Welcome back to Graphic Content. There was a mix-up in numbering last time, but I can assure you that this is #5. But hey, enough about my failures. Let’s talk comics, including the return of Killadelphia.
John Constantine: Hellblazer #7
Man, when Hellblazer goes dark, it goes dark. Issue #7, or “Britannia, Rule the Waves, Part One,” deals with nationalism, fishing, mermaids, and exploitation in a relationship. It’s all very good, plus we get a bit more of Old Man Constantine, who seems to be leaving a cheeky trail across the map of London in the shape of, what else? A dick.
Most of the issue’s narration comes from the unnamed mermaid character who recounts, fairly glowingly, about the plight and motivations of her fisherman boyfriend. It is not until that last third of the issue that we come to see the truth of the situation and that is when the real horror comes in. A mermaid killing people is creepy and all, but what happens to her is so much worse. Spurrier’s writing is solid, and perhaps some of the best of this run, particularly with how the story tackles generational differences and expectations as they relate to modern London and British identity. That and it will make you rethink sashimi.
Campbell’s art in this issue is probably the best meshing of his style with content yet. The dockside, the fish markets, it all is rendered quite well and Campbell’s heavily inked and scratchy style just screams “grime” in the best way possible, fitting the story. (5 / 5)
John Constantine: Hellblazer #7 was written by Simon Spurrier, illustrated by Aaron Campbell, and colored by Jordie Bellaire.
Issue #4, or “Young Team,” follows a local group of Sinkhill kids who are on a mission to track down the van of clowns that is rumored to be snatching up kids in the area. We also see Mr. Dig again, the fox-mask-wearing vigilante of Sinkhill. As a series, Sink is no stranger to violence, but this could be the most shocking issue in the run with a prolonged and bloody sequence of strangulation and beating, all involving children. Sink doesn’t necessarily go to the child’s death well it could have possibly gone (a rare bit of restraint in a series of excess) but it doesn’t exactly end entirely positively, either. Lives are irreversibly shattered and the roaming gang of clowns is still out there, based on the ending. Regardless, it was a fun story that while still anthologized does carry some connections to other stories. It’s been an interesting approach so far.
The art is pretty solid, with a particular highlight being a Lovecraftian dream sequence involving a clown construct. In the bloodiest sequence of the story, however, things get a little muddled, and the presence of gobs of blood on all parties obscure forms and makes everything a bloody red lump for several panels. There may be such a thing as too much blood and Sink got pretty close to that here. (4 / 5)
Sink #4 was written by John Lees and illustrated and colored by Alex Cormack.
Killadelphia is back with a new story arc. This one, entitled “Burn Baby Burn” opens with issue #7, titled “Part 1, Jupiter Rising.” This storyline picks up after the near-apocalyptic events of the previous arc and we find ourselves in a new normal: vampires exist in Philadelphia. This is such a game-changer for the city that James Sangster Jr. now operates as an expect who must look at crime scenes and determine if there is vampiric activity. It is a fantastic note that makes the world really evolve in the comic and just part of why this series has been so successful.
This story revolves around Abigail Adams, newly ascendant as the leader of vampires since the death of John, who recounts a story about a slave named Jupiter. Jupiter is “freed” by Abigail back in the past and has been waiting on the sidelines until, as part of her own campaign of terror, he is unleashed on Philadelphia. It’s all very brutal and Jupiter’s look and “mask” is very striking.
This issue also addresses, to a degree, one of my concerns about the series. I did not really get behind to romance between James and ??? as it felt sudden, but this is addressed to a degree with a discussion between the two about the nature of their relationship. Suddenly it all feels a lot more grounded. I understand the irony of this given this is a comic about a vampiric invasion in the United States, but the romance as initially presented struck me as sloppy and impulsive. it turns out that this was the case for the characters and the reality of this, and how to navigate it, suddenly makes it a lot more tolerable for me.
The series also introduces a new backup feature named “Elysium Gardens,” set during the Watts Uprising and features a werewolf. This feature is, of course, drawn by Jason Shawn Alexander who is the regular artist of Killadelphia. However, this backup is presented in very stark black and white. It makes you wonder how Killadelphia would look in grayscale, and I do wonder if there are any plans to release the first volume in such a manner. It all evokes work from Creepy and other such horror magazines.(4.5 / 5)
Killadelphia #7 was written by Rodney Barnes, illustrated by Jason Shawn Alexander, and colored by Luis Nct.
I am personally aiming to do more than one of these columns a month, but I could use some comics to read. Please feel free to send me suggestions of horror and horror-adjacent series you think I should cover.
See you next time.
The Replacement (2010), a Book Review
The Replacement (2010) by Brenna Yovanoff is a paranormal young adult novel published by the Penguin Group.
The Replacement (2010) by Brenna Yovanoff is a paranormal young adult novel published by the Penguin Group. This standalone book acts as Brenna Yovanoff’s debut novel, whose catalog produces thirteen additional novel-length works. This catalog includes a Stranger Things tie-in, Stranger Things: Runaway Max, which suggests some earned attention and respect for Yovanoff.
Mackie Doyle never had to be told he was different; he learned that quickly enough. With his father being Gentry’s preacher, he learned hallowed ground didn’t agree with him, along with other odd illnesses. It seems the town knows some of these secrets, never mentioning the children who disappear and reappear. As Mackie grows older, he must learn to balance his life between the regular world of Gentry and the supernatural world underneath.
What I Like About The Replacement
Gentry creates an unsettling atmosphere where the reader remains unsure of what the town is complicit in and what remains a mystery to them. It makes the reader uneasy as Mackie tries to “fit in.”
Mackie Doyle makes an interesting protagonist, navigating both the Gentry community and the supernatural underworld. His relationship with his sister, in particular, remains a highlight throughout the novel. In a genre that often puts the sister in danger to motivate the protagonist, their relationship somewhat subverts expectations.
Though somewhat underexplored, the supernatural world really hooks me in. It plays on the old fables of changelings while adding enough originality to be its own thing.
For a debut novel, Brenna Yovanoff deserves respect. The novel had me eager for more of her work, something I hope to rectify in the future.
From what I gather, this novel seems to be a standalone. While I want more from the world, I appreciate a novel that accomplishes its story and has a definitive ending.
The potential love interest remains competent and interesting throughout the novel. She remains essential to the conclusion, forcing the plot along, but did feel a bit underdeveloped considering her importance to the plot.
I read an eBook copy, but the length of a paperback copy is 368 pages. This page count may vary depending on the edition, but The Replacement remains a manageable and easy read for the majority of its page count.
Tired Tropes or Considerations
In recent years, the reexamining of the changeling myth opens up potential justification for ableism and discrimination towards neurodivergent individuals in ancient times. Some elements in this novel might tie into this neurodivergent history. While I find this a story of acceptance and empowerment, I lack the perspective to speak for others. There are elements that might evoke masking, but it isn’t my place to commit further.
One small plot point somewhat evokes that mention plot point where the sister motivates the protagonist. There’s a bit more complexity, but noting it seems essential, considering my earlier positive note.
The Replacement isn’t a dark novel, but the book gets pretty dark toward the end. This jumping point follows the rising stakes of what happens to the lost children.
What I Dislike about The Replacement
Throughout my positives, I point out underdeveloped elements of the narrative. From characters to world-building, I want more. It’s certainly not the worst problem for a novel, but it is a recurring issue.
This underdevelopment issue leads to elements where the story underwhelms me. This underwhelming nature is specifically notable toward the antagonists, who are perfectly built up but don’t do much. I want a little more to earn that tension and build-up, but I am left wanting.
The Replacement won’t frighten its readers. It might creep the reader out, unnerve them, or break their heart, but it’s not a terrifying ride. The ending does deserve a special mention, however, as it certainly steps up its tension.
The Replacement remains an engaging supernatural debut novel from Brenna Yovanoff. While not terrifying, it engages the reader throughout. Don’t expect in-depth supernatural elements, but what you get has you wanting more.
(4 / 5)
The Roots Grow Into The Earth
Launching next month The Roots Grow Into The Earth was a delightful read. It’s the premiere novel by horror author Bert S. Lechner. And after reading it, I hope it’s not his last.
The Roots Grow Into The Earth is a collection of nine short stories and novellas, including three previously published stories. The tales are all part of one larger story. A story of darkness, and madness. A story of a creature released that should never have been. That begins then to sink its roots into the Earth and infect innocent people far and wide.
One such example is The Wall. This is the story of a man named Sam and his wife Nat. They have a lovely normal life full of morning coffee and weekend pizza nights. Until Sam notices something on the wall of their home. While it appears to be nothing, a vision starts taking shape. With Sam’s help.
Another story that really moved me was The Orchestra.
Let me first stay that this was not a particularly fleshed out story. We do not see The Conductor before she’s infected. We don’t see the fallout. No real picture is painted for us, it’s more like a sketch.
In the case of The Orchestra, though, this is exactly the right choice. We don’t need to see the whole picture in gruesome technicolor to get what’s happening in this ill fated concert. We understand perhaps too well what’s occurring. And I thought that was brilliant.
I just want to start by gushing over this storytelling style. Short story collections always have a soft spot in my heart. In the case of The Roots Grow, all of the short stories come together to create one truly dark tale.
I also loved the clear Lovecraftian influence of this story. It’s clear that this was something that the author was going for, from interviews and social media comments. But I could tell before I saw any of that.
The story in The Roots Grow is one of madness. But more than that, it’s one of madness and destruction that the victims could not have avoided. There was no being clever enough to avoid these dark roots that touched them. There was no being strong enough, or selfless and good enough. If the roots reach out and touch you, you’ve already lost.
Finally, I want to extend some praise to my favorite character, Joanne. She is dealing with her own madness, her own demons. But she still finds kindness and strength to help others when they need her. Even against some truly dark odds.
What didn’t work
All that being said, I will say that some of the short stories felt incomplete. One prime example is What Lies In The Icy Soil. This appears to be nothing more than the tale of a person possessed by the need to dig. He digs up something that for sure shouldn’t be dug up. But there’s nothing more to the story. We don’t know who this person is. We don’t know who might be missing him, or what might come of this thing he dug up. As a part of the whole story, it fits. But if we are to consider every tale by its own merit, this one doesn’t have much of anything going for it.
That being said, this is one story in a round ten that wasn’t much of anything. The rest of the stories were wonderfully eerie, both on their own and as part of a whole.
The Roots Grow Into The Earth comes out on October 7th. And I think it would be a perfect addition to your Halloween reading list. (4 / 5)
Strange Eons Review: Cornfields and Eldritch Gods
“The elder gods arrived in the sky in early September, like an unholy aurora borealis stretching across a midnight sky. Their vastness blocked the sun, an unending eclipse, a liminal state, a breath that was inhaled but never let go. Lovecraft got it wrong, I think. It was not the sight of the gods that made humanity go mad. It’s what they destroy that hurts us. Somehow, these elder gods, these aliens, had killed time itself.” – Strange Eons by Keria Perkins
Strange Eons is a short story published in Bourbon Penn Issue 30 by Keira Perkins. Perkins, is an Indiana writer of short fiction and poetry that has also appeared in Non-Stalgia and The Heartland Society of Women Writers. Bourbon Penn is an online and print journal that specializes in speculative, odd, and surreal fiction. All issues are available to be read online for free or can be purchased as a paperback from Bookshop.org.
Strange Eons follows a young woman struggling to adjust to a life post-Lovecraftian apocalypse. This is a cozy story, the majority of which takes place as the woman lays in a cornfield and hides from well-meaning but unhelpful family members. While cozy, the piece is ominous, tackling the terror associated with pregnancy. Specifically, the terror that comes from living in a Red State and finding a significant lack of resources or options.
As a Hoosier capable of becoming pregnant, Strange Eons resonated with me. The imagery of cornfields and cicadas were very Indiana. However, so is a young woman covertly asking her sister to drive her to Illinois to receive healthcare. I loved how Perkins merged cosmic horror with the horror of receiving reproductive healthcare in Indiana but also the United States as a whole. All that was missing were predatory billboards advertising fake pregnancy centers! Talk about maddening and terrifying! Throughout the short story, the most horrific part of the young woman’s ordeal is not the eldritch gods appearing but her rather typical, hellish circumstances.
Aside from content, Strange Eons is well-written. It keeps you guessing where the story will go next. If you like a non-tropey cozy take on Lovecraftian horror or have struggled to receive reproductive healthcare, I highly recommend checking out Strange Eons! You can also check out the other stories in this issue of Bourbon Penn here. Or you can see what else Perkins is up to on her website.(5 / 5)