Tapes From Beyond is a radio drama podcast, released in 2021. I discovered it a few months ago and listened to the entire thing in 24 hours.
Now, we all know I’m a sucker for a good radio drama podcast. We also know I love a found-footage horror story. So Tapes from Beyond? Taylor made for me, man.
In the first episode, weāre introduced to Lena and Jac. Jacās been getting cassette tapes sent to her since she was a kid. The tapes contain the tale of a man trapped in a town that doesnāt want to let him leave. Jac cleverly calls him the Trapped Man.
At first, we’re not sure what brought the Trapped Man to this town. We’re a little unsure what the hell is happening. As Jac and Lena play the tapes, they’re not in chronological order. So we’re getting the sad story of the Trapped Man and his attempts to escape in puzzle pieces. Which is, of course, part of the fun. You get to put the pieces together as we go along.
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Everyone’s motivations are suspicious right from the start. Jac is, for sure, traumatized by these tapes. And not just by the content, which is creepy enough. But the way her family responded to these tapes was, for lack of a better word, unhealthy. Her mom thinks they’re a treat, and can’t wait to listen to each one. Her dad is, rightfully, freaked out that some dude is sending his teenage daughter tapes of what sounds like his journal entries. Her siblings, an older sister and younger brother, are just convinced the tapes are bullshit. They’re also not thrilled that it’s one more thing for their folks to fight over. Eventually, their mom just walks away.
So, why the hell does Jac want to talk about this? Honestly, it doesnāt seem like she does. She certainly isnāt interested in answering any of Lenaās questions. What she wantās, as it turns out, is to find out who the Trapped Man is. And if he ever escaped.
This podcast was awesome. I cared about Lena and The Trapped Man right away. I cared about what was happening to Jacās family, but I wanted most of all I wanted to know about the monster who was stalking the trapped man through the town. And when Jac eventually, obviously, finds her way to the town, I was desperate to know why. Why were they both drawn to this place? Why did the town want her there so badly?
If youāre looking for a new radio drama podcast, check out Tapes from Beyond. You wonāt be disappointed.Ā
(4.5 / 5)
Jeff Whitmire, also known as the āWeird Al of Horror,ā creates comedy-based parody songs and original music. For his second album, Stabby Road, he leans into his love of horror with twenty-two parody songs and three original tracks. He describes it as āa love-letter to horror and comedy music.ā I describe it as absolutely hilarious and well-crafted.
Why’d the musician cross the road?
Music To My Ears
When I start my interview with Jeff Whitmire about his newly released album Stabby Road, I decide against going with the opening line I have written down. This man is funny, funny. What if I say this and he doesnāt laugh?
What I do not say: āLong time listener, first time caller. Honored to be in the Zoom where it happens.ā What I do say: I have no idea because I forgot to hit record on the Zoom until a few minutes in. Having ADHD is like that sometimes.
If youāre a fan of his music, youāll catch the reference to the albumās 15th track, āThe Zoom Where it Happenedā ft. Seylan Baxter. The song is an homage to the Shudder original movie Host (2020) set to Lin-Manuel Mirandaās āThe Room Where It Happensā. Yes, Whitmire took on a Hamilton song and actually created an equal-caliber parody.
If youāre not a fan of his music, itās only because you havenāt listened to it yet. Stabby Road is filled top to bottom with smart and funny homages to horror movies as well as The Last Drive-In with Joe Bob Briggs. He pays tribute to a diverse selection of horror subgenres, ensuring there is a song for every type of horror fan out there.
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Set to Random
When I ask how he chooses songs to work with he says, āI always try to keep people guessing.ā Explaining one part of his process he goes on, āIāll switch stations in the car and just try and hear a song and let the movie idea just jump into my head and Iāll go with it.ā This creates an album that parodies everything from The Offspring to Aqua to Rusted Root. And of course, the albumās namesake – the āAbbey Road Medleyā from the Beatles.
Whitmire reveals the name of Stabby Road came well before the creation of the songs which parody āAbbey Road Medleyā. When it was brought to his attention the album did not yet have a Beatles song on it, it was proposed, āWhat if you do the entire melody?ā Whitmire says he responded with, āThat sounds absolutely insane, Iām not going to do that.ā So, of course, he did it.
Whitmire explains how he got into making parody music as: āIāve always considered myself more of a lyricist and writing lyrics. So parody was kind of nice because, you know, then I didnāt have to come up with the melodies… But then Iāve been trying to branch out a little more and do more original stuff.ā His lyricism shines on the album, with each parody track both a summary and a toast to its respective film.
Play It By Ear
āCenobiteā, track 2, is Whitmireās favorite song on the album āfrom a parody standpoint.ā It is a parody of āKryptoniteā by 3 Doors Down and makes reference to Hellraiser 1 & 2. He describes its creation as āone of those lightning in a bottle moments,ā and says it is the song where he and co-collaborator 2 Sleeps āreally broke through.ā
The song is one of my personal favorites from the album. I cannot stop myself from singing āI got it wrong, this aināt a game. I solved the box and then they came,ā whenever I hear āKryptoniteā on the radio. Whitmire’s lyrics on the album have a sneaky way of replacing the original songās lyrics in your head.
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As a testament to his talent with original songs, the three featured on the album do not feel out of place alongside the parodies of smash hits. Two of the original songs are The Drive-In focused. āHey, Joe Bob!ā, the sixth track, is the song he is most proud of on the album from an original standpoint. The song is more personal in nature and describes, āwhat The Drive-In means to everyone and what [horror] meant to me growing up.ā
He is passing along his love of horror to his family. The fifth track, āDonāt Fall Asleep,ā was written after watching the entire Nightmare on Elm Street franchise with his son. Finding comfort in something others find uncomfortable may have influenced his decision to parody āCreepā by Radiohead for the track. Just like with āCenobite,ā itās impossible now to not sing āDonāt fall asleep, feel him near though.ā
Changing His Tune
Whitmireās switch to focusing on horror content is relatively recent, only happening in 2020. Stabby Road is not his first album of parody songs, but as he puts it, āThe way things have worked out, a lot of the horror community donāt realize that.ā His first album is Deep Fried Superhero and he describes it as, āwide-open genre wise.ā
He recently took the stage at FuMPFest, which was born out of The Funny Music Podcast (known as The FuMP). The FuMP is co-hosted by Devo Spice and Luke Ski, and you can listen to their interview with Whitmire here. āTheyāre really where I got my start in doing [comedy music] so being invited to do that was awesome.ā
Despite fears that his horror based songs would turn-off fans of his earlier music he says, āThey were into it, they bought in.ā He explains the gap between horror and comedy is larger than some may think. āThat mixture in the middle is a very weird one that I do.ā Stabby Road serves as a perfect bridge for those who may not enjoy comedic horror but do enjoy being able to laugh about horror.
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Face The Music
Whitmire was also recently invited by Shudder to create the closing credits song for V/H/S/85 (2023). He and 2 Sleeps joined forces under the band name Bathed in Blood to create the song āDoppelganger.ā Since he spoils the movies within his songs, he was able to pre-screen an unfinished version of the movie as part of the creative process.
He says V/H/S/85 is his favorite of the franchise. They were going for a fitting, āAlice Cooper vibe,ā with the song. In my opinion, they nail it. Others seem to agree, with the reception online being very positive.
Whitmire laughs when he recounts finding the song on YouTube quickly after the movieās release. āWeāve got permission,ā he says about filming a music video for it. It will be released on a new YouTube account separate from his existing account to differentiate the projects.
Beating The Drum
Speaking of YouTube, I would be absolutely remiss to not mention the incredible creative quality of Whitmire’s music videos. Each video is full of loving references to the films – even going so far as to include filming on the same location.
Whitmire says he is nowhere near close to being out of ideas for songs. He acknowledges, āI still have like 7 songs on my YouTube channel that donāt have an album yet.ā Some, if not all, of those songs will be featured on his upcoming third album Direct to Video. I’ve got my hopes up that “You’re Gonna Float,” which parodies Lonely Island’s “I’m On A Boat,” will make the cut.
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He reveals he is also working on a āserious, non-horrorā album of original songs. āItās been on my back burner forever.ā Whatever he’s got cooking up, I will be listening.
Strike The Right Note
Whitmireās philosophy towards his horror parody songs is: āI just really love music. Just like I really love horror movies.ā If you also love music and horror movies, Stabby Road is 100% the album for you. It is an album that will make you smile, if not laugh outright, and appreciate the genre we all love so much just that much more.
My rating for Stabby Road:
(5 / 5)
Jeff Whitmire can be found on the platform formerly known as Twitter as @JeffWhitmire1 , on YouTube as @jeffwhitmire47 and on bandcamp as Jeff Whitmire. His co-collaborator 2 Sleeps can be found on the platform formerly known as Twitter as @2sleepsmusic.
Back in September, we talked about the first season of Old Gods of Appalachia. And it was a great time.Ā
We didnāt talk then about season two, because I hadnāt yet experienced it. Now, I have. And itās quite prescient. See, season one was about the coal mines, and what might come out of them.
Season two is about the railroad. The railroad that is still claiming the lives of Appalachian folk to this day. So of course, we have to talk about this season.Ā
Our story this season is about a witch queen. The other witch queen, actually. Whereas our other queen is strong, eternal, and generally benevolent, this queen is different.
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Her story is simple, and not unfamiliar. She was the mistress of a wealthy man, who died bringing his unclaimed child into the world. Mother and babe were buried unceremoniously. She, angered by this, became a spirit of vengeance.
She is, in fact, so dangerous and dark that everyone agrees that itās best if she stays asleep. By everyone, I mean witches and the Haunts who inhabit the Pines. Yes this does include the Walker girls from last season. But it also includes some creatures that are less friendly. Creatures like Skinless Tom, who likes to steal other peopleās skin to hide his lack.
That isnāt to say that The Other Queen doesnāt have friends. In fact, sheās worshiped as a Good Mother. Sheās considered a spirit of justice, who comes to the aid of women and children. But as some of her followers learn, thereās a difference between justice and vengeance.
Even in her benevolence, The Other Queen is cruel. We see this in the story of a little boy named Cowboy. After heās found in a cow field, his new friends realize that thereās something strange about him. What seems like a gift at first is quickly understood to be a curse.
Then of course, thereās Elsie Walker. We get some more information about her history, back when her home was a business called Pleasant Evenings. We hear a story of a young woman she took in, and of the man who came looking for her. This was a great story, maybe my favorite one of the whole season.
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All of this culminates in the last few episodes. The Other Queen is walking the Earth, she has to be locked away. And the whole cast comes together to put her back. Including some fantastic and powerful people, we havenāt met yet.
I really enjoyed this season. It did the same thing that season one did so well, in the order in which we learn all pertinent facts for our story. We donāt just start at the beginning, that wouldnāt be as fun. No, we start with a little boy who survives the death of his whole family. Then, weāre introduced to the Good Motherās Ministries. Then we learn why Elsie Walker might have a particular issue with the Railroad Man. As we move through the season each story, dark and delightful on its own, is layered over the one that came before it. Until finally we can stand back and see the whole picture. This is difficult to do and requires patience, time and great attention to detail. The team who creates Old Gods clearly invested all of that and more.
After the events of East Palestine, season two of Old Gods of Appalachia was even more chilling than it would have been. Tales of atrocities by railroad companies in the name of almighty profit are old. Not as old as these hills, but old just the same.
Yes, Old Gods is fiction. No one is saying there are literal demons working for the railroad. But for those of us who live close enough to East Palestine to feel the air burn our lungs, that analogy feels very real.
That being said, this season didnāt need that modern example to be relevant. And it sure didnāt need any help being scary as hell.Ā
Running from October 2017 to December 2022, Haunted Places is a podcast about just that. The dark spots and corners of the world that are best avoided by most. But if you want to explore them, this podcast is a good start.
The podcast is hosted by Greg Paulson and written by Lauren Delille. And Iām sorry to say that the podcast did end in December. I hope that the talented team is doing new, terrifying things.
The first episode I listened to was the very first one, The Cecil Hotel. This is a story that we already know quite a bit about, especially after watching the documentary on Netflix together.Ā
Somehow, this thirty-minute podcast episode managed to tell more tales of the Cecil Hotel than a three-episode mini-series. Iād never heard of Dorothy, who threw her newborn baby out of the window rather than let her lover know sheād given birth.
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These are verifiable facts. Dorothy Jean Purcell did throw her newborn infant son out of a window of the Cecil Hotel in 1944.
Here are some things said in this episode that are not verifiable facts.
Elisa Lam was likely murdered. (No, she wasnāt.)
Dorothy Purcell knew full well her son was dead before she threw him out of the window. (We can guess, but thatās all it is.)
Elisa Lam was part of a government conspiracy to cause a TB epidemic among the residents of LAās Skid Row. (Clearly not a fact.)
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While Iām not ready to toss a whole podcast based on some wildly inaccurate storytelling portrayed as facts, I do feel like I need to point it out. Iāll be taking everything from this podcast with a grain of salt, and I suggest you do the same.
I next listened to the final episode, about the Carlile House. Before the episode began, there is a simple message that this would be the final episode. No further explanation is given, and I wasnāt able to find any reason why Haunted Places wasnāt continued. So far as Iāve heard, quality wasnāt the issue.
I’d never heard of Carlile House, in New Zealand. The people who were forced to spend time in the house probably envy me in that regard. In its existence, it was an orphanage, a military barracks, and a trade school for boys. None of those are fun places to be. Some ghosts are going to remain. Especially when a vindictive, psychotic nun is involved.
This story has everything. Lots of racism, hateful ghosts, and sorrow-filled soldiers.
These two episodes are a good example of something I always look for in a supernatural or true crime podcast. I like to see a healthy collection of stories I know, and stories Iāve not heard before.
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Some stories, like Hotel Cecil, La Llorona, and the Amityville house, are consistently fascinating. These stories are told again, and I’m happy to hear them. There’s also a whole season about Salem Massachusetts, which I’m a sucker for.
Many of these tales, most in fact, are stories I have never heard before. I had never heard of the Princess Theatre in Melbourne Australia, or the actor ghosts who reside there. Iād never heard of Ruthin Castle or the Lady Grey and her axe. Iād never heard the story of Peg Leg Johnny at the Congress Plaza Hotel. Now I have, and I feel richer for knowing them.
I truly enjoyed Haunted Places. While the āfactsā are questionable, the quality isnāt. The tales are disturbing, as all haunted house stories are. There is something about a haunted location that never gets old. Something about a place that has soaked up misery, anger, fear, and hate until it becomes itself a hateful thing. Some place that may seem lovely and safe from the outside, until youāre trapped within the walls.
If youāre looking for a good spooky time, Haunted Places is well worth listening to.Ā
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