True Crime Studies: Philip Carlo’s ‘The Night Stalker’ is graphic nightmare fuel
Someone once asked Richard Ramirez how to avoid being targeted by a serial killer. His answer: “You can’t. Once they are focused on you, have you where you are vulnerable, you’re all theirs (…) When you drop your guard — that’s when the serial killer moves.” He would know after all, he did kill an estimated 14 people and stalked an entire city for over a year, throwing the state of California into total chaos.
He was the embodiment of Wrath, as if his body had been emptied of blood and organs and replaced with boiling steam. His very existance had people convinced that the Devil was living among them, including Ramirez himself who claimed to not only be a Satanist, but a devoted servant of Lucifer with big dreams of spending eternity by his overlord’s side.
What I’m saying is, he was a delusional, twisted sexual deviant that scared the crap out of a lot of people. He also had an embarrassingly large number of groupies but we’ll get to that in a minute.
Richard Ramirez, also known as “The Night Stalker,” was a serial killer, robber, and rapist that terrorized the residents of Los Angeles and parts of San Francisco from June 1984 until August 1985.
There have been many books written on Ramirez but, The Night Stalker: The Life and Crimes of Richard Ramirez by Philip Carlo is one of the best true crime biographies I’ve ever had the pleasure of reading. It’s right up there with Dave Cullen’s Columbine for me. Carlo holds nothing back. He describes everything and I mean EVERYTHING. From the violently invasive descriptions of sexual assault to the silly arguments that went down in the courtroom, nothing is left unsaid. The crime scenes are particularly graphic in detail, not much is left for the imagination. You’ll be able to smell the blood, feel the fear, and see the dark sky standing over Ramirez as he approaches his next target. It’s like an awful car wreck, can’t look away no matter how disturbing it is.
The book is split up into five parts (The Hunters and the Hunted, Richie, Capture, The Trial, and Epilogue) with Part One taking place during the bulk of the crime spree leading up to the end of the investigation. The narrative is shared between Ramirez and the police detectives chasing him, Frank Salerno and Gil Carrillo, with each of their individual points of view evenly distributed throughout. An interesting detail about Part One is that Ramirez is never mentioned by name. He is referred to only as “the killer” until the police actually identify him. This withholding of identification is both a narrative technique and also a way to dehumanize him, portray him as more of a force than an actual man.
It makes the book very psychological. Inserting you within the investigation so that you feel like you’re working alongside Salerno and Carrillo as they track the killer’s movements.
The Ramirez family
A Horror Story All its Own
Once we’ve removed the mask, we learn how the monster was made, only it’s a tragedy. The beginnings of the Night Stalker and the entire Ramirez family is a great big tragedy.
“My brother never slept. He was always up and moving around at night.”Ruth Ramirez
Carlo goes all the way back to Richard’s grandparents, tracing the line of violent temperament through the Ramirez bloodline. His father, Julian, was regularly abused by his own father and grandfather, becoming permanently solemn and resentful by his teenage years. He would spend the rest of his life fighting this resentment.
He meets and marries a woman named Mercedes, and together they have a total of five children. All but one would be born with behavioral issues, learning disabilities, or physical defects. Their first four children, Ruben, Joseph, Robert, and Ruth were conceived and born while the family was living near a nuclear testing site in Los Alamos. An area where many children were born with birth defects and behavioral issues.
By the time Mercedes was pregnant with Richard, the family had moved to El Paso where she had taken a job at the Tony Lama boot factory. There she worked with toxic chemicals to improve pigmentation in shoe coloring, toxins that were later linked to severe birth defects. It is widely believed that Richard, who suffered from epilepsy, was harmfully affected by these chemicals while in the womb. His epilepsy would ultimately cause damage to his temporal lobe, the part of the brain largely responsible for handling emotion. Damage to the temporal lobe has been known to cause hypersexuality, sexual aggression, and just aggression in general. He would later be diagnosed with a schizoid personality disorder.
Richard’s fate, however, was only sealed once he started hanging out with his older cousin Miguel.
Miguel was a Vietnam veteran who was a twisted, savage human being. Having killed and raped many people overseas, he would often brag about his many conquests, actually showing Richard pictures of the women he sexually assaulted and then murdered. The pictures were often taken mid-act so they were basically torture porn snuff images. Their get-togethers were cut short when Miguel murdered his wife Jessie right in front of little Richard.
Many who’ve studied Ramirez put a lot of the blame onto Miguel who they believe twisted the young man’s already troubled mind. Psychiatrist Michael H. Stone described Ramirez as a ‘made’ psychopath rather than a ‘born’ psychopath and Miguel likely had something to do with that.
“That day I went back to the apartment, it was like some kind of mystical experience. It was all quiet and still in there. You could smell the dried blood. Particles of dust just seemed to hover in the air. I looked at the place where Jessie had fallen and died, and I got this kind of tingly feeling. It was the strangest thing. Then my father told me to look in her pocketbook for this jewelry my cousin wanted, and I dumped Jessie’s pocketbook on the bed and looked through her things. It gave me the weirdest feeling — I mean, I knew her, and these were her things and she was dead. Murdered. Gone. And I was touching her things. It made me feel…in contact with her.”Richard Ramirez, The Night Stalker
Trial for the ages
The next big chunk of the book is the trial but I hate reading about court cases so this part was a bit of a bore for me. Carlo still manages to make it interesting though. The whole thing was crazier than an ill-planned circus act. It covers everything from start to finish so that you come away with a full picture of what happened, that if anything, highlights how the judicial system is just as messy, boringly chaotic, and confusing as a busy call center. It’s not just the trial though. Part Four also deals with public perception and the Ramirez groupies that were crowding around the jailhouse on a daily basis.
*Charlie Kelly voice* Now let’s talk about the groupies. Can we talk about the groupies, please, I’ve been dying to talk about the groupies with you all day!
Groupies
I understand this is a type of disorder but…what the f*** ladies? There were so many women drooling over Ramirez after he was captured that I actually felt ashamed of my gender for a moment.
Hybristophilia is considered a type of sexual disorder that several people, mostly women, experience but in the case of Ramirez, it was a bit more extreme, not to mention embarrassing. Hybristophilia is usually brought on when a woman encounters a violent man and thinks she can “tame” him with her love. These individuals will often find excuses for their partner’s crimes while simultaneously think that they’re special. They enjoy the thought of knowing, or thinking, that their partner has harmed others but will never hurt them.
Carlo spends a lot of time with Ramirez’s female admirers and, even though these women are clearly troubled, they make such fools of themselves that you’ll just want to b***h slap them, in particular Doreen Lioy and Cindy Haden. They weep and shamelessly salivate over him, all the while admitting that his crimes make them feel uneasy. A lot of these women seemed to believe the misconception that psychopaths are ugly. The shock of Ramirez being attractive was what lured most of them in. None of them would’ve been tearing down Henry Lee Lucas’s door. It’s one of the most infuriating and fascinating sections of this book.
Final Verdict
The Night Stalker doesn’t play the pity card. Carlo isn’t interested in making you feel bad for Ramirez, he just wants to explain how this monster was created, which is what makes the book such a captivating read. It is dark, technical, psychological, and extremely thorough. Carlo evolved the true-crime novel that originated with Truman Capote’s In Cold Blood. It will make you check your windows and doors more than once during the night.
(4.5 / 5)
Book Reviews
Review: Don’t Eat the Pie, Monique Asher’s delicious trope fest.
“Real monsters are people, and I’ve seen them”
Published in September 2024, Don’t Eat the Pie is a debut novel from author Monique Asher. Reminiscent of Rosemary’s Baby, this story delivers on so many tropes it is doubtful that anyone will not find something to like within its pages. It is not only tropes that Asher has gone to town with. Don’t Eat the Pie is also a mishmash of horror sub-genres that somehow works without being obvious. Southern gothic, supernatural, cult, body horror; it’s all served up here.
The Plot.
Newlyweds Sam and Ben’s idyllic honeymoon is cut short when Ben’s elderly mother, Nadine, suffers a fall. The couple and Sam’s teenage daughter, Emma, relocate to Ben’s childhood home to care for her.
Ben’s mother, lives on the exclusive Camillia Island. A secluded haven of wealth and privilege, accessible only by a creaky drawbridge. Things are smooth at first but both mother and daughter begin to notice some peculiar occurrences: mysterious men in pink shirts, overheard whispers, and a strange aftertaste from a seemingly innocent dessert.
As the days pass, the island’s tranquillity is shattered by increasingly bizarre events. The once-familiar landscape transforms transforms and the true identities of the island’s residents remain shrouded in secrecy. Sam and Emma find themselves entangled in a web of intrigue, questioning their own connection to the island’s dark past. As the stakes rise, Sam and Emma must uncover the truth about Camillia Island and its inhabitants before it’s too late.
Highlights.
The way Asher has built this plot is genius. The abundance of tropes might leave readers assuming predictability. However, red herrings sprinkled throughout the chapters will leave you guessing but never quite certain who is friend and who is foe until the final chapters.
The way that Asher depicts the natural elements on Camillia Island is also worth mentioning as a highlight. Nature plays a big role in this plot and I confidently say that it is a character in its own right. It is not only the ubiquitous snakes and crows encroaching on the inhabited spaces that lend a sinister feeling. The descriptions of the ocean surrounding the island, the vines and flowers that grow around the houses and even the scents permeating the breeze all combine to create a single force that drives the plot to its conclusion.
Drawbacks.
Don’t Eat the Pie is told through the alternating points of view of Samantha and her daughter Emma. This has become a popular way to narrate a story and I understand that it gives the writer a way to reveal information to the reader while still keeping specific characters in the dark. The problem is that if the voices are not distinct enough it can become confusing to differentiate who is telling the story, even if this is specified at the beginning of each chapter. This was the problem I encountered; Sam and Emma are so similar that I spent a lot of time turning back to the chapter headings to check who was telling the story at each point.
The Final Take.
I loved this story.
Don’t Eat the Pie has something for every horror reader. A Southern gothic, supernatural, occult, familicide, body horror… I could go on.
This was so close to the 5 out of 5 rating. It only missed out due to the alternating points of view causing some confusion because they were too similar.
(4.5 / 5)
After her 2017 debut novel, If We Were Villains, captivated readers and skyrocketed to Tik Tok fame readers have been holding their collective breath for anything from M. L. Rio. Seven years later we are presented with Graveyard Shift, another dark academic horror, though a novella this time around. The question is, was it worth the wait and why are readers split in their reactions to this story?
The Plot.
In the opening scene of Graveyard Shift readers encounter five people who often meet in a graveyard on smoke breaks from their various nocturnal jobs.
On the night in question, they discover a freshly dug hole near where they regularly gather. This sounds unremarkable until they realize that no one has been interred in this graveyard for over one hundred years. With the mystery revealed each character returns to their night, each eager to find the purpose of the hole.
Highlights.
Writing a novella that includes the viewpoints of five main characters is a considerable feat. Despite allowing only two chapters for each character in the entire story M. L. Rio successfully juggles these viewpoints without dropping any balls. From the driven editor-in-chief Edie Wu to the enigmatic Tuck. Each character possesses a distinct voice and plays a crucial role in unraveling the mystery. Whether it’s the insomniac ride-share driver Hannah or the bartender at Rocker Box. Each character stands apart, making this novella a compelling read.
Another highlight of this novella is that this is not just another horror novel claiming to be dark academia because it’s set in or near a university. This story is soaked in the academic and the dark side of medical research.
Drawbacks.
The length of this story really went against M. L. Rio, there was so much expectation and hype around its release that when the 100-odd-page story was delivered there were many sighs of disappointment.
And it is not just reader expectation that caused the length to work against her. It must be said that the complexity of the story and the depth that Rio goes to to set up each character would have benefited from being rounded out by another, let’s say 200 pages. The last chapters seem rushed and the ending is ambiguous to say the least, but not in a good way.
I read this on a Kindle and was confused by the story ending at 85%, then slightly angry that the remaining pages were filled by a playlist, an excerpt of If We Were Villains and cocktail recipes??? Although I usually enjoy this type of extra content in fiction, I think Rio’s time might have been better spent writing a few more chapters.
The Final Take.
I approached Graveyard Shift with high expectations, but was ultimately disappointed. While the novel’s form, with its focus on multiple perspectives, initially drew me in, the abrupt and unsatisfying conclusion left me wanting more. Presenting this story as a novella did not do justice to the characters of the story. The mystery of the empty grave was intriguing, and following each character through their nocturnal routines was enjoyable. However, the rushed ending undermined the overall experience.
(2 / 5)
You can’t beat a good old haunted house story. One of the classic tropes of the genre, it allows for some old-school spooks while providing some character development. Now dress it up in a new generation suit and you get something completely different. How does Haven measure up as an addition to the trope? Let’s find out!
Plot
We start the story with a family of four headed on a month-long holiday at a distant relative’s mansion. We have Jeff, the ever-so-average husband, Jenna, the thriller-reading health nut wife. The kids are JJ, the loner gamer son with a passion for swimming, and Jessie, the social media addict with severe insecurities.
I would say that personally, their dynamic was the most interesting and promising part of the novel. It’s clear from the get-go that Jeff and Jenna are trying against all odds to preserve the American Dream. Except right away there is resentment bubbling underneath. Jeff is a pretentious asshole who thinks Jenna’s taste in books is inferior (as a domestic thriller fan I take great offence). Jenna wishes for him to have more career ambition so she can afford the lifestyle she wants. Safe to say there is barely any intimacy between the couple.
When it comes to the kids, both JJ and Jessie feel like an extension of the worst traits of their parents. Jessie’s entire world is social media and her following. For JJ, he is arguably the character with the least development. His main traits are that he hates his family and can’t wait to move out. Oh, and the food.
This is something that I found more discomforting than the horror in the book. Both of the kids have severe food issues, with JJ overeating to the point of obesity while Jessie starves herself and has developed bulimia from the pressure to stay ‘perfect’. The horrifying thing is that neither of the parents notice these things about their kids or if they do, they choose to ignore it.
The haunting in this story is very family-focused. Missing things, Jenna’s harassment, Jeff’s seduction – all these things seem to be specifically catered to break whatever was left of this family unit. Not that it takes much to push them over the edge. This begs the question that whoever is haunting this place is methodical and feeds off their misery.
Gussie’s excerpts break up the pace but personally, I wasn’t as engaged with them as I was with the main story. That being said, I understand its necessity in order to develop the lore.
Writing style
I would say one of my biggest gripes with Haven is not the story itself but rather the way it’s told. The writing style seems like it was trying to adapt to the new times and be tongue-in-cheek. This has varying degrees of success, with some genuinely good nuggets of writing scattered. However, some of it falls flat, especially in the beginning, with the characters doubling down on the points we already knew through the narrative.
Overall thoughts
Haven is a good effort at a haunted house story where there are scarier things than ghosts. It does a good job exploring family dynamics and dealing with negative emotions. The setting is also a strong point of the novel, the house and the forest surrounding it being quite immersive.
As I mentioned, for me the main negative was a bit too try-hard type of writing, although it got better as the book went on. I found the end to be a bit too soft for my liking but it fits with the story. Overall I would still recommend.
(3 / 5)
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