she reached the river, lurching free from the constriction of the jungle vegetation. Having grown accustomed to the perpetual dusk inside the green labyrinth, the sun blinded her eyes. Legs and arms, whether from fatigue or venom, refuse to obey and she fell headlong to the rocks and sand at the water’s edge.

Lynda thought she could hear Ash whimpering. “Ash, are you there?” Lynda attempted to call out. Her voice was a feeble whisper. Lying on the riverbank, unable to move, she stared at the sand, realizing it wasn’t really sandy colored. She could see all the grains in their infinite spectrum of colors nestled around the stones and the rotting bits of wood. Across the river, where it bowed away from the sand bar, the rainforest rose up to meet the sky. The river had cut an angry swath in the red soil at its base, exposing boulders and roots.

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“Lynda,” Hwarro laughed.

She couldn’t hear Ash’s whimpers anymore. “Ash,” she rasped again.

Before passing out, she heard Hwarro’s evil, beckoning whisper, “Lynda.”

She awoke to excruciating pain. Ants swarmed over her, biting, and tearing at her flesh. She knew they would carry the pieces back to their colony to feed their larvae. She wondered how long it would it take to strip the meat clean from her bones. “Ash,” she rasped. No answer. Lynda was relieved. She knew the ants were devouring him also and she didn’t want to see it. She wondered if Hwarro whispered to the ants, calling their names?

Lynda could no longer feel her arms or legs. It made no difference. She slithered forward, shedding what remained of her bleeding husk of skin. Her scales glistened in the sun.

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Joining Ash, they glided into the dense vegetation of the jungle.

There, in the shadows, Hwarro hummed to her his soft lullaby of welcome.

End

Paul Stansbury is a lifelong native of Kentucky. He is the author of Inversion – Not Your Ordinary Stories; Inversion II – Creatures, Fairies, and Haints, Oh My!; Inversion III – The Lighter Shades of Greys; and Down By the Creek – Ripples and Reflections. His speculative fiction stories have appeared in a number of print anthologies as well as a variety of online publications. Now retired, he lives in Danville, Kentucky. www.paulstansbury.com

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Original Creations

Religious Icons Revisited for the Second Second Coming

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Those religious icons really get around. This time it’s a journey to visit the Deep Ones. And Dracula’s Castle. Because everyone has to be a tourist now and then, and what’s the point if you don’t pick up a souvenir or two?

New religious icons - Jesus Christ visits Cthulhu and the Deep Ones
New religious icons – Jesus Christ visits Cthulhu and the Deep Ones

This was a gift for a friend for their sea life monster theme bathroom. It started as one of those old school wood plaques where the picture is waxed on. And the eyes were originally that creepy – all I did was add the tentacles. So don’t blame the overall weirdness on me, it wasn’t all my doing.

Bloody Mary goes to Transylvania
Bloody Mary goes to Transylvania

Oh, and apparently Mary wanted in on the action, so she’s gone to Dracula’s Castle for a bite. She even brought back her own religious icons souvenirs…

Repainted faux wood plate by Jennifer Weigel

So this one isn’t as old, nor is it real wood. But it still totally goes with Mary’s journey. And it’s also a little blacklight reactive with the flowers.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Repaint Porcelain Figs Plus by Jennifer Weigel

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So I just keep on going… Here are some more repaint porcelain figurines and other madcap painting. OK maybe some of them aren’t porcelain, but still totally redone.

Pennywise It Clown repaint by Jennifer Weigel
Pennywise It Clown repaint by Jennifer Weigel

This Pennywise clown started as some plastic figurine from Italy. I was drawn to this because of the pretty marble base. It’s a nice touch, don’t you think? I’ve seen others in this series and honestly they’re all kind of creepy to start with, so they really lend themselves towards repaint prospects. Perhaps I’ll pick up more to redo in similar ways later on… Oh, and the eyes are blacklight sensitive, in case he wasn’t creepy enough already.

Lydia the Beetlejuice Bride repaint by Jennifer Weigel
Lydia the Beetlejuice Bride repaint by Jennifer Weigel

With all of the new movie hype, I couldn’t resist a throwback to the classic Beetlejuice, and this little bride figurine and teddy bear were just too perfect. Featuring more blacklight sensitive accents, like her veil flowers. And I don’t know why she only has one glove, I blame it on the 1980s… Or maybe she was just that drunk (you’d have to be for that wedding)…

Zombie Apocalypse Prepper repaint by Jennifer Weigel
Zombie Apocalypse Prepper repaint by Jennifer Weigel

So yeah, all those preppers ready for the zombie apocalypse – you know some of them are gonna get bitten. It’s in the script, what can I say? More blacklight eyes, cause why not?

Abigail vampire ballerina repaint by Jennifer Weigel
Abigail, vampire ballerina repaint by Jennifer Weigel

I admit I haven’t seen this film, but it sure looks fun. Mathilda, eat your heart out. Literally.

Sexy Sadie by Jennifer Weigel
Sexy Sadie by Jennifer Weigel

OK so this isn’t a repaint. Nor is it porcelain. What is it even doing here? Well, she’s cool and ready for a party and kinda reminded me of Abigail, so she sort of just tagged along. Sexy Sadie started as an Avon perfume bottle with a fragrance I didn’t care for (I think it was called Head Over Heels). Because honestly the bottle topper was all that mattered. And now she has her own disco dancing platform. What more could a vampish vixen want?

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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Original Creations

Beyond the Veil: Video Script by Jennifer Weigel

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I wrote this script for Beyond the Veil awhile back, exploring the bond between two twin sisters, Edith and Edna, who had lived their lives together. There was a terrible car crash and someone didn’t make it.  The other is trying to contact them beyond the veil…

Spirit Witch altered doll sculpture by Jennifer Weigel
Spirit Witch altered doll sculpture by Jennifer Weigel

Beyond the Veil Setting:

Two women reach out to one another individually in a séance setting.

One sits on one side of a dining table.  The other sits at the other side.  Each studies a candle just beyond her reach; there is darkness between the two candles.  The long table is barely hinted at in the interstice between the two but it is clearly present.

The camera is stationary showing both in profile staring through each other.

The women are both portrayed by the same actress who is also the voice of the narrator, who is unseen.  All three voices are identical so that it is impossible to tell which of the two women the narrator is supposed to represent.

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Both women are spliced into the same scene.  They are together but apart.  The two candles remain for the duration of filming so that the two halves of the film can either be overlapped (so that both women appear incorporeal) or cut and sandwiched in the middle between the candles (so both women appear physically present).  It is possible to set the scene thusly using both methods in different parts of the story, with both women seemingly flickering in and out of being, both individually and apart.

Script:

I. Black, audio only.

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

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It spun off the road where it caught fire.

There was smoke everywhere.

My sister didn’t make it.

II. Fade in to the long table with two lit candles; flames flickering.

Two women are just sitting at either end.

They stare blankly through each other.

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Call and Response

                        Edith: Now I’m trying to contact her…

                        Edna: …beyond the veil.

Simultaneous:

                        Edith: Edna, do you hear me?

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                        Edna: Edith, do you hear me?

Together (In Unison):

                        If you hear me, knock three times.

Narrator:

Knock.

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Knock.

Knock.

Call and Response:

                        Edith: I miss you terribly.

                        Edna: I miss you so much.

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                        Edith: Do you remember…

                        Edna: … the car crash?

                        Edith: We rolled…

                        Edna: … over the median.

                        Edith: There was fire.

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                        Edna: There was smoke.

                        Edith: I could hear the sirens.

                        Edna: They were coming…

                        Edith: … to rescue us.

                        Edna: But they were so far away.

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                        Edith: So far…

                        Edna: … away….

Simultaneous:

                        Edith: Are you okay?

                        Edna: Are you hurt?

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Together (In Unison):

                        Knock three times for yes.  Knock once for no.

Narrator:

Knock

– pause –

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Knock

  – pause –

 Together (Syncopated):

                        What’s it like, on the other side?

– long pause –

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   Simultaneous:

                        Edith: I miss you, Edna.

                        Edna: I miss you, Edith.

  Together (Syncopated):

                        It’s so lonely here.

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 Call and Response:

                        Edith: There’s no one here.

                        Edna: I’m all alone.

                        Edith: Without you…

                        Edna: …the spark of life…

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                        Edith: …is gone…

                        Edna: … so far away.

                        – pause –

Together (Entirely Out of Sync):

                        It’s so dark.

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III. Fade out to black

Narrator:

I was riding with my twin sister.

We were in a terrible car crash.

The car drove over the median and rolled.

It spun off the road where it caught fire.

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There was smoke everywhere.

I didn’t make it.

Close up of sculpture
Close Up of sculpture

I had planned to actually turn this into the video for which it was written, but quickly discovered that my plans for recording required a space that was too drastically different from my new house (and new large gaming table) and that my vision for filming could not be well-fully executed or realized. So now it exists as a script only.

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

And feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or here on her website.

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