Kings of Hell – Leigh Haddington (A review)
Kings of Hell by Leigh Haddington joins the ranks of part of our summer reading list. Ever wonder who would sell their soul to the devil – and what he even did with those souls? Kings of Hell takes a witty twist into that age old question. We all know the stories about the soul deals for blues and rock n roll, but what of the common person?
If you were dying – would you do it? Would you sell your soul?
How about if your child were dying? Would you sell your soul? Would you bargain with theirs?
This is where we meet the protagonist, Nick. He’s rather young when we meet him. His mom has a choice – make a deal with the devil to save her son for now but damn him for eternity when he comes of age – or – watch her little boy die.
Most parents wouldn’t hesitate to barter their own souls to help their kids. We see it every day when mom or dad (or both) work multiple Full-Time jobs to make ends meet. To put a roof over the head. To give their kids something they never had. But how many would trade on their own child’s innocence?
What it is
Leigh Haddington takes us on a path not chosen by us, but forced upon us. It’s the almost literal rendition of sins of the father, or in this case, the mother. What one grieving parent does in a moment of weakness leaves a ripple effect that threatens heaven and earth.
When you take the book’s premise of the devil exists and he’s rather tired of being the devil, you have a familiar mirror to the Lucifer comic and Netflix series. There are certain similarities in attitude, but that’s where it ends. Yes, it is difficult not to read Lucifer’s dialog in Tom Ellis’s voice. However, the actions and goals are unlike the modern retelling of the Lucifer narrative.
The world is interesting. Without spoiling aspects of the book, I can state that dimensions in space but not time play a central theme. Time is left as a mystery, in the sense that time plays a role in creating mysteries. The author fleshed the physical locations out, but it is the temporal ones that play key roles within the novel. A bit of McGuffining is as far as some mysteries go, though.
Ultimately, it is a story of reflecting in on oneself and seeing what you would give – truly give – to have your deepest desire (told you, that Tom Ellis just pops up).
Verdict
Story telling can happen in a number of ways. One debate is the ‘therefore/but’ vs the ‘and then’ method. As discussed in screenwriting, the ‘this but/therefore this’ method is far stronger. It builds a line of reasoning and consequence for action. This often translates into character driven vs plot driven stories. King of Hell is a mix of both. It is stronger when it is character driven as we can see Nick struggle with the consequences of the things he’s done as any human would. When plot comes knockin’, the book wavers. There are some instances that could use a deeper exploration to allow the shift from ‘and then’ to ‘because.’
Show, don’t tell. We heard it a billion times – and with reason. When we see Nick and the Hellscape, we see a fleshed out canvas. Some of the Earthy scenes are grounded with description, as is the action. However, the book goes into ‘tell’ mode as the chapters continue. This is a quick read – it could benefit from slowing the pace down and filling in that sinew.
Overall, the book is an interesting and quick summer read. The concept is interesting, but not new. Haddington takes the things we’ve seen before – soul selling, demonic influence, revenge – and puts enough twist on them to make readers engaged. There are things that could have zigged instead of zagged – sure, but what book doesn’t? In the end, Kings of Hell is worth the sticker and would make a wonderful addition to anyone’s summer reading list. Don’t take my word for it, though. Check it out for yourself.
(3.5 / 5)
Where to get Kings of Hell by Leigh Haddington
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Desperate to save her son’s life, Jude Fitzroy, signs a contract with the devil. She gets to raise Nick until he is eighteen and then Lucifer will take his place – she will never know the difference, and Nick will rule Hell in Lucifer’s stead.
A life swap with the King of Hell wasn’t how Nick saw his future but the past had sealed his fate. Now, not only does he have power and magic beyond his wildest dreams, but also a life that is dragging him through his worst nightmares.
In a world where Hell is on the doorstep of everyone’s life, Nick discovers just how far he will have to go for his family, freedom and a future of being himself. Lucifer, however, has other ideas and will do anything to keep the contract in place.
From the Amazon blurb for Kings of Hell by Leigh Haddington
Ever wonder what would happen if a witch, a mythological dreamscape, and a kitchen disaster collided at full speed? Jennifer Weigel’s Let’s Do Lunch (Witch Hayzelle’s Recipes for Disaster Book 1) doesn’t just answer that question—it serves it up on a flaming silver platter with a side of snarky humor and alliterative goodness.
This fast-paced, genre-blending novella is part mythological adventure, part obsessive investigation (Moby Dick style), and part cookbook. Yes, you read that right. The book sprinkles in recipes—some of which might be surprisingly edible (looking at you, tofu dish). I think the mix of this worked really well. At times, and this might be because of my background, I thought that the book was pushing into Gargantuan territory and then it slipped back into a real recipe.
Where Let’s Do Lunch really shines is in its world-building. The mythology of dreams is an intriguing and immersive element that keeps the story grounded in a unique and whimsical lore. The characters, while more like vehicles for humor than deep personalities, fit well within the book’s quick and quirky style. There’s also a delightful meta-layer to the storytelling, making it feel self-aware in the best possible way.
- Amazon Kindle Edition
- Weigel, Jennifer (Author)
- English (Publication Language)
Last update on 2025-01-29 / Affiliate links / Images from Amazon Product Advertising API
Another thing that worked really well, even on Kindle, is the art the author produces. The drawings really do make a lot of the book pop and work remarkably well in black and white (or paperwhite, as the case may be). Even the cover is a mix of void space set aside by white–the creation of art through erasure of darkness.
Kindle Caveat:
One small hiccup–if you’re reading the Kindle version, be prepared for footnotes that don’t always play nice with e-readers. They can be tricky to navigate, making it tough to appreciate some of the book’s side notes without breaking the flow. This is something the publisher seems to agree with (as the amazon page has a similar warning).
Overall and Score
Overall, Let’s Do Lunch is a light, fun read perfect for anyone who enjoys their fantasy with a heavy dose of humor and a sprinkle of culinary catastrophe. If the rest of the Recipes for Disaster series keeps up this level of playful mayhem, fans are in for a treat (or at least a hilarious food-related accident).
(4 / 5)
“It’s the thing they say about Tome. Everyone returns in the end-“
Lucy Foley’s 7th and newest page-turner was released in June 2024. The Midnight Feast, demonstrates to readers why her name keeps appearing on the New York Times best sellers list. Blending a mystery/ thriller story with folkloric horror, Foley had me sitting up past my bedtime and considering moving Tome.
- Audible Audiobook
- Lucy Foley (Author) – Joe Eyre, Sarah Slimani, Roly Botha (Narrators)
- English (Publication Language)
Last update on 2025-01-27 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
The Manor, an exclusive retreat nestled deep within the woods, opens its doors on a weekend of glitzy chaos. Founder Francesca Meadows, is the picture of serene wellness. A meditating, green juice-drinking, organic linen-wearing type, at least on the surface. The Manor was left to her by her Grandfa (no this is not a typo!) and she summered here as a teen.
Francesca is rather stressed because it is opening night and the construction is still in progress. The next stage in the renovation is the building of treehouses for guests to stay in. Inspired by one that Francesca had as a child. However, this means cutting down trees in the woods. Though this part of the woods is technically private property the locals are not happy, and neither are the strange bird-like creatures in the woods. These are Elder trees after all, and cutting them down would be bad luck without asking the trees’ permission first…
As a diverse cast descends upon The Manor, each harboring concealed pasts, the idyllic facade begins to crumble. Locals, masquerading as glamorous outsiders, mingle with the elite, revealing a web of interconnected secrets and unspoken resentments.
Beneath the veneer of tranquility lies a simmering undercurrent of tension, fueled by unspoken desires, long-buried grudges, and the unsettling feeling that everyone, in their own way, is seeking redemption at The Manor.
Highlights.
The Midnight Feast brims with subtle and insightful social commentary. One of the most compelling aspects is Foley’s ingenious portrayal of the affluent imitating the pagan, and vice versa. The elite, led by Francesca Meadows, strive to embrace “natural living” with white robes, floral headpieces, and a veneer of eco-consciousness. Ironically, they are aping the very rituals of the local townsfolk, who hold deep-rooted pagan beliefs. Meanwhile, these locals are donning formal attire and dropping their accents to navigate the social circles of The Manor. This fascinating dynamic, presented with understated humor, highlights the performative nature of social identity and the blurred lines between genuine connection and superficial imitation.
On a more profound level, Foley grapples with the complex issue of land ownership and the historical injustices it can perpetuate. Francesca Meadows, with her inherited wealth and privileged position, asserts absolute dominion over the land. She views it as her exclusive domain. She attempts to restrict access to the woods, a vital thoroughfare for the local community, sparking a conflict that raises important questions about land rights, historical dispossession, and the inherent unfairness of a system that allows a few to claim ownership over land that has been traditionally used and revered by others for generations.
Drawbacks.
My only criticism of this book is for something Foley is known for doing; 5+ points of view. There’s Bella, Owen, Francesca, Eddie, DI Walker, and local fishermen, then add to this journal entries from the summer of 2010 and it really does feel like you are drowning in the beginning. Despite this overwhelm, as you become more familiar with the characters it becomes easier to follow. Foley is excellent at making her characters’ voices distinct from one another. So much so that you almost don’t need the names at the top of the chapters. But buyer beware.
- Amazon Kindle Edition
- Foley, Lucy (Author)
- English (Publication Language)
Last update on 2025-01-27 / Affiliate links / Images from Amazon Product Advertising API
The Final Take.
Having thoroughly enjoyed all of Foley’s novels that I’ve read, I can confidently say that The Midnight Feast is a standout. The seamless integration of folkloric elements – a personal favorite – truly elevates the narrative. From the enigmatic markings to the otherworldly creatures lurking within the forest and the intriguing use of solstice as chapter markers, Foley masterfully weaves a captivating and atmospheric tale that kept me utterly engrossed. This is a true page-turner that I wholeheartedly recommend.
(5 / 5)
Published in January of 2024, This Wretched Valley is Jenny Kiefer’s debut novel and is a horror written for hikers, campers, and all of your general outdoorsy type people. Reminiscent of Scott Smith’s The Ruins, with a healthy helping of Adam Nevill’s The Ritual, This Wretched Valley is a story of restless and vengeful spirits with some spectacular body horror scenes you will not forget.
The Plot.
Set in Kentucky, This Wretched Valley’s main plot covers a week in March of 2019. The time-stamped chapters follow four college friends and their faithful Australian Shepherd. One of the four friends, Clay, has discovered a rock formation that appears to have never been climbed or explored. The group embark on an expedition that is part rock climbing exploration and part scientific research. From the moment they enter the valley at the base of the rock things don’t feel right. Their dog, Slade, is acting funny and the plant life grows in unusual varieties and patterns for this part of Kentucky.
After an accident climbing the rock things go from bad to worse, with strange apparitions appearing before them and dead animals being left at the edges of the camp. The worst thing is that despite following their GPS, they can’t seem to find their way back to the car. Tempers flare, but is it because of the situation they find themselves in, or is something influencing their emotions?
Highlights.
One of the highlights of This Wretched Valley is the short chapters that are dotted throughout the book. These chapters tell the stories of other people who came before our hikers, from other centuries, that suffered due to their presence in the valley. As the main chapters culminate the characters from the historical chapters begin to pop up in the present.
The descriptions of the injuries the hikers suffer, real and imagined, are excellent. Kiefer really knows how to make a reader squirm, if you enjoy blood and gore this book is for you. There is one scene in particular with a swarm of flies that I read twice.
Drawbacks.
I know it is a necessary evil in horror, that the main characters must miss things that may seem obvious to the reader for the story to build. I mean, if the hikers in This Wretched Valley picked up on how the dog was acting in the first chapter and left we wouldn’t have this excellent book. That being said, so many things begin to go wrong, but each is shrugged off or explained away. The ignorance of huge things that were happening right in front of them seemed a little too wilful. Perhaps we can give Kiefer the benefit of the doubt and assume that maybe this was the point, the wilfully ignorant get what they deserve.
Another grip I have with this book is the head-hopping. Rather than focus on one character in a chapter and reading their point of view, Kiefer has head hopped. Delivering various points of view within a chapter, sometimes within a paragraph. And that’s fine, many authors do this. However, at times it was hard to figure out who was seeing or thinking a particular thing. Going back to reread some paragraphs did help, but stopping in the middle of the action to reread is not ideal.
The Final Take.
While I’m not an avid outdoorsman myself – camping, hiking, and climbing aren’t my passions. I found myself thoroughly engaged with the descriptions of the natural world in this novel. Kiefer, a rock climbing enthusiast, clearly brings a genuine passion and expertise to her depictions of This Wretched Valley. I believe any reader who enjoys these pursuits will find a particular resonance in her writing.
For those interested, I discovered that Jenny Kiefer owns Butcher Cabin Books, a unique horror bookstore in Louisville, Kentucky. If you’re in the area perhaps pop in and explore a book store dedicated to the world of horror literature.
(4 / 5)
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