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The Axeman of New Orleans

Jazz has never been so scary. Join Nicole and JM to hear about the Axeman of New Orleans, who stalked and slayed victims in the Big Easy. And discover the art inspired by the killer, of which there is a lot.  You might want to play some jazz after this one.

If you would like to know more about the Axeman of New Orleans, give the below a try via Amazon. If you buy, we do get some $

What we used to get the background from our podcast:

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https://americanhorrorstory.fandom.com/wiki/The_Axemanhttps://en.wikipedia.org/wiki/Axeman_of_New_Orleans#In_popular_culturehttps://www.goodreads.com/search?utf8=%E2%9C%93&query=axemanhttps://open.spotify.com/album/2LrQuHAPtWRkaGcYVoPDyR?highlight=spotify:track:3URtnxK7w7Rn4EEBnH4yt2https://rottenink.wordpress.com/tag/the-mysterious-axmans-jazz-dont-scare-me-papa/

Real skull. Don't ask. You wouldn't believe it if I told you.

Original Creations

Sporespawn, a short story by Jennifer Weigel

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Sporespawn was thriving. The Mars colony had become more efficient and better at finding and using native resources with the Martians’ influence. The native creatures were a dust-borne sort, essentially existing as microscopic eggs in stasis waiting for new hosts to infect until opportunity presented itself. These particles could exist in a state of torpor for centuries, millennia, perhaps even longer. It was unclear how ancient some of them were, and the alien humans had no way of calculating this. When the humans had first arrived on the planet they hadn’t even realized the dust they were breathing was alive, nor could they discern that it was infectious. Not until it was too late anyway.

The humans who had been involved in the Martian terraforming effort had all eventually become Incubators and succumbed to becoming a part of Sporespawn. Over several generations, the terror of the situation had subsided and the colonists had acclimated to their new role as host bodies for the Martian creatures. It wasn’t all bad, the Martians looked out for their Incubators and kept them safe until the Spawning, and the period before then was 40+ years long. So an infected person could live a relatively full life in that span, even including having children of their own. And since the humans were infected and became Incubators at a very young age, typically around 5 or 6, they never really questioned their roles, merely following along like sheep until the slaughter.

Plus, the native Martian creatures were much better equipped instinctively to handle all of the chaos that the hostile-to-humans environment threw at them. The alien humans had struggled just trying to survive in the settlement, let alone make much progress, until enough of them had become Incubators to make better sense of their circumstances. And it wasn’t as if they didn’t get to make any decisions in their lives at all, more like the guardian angel on their shoulder whispering in their ear (or that little voice in their heads that belonged to the Martian creatures inhabiting their body) was much more involved in their lives, its presence increasing the more mature the Martian beings residing within became.

Sporespawn art evolution generated by NightCafe AI art generator
Sporespawn art evolution generated by NightCafe AI art generator

Fetsch was thirty-nine. She had lived a full life in Sporespawn, working from when she was just 7-years old to plant and harvest potatoes in the still relatively harsh conditions of the roundhouse, an area designed specifically to grow food. The voices in her head had grown louder and more insistent in recent years, and as always she was persuaded to obey them. She could not remember a time before her guardian angels had whispered in her ear, protecting her from pending dust storms and helping her to survive the blackouts when they happened. They taught her how to get everything back online quickly and maintain tight control of all of the atmospheric conditions in the controlled habitat. She trusted them with her life, and they seemed to have her best interests at heart. And her Elders had always taught her to mind the guardian angels; she always did as she was taught.

Now that she was an Elder herself, she had retired from potato farming and was in charge of taking care of the younglings, including her own daughter, now 4 years old, and the baby. She was lactating and nursed those who needed it. As Fetsch had grown older, she began to work harder at taking care of the younger members of the society, helping them to master agriculture and teaching them the trade, just as her Elders had modeled when she was young. It was, after all, the natural order of things. At about six years of age, after becoming one with Sporespawn, the children would finally start learning how to survive in this difficult land by shadowing the adults and doing what they could to help out.

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Sporespawn art evolution generated by NightCafe AI art generator
Sporespawn art evolution generated by NightCafe AI art generator

But at this point Fetsch couldn’t even remember which children were her own amongst the throng of infants and toddlers. In fact, she couldn’t remember much of anything, really; her existence was drowned out by her migraines. Recently the headaches had worsened considerably, and her visibly throbbing temples drowned out much of her memory and awareness. Her skin was stretched so thin as to appear transparent over her bulging forehead, which pulsed and convulsed of its own accord. Red tendrils wormed their way beneath the surface, edging towards the surface and causing it to swell further.

Fetsch remembered seeing other adults like this as they were nearing the Spawning. She knew that eventually their heads burst open, spewing forth a cloud of particulate among the children in their care. She knew that this was also her fate. And yet, she found it strangely comforting, knowing that her life would end as part of the ongoing cycle towards the continuation of Sporespawn. For this was also a part of the natural order of things, and her guardian angels ensured her that her Spawning would fulfill the needs of the colony and provide for generations to come. She could think about little else as she played amongst the children, her mind becoming more and more infantile as the pressure throbbing inside her brain grew. She looked forward to the end, when everything would go black and the headaches would finally subside. Hopefully it wouldn’t be too terribly much longer.

Sporespawn art evolution generated by NightCafe AI art generator
Sporespawn art evolution generated by NightCafe AI art generator

If you want to read another of my stories prominently featuring Mars dust, please follow these links to Part 1, Part 2 and Part 3 of Cozmik Debris (and it’s later conclusion here on Nightmarish Nature: Terrifying Tardigrades).

Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.
Portrait of myself with dark makeup and crow skull headdress, backlit by the sun.

Feel free to check out more of Jennifer Weigel’s work here on Haunted MTL or on her writing, fine art, and conceptual projects websites.

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Movies n TV

Goosebumps, Go Eat Worms

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We’ve reached episode four of the 2023 show Goosebumps. This one is titled Go Eat Worms, based on the book released in July of 1994. And so far, it’s the story that has been furthest removed from the source material. However, I think it’s the story that got the biggest glow-up.

Cover for Goosebumps Go Eat Worms.

The story

This episode is the first that doesn’t jump back to Halloween night. And it largely focuses on Lucas having a really bad day.

He wants to perform a jump on his dirt bike. He gets everything set up, then chickens out at the last moment.

Unfortunately, that means he gets home just in time to catch Nora and Colin kissing in the car.

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Technically there’s nothing wrong with this. Nora’s husband is dead and Colin’s going through a separation. But there’s no reason to expect Lucas to feel this way. And he does not. He goes to school and decides the best thing to do is tell Margot.

That honestly makes sense. At least, more sense than anything else he does.

Seeing how upset Margot is at this realization, he wants to make her laugh. Being a child who should never see Jackass, he decides to eat a worm in front of her. Margot’s face says it all at that moment, as she realizes there’s a strong possibility this boy is going to be her stepbrother and he is eating worms.

Of course, those aren’t any worms. They came from the Biddle house. And they do the bidding of Harold Biddle.

What worked

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It’s pretty clear at this point that the only adult willing to listen to the kids is Nora. The only other one who might have listened was Margot’s mother, who appears to have vanished entirely.

And while this is horrible for the kids, it’s kind of what we should expect in a show for kids.

Content for children and young adults should have heroes who are children and young adults. That was one of the great things about the Goosebumps books, and most of the great stories meant for kids. Coraline, Stranger Things, Ms. Perrigrins School for Gifted Youngsters, Series of Unfortunate Events. These stories all have a young protagonist who has to face the monster without their parents and win. It reminds me of a wonderful quote by Neil Gaiman.

Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.”

I also loved the action scenes in this episode. I didn’t know I wanted to see a giant worm monster chase someone on a dirt bike through the woods, but I’ve seen it now. And that was pretty great.

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Finally, this episode tackled some really difficult topics. Not the least of which was how suicide impacts the family left behind.

That’s a pretty heavy thing to talk about, and it was approached well. This is one of the things that horror does well. It allows us to discuss the things we’re afraid to discuss. To face our real fears. Not the fears of haunted masks, killer worms, or prophetic cameras. It lets us talk about divorce and death and mental health crises in a way that feels more approachable because it’s side by side with the monsters.

What didn’t work

Unfortunately, this was not a perfect episode. And a lot of my issues are about Luke.

Will Price in Goosebumps.

Now, this is not the fault of the actor, Will Price. But he does not look young enough for this role. Some people in their early twenties can look like teens still on TV. The rest of the ‘kids’ are adults. Miles McKenna, who plays James, is 28. But Price looks significantly too old. And it’s distracting.

I also hated the jumping from scene to scene when Luke took Margot to his house. They didn’t do anything there that couldn’t have been done at school. There was just no need for a scene cut. Scene cuts should be kept to a minimum if possible because it’s distracting and runs the risk of taking a viewer out of the story.

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All in all, though, this was a really good episode. It was touching, exciting, and still managed to be funny. So far, this has been a really solid season of horror television. And we have more than half a season yet to go.

4 out of 5 stars (4 / 5)

If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters launch every Monday, Wednesday, and Friday.

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Movies n TV

Goosebumps, Cuckoo Clock of Doom

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Named for the 28th installment of the original book series, The Cuckoo Clock of Doom has the least in common so far with its source material.

Thankfully, the story isn’t negatively impacted by this. I can honestly say so far that these episodes just keep getting better.

The story

After the last episode’s explosive ending, I’m sure we were all more than a little worried about James. I for one was worried we were going to have an example of the Bury Your Gays trope on a kid’s show.

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Cover of R.L. Stine Cuckoo Clock of Doom

Thankfully, that’s not the case.

We go back in time again to Halloween night, and this time we see what James was up to.

Mostly he was up to trying to flirt with his crush. Everything seems to be going well until James lies about being interested in football.

He tries to leave the house, but instead finds himself back at the basement door when Isaiah is trapped and the cuckoo clock is going off. James then shows a remarkable amount of genre savvy and tries his best to escape the house. Each time he does, we see another version of him walking away.

Eventually, he devises a plan to break the clock at just the right moment, but not before he gets some intel on his crush’s favorite team so he can score a date.

Back in the real world free of the time loop though, James finds that he has far more worries. Every time he tried to escape the house, a duplicate version of him was created. And all of those duplicates are waiting for him.

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Back at the Biddle house, though, there’s a surprise waiting. One of the James duplicates has brought Harold Biddle a box. A ventriloquist dummy-sized box.

An empty box.

What worked

The effects of this show so far have been wonderful. When the other characters hit a James duplicate, it doesn’t just die. It explodes in a Nickelodeon-style wave of slime. This is just fun, and I’m kind of sad there doesn’t appear to be more of the duplicates around.

I mean, I wouldn’t rule it out.

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Ana Yi Puig in Goosebumps.

Did I mention that these duplicates appeared to smell like watermelon Jolly Ranchers when they exploded? That was a visceral detail that was both alarming and terrific. They could have smelled bad. They could have smelled like rotting plants or people. But no, they smell like candy.

Of course, the characters continue to steal the show. Margot and Isaiah could be said to be the main characters, but everyone comes into this with main character energy. They are all funny, all capable, all smart. And they all seem to care about each other.

I loved that James and Isaiah talked about how they were feeling. I think it’s important that we’re modeling that for young men. They talked about what was bothering them, and they made up.

Finally, though, we have to talk about Justin Long again. His acting in this just keeps stealing the show. He dances like a cartoon and jumps from joyful to violently furious at a moment’s notice. The character doesn’t know how to act, and watching him fail to act right in front of people never fails to make me laugh.

What didn’t work

I honestly can’t say that anything didn’t work in this episode. But there is something about the show that I, at least, don’t like.

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There’s no real blood or gore. There’s more blood when I eat an actual jolly rancher because I always cut my tongue on them.

Now, this show is pretty clearly not for kids and young adults so there’s probably not a lot of need for too much gore and violence. But if the bloody stuff is more your style, like me, the lack of it might disappoint you.

Fans of the Goosebumps books will know that everyone ended with a twist. And the show so far has been no different. And the ending of this episode has been the best so far. The tension of Margot’s mom’s impassioned reaction, blended with the revelation that Slappy is somewhere in town is just too much. I can’t believe we’re only three episodes in and I am this invested. I hope you are too.

Viewer beware, I suspect things are going to get a lot worse for our characters before they get better.

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4.5 out of 5 stars (4.5 / 5)

If you’re a fan of my work, please check out my latest story, Nova, on Paper Beats World. New chapters launch every Monday, Wednesday, and Friday.

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