Kings of Hell – Leigh Haddington (A review)
Kings of Hell by Leigh Haddington joins the ranks of part of our summer reading list. Ever wonder who would sell their soul to the devil – and what he even did with those souls? Kings of Hell takes a witty twist into that age old question. We all know the stories about the soul deals for blues and rock n roll, but what of the common person?
If you were dying – would you do it? Would you sell your soul?
How about if your child were dying? Would you sell your soul? Would you bargain with theirs?
This is where we meet the protagonist, Nick. He’s rather young when we meet him. His mom has a choice – make a deal with the devil to save her son for now but damn him for eternity when he comes of age – or – watch her little boy die.
Most parents wouldn’t hesitate to barter their own souls to help their kids. We see it every day when mom or dad (or both) work multiple Full-Time jobs to make ends meet. To put a roof over the head. To give their kids something they never had. But how many would trade on their own child’s innocence?
What it is
Leigh Haddington takes us on a path not chosen by us, but forced upon us. It’s the almost literal rendition of sins of the father, or in this case, the mother. What one grieving parent does in a moment of weakness leaves a ripple effect that threatens heaven and earth.
When you take the book’s premise of the devil exists and he’s rather tired of being the devil, you have a familiar mirror to the Lucifer comic and Netflix series. There are certain similarities in attitude, but that’s where it ends. Yes, it is difficult not to read Lucifer’s dialog in Tom Ellis’s voice. However, the actions and goals are unlike the modern retelling of the Lucifer narrative.
The world is interesting. Without spoiling aspects of the book, I can state that dimensions in space but not time play a central theme. Time is left as a mystery, in the sense that time plays a role in creating mysteries. The author fleshed the physical locations out, but it is the temporal ones that play key roles within the novel. A bit of McGuffining is as far as some mysteries go, though.
Ultimately, it is a story of reflecting in on oneself and seeing what you would give – truly give – to have your deepest desire (told you, that Tom Ellis just pops up).
Verdict
Story telling can happen in a number of ways. One debate is the ‘therefore/but’ vs the ‘and then’ method. As discussed in screenwriting, the ‘this but/therefore this’ method is far stronger. It builds a line of reasoning and consequence for action. This often translates into character driven vs plot driven stories. King of Hell is a mix of both. It is stronger when it is character driven as we can see Nick struggle with the consequences of the things he’s done as any human would. When plot comes knockin’, the book wavers. There are some instances that could use a deeper exploration to allow the shift from ‘and then’ to ‘because.’
Show, don’t tell. We heard it a billion times – and with reason. When we see Nick and the Hellscape, we see a fleshed out canvas. Some of the Earthy scenes are grounded with description, as is the action. However, the book goes into ‘tell’ mode as the chapters continue. This is a quick read – it could benefit from slowing the pace down and filling in that sinew.
Overall, the book is an interesting and quick summer read. The concept is interesting, but not new. Haddington takes the things we’ve seen before – soul selling, demonic influence, revenge – and puts enough twist on them to make readers engaged. There are things that could have zigged instead of zagged – sure, but what book doesn’t? In the end, Kings of Hell is worth the sticker and would make a wonderful addition to anyone’s summer reading list. Don’t take my word for it, though. Check it out for yourself.
(3.5 / 5)
Where to get Kings of Hell by Leigh Haddington
Want the book-well guess who has a new hard cover option? Click on through to our sponsored link and get this one whilst on sale. That price is hard to beat, and it’s definitely worth the price of admission.
Desperate to save her son’s life, Jude Fitzroy, signs a contract with the devil. She gets to raise Nick until he is eighteen and then Lucifer will take his place – she will never know the difference, and Nick will rule Hell in Lucifer’s stead.
A life swap with the King of Hell wasn’t how Nick saw his future but the past had sealed his fate. Now, not only does he have power and magic beyond his wildest dreams, but also a life that is dragging him through his worst nightmares.
In a world where Hell is on the doorstep of everyone’s life, Nick discovers just how far he will have to go for his family, freedom and a future of being himself. Lucifer, however, has other ideas and will do anything to keep the contract in place.
From the Amazon blurb for Kings of Hell by Leigh Haddington
As a disclaimer, this is a review of The House of My Mother from a critical perspective. I will not be discussing my opinions of the legal case against Ruby Franke and Jody Hildebrandt. I will be discussing the merits of the book as a work of true crime alone.
In 2015, Ruby Franke started a YouTube channel called 8 Passengers. In August of 2023, Franke and her business associate Jodi Hildebrandt were arrested for, and later plead guilty to, charges of aggravated child abuse. And in January of this year, Shari Franke told her story in The House of My Mother.
The story
The House of My Mother is the true story of Shari Franke, the oldest child of one of the most famous family vlogger families.
As a child, Shari came to the conclusion that her mother didn’t like her. Soon, she began to fear her mother’s anger.
Things got significantly worse when Ruby started their family vlog. All of the families most intimate moments were splashed across the internet for anyone to watch. This became a living nightmare for Shari.
Of course, that was only the start of the family nightmare. Because Ruby was about to meet someone who would reinforce all of the darkest parts of herself.
Eventually Shari manages to escape her home. But her younger siblings were still in her mother’s clutches. She had to save them, and her father, from the monster her mother had become.
What worked
Through the book, Shari only ever mentions the name of one of her siblings, Chad. This is because Chad is the only of her siblings that is an adult at the time of the publication.
There are children involved in this story. Children who’s lives and privacy have already been damaged. Shari didn’t want to do that to them again, and neither do I.
It probably won’t surprise you that this book is full of upsetting details. But not in the way you might imagine.
Nowhere in this book will you find gory details about the abuse the Franke kids suffered. And I consider that a good thing. Those sort of details are all fun and games when we’re talking fiction. When it’s real kids who are really living with the damage, it’s not a good time.
What you’ll find instead is a slew of more emotionally devastating moments. One that stuck with me is when Ruby’s mother gives her a pair of silk pajamas as a gift after Ruby gave birth to one of her babies. Shari asks Ruby if she’d bring her silk pajamas when she had a baby. Ruby responds that yes, when Shari becomes a mother they can be friends.
What a lovely way to make a little girl feel like she’s not worth anything unless she reproduces. And, if she does decide to have children, who is going to bring her silk pajamas?
- From eldest daughter Shari Franke, the shocking true story behind the viral 8 Passengers family vlog and the hidden abuse she suffered at the hands of her mother, and how, in the face of unimaginable pain, she found freedom and healing
- Shari Franke’s childhood was a constant battle for survival
- Her mother, Ruby Franke, enforced a severe moral code while maintaining a façade of a picture-perfect family for their wildly popular YouTube channel 8 Passengers, which documented the day-to-day life of raising six children for a staggering 2
Last update on 2025-03-02 / Affiliate links / Images from Amazon Product Advertising API
In the end, this isn’t a story about ghosts or demons. It’s not about a serial killer waiting on a playground or in the attic of an unsuspecting family. Instead, this is a story about things that really keep us up at night. It’s the story of a woman so obsessed with perfection that she drove away her eldest daughter. The story of a young woman who’s forced to watch from afar as her beloved brothers and sisters are terrorized and abandoned. These are the sorts of things that really keep us up at night. These are the real nightmares.
More than that, though, The House of My Mother is a story of survival. It’s about a family that was ripped apart and somehow managed to stitch itself back together again. It’s about a brave young woman who managed to keep herself safe and sane in the face of a nightmare. If you haven’t read it yet, I can’t recommend it enough.
For more like this, check out my review of Shiny Happy People.
(5 / 5)
Boreal: an Anthology of Taiga Horror is a collection of twenty-two haunting tales that dwell in the deepest darkest woods and frozen wastelands, edited by Katherine Silva and including Haunted MTL’s very own Daphne Fauber. Each story has even been gifted with its very own poster, hinting at the horrors to be found within it, bestowing a beautiful visual collection as well.
The tales are varied and touch upon the environment in new and different ways, each hearkening to a sort of epiphany or raised awareness. These stories exude both dread and wonder at the smallness of our human existence in contrast to the sacred world we have isolated from, sheltering ourselves in our comfortable houses with centralized heat and everything we could possibly need or want at the ready. The taiga becomes a sanctuary outside of our own dulled awarenesses. It is a holy place imbued with powers beyond mortal human reach, a wilderness that threatens to swallow us – both whole and bit by bit, simultaneously.
The protagonists enter into this realm through ritual, superstition, longing, stubbornness, and their own hubris – yearning to survive its dangers, and to make their own marks upon it. The starkness of their surroundings harbors delicate moments that would be all too easily missed if not deliberately sought or pointed out. The softness of fur, the dappled sunlight shining through trees, the hazy clouds of breath forming in crisp air, the brittleness of bleached bone… those quiet experiences that beg to be forgotten, to lay safely sleeping just below the frozen surface, awaiting spring.
There are those who followed in the footsteps of their predecessors, seeking to escape the constraints of their parent’s and elders’ indoctrination, traditions, madness, and abuse, yearning to find their own way despite also being inextricably bound to their own pasts. There are those who just wanted to go for a walk in the woods, and remained forever changed by what they experienced. There are those who wished to impose their will upon the wilderness, their order falling to disarray, unable to make lasting impact. There are those who sought to leave behind the world of mankind, looking for oneness in the natural order of things through isolation, leaving a bit of themselves behind after being consumed by the terrors they encountered. There are those who truly found communion with the woods, became one with its wildness, and invited its spirit into their hearts to find peace, even at cost of their own lives. And then, there are the spirits themselves…
(3 / 5)
All in all, I give Boreal: an Anthology of Taiga Horror 3.0 Cthulhus. I love existential angst so I found it to be an enjoyable read, and I appreciated the myriad manners in which the biome was explored. But there were points in which I found myself struggling to follow along, as if the words were swept up into their own wilds in ways that alienated myself as reader, as if my mere voyeurism into this otherworldly place was not enough to comprehend the subtle deviations in storytelling mannerisms fully. I suppose in some sense this seems appropriate, but at the same time, it left me feeling a bit unfulfilled, as if I had missed a spiritual connection that should have resonated more deeply.
- English (Publication Language)
- 248 Pages – 02/25/2025 (Publication Date) – Strange Wilds Press (Publisher)
Last update on 2025-01-23 / Affiliate links / Images from Amazon Product Advertising API
Book Reviews
Barrowbeck: The History of a Cursed Valley
“All this would be theirs, he said. The gods wanted nothing in return. Only that the marsh-folk – or the valley-folk now – should always remember that they were custodians here.
No.
Servants.”
After the acclaimed Starve Acre and its film adaptation, Andrew Michael Hurley extends his exploration of place with Barrowbeck, a collection of short stories published in October 2024. This new folk horror work charts the unsettling history of a town nestled in a secluded Yorkshire-Lancashire valley. From the first footsteps on its soil to a disquieting glimpse into 2041, Barrowbeck’s 13 tales trace a chilling narrative of time and place, where the past and future intertwine with eerie consequences.
- For centuries, the inhabitants of Barrowbeck, a remote valley on the Yorkshire-Lancashire border, have lived uneasily with forces beyond their reckoning
- They raise their families, work the land, and do their best to welcome those who come seeking respite
- But there is a darkness that runs through the village as persistently as the river
Last update on 2025-02-17 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
The initial, undated story, “First Footing,” sets the stage: a band of survivors, their village destroyed, seek sanctuary guided by their deity, Arfon, along a mysterious river. They eventually discover an untouched valley, destined to become Barrowbeck. Following this are twelve time-stamped tales that chronicle the valley’s unsettling evolution. From the haunting melodies of spectral choirs to the bizarre creation of seed-born babies and a girl possessed by the river’s essence, these stories reveal a place steeped in the strange and uncanny.
Highlights.
Hurley’s signature strength lies in crafting folk horror deeply rooted in place, and Barrowbeck is no exception. The opening chapter’s immersive descriptions of the woods and river establish a rich foundation. This is then meticulously layered upon in each subsequent story. As Barrowbeck evolves, we are drawn into its very fabric, witnessing the gradual emergence of road names, family homesteads, and sacred spaces. The setting itself seems to breathe and expand, mirroring the town’s growth with palpable presence.
Hurley’s skill extends beyond the setting, encompassing the intricate development of Barrowbeck’s people. The collection demonstrates a striking commitment to familial continuity, inviting readers to trace the subtle genealogies woven through recurring names. This depth of world-building adds a compelling layer of realism to the fantastical tales.
- An atmospheric and unsettling story of the depths of grief found in an ancient farm in northern England—now a major motion picture starring Matt Smith and Morfydd Clark
- The worst thing possible has happened
- Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five
Last update on 2025-02-17 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
Though billed as folk horror, Barrowbeck leans more towards the fantastical, presenting strange occurrences rather than outright scares. Hurley’s commendable effort to adapt his writing style to each time period creates a strong sense of place. However, this approach backfires in the early chapters, notably the first, which echoes the dense prose of Tolkien’s The Silmarillion. This stylistic choice risks alienating readers seeking a horror experience, potentially leading to early abandonment.
The Final Take.
I hate to say it but I was disappointed in Barrowbeck. After Starve Acre and The Lonely, I had high expectations of Hurley as a folk horror author, but this missed the mark. That being said some of the later stories were at least interesting if only for their strangeness.
(2 / 5)
