Kings of Hell – Leigh Haddington (A review)
Kings of Hell by Leigh Haddington joins the ranks of part of our summer reading list. Ever wonder who would sell their soul to the devil – and what he even did with those souls? Kings of Hell takes a witty twist into that age old question. We all know the stories about the soul deals for blues and rock n roll, but what of the common person?
If you were dying – would you do it? Would you sell your soul?
How about if your child were dying? Would you sell your soul? Would you bargain with theirs?
This is where we meet the protagonist, Nick. He’s rather young when we meet him. His mom has a choice – make a deal with the devil to save her son for now but damn him for eternity when he comes of age – or – watch her little boy die.
Most parents wouldn’t hesitate to barter their own souls to help their kids. We see it every day when mom or dad (or both) work multiple Full-Time jobs to make ends meet. To put a roof over the head. To give their kids something they never had. But how many would trade on their own child’s innocence?
What it is
Leigh Haddington takes us on a path not chosen by us, but forced upon us. It’s the almost literal rendition of sins of the father, or in this case, the mother. What one grieving parent does in a moment of weakness leaves a ripple effect that threatens heaven and earth.
When you take the book’s premise of the devil exists and he’s rather tired of being the devil, you have a familiar mirror to the Lucifer comic and Netflix series. There are certain similarities in attitude, but that’s where it ends. Yes, it is difficult not to read Lucifer’s dialog in Tom Ellis’s voice. However, the actions and goals are unlike the modern retelling of the Lucifer narrative.
The world is interesting. Without spoiling aspects of the book, I can state that dimensions in space but not time play a central theme. Time is left as a mystery, in the sense that time plays a role in creating mysteries. The author fleshed the physical locations out, but it is the temporal ones that play key roles within the novel. A bit of McGuffining is as far as some mysteries go, though.
Ultimately, it is a story of reflecting in on oneself and seeing what you would give – truly give – to have your deepest desire (told you, that Tom Ellis just pops up).
Verdict
Story telling can happen in a number of ways. One debate is the ‘therefore/but’ vs the ‘and then’ method. As discussed in screenwriting, the ‘this but/therefore this’ method is far stronger. It builds a line of reasoning and consequence for action. This often translates into character driven vs plot driven stories. King of Hell is a mix of both. It is stronger when it is character driven as we can see Nick struggle with the consequences of the things he’s done as any human would. When plot comes knockin’, the book wavers. There are some instances that could use a deeper exploration to allow the shift from ‘and then’ to ‘because.’
Show, don’t tell. We heard it a billion times – and with reason. When we see Nick and the Hellscape, we see a fleshed out canvas. Some of the Earthy scenes are grounded with description, as is the action. However, the book goes into ‘tell’ mode as the chapters continue. This is a quick read – it could benefit from slowing the pace down and filling in that sinew.
Overall, the book is an interesting and quick summer read. The concept is interesting, but not new. Haddington takes the things we’ve seen before – soul selling, demonic influence, revenge – and puts enough twist on them to make readers engaged. There are things that could have zigged instead of zagged – sure, but what book doesn’t? In the end, Kings of Hell is worth the sticker and would make a wonderful addition to anyone’s summer reading list. Don’t take my word for it, though. Check it out for yourself.
(3.5 / 5)
Where to get Kings of Hell by Leigh Haddington
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Desperate to save her son’s life, Jude Fitzroy, signs a contract with the devil. She gets to raise Nick until he is eighteen and then Lucifer will take his place – she will never know the difference, and Nick will rule Hell in Lucifer’s stead.
A life swap with the King of Hell wasn’t how Nick saw his future but the past had sealed his fate. Now, not only does he have power and magic beyond his wildest dreams, but also a life that is dragging him through his worst nightmares.
In a world where Hell is on the doorstep of everyone’s life, Nick discovers just how far he will have to go for his family, freedom and a future of being himself. Lucifer, however, has other ideas and will do anything to keep the contract in place.
From the Amazon blurb for Kings of Hell by Leigh Haddington
“You can’t win against the mountain. The mountain always finds a way.”
Published in July 2024, Alisa Alering’s debut novel, Smothermoss, is a chilling blend of folk horror and dark fairytale. Though concise, this novel packs a powerful punch, its narrative dense with metaphor and a suffocating atmosphere. Not for the faint of heart, Smothermoss is a haunting exploration of the sinister lurking beneath the surface of the ordinary.
The Story.
Set in the rugged Appalachian Mountains of the 1980s, Smothermoss follows the lives of sisters, Sheila (17) and Angie (12). The two live with their mother and an elderly woman in a crumbling cottage in the forest. Both Sheila and Angie are the object of ridicule and bullying within their school community, the sisters cope with this bullying in starkly different ways. Sheila retreats into silence, avoiding conflict and longing for escape. Angie, meanwhile, immerses herself in a fantasy world, battling imaginary Russians and believing her handmade cards hold prophetic power.
When two women hikers are brutally murdered on the nearby Appalachian Trail, Sheila becomes more withdrawn and avoidant of the world, while Angie becomes convinced she’s destined to capture the killer. Little do they know; a far greater evil lurks in the forest.
Highlights.
Alering’s masterful characterization of Sheila and Angie was the true gem of Smothermoss. Despite being told in the third person, the alternating chapters offer a bone deep immersion into each sister’s perspective. In recent fiction, author’s have not quite captured the authentic voice of a young character. However, Alering nails it. Angie’s pre-teen naivety shines through and never accidently matures past its 12-year-old existence. While Sheila’s late teenage anxieties and queer coming-of-age struggles are beautifully rendered.
Another highlight of this story is the lyrical prose. Smothermoss has a rhythm; it reads like poetry in places and in others could be mistaken for a children’s fable. Reading about the visceral and raw events and thoughts contained in Smothermoss, in such beautiful but simple language adds to the unsettling experience, and enjoyability, of reading this story
Drawbacks.
There were a couple of things that had me a little confused during this book. Several shorter chapters leave the sisters entirely behind and focus on rabbits and other forest animals. At first, I interpreted these to be metaphoric. The animals standing in for the killers point of view, or perhaps the murdered women. This book is so heavy with metaphor that this seems plausible, but I finished the book still questioning myself about this.
The other issue I found was that many of the subplots in this story are left unexplained or unfinished, turning to the last page with many questions that will never be answered. (Which has resulted in sleepless nights because I just want to know what exactly that rope is among other things!)
The Final Take.
At its core, this is the story of two sisters growing to understand each other and supporting each other through adversity.
Beyond that, Smothermoss feels like a fairytale dragged through the mud.
The small size of this book (just over 250 pages) might lead people to think it is a quick or easy read. Don’t be fooled, as Shakespeare said, “though she be but little, she is fierce.” This is a complex story, with heavy themes and dark subtext.
I could, and hope, to read this story again because I know that there is much more to uncover here. The metaphors are dark and unnerving, the characters deep and moving, the natural imagery thick. I was not at all surprised to find out that Alering grew up in the Appalachian Mountains. Only someone familiar with the area could have described the people and place with so much heart.
(4 / 5)
Book Reviews
The Unmothers.
“There was a horse that gave birth. There was a baby. There was a tree. There was a price.”
Leslie J. Anderson’s debut novel, The Unmothers, is a chilling folk horror that delves into the darkest corners of motherhood. Published in August 2024, this slow-burn tale introduces a world where women’s rights are under threat.
With a subtle touch of Eldritch horror, Anderson weaves a narrative that explores the complex themes of motherhood, choice, and the lengths a woman might go to maintain control over her own body and destiny.
The Story.
Journalist Carolyn Marshall is sent to cover the story of a horse giving birth in the rural American town of Reaford. The attraction of this occurrence for a newspaper? That the baby is a healthy human baby boy. Marshall quickly debunks this story but decides to stay in town and follow her journalistic instinct to a bigger scoop.
Beneath the town’s quaint facade, Marshall uncovers a web of dark secrets. A drug epidemic is ravaging the community, immigrant workers are dying under mysterious circumstances, and the town’s powerful patriarch, John Daily, seems to hold everyone in his debt. As Marshall delves deeper into these troubling issues, she becomes increasingly entangled in the lives of the locals.
Through her interactions with the townspeople, Marshall hears whispers of a sinister presence lurking in the nearby woods. The locals share chilling tales of what a young woman in Reaford might do to terminate an unwanted pregnancy. As the story unfolds, Marshall must confront the terrifying truth about the town’s hidden past and the dangers that lurk within its borders.
Highlights.
I was never a young girl that oohed and aahed at the sight of a horse. After reading The Unmothers though, yeah, I get it. Anderson’s vivid descriptions of these magnificent creatures brought them to life in a way I’d never experienced before. The way she portrays their gentle nature, combined with their raw power and potential for brutality, is both captivating and unsettling. It’s a testament to Anderson’s skill as a writer that she can make even the most mundane details of these animals feel extraordinary.
Drawbacks.
The Unmothers is a complex novel that delves into the interconnected events of a rural town, both past and present. In the first half of the book, the sheer number of characters and viewpoints can make it difficult to keep track of the plot. However, there are a few pivotal revelations that occur near the midpoint. This helps certain characters become more prominent and memorable, making the story easier to follow.
The Final Take.
The Unmothers is a haunting and unforgettable read that will leave you both terrified and deeply moved. Anderson’s masterful storytelling draws you into a world where the line between the natural and the supernatural is blurred.
The novel’s focus on horses, a subject I’m not particularly knowledgeable about, was a pleasant surprise. I was fascinated to learn about the unique characteristics of foals, including the tentacle-like growths on their hooves which had me Googling for proof.
This book is a must-read for fans of horror, folk tales, and thought-provoking fiction. It’s a powerful exploration of motherhood, choice, and the dark forces that can lurk beneath the surface of even the most seemingly idyllic communities.
(4 / 5)
If you’re looking for a page-turner to add to your October TBR search no more, Mason Coile has you covered with his new novel William, released September 2024. With its Frankenstein-esque plot, Coile delivers a 21st-century twist on the classic monster story, replacing the creature with an AI robot. Like Shelley’s original Frankenstein, William is a cautionary tale about the ethical and moral responsibilities that come with scientific discovery. Coile delves deeper, exploring not only the moral implications of a human-created life that is not actually human, but also the spiritual dimensions of the creation.
The Story.
Henry and his pregnant wife Lily are engineers, he works with robotics, she with computers. The house they live in is an old Victorian that has been retrofitted with the latest security features including impenetrable locking doors on every room (except on the outside of Henry’s laboratory of course), voice-controlled lights, hot water, and audio systems. Every morning Lily leaves the house to go to work leaving Henry to ascend to his third-floor attic lab. Henry has not left the house for months. He describes himself as, “an agoraphobe with a serious antisocial streak who’s working alone in his home on a project he won’t share with anyone.” When Lily invites her coworkers, Davies and Paige, over for brunch, Henry sees it as an opportunity to finally reveal his latest creation.
Henry has created several AI robots over the years. A dog that responds to voice commands and a creepy bicycle-riding magician that is reminiscent of the Saw franchise’s bicycle-riding Billy, but William is Henry’s pièce de resistance. A moving, talking robot that learns from experience and enjoys reading Faust.
The unveiling of William does not go to plan after the robot takes over the conversation and, in a scuffle, injures Lily’s arm. This is only the beginning of a series of events that unravel over the course of Halloween.
Highlights.
Anyone who enjoyed Frankenstein will have fun with this story. Coile has dealt with the subject of life creation and morality with a lot of thought. He asks what ‘being alive’ really means and forces the reader to question the reality of consciousness.
The atmosphere of the house is held taught throughout the novel. There were many times when I realized that I was unwittingly holding my breath. Henry’s agoraphobia and the anxiety it induces in him is intense. His internal monologue during times when the outside world seems to be intruding into his safe home is flawless and a cherry to the top of this unnerving narrative.
Like any good thriller horror, the twist at the end left my mouth gaping but of course, no spoilers here! Just know it’s all worth it!
Drawbacks.
There is little to complain about here. If pushed to find something I was occasionally confused by the layout of the house. Coile goes to great lengths to describe the left and right turns as each character moves about the house. I must admit there were a few times I felt a little lost and could have used a map.
The Final Take.
Read this.
Read this if you’re a horror fan, an AI fan or a science fiction fan.
William covers many genres and will please anyone who picks it up.
And when you’ve finished reading this book and have been surprised by the twist at the end. Go back and read the first line to have your mind blown again.
(5 / 5)
