True Crime Studies: Philip Carlo’s ‘The Night Stalker’ is graphic nightmare fuel
Someone once asked Richard Ramirez how to avoid being targeted by a serial killer. His answer: “You can’t. Once they are focused on you, have you where you are vulnerable, you’re all theirs (…) When you drop your guard — that’s when the serial killer moves.” He would know after all, he did kill an estimated 14 people and stalked an entire city for over a year, throwing the state of California into total chaos.
He was the embodiment of Wrath, as if his body had been emptied of blood and organs and replaced with boiling steam. His very existance had people convinced that the Devil was living among them, including Ramirez himself who claimed to not only be a Satanist, but a devoted servant of Lucifer with big dreams of spending eternity by his overlord’s side.
What I’m saying is, he was a delusional, twisted sexual deviant that scared the crap out of a lot of people. He also had an embarrassingly large number of groupies but we’ll get to that in a minute.
Richard Ramirez, also known as “The Night Stalker,” was a serial killer, robber, and rapist that terrorized the residents of Los Angeles and parts of San Francisco from June 1984 until August 1985.
There have been many books written on Ramirez but, The Night Stalker: The Life and Crimes of Richard Ramirez by Philip Carlo is one of the best true crime biographies I’ve ever had the pleasure of reading. It’s right up there with Dave Cullen’s Columbine for me. Carlo holds nothing back. He describes everything and I mean EVERYTHING. From the violently invasive descriptions of sexual assault to the silly arguments that went down in the courtroom, nothing is left unsaid. The crime scenes are particularly graphic in detail, not much is left for the imagination. You’ll be able to smell the blood, feel the fear, and see the dark sky standing over Ramirez as he approaches his next target. It’s like an awful car wreck, can’t look away no matter how disturbing it is.
The book is split up into five parts (The Hunters and the Hunted, Richie, Capture, The Trial, and Epilogue) with Part One taking place during the bulk of the crime spree leading up to the end of the investigation. The narrative is shared between Ramirez and the police detectives chasing him, Frank Salerno and Gil Carrillo, with each of their individual points of view evenly distributed throughout. An interesting detail about Part One is that Ramirez is never mentioned by name. He is referred to only as “the killer” until the police actually identify him. This withholding of identification is both a narrative technique and also a way to dehumanize him, portray him as more of a force than an actual man.
It makes the book very psychological. Inserting you within the investigation so that you feel like you’re working alongside Salerno and Carrillo as they track the killer’s movements.
The Ramirez family
A Horror Story All its Own
Once we’ve removed the mask, we learn how the monster was made, only it’s a tragedy. The beginnings of the Night Stalker and the entire Ramirez family is a great big tragedy.
“My brother never slept. He was always up and moving around at night.”
Ruth Ramirez
Carlo goes all the way back to Richard’s grandparents, tracing the line of violent temperament through the Ramirez bloodline. His father, Julian, was regularly abused by his own father and grandfather, becoming permanently solemn and resentful by his teenage years. He would spend the rest of his life fighting this resentment.
He meets and marries a woman named Mercedes, and together they have a total of five children. All but one would be born with behavioral issues, learning disabilities, or physical defects. Their first four children, Ruben, Joseph, Robert, and Ruth were conceived and born while the family was living near a nuclear testing site in Los Alamos. An area where many children were born with birth defects and behavioral issues.
By the time Mercedes was pregnant with Richard, the family had moved to El Paso where she had taken a job at the Tony Lama boot factory. There she worked with toxic chemicals to improve pigmentation in shoe coloring, toxins that were later linked to severe birth defects. It is widely believed that Richard, who suffered from epilepsy, was harmfully affected by these chemicals while in the womb. His epilepsy would ultimately cause damage to his temporal lobe, the part of the brain largely responsible for handling emotion. Damage to the temporal lobe has been known to cause hypersexuality, sexual aggression, and just aggression in general. He would later be diagnosed with a schizoid personality disorder.
Richard’s fate, however, was only sealed once he started hanging out with his older cousin Miguel.
Miguel was a Vietnam veteran who was a twisted, savage human being. Having killed and raped many people overseas, he would often brag about his many conquests, actually showing Richard pictures of the women he sexually assaulted and then murdered. The pictures were often taken mid-act so they were basically torture porn snuff images. Their get-togethers were cut short when Miguel murdered his wife Jessie right in front of little Richard.
Many who’ve studied Ramirez put a lot of the blame onto Miguel who they believe twisted the young man’s already troubled mind. Psychiatrist Michael H. Stone described Ramirez as a ‘made’ psychopath rather than a ‘born’ psychopath and Miguel likely had something to do with that.
“That day I went back to the apartment, it was like some kind of mystical experience. It was all quiet and still in there. You could smell the dried blood. Particles of dust just seemed to hover in the air. I looked at the place where Jessie had fallen and died, and I got this kind of tingly feeling. It was the strangest thing. Then my father told me to look in her pocketbook for this jewelry my cousin wanted, and I dumped Jessie’s pocketbook on the bed and looked through her things. It gave me the weirdest feeling — I mean, I knew her, and these were her things and she was dead. Murdered. Gone. And I was touching her things. It made me feel…in contact with her.”
Richard Ramirez, The Night Stalker
Trial for the ages
The next big chunk of the book is the trial but I hate reading about court cases so this part was a bit of a bore for me. Carlo still manages to make it interesting though. The whole thing was crazier than an ill-planned circus act. It covers everything from start to finish so that you come away with a full picture of what happened, that if anything, highlights how the judicial system is just as messy, boringly chaotic, and confusing as a busy call center. It’s not just the trial though. Part Four also deals with public perception and the Ramirez groupies that were crowding around the jailhouse on a daily basis.
*Charlie Kelly voice* Now let’s talk about the groupies. Can we talk about the groupies, please, I’ve been dying to talk about the groupies with you all day!
Groupies
I understand this is a type of disorder but…what the f*** ladies? There were so many women drooling over Ramirez after he was captured that I actually felt ashamed of my gender for a moment.
Hybristophilia is considered a type of sexual disorder that several people, mostly women, experience but in the case of Ramirez, it was a bit more extreme, not to mention embarrassing. Hybristophilia is usually brought on when a woman encounters a violent man and thinks she can “tame” him with her love. These individuals will often find excuses for their partner’s crimes while simultaneously think that they’re special. They enjoy the thought of knowing, or thinking, that their partner has harmed others but will never hurt them.
Carlo spends a lot of time with Ramirez’s female admirers and, even though these women are clearly troubled, they make such fools of themselves that you’ll just want to b***h slap them, in particular Doreen Lioy and Cindy Haden. They weep and shamelessly salivate over him, all the while admitting that his crimes make them feel uneasy. A lot of these women seemed to believe the misconception that psychopaths are ugly. The shock of Ramirez being attractive was what lured most of them in. None of them would’ve been tearing down Henry Lee Lucas’s door. It’s one of the most infuriating and fascinating sections of this book.
Final Verdict
The Night Stalker doesn’t play the pity card. Carlo isn’t interested in making you feel bad for Ramirez, he just wants to explain how this monster was created, which is what makes the book such a captivating read. It is dark, technical, psychological, and extremely thorough. Carlo evolved the true-crime novel that originated with Truman Capote’s In Cold Blood. It will make you check your windows and doors more than once during the night.
(4.5 / 5)
Daisy Johnson’s, The Hotel is a collection of stories that tell the tale of a hotel built on cursed land. Originally written and recorded as a series for BBC Radio 4 in 2020, (you can find the recordings here https://www.bbc.co.uk/programmes/m000mrcg/episodes/player )
The fourteen-story collection was released in hardcover in 2021. Johnson’s prose is haunting, weaving together the stories of generations of families who have been tempted, forced, or serendipitously dumped at The Hotel. Most leave the message, “I’ll be there soon,” and many disappear from room 63.
- ‘The British literary heir to Stephen King’ Johanna Thomas-Corr, Sunday TimesA triumph of contemporary horror from the Booker Prize-shortlisted author, this collection of short stories will haunt you long after you turn the final pageA place of myths, rumours and secrets, The Hotel looms over the dark Fens, tall and grey in its Gothic splendour
- Built on cursed land, a history of violent death suffuses its very foundations –yet it has a magnetism that is impossible to ignore
- On entering The Hotel, different people react in different ways
Last update on 2025-03-17 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
The Hotel tells the stories of the people who are drawn to The Hotel, or, more accurately, the ground the hotel is built on. The first story explains what we know about the hotel, its tendencies, moods, and … hobbies. We are then introduced to Mary Southgraves, ‘The Witch’, who comes to live with her husband on the land on which The Hotel will be built. The villagers in the pond drown her for predicting a sickness that takes the village children, (no this is not a spoiler she tells you she dies on the first page of her chapter.)
The proceeding chapters build upon this story. We meet the workers who are brought in to fill the pond to begin construction. A child of a guest in 1968 who meets another girl who may or may not actually be there. A maid who takes part in séances and Ouija board sessions. The stories progress through time into the present.
Highlights.
The haunting prose of The Hotel does the majority of the heavy lifting for this collection, which makes sense since it began as a podcast series. Johnson’s prose leans towards poetry, albeit more Poe than Keats.
The repetition of specific characters and family names throughout the different stories was intriguing, giving the stories links. These links trigger a sense of recognition for the reader. There is also a sense of anticipation, knowing what has happened to these families already, we wonder how much more they can withstand. The Hotel is like a curse following these families, but I think Johnson is commenting on lineage and the consequences of past actions. The sins of the father and all that.
- Fifteen highly original and darkly unsettling supernatural stories, performed by some of Britain’s finest actresses ‘This is what we know about The Hotel
- It is bigger on the inside than on the outside
- Do not go into Room 63
Last update on 2025-03-17 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
These stories can get confusing at times and I think this is due to the briefness of the stories. It’s hard to keep track of a character that you have spent four pages with and remember them three stories later. I found myself having to stop and turn back to check if that person was who I thought they were. This pausing to turn back interrupts the reading experience. It pulls you out of the story and destroys the atmosphere that Johnson has worked to create.
The Final Take.
The Hotel was an interesting read. Johnson is a talented writer who has published a collection of linked stories that will keep the reader turning pages if only to find out the final fate of these families. That being said, it is obvious that the stories were initially written for a podcast. I’m not sure if it’s the way they are put together or… I don’t know, there’s just something ‘podcasty’ about them. As such I would recommend listening to the audio episodes (see the link above) over reading the book.
(3 / 5)
On Halloween in 2016 Josh Malerman, author of Bird Box, released A House At The Bottom Of A Lake (gosh this is a hefty title!). Last week, I picked this slim book up off my library’s Adult Horror shelves, not knowing what to expect. What I got was a novella that should have been shelved in the teen lit section. Perhaps it is the rather weird underwater sex scene that precludes it from those shelves.
- From the New York Times bestselling author of Bird Box and Malorie comes a haunting tale of love and mystery, as the date of a lifetime becomes a maddening exploration of the depths of the heart
- “Malerman expertly conjures a fairy tale nostalgia of first love, and we follow along, all too willingly, ignoring the warning signs even as the fear takes hold
- ”—Lit Reactor The story begins: young lovers, anxious to connect, agree to a first date, thinking outside of the box
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API
The Plot.
When James asks Amelia out on a date during summer break, canoeing was the last thing that she expected. Borrowing his uncles canoe, James hopes he can show Amelia an exciting time, because he really likes this girl! The date starts well and the conversation, if stilted at times, is banter-ey and cool.
They head out on the first lake, but James has an idea that they might have a better time on the lake that joins to this one. It is quieter, no speed boats to show him up, they’ll be able to eat their picnic lunch in peace and quiet. When they arrive, though, they notice a tunnel, that may lead to a third lake. Eager to show Amelia that he is an exciting kind of guy, James heads through the tunnel.
Lo and behold, it is another lake! Albeit, a bit murky and deserted, but that’s alright. That is until they notice that beneath the bow of the boat is a tiled roof. Beneath that tiled roof is a whole house. What ensues is a summer of falling in love and exploring a sunken house that may not be as empty as they thought.
Highlights.
Malerman writing the internal monologue of an angsty seventeen-year-old on a first date is one of the most authentic things I’ve read for a long time. Even down to James worrying about revealing that his dad owns the hardware shop he works in. Scared that Amelia will think that is all he is going to do with his life.
The ending (which of course I cannot discuss here) was well done, although a little contrived and predictable. It felt as if it had been almost tacked on the end as an afterthought. Perhaps Malerman finished the story without the final chapter, but was encouraged to add that last bit to give readers some closure
- “A book that demands to be read in a single sitting, and through the cracks between one’s fingers
- There has never been a horror story quite like this
- Josh Malerman truly delivers
Last update on 2025-03-10 / Affiliate links / Images from Amazon Product Advertising API
Drawbacks.
Malerman is a good writer, we have seen this in the many novels he has released since Bird Box. A House At The Bottom Of A Lake did not meet the usual standard. There are many reasons I say this. The first is a lack of creativity in descriptive passages in this book. They all felt pretty drab and began to become repetitive by the end of the story. I don’t know how many, times Malerman compared the way that James and Amelia were moving under the water in their scuba suits as ‘Astronaut-like’ or ‘Astronaut-esque’ or ‘ Like he was walking without gravity’, but really can you find another comparison please because this one is all used up!
As I mentioned in the intro, this did feel like a YA novel. Not only because both of the main characters are seventeen, but the prose is a too simple to be engaging. A House A The Bottom Of A Lake might be marketed differently in Australia (where this humble reviewer lives), perhaps making it to the YA shelves in the US or UK, but this is definitely not adult horror.
The Final Take.
Josh Malerman is a favorite of mine. I tend to pick up his books, blurb unread, because I will generally enjoy what he is putting out there. The exception to this rule is A House At The Bottom Of A Lake (if I never have to type that title again I will be pleased!). It just didn’t hit the way his other novels have and I was disappointed.
(2 / 5)
Imagine this. You’re home alone, waiting for your partner to return, when you hear a knock on your door. You answer it to see a family of five, bundled up against the cold. The father, a kindly older gentleman, explains that he used to live in this house as a boy. And he would love to show it to his family.
Do not let them in.
The story
Released in June 2024, We Used To Live Here is author Marcus Kliewer’s debut novel. It tells the story of Eve, who just purchased a beautiful house with her partner, Charlie. Their plan is to flip the house and sell it.
One night, while waiting for Charlie to come home, Eve is surprised by a knock at the door. It’s a man named Thomas Faust and his family.
Thomas explains that he grew up in the house and hasn’t been in the area in years. Would Eve let them in so that he can show the home to his children?
Against her better judgment, Eve lets them in. She regrets this almost at once when Thomas’s daughter vanishes somewhere into the house.
What worked
I always appreciate a book that allows you to play along with the mystery. And this book does that better than just about any other I’ve seen.
Pay close attention to the chapters, to the words that aren’t there. To everything about this novel.
This is mostly down to Kliewer. This is ultimately his work of art. But the production value is also fantastic. I don’t want to ruin the multiple mysteries, so I’ll just say this. There are clues in this book that require some specific artistic choices in the page layouts in this book. And I loved that.
If you’d like to experience another horror book review, check out this one.
We Used To Live Here is also the kind of story that makes you question everything right along with the main character, Eve. Eve is a great main character. But she might be an unreliable narrator. She might be experiencing every single horror described, exactly as it’s described. Or, she might be having a psychotic breakdown. Through most of the book, we can’t be sure. And that is so much fun.
Finally, the weather plays a large part in this story. There are several stories in which the weather or the land itself could be considered a character. Even an antagonist. This is certainly one. The winter storm is the thing that traps the family in the house with Eve. It also makes escaping the home difficult. Reading this book during the winter was especially impactful. Most of us know what it feels like to be shut in by a storm. I’ve personally lived through some of those storms that are just referred to by their year, as though they were impactful enough to claim the whole 365 days for themself. And that was with people I liked. Imagine what it would feel like with strangers. It’s a staggering thought and one that we explore in depth in this book.
- Get Out meets Parasite in this eerily haunting debut and Reddit hit—soon to be a Netflix original movie starring Blake Lively—about two homeowners whose lives are turned upside down when the house’s previous residents unexpectedly visit
- As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood
- As they’re working in the house one day, there’s a knock on the door
Last update on 2025-03-08 / Affiliate links / Images from Amazon Product Advertising API
In the end, We Used To Live Here is a fantastic book. It’s the sort of story that sneaks into your brain and puts down roots. And if this is just the first book we’re getting from Kliewer, I can’t wait to see what else he comes up with.
(5 / 5)