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Welcome back to Graphic Content. There was a mix-up in numbering last time, but I can assure you that this is #5. But hey, enough about my failures. Let’s talk comics, including the return of Killadelphia.

John Constantine: Hellblazer #7

Man, when Hellblazer goes dark, it goes dark. Issue #7, or “Britannia, Rule the Waves, Part One,” deals with nationalism, fishing, mermaids, and exploitation in a relationship. It’s all very good, plus we get a bit more of Old Man Constantine, who seems to be leaving a cheeky trail across the map of London in the shape of, what else? A dick.

Most of the issue’s narration comes from the unnamed mermaid character who recounts, fairly glowingly, about the plight and motivations of her fisherman boyfriend. It is not until that last third of the issue that we come to see the truth of the situation and that is when the real horror comes in. A mermaid killing people is creepy and all, but what happens to her is so much worse. Spurrier’s writing is solid, and perhaps some of the best of this run, particularly with how the story tackles generational differences and expectations as they relate to modern London and British identity. That and it will make you rethink sashimi.

Campbell’s art in this issue is probably the best meshing of his style with content yet. The dockside, the fish markets, it all is rendered quite well and Campbell’s heavily inked and scratchy style just screams “grime” in the best way possible, fitting the story. 5 out of 5 stars (5 / 5)

John Constantine: Hellblazer #7 was written by Simon Spurrier, illustrated by Aaron Campbell, and colored by Jordie Bellaire.

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Sink #4

Issue #4, or “Young Team,” follows a local group of Sinkhill kids who are on a mission to track down the van of clowns that is rumored to be snatching up kids in the area. We also see Mr. Dig again, the fox-mask-wearing vigilante of Sinkhill. As a series, Sink is no stranger to violence, but this could be the most shocking issue in the run with a prolonged and bloody sequence of strangulation and beating, all involving children. Sink doesn’t necessarily go to the child’s death well it could have possibly gone (a rare bit of restraint in a series of excess) but it doesn’t exactly end entirely positively, either. Lives are irreversibly shattered and the roaming gang of clowns is still out there, based on the ending. Regardless, it was a fun story that while still anthologized does carry some connections to other stories. It’s been an interesting approach so far.

The art is pretty solid, with a particular highlight being a Lovecraftian dream sequence involving a clown construct. In the bloodiest sequence of the story, however, things get a little muddled, and the presence of gobs of blood on all parties obscure forms and makes everything a bloody red lump for several panels. There may be such a thing as too much blood and Sink got pretty close to that here. 4 out of 5 stars (4 / 5)

Sink #4 was written by John Lees and illustrated and colored by Alex Cormack.

Killadelphia #7

Killadelphia is back with a new story arc. This one, entitled “Burn Baby Burn” opens with issue #7, titled “Part 1, Jupiter Rising.” This storyline picks up after the near-apocalyptic events of the previous arc and we find ourselves in a new normal: vampires exist in Philadelphia. This is such a game-changer for the city that James Sangster Jr. now operates as an expect who must look at crime scenes and determine if there is vampiric activity. It is a fantastic note that makes the world really evolve in the comic and just part of why this series has been so successful.

This story revolves around Abigail Adams, newly ascendant as the leader of vampires since the death of John, who recounts a story about a slave named Jupiter. Jupiter is “freed” by Abigail back in the past and has been waiting on the sidelines until, as part of her own campaign of terror, he is unleashed on Philadelphia. It’s all very brutal and Jupiter’s look and “mask” is very striking.

This issue also addresses, to a degree, one of my concerns about the series. I did not really get behind to romance between James and ??? as it felt sudden, but this is addressed to a degree with a discussion between the two about the nature of their relationship. Suddenly it all feels a lot more grounded. I understand the irony of this given this is a comic about a vampiric invasion in the United States, but the romance as initially presented struck me as sloppy and impulsive. it turns out that this was the case for the characters and the reality of this, and how to navigate it, suddenly makes it a lot more tolerable for me.

The series also introduces a new backup feature named “Elysium Gardens,” set during the Watts Uprising and features a werewolf. This feature is, of course, drawn by Jason Shawn Alexander who is the regular artist of Killadelphia. However, this backup is presented in very stark black and white. It makes you wonder how Killadelphia would look in grayscale, and I do wonder if there are any plans to release the first volume in such a manner. It all evokes work from Creepy and other such horror magazines.

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4.5 out of 5 stars (4.5 / 5)

Killadelphia #7 was written by Rodney Barnes, illustrated by Jason Shawn Alexander, and colored by Luis Nct.


I am personally aiming to do more than one of these columns a month, but I could use some comics to read. Please feel free to send me suggestions of horror and horror-adjacent series you think I should cover.

See you next time.

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David Davis is a writer, cartoonist, and educator in Southern California with an M.A. in literature and writing studies.

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Book Reviews

Looking Glass Sound.

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Published in April 2023, Catriona Ward’s novel, Looking Glass Sound, continues her tradition of crafting intricate narratives that defy easy categorization. Like her acclaimed The House on Needless Street, Ward expertly weaves a web of clues and red herrings that will unravel with each reread. Is it an atmospheric horror, a twisted serial killer mystery, or the coming-of-age tale of a writer? The answer, as Ward skillfully demonstrates, is all three.

The Plot.

In 1989, sixteen-year-old Wilder Harlow, travels to the Maine coast with his mother and father, for the summer. His family has inherited a cottage on Whistler’s Bay, all hope that this will be a fresh start for him.

On the first day, Wilder meets Harper and Nat; teens who roam the town with little to no adult supervision. The two quickly become his guides to the town’s hidden secrets.

As they explore the bay’s eerie beauty, Wilder discovers a sinister undercurrent. A terrifying figure known as the “Dagger Man” has been terrorizing families; breaking into homes and photographing sleeping children at knifepoint. Meanwhile, a more chilling mystery unfolds: women have been vanishing from the town for over a decade.

Wilder and his new friends are drawn into the mysteries and the truth begins to unravel as they explore the hidden corners of the bay.

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This is only the first section of the book. What follows is Wilder’s experience through college, eventually returning to Whistler Bay as an elderly man. On his return things begin to twist and we find that everything we’ve been told is not strictly fact.

Highlights.

Catriona Ward is known for writing strong characters and here she does not disappoint. The novel introduces us to Wilder, Nat, and Harper as teenagers whose complex dynamics and relatable angst draw us in. Wilder’s college roommate, Sky, adds another layer of depth, offering a poignant exploration of queer coming-of-age.
While Ward’s intricate plot keeps us guessing, it also presents a minor challenge: the sheer number of twists and turns can sometimes blur the lines between characters: making it difficult to keep track of names and relationships. The introduction of two characters named Sky and Skye, in particular, can be confusing. Despite this, Ward’s character development remains consistently strong. Looking Glass Sound is a compelling exploration of human connection and the complexities of memory.

Drawbacks.

The overwhelming drawback for this novel was the structure. The first half of the novel follows a straightforward, linear timeline, allowing us to connect with Wilder and his friends on a personal level. However, the narrative takes a significant detour in the second half, adopting a complex frame-within-a-frame structure, or perhaps more accurately a book within a book… within a book. This shift can be disorienting, as readers are constantly pulled back and forth between different time periods and perspectives, often only to discover that certain events were not entirely as they seemed.

While this unconventional approach adds a layer of intrigue, it can also make the plot feel fragmented and difficult to follow. Ward’s decision to interrupt the narrative with explanations and asides can sometimes disrupt the pacing and immersion. While this choice may be intentional, it can also leave readers feeling lost and confused.

The Final Take.

This is not my first Catriona Ward novel, nor it will be my last. Ward writes stories that are built to confound the reader and make them question everything they’ve read. Looking Glass Sound pushes this a little too far. In my opinion is the weakest of her novels that I have read so far. In saying that I did enjoy the atmospheric horror of the introductory chapters and the dark academic feel of the college section. Following that I found myself becoming a little fed up with deciphering the plot.

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2.5 out of 5 stars (2.5 / 5)

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Book Reviews

Smothermoss.

Smothermoss: A folk horror fairytale dragged through the mud.

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You can’t win against the mountain. The mountain always finds a way.”

Published in July 2024, Alisa Alering’s debut novel, Smothermoss, is a chilling blend of folk horror and dark fairytale. Though concise, this novel packs a powerful punch, its narrative dense with metaphor and a suffocating atmosphere. Not for the faint of heart, Smothermoss is a haunting exploration of the sinister lurking beneath the surface of the ordinary.

The Story.

Set in the rugged Appalachian Mountains of the 1980s, Smothermoss follows the lives of sisters, Sheila (17) and Angie (12). The two live with their mother and an elderly woman in a crumbling cottage in the forest. Both Sheila and Angie are the object of ridicule and bullying within their school community, the sisters cope with this bullying in starkly different ways. Sheila retreats into silence, avoiding conflict and longing for escape. Angie, meanwhile, immerses herself in a fantasy world, battling imaginary Russians and believing her handmade cards hold prophetic power.

When two women hikers are brutally murdered on the nearby Appalachian Trail, Sheila becomes more withdrawn and avoidant of the world, while Angie becomes convinced she’s destined to capture the killer. Little do they know; a far greater evil lurks in the forest.

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Highlights.

Alering’s masterful characterization of Sheila and Angie was the true gem of Smothermoss. Despite being told in the third person, the alternating chapters offer a bone deep immersion into each sister’s perspective. In recent fiction, author’s have not quite captured the authentic voice of a young character. However, Alering nails it. Angie’s pre-teen naivety shines through and never accidently matures past its 12-year-old existence. While Sheila’s late teenage anxieties and queer coming-of-age struggles are beautifully rendered.

Another highlight of this story is the lyrical prose. Smothermoss has a rhythm; it reads like poetry in places and in others could be mistaken for a children’s fable. Reading about the visceral and raw events and thoughts contained in Smothermoss, in such beautiful but simple language adds to the unsettling experience, and enjoyability, of reading this story

Drawbacks.

There were a couple of things that had me a little confused during this book. Several shorter chapters leave the sisters entirely behind and focus on rabbits and other forest animals. At first, I interpreted these to be metaphoric. The animals standing in for the killers point of view, or perhaps the murdered women. This book is so heavy with metaphor that this seems plausible, but I finished the book still questioning myself about this.

The other issue I found was that many of the subplots in this story are left unexplained or unfinished, turning to the last page with many questions that will never be answered. (Which has resulted in sleepless nights because I just want to know what exactly that rope is among other things!)

The Final Take.

At its core, this is the story of two sisters growing to understand each other and supporting each other through adversity.

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Beyond that, Smothermoss feels like a fairytale dragged through the mud.

The small size of this book (just over 250 pages) might lead people to think it is a quick or easy read. Don’t be fooled, as Shakespeare said, “though she be but little, she is fierce.” This is a complex story, with heavy themes and dark subtext.

I want, and hope, to read this story again because I know that there is much more to uncover here. The metaphors are dark and unnerving, the characters deep and moving, the natural imagery thick. I was not at all surprised to find out that Alering grew up in the Appalachian Mountains. Only someone familiar with the area could have described the people and place with so much heart.

4 out of 5 stars (4 / 5)

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Book Reviews

The Unmothers.

“There was a horse that gave birth. There was a baby. There was a tree. There was a price.”

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Leslie J. Anderson’s debut novel, The Unmothers, is a chilling folk horror that delves into the darkest corners of motherhood. Published in August 2024, this slow-burn tale introduces a world where women’s rights are under threat.

With a subtle touch of Eldritch horror, Anderson weaves a narrative that explores the complex themes of motherhood, choice, and the lengths a woman might go to maintain control over her own body and destiny.

The Story.

Journalist Carolyn Marshall is sent to cover the story of a horse giving birth in the rural American town of Reaford. The attraction of this occurrence for a newspaper? That the baby is a healthy human baby boy. Marshall quickly debunks this story but decides to stay in town and follow her journalistic instinct to a bigger scoop.
Beneath the town’s quaint facade, Marshall uncovers a web of dark secrets. A drug epidemic is ravaging the community, immigrant workers are dying under mysterious circumstances, and the town’s powerful patriarch, John Daily, seems to hold everyone in his debt. As Marshall delves deeper into these troubling issues, she becomes increasingly entangled in the lives of the locals.
Through her interactions with the townspeople, Marshall hears whispers of a sinister presence lurking in the nearby woods. The locals share chilling tales of what a young woman in Reaford might do to terminate an unwanted pregnancy. As the story unfolds, Marshall must confront the terrifying truth about the town’s hidden past and the dangers that lurk within its borders.

Highlights.

I was never a young girl that oohed and aahed at the sight of a horse. After reading The Unmothers though, yeah, I get it. Anderson’s vivid descriptions of these magnificent creatures brought them to life in a way I’d never experienced before. The way she portrays their gentle nature, combined with their raw power and potential for brutality, is both captivating and unsettling. It’s a testament to Anderson’s skill as a writer that she can make even the most mundane details of these animals feel extraordinary.

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Drawbacks.

The Unmothers is a complex novel that delves into the interconnected events of a rural town, both past and present. In the first half of the book, the sheer number of characters and viewpoints can make it difficult to keep track of the plot. However, there are a few pivotal revelations that occur near the midpoint. This helps certain characters become more prominent and memorable, making the story easier to follow.

The Final Take.

The Unmothers is a haunting and unforgettable read that will leave you both terrified and deeply moved. Anderson’s masterful storytelling draws you into a world where the line between the natural and the supernatural is blurred.
The novel’s focus on horses, a subject I’m not particularly knowledgeable about, was a pleasant surprise. I was fascinated to learn about the unique characteristics of foals, including the tentacle-like growths on their hooves which had me Googling for proof.
This book is a must-read for fans of horror, folk tales, and thought-provoking fiction. It’s a powerful exploration of motherhood, choice, and the dark forces that can lurk beneath the surface of even the most seemingly idyllic communities.

4 out of 5 stars (4 / 5)

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