Is the new Death Note one-shot a worthy sequel to the original series?
The 12-issue manga “Death Note” by Tsugumi Ohba ended over 10 years ago but its legacy is still going strong. The series follows ambitious high school student Light Yagami who decides to rid the world of evil when he finds a notebook with the power to kill people. He strives to become the God of a new world, one that is without crime. He takes on the name Kira and enforces his justice across the world.
The horror manga tells a dark tale about crime, punishment, and humanity. Asking philosophical questions about good and evil that sparked numerous debates during its original run. The moral of “Death Note” is that no one person should have the power to pass the final judgment on another.
Outside of the manga, “Death Note” is also an anime TV series, a short-lived live-action series and the basis for six film adaptations. It’s also a surprisingly good musical. The series ended in 2006 but has returned with a special one-shot.
A new Kira for a new world
10 years after the events of Kira, the Shinigami Ryuk returns to the human world for another round of entertainment. He actually just wants someone to feed him more apples because he’s a junkie. He ends up giving the Death Note to a new boy named Minoru Tanaka, a middle-school student as intelligent as Light, though not nearly as ambitious.
One downside to introducing such a character in a limited format is that it’s impossible to properly connect with him. We only have 88 pages to get to know Minoru, however, the story is very clever in its portrayal of him.
Crime will adapt
Minoru is, in every way, a modern teenager raised by television and the internet. He becomes the new Kira but doesn’t see the Note the same way his predecessor did. He doesn’t want power or justice, he just wants easy money and decides to sell the Death Note!
Even Ryuk is shocked by this move, although to be fair Ryuk is often shocked by everything.
The one-shot acknowledges how the original Kira’s plans wouldn’t work now because of surveillance. The whole world is being watched, and just as crime adapts to every new advancement, Minoru adapts his handling of the Death Note. He uses the internet’s greatest weapon, Twitter, to his advantage and sets up a bidding war between countries. Whoever bids the highest number gets the most dangerous weapon in the world.
Donald Trump officially exists in the Death Note universe
There is a dangerous situation being exposed in this one-shot. It’s an 88-page allegory about the greed of already ruling nations.
In the end, it’s the United States that wins the bid, and guess who’s president? Donald Trump! Trump’s name is never outright spoken but it’s clearly meant to be him. A bloated man in a suit with a bad comb-over that throws money around like he’s living in a Monopoly game. Ohba uses this time to bluntly write out his personal opinions about Trump and other world leaders, including the General Secretary of China, Xi Jinping. It’s not pretty.
Near continues to be a wasted character
There are several callbacks to the original series including surprise appearances from old characters such as Matsuda, Aizawa, and of course, Near a.k.a. Nate Rivers. Unfortunately, I feel that Near is a weak spot in the issue.
Now living as the new L, he briefly takes on the new Kira case when the bidding war starts, but then drops it just days later when he admits defeat. At first glance, it seems as if Near’s there for pure nostalgia reasons. An attempt to resurrect the L vs. Kira dynamic despite the fact that Near and Minoru have absolutely no interaction.
Although his presence is most likely an attempt to show the difficulty in stopping the selling and purchasing of weapons of mass destruction. The sale happens in secret and the buyer is rarely an individual, but instead a group or nation. If Near is the cop in the scenario and the countries publically bidding are the criminals, how exactly could he stop it?
At one point he makes the claim that he can’t confiscate the notebook because he’s an American citizen. The police can’t arrest their own government for purchasing war tanks. I believe this is the purpose of Near in the one-shot, but it feels almost pointless. He doesn’t get to do anything.
I’ve always thought that Near was one of the more underdeveloped characters in the series. He first appeared alongside Mello in “Death Note: Zero”, as one of L’s two successors. They represented the two halves of L’s personality; Near as his analytical side and Mello as his emotional side.
However, once he’s alone Near seemed to a somewhat deficient character. For me, he just couldn’t live up to L and was almost tedious when compared to Mello. This was a chance to finally show his strengths as a character, but it never happened.
Verdict
Overall, the one-shot brings us back to the world of “Death Note” but doesn’t fall completely back into the past. The story has aged but it’s aged well. It’s enjoyable but also reads like a slap to the face because of how realistic it is. The notebook is fake of course, but it can easily be a stand-in for an actual weapon of war.
You can read it for free here.
(4 / 5)
Daisy Johnson’s, The Hotel is a collection of stories that tell the tale of a hotel built on cursed land. Originally written and recorded as a series for BBC Radio 4 in 2020, (you can find the recordings here https://www.bbc.co.uk/programmes/m000mrcg/episodes/player )
The fourteen-story collection was released in hardcover in 2021. Johnson’s prose is haunting, weaving together the stories of generations of families who have been tempted, forced, or serendipitously dumped at The Hotel. Most leave the message, “I’ll be there soon,” and many disappear from room 63.
- ‘The British literary heir to Stephen King’ Johanna Thomas-Corr, Sunday TimesA triumph of contemporary horror from the Booker Prize-shortlisted author, this collection of short stories will haunt you long after you turn the final pageA place of myths, rumours and secrets, The Hotel looms over the dark Fens, tall and grey in its Gothic splendour
- Built on cursed land, a history of violent death suffuses its very foundations –yet it has a magnetism that is impossible to ignore
- On entering The Hotel, different people react in different ways
Last update on 2025-03-17 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
The Hotel tells the stories of the people who are drawn to The Hotel, or, more accurately, the ground the hotel is built on. The first story explains what we know about the hotel, its tendencies, moods, and … hobbies. We are then introduced to Mary Southgraves, ‘The Witch’, who comes to live with her husband on the land on which The Hotel will be built. The villagers in the pond drown her for predicting a sickness that takes the village children, (no this is not a spoiler she tells you she dies on the first page of her chapter.)
The proceeding chapters build upon this story. We meet the workers who are brought in to fill the pond to begin construction. A child of a guest in 1968 who meets another girl who may or may not actually be there. A maid who takes part in séances and Ouija board sessions. The stories progress through time into the present.
Highlights.
The haunting prose of The Hotel does the majority of the heavy lifting for this collection, which makes sense since it began as a podcast series. Johnson’s prose leans towards poetry, albeit more Poe than Keats.
The repetition of specific characters and family names throughout the different stories was intriguing, giving the stories links. These links trigger a sense of recognition for the reader. There is also a sense of anticipation, knowing what has happened to these families already, we wonder how much more they can withstand. The Hotel is like a curse following these families, but I think Johnson is commenting on lineage and the consequences of past actions. The sins of the father and all that.
- Fifteen highly original and darkly unsettling supernatural stories, performed by some of Britain’s finest actresses ‘This is what we know about The Hotel
- It is bigger on the inside than on the outside
- Do not go into Room 63
Last update on 2025-03-17 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
These stories can get confusing at times and I think this is due to the briefness of the stories. It’s hard to keep track of a character that you have spent four pages with and remember them three stories later. I found myself having to stop and turn back to check if that person was who I thought they were. This pausing to turn back interrupts the reading experience. It pulls you out of the story and destroys the atmosphere that Johnson has worked to create.
The Final Take.
The Hotel was an interesting read. Johnson is a talented writer who has published a collection of linked stories that will keep the reader turning pages if only to find out the final fate of these families. That being said, it is obvious that the stories were initially written for a podcast. I’m not sure if it’s the way they are put together or… I don’t know, there’s just something ‘podcasty’ about them. As such I would recommend listening to the audio episodes (see the link above) over reading the book.
(3 / 5)
On Halloween in 2016 Josh Malerman, author of Bird Box, released A House At The Bottom Of A Lake (gosh this is a hefty title!). Last week, I picked this slim book up off my library’s Adult Horror shelves, not knowing what to expect. What I got was a novella that should have been shelved in the teen lit section. Perhaps it is the rather weird underwater sex scene that precludes it from those shelves.
- From the New York Times bestselling author of Bird Box and Malorie comes a haunting tale of love and mystery, as the date of a lifetime becomes a maddening exploration of the depths of the heart
- “Malerman expertly conjures a fairy tale nostalgia of first love, and we follow along, all too willingly, ignoring the warning signs even as the fear takes hold
- ”—Lit Reactor The story begins: young lovers, anxious to connect, agree to a first date, thinking outside of the box
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
When James asks Amelia out on a date during summer break, canoeing was the last thing that she expected. Borrowing his uncles canoe, James hopes he can show Amelia an exciting time, because he really likes this girl! The date starts well and the conversation, if stilted at times, is banter-ey and cool.
They head out on the first lake, but James has an idea that they might have a better time on the lake that joins to this one. It is quieter, no speed boats to show him up, they’ll be able to eat their picnic lunch in peace and quiet. When they arrive, though, they notice a tunnel, that may lead to a third lake. Eager to show Amelia that he is an exciting kind of guy, James heads through the tunnel.
Lo and behold, it is another lake! Albeit, a bit murky and deserted, but that’s alright. That is until they notice that beneath the bow of the boat is a tiled roof. Beneath that tiled roof is a whole house. What ensues is a summer of falling in love and exploring a sunken house that may not be as empty as they thought.
Highlights.
Malerman writing the internal monologue of an angsty seventeen-year-old on a first date is one of the most authentic things I’ve read for a long time. Even down to James worrying about revealing that his dad owns the hardware shop he works in. Scared that Amelia will think that is all he is going to do with his life.
The ending (which of course I cannot discuss here) was well done, although a little contrived and predictable. It felt as if it had been almost tacked on the end as an afterthought. Perhaps Malerman finished the story without the final chapter, but was encouraged to add that last bit to give readers some closure
- “A book that demands to be read in a single sitting, and through the cracks between one’s fingers
- There has never been a horror story quite like this
- Josh Malerman truly delivers
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
Malerman is a good writer, we have seen this in the many novels he has released since Bird Box. A House At The Bottom Of A Lake did not meet the usual standard. There are many reasons I say this. The first is a lack of creativity in descriptive passages in this book. They all felt pretty drab and began to become repetitive by the end of the story. I don’t know how many, times Malerman compared the way that James and Amelia were moving under the water in their scuba suits as ‘Astronaut-like’ or ‘Astronaut-esque’ or ‘ Like he was walking without gravity’, but really can you find another comparison please because this one is all used up!
As I mentioned in the intro, this did feel like a YA novel. Not only because both of the main characters are seventeen, but the prose is a too simple to be engaging. A House A The Bottom Of A Lake might be marketed differently in Australia (where this humble reviewer lives), perhaps making it to the YA shelves in the US or UK, but this is definitely not adult horror.
The Final Take.
Josh Malerman is a favorite of mine. I tend to pick up his books, blurb unread, because I will generally enjoy what he is putting out there. The exception to this rule is A House At The Bottom Of A Lake (if I never have to type that title again I will be pleased!). It just didn’t hit the way his other novels have and I was disappointed.
(2 / 5)
Imagine this. You’re home alone, waiting for your partner to return, when you hear a knock on your door. You answer it to see a family of five, bundled up against the cold. The father, a kindly older gentleman, explains that he used to live in this house as a boy. And he would love to show it to his family.
Do not let them in.
The story
Released in June 2024, We Used To Live Here is author Marcus Kliewer’s debut novel. It tells the story of Eve, who just purchased a beautiful house with her partner, Charlie. Their plan is to flip the house and sell it.
One night, while waiting for Charlie to come home, Eve is surprised by a knock at the door. It’s a man named Thomas Faust and his family.
Thomas explains that he grew up in the house and hasn’t been in the area in years. Would Eve let them in so that he can show the home to his children?
Against her better judgment, Eve lets them in. She regrets this almost at once when Thomas’s daughter vanishes somewhere into the house.
What worked
I always appreciate a book that allows you to play along with the mystery. And this book does that better than just about any other I’ve seen.
Pay close attention to the chapters, to the words that aren’t there. To everything about this novel.
This is mostly down to Kliewer. This is ultimately his work of art. But the production value is also fantastic. I don’t want to ruin the multiple mysteries, so I’ll just say this. There are clues in this book that require some specific artistic choices in the page layouts in this book. And I loved that.
If you’d like to experience another horror book review, check out this one.
We Used To Live Here is also the kind of story that makes you question everything right along with the main character, Eve. Eve is a great main character. But she might be an unreliable narrator. She might be experiencing every single horror described, exactly as it’s described. Or, she might be having a psychotic breakdown. Through most of the book, we can’t be sure. And that is so much fun.
Finally, the weather plays a large part in this story. There are several stories in which the weather or the land itself could be considered a character. Even an antagonist. This is certainly one. The winter storm is the thing that traps the family in the house with Eve. It also makes escaping the home difficult. Reading this book during the winter was especially impactful. Most of us know what it feels like to be shut in by a storm. I’ve personally lived through some of those storms that are just referred to by their year, as though they were impactful enough to claim the whole 365 days for themself. And that was with people I liked. Imagine what it would feel like with strangers. It’s a staggering thought and one that we explore in depth in this book.
- Get Out meets Parasite in this eerily haunting debut and Reddit hit—soon to be a Netflix original movie starring Blake Lively—about two homeowners whose lives are turned upside down when the house’s previous residents unexpectedly visit
- As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood
- As they’re working in the house one day, there’s a knock on the door
Last update on 2025-03-08 / Affiliate links / Images from Amazon Product Advertising API
In the end, We Used To Live Here is a fantastic book. It’s the sort of story that sneaks into your brain and puts down roots. And if this is just the first book we’re getting from Kliewer, I can’t wait to see what else he comes up with.
(5 / 5)
David Davis
February 6, 2020 at 1:13 am
This is a really good review. 😀