The theatrical heavy metal band GWAR Joins Shudder in July with the documentary This is GWAR. This Shudder Exclusive is the latest development from the streaming service following their recent announcement of the upcoming Queer for Fear. This is another example of the many horror-themed documentaries found on the streaming service. Catch this one on July 21st, 2022.
Check out the trailer below, and read up on the details from the official press release from Shudder.
SHUDDER ACQUIRES AWARD-WINNING DOCUMENTARY THIS IS GWAR
Feature Highlighting the Iconic Heavy Metal Band GWAR Premieres Thursday, July 21
NEW YORK – June 14, 2022 – Shudder, AMC Network’s premium streaming service for horror, thriller, and the supernatural, has acquired rights to the documentary. This is GWAR, which gives rare insight into the 30-plus year career of one of the world’s most outrageous heavy metal bands, GWAR, known for their grotesque costumed characters and notoriously wild, fluid-soaked stage shows. The film, which world premiered at Fantastic Fest in Austin, TX, and won the 2021 Audience Award at NIGHTSTREAM, will be available exclusively on Shudder in the U.S., Canada, and the United Kingdom, Ireland, Australia, and New Zealand on Thursday, July 21.
“For more than three decades, GWAR has set the standard for heavy metal horror with larger-than-life personas and gore-filled stage shows that were unlike anything anyone had ever seen,” said Shudder General Manager Craig Engler. “But even their most ardent fans have never seen them like this, as the band and director Scott Barber reveal in moving detail the literal blood, sweat and tears that have made GWAR the true legends they are today.”
Added GWAR, “GWAR is founded on horror, humor, and heavy metal. Of course, we love Shudder! It’s our favorite. Every movie is like a home movie for us. Are you kidding me?? Monsters, demons, the undead, dinosaurs? Those are our people! GWAR and Shudder. Two terrifying tastes that taste terrifying together.”
This is GWAR is the powerful story of the iconic heavy metal art collective, as told by the humans who have fought to keep it alive for over thirty years. The feature documentary includes interviews with the band members, both past and present, and other artists, including Weird Al Yankovic, Thomas Lennon, Alex Winter, Bam Margera, and Ethan Embry, including never seen footage of legendary GWAR frontman Dave Brockie (Oderus Urungus).
This is GWAR is directed by Scott Barber (Orange Years: The Nickelodeon Story), with producers Tommy Avallone (Bill Murray Stories) and Josh Goldbloom (V/H/S/94). Executive Producers include Bill Parks, Zach Blair, Matthew Helderman, and Luke Taylor.
The deal was negotiated by Josh Goldbloom on behalf of the filmmakers, and Emily Gotto, VP, Global Acquisitions & Co-Productions on behalf of Shudder.
The story of GWAR is carved across the history of this hopeless planet, but GWAR themselves are not of this world…Their story begins far past Uranus, in the deepest reaches of space, where the beings known as GWAR were warriors in the Scumdogs of the Universe, an elite fighting force in the army of the Master of All Reality. But GWAR proved too reckless and powerful, and after a series of tragic but hilarious blunders, they were banished to the furthest reaches of the galaxy, with orders to conquer an insignificant backwater prehistoric mudball known as the planet Earth. Once here, GWAR, the original Ancient Aliens, shaped the face of the globe, wiping out the dinosaurs, and mating with apes to create the human race. Having accidentally given rise to all human history, the Master of All Reality froze them in Antarctic ice where they could do no more harm. It was there they were discovered by a shady entrepreneur known as Sleazy P Martini, who sat the band down in front of professional wrestling, late-night horror movies, heavy metal music, and a steady diet of crack cocaine until GWAR became the cultural force they are today!
AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers, and the supernatural. Shudder’s expanding library of film, TV series, and originals is available on most streaming devices in the US, Canada, the UK, Ireland, Germany, Australia, and New Zealand.
Excited about This is GWAR?
Are you excited for this upcoming GWAR documentary? Let us know in the comments what you think, and feel free to drop a link to your favorite GWAR track on YouTube!
Want more GWAR? (Sponsored)
Want to snatch up a great collection of GWAR’s music. Consider buying the 30th Anniversary of Scumdogs of the Universe. Purchasing it through our sponsored Amazon link helps out Haunted MTL.
#ChadGetsTheAxe Coming Out September 1st
But sometimes there comes a film that’s smartly written, full of humor and social commentary, plus great acting. Oh, and scares that actually scare the shit out of me.
Almost a year to the date, I got to watch such a film called #CHADGETSTHEAXE that I saw as a screener for FilmQuest Fest in October, 2022. And I was blown away by the talents of director/co-writer Travis Bible and co-writer/producer Kemerton Hargrove; starring Spencer Harrison Levin (Black Jesus), Michael Bonini (New Amsterdam), Taneisha Figueroa (Duck World), Cameron Vitosh (Walker), Brandon Doyle (Murder Made Me Famous), and Shun Hagins (Snitch).
Mini-Review, I swear it’s short:
And, I know, I know, I know. ‘But Brannyyyyk, isn’t livestreaming horror movies just a flash in the pan? Hasn’t it been done beforeeee?’ For one, stop saying it like that, it’s weird. For two, not like this. The care and attention that went into #CHADGETSTHEAXE is wickedly clever with such tongue-in-cheek humor of influencers, humanity, and the toxic culture of fandom. It’s the shining example of live-streaming movies because it’s so f-ing smart.
Case in point, the characters are living up to their personas. However, even when the personas are ragged and driven to the edge of life and death, we never see them as people, fully dimensional people, because we never see them break away from their devices. There’s never a shot that shows us ‘hey, this is a film, now let’s see them as the real character they are’. The actors are really carrying dual roles as the personas and the real people underneath; as they are struggling to keep up appearances in front of the millions of viewers.
Plus, don’t get me started on the characters within the livestream feed, along with running jokes and clues to the haunted house.
Anyway, I don’t want to give too much away as I’m going to be covering it on Streamin’ Demons soon. But I wanted to also tease about the fact that I’m going to be interviewing some VIPs from the movie for What’s Kraken? So, shhh, only tell your closest friends because it’s going to be incredible.
Join the Hype Train:
Adapted from an award-winning short with the same title, #ChadGetsTheAxe follows four social media influencers as they live-stream their trip to Devil’s Manor, former home to a Satanic Cult. Things don’t go well. And as the violence ramps up… so do the views.
The film premiered at FilmQuest in October 2022 and Internationally at FrightFest Glasgow in March 2023 where it was well received by critics. #ChadGetsTheAxe was produced by Travis Bible, Eric Gibson, Kemerton Hargrove, and Frances O’Hanlon, while Dream Big Group serves as executive producers.
The Horror Collective is the genre label of Entertainment Squad — a production and distribution company founded by veteran producer Shaked Berenson (TURBO KID, TALES OF HALLOWEEN). The label’s latest releases include the Daytime Emmy nominated Limited Series DOOMSDAY, the killer-pants Shudder Original SLAXX, and the critically acclaimed horror-comedy SUMMONING SYLVIA.
June Title for Arrow Streaming
Welcome to June! There’s so much on the hopper for Arrow that I just have to give you, my friends, the hot goss.
June 2nd: Paul Joyce Documentaries
June 2nd kicks off the month with ARROW’s latest curation of Paul Joyce documentaries, this time looking at legendary filmmaker John Cassavetes, straight from the mouth of his friend and collaborator co-star Peter Falk (Columbo) in Out of the Shadows: The Films of John Cassavetes.
After a six year directing hiatus, Monte Hellman sat down with Paul Joyce and just talked for an hour while Joyce filmed. The result is Plunging on Alone: Monte Hellman’s Life In a Day.
June 2nd: the wild world of Ero Guro
What is Ero Guro? Well, the Japanese sub-genre of horror and pink films Ero Guro combines the erotic (ero) and the grotesque (guro) to deviant, decadent and unforgettable effect. ARROW’s Ero Guro collection features the unholy trinity of core Ero Guro films, Teruo Ishii’s Shogun’s Joy of Torture and Horrors of Malformed Men and Yasuzo Masumura’s Blind Beast, plus plenty more exciting, explicit and enticingly depraved delights to delve into.
Titles Include: Shogun’s Joy of Torture, Blind Beast, Irezumi.
June 6th: Warriors Two (US/CA)
After making his directorial debut with the intense The Iron-Fisted Monk and firmly solidifying his worth at Golden Harvest, Sammo Hung would be given more creative control behind the camera. Now able to inject more of his own personality, Hung would bring to life the more upbeat (yet only slightly less violent) Wing Chun cult classic: Warriors Two!
Predating the Ip Man tetralogy by three decades – as well as Hung’s own The Prodigal Son (starring Yuen Biao as the younger incarnation of Leung Tsan) by a few years – Warriors Two is one of the earliest films to authentically portray the teachings of Wing Chun while also delivering the kind of kinetic and pulse-pounding fights synonymous with the name Sammo Hung!
June 16th: Eli Roth Selects (UK/IRE/US/CA)
Splatter icon Eli Roth takes a stroll through the archives with Eli Roth Selects (UK/IRE/US/CA). “I absolutely love Arrow and have been a collector of their editions for years, and Arrow Player is the most streamed channel in my house. I’ve seen a lot of Select lists, and while I agree with them, I wanted to highlight some that people might have otherwise overlooked.”
Titles Include: Basket Case, Contamination, Madhouse.
June 19th: Toru Murakawa’s Game Trilogy (UK/IRE/US/CA)
Made at the end of the 1970s, Toru Murakawa’s Game Trilogy launched actor Yûsaku Matsuda as the Toei tough guy for a new generation. Matsuda was the definitive screen icon of 1980s until his career was tragically cut short by cancer at the age of 40, following his Hollywood debut in Ridley Scott’s Black Rain.
The Most Dangerous Game (UK/IRE/US/CA): In this career-defining triptych, Matsuda is Shohei Narumi, an ice cool hitman of few words, a steely trigger finger, and a heart of stone, hired in The Most Dangerous Game by a company bidding for a lucrative government air defence contract to take out the competition.
The Killing Game (UK/IRE/US/CA): Narumi finds himself caught in the midst of violent yakuza gang warfare, while his own brutal past catches up with him in the form of two beautiful women still bearing the emotional scars of his past assignments.
The Execution Game (UK/IRE/US/CA): Narumi falls for a mysterious saloon bar chanteuse who may or may not be part of the same, shadowy underworld organization as the rival hitmen he is employed to rub out. (I’m assuming the tough-guy way and not the sexy way)
June 23rd: SHAAAARKS!!!
Yessss, Cruel Jaws is coming to Arrow!
ARROW heads to the beach for some terror with shark attacks.
Cruel Jaws (US/CA): A huge shark terrorizes a beach in Florida, and the locals try everything to kill it.
Deep Blood (US/CA): Several young men have to stop an ancient native American evil in the form of a killer shark which is attacking a small beach community.
June 23rd: Sci-fi Stunners (UK/IRE/US/CA)
For the penultimate Season, ARROW boldly goes to the stars on June 23, seeking out new life and new cinema.
Sci-fi Stunners (UK/IRE/US/CA): There are other worlds than these. Come and explore them in this collection of cybernetic, planet-probing, time-travelling, cosmos-trotting, aliens-zapping, virtual and far-too-real adventures in Sci-fi Stunners – ARROW’s home world for the coolest Cult science-fiction films in the galaxy.
Titles Include: No Escape, Donnie Darko, Crimes of the Future.
Last but not least
Cosa Nostra Collection (UK/IRE/US/CA):
The most American of directors according to celebrated critic Paolo Mereghetti, Damiano Damiani (A Bullet for the General) nevertheless surveyed his own country’s mafia history unlike anyone before him, to critical and box office success.
Full of twists and a fascinating meta-commentary on cinema, Damiani points the camera at himself and the genre as he investigates the social impact of mafia violence, a fitting end to this survey of Damiani’s Cosa Nostra.
Titles Include: Day of the Owl, The Case is Closed, Forget It, How To Kill a Judge.
From Arrow Films, a recognized world-leader in curation and creation, ARROW is a premium platform giving audiences an unparalleled viewing experience across multiple devices, so fans can explore the films and TV shows that the Arrow brand is famous for.
Specially curated by members of the ARROW team, ARROW is home to premium film and TV entertainment, exclusive new premieres, cutting edge cinema, international classics and cult favorites – such as the works of Lars Von Trier, Brian De Palma, Dario Argento, David Cronenberg and Park Chan-wook, and brand-new short films from both new and established filmmakers.
In the coming months, ARROW will be adding Oscar-winning hits, European classics, Asian cinema masterworks, rediscovered Westerns, offbeat gems and much more as part of ARROW’s international strategy to support and celebrate the medium of film.
A horror author goes to Nebula Con
The Science Fiction, Fantasy Writers Association is one of the most prestigious organizations in America for speculative fiction writers. While horror is not specifically mentioned, we all know that it’s nearly impossible to discuss fantasy and science fiction without the shadow of horror creeping in.
Each year, SFWA hosts a convention for writers called Nebula Con. I have virtually attended the convention for the past two years. And if you’ve never attended, you might want to consider it. Even if your writing, like mine, is long in the shadows and short on the elves.
First off, I do want to be clear that Nebula Con is a convention for speculative fiction writers. There are some fan panels, like the one on the works of Robin McKinley, this year’s Grandmaster. But the majority of the panels and events are for writers.
That being said, there are panels for writers at every stage of their careers.
For writers interested in crafting better stories, craft panels abound. My favorite panel was the one titled For The Love of Short Fiction. This panel started with a reading of some of the best short works from 2022. Then, each panelist dug into what made that piece work for them.
There were several other terrific panels, including one all about constructing a realistic legal system in your fictional world and writing fictional podcasts. (Like I do.)
But, you might say, these are panels for sci-fi and fantasy writers. No, these are panels for speculative fiction writers. Horror authors who want to have any kind of career would do well to master the short story. And if you don’t think there’s room for some legal horror in the market, you are wrong.
While the craft panels were wonderful, the career and marketing panels were probably the most useful and valuable of the whole convention. Are you, like many other online creatives, worried about the effects AI-generated writing is going to have on our field? There were two informative panels regarding that. Are you wondering how writers’ relationships with agents have changed now that self-publishing is so prevalent? There’s a panel for that.
A lot is going on in the publishing world. It’s confusing as hell, my friends. And one of the ways we keep each other up to date is with conventions like this. What I got out of the panel most was that having a career in writing is possible. My fellow participants and I learned from writers who are doing the thing. It’s hard, but it’s possible.
Of course, a convention is more than just panels. There’s the chance to meet with other authors. This might be where a virtual convention seems to have a deficit. And while I’ll admit that meeting online isn’t the same as meeting in person, there are certainly perks. I was able to meet, chat with and share stories with other writers in a Zoom chat room. And I came away feeling much like I did as a kid, having met new friends at summer camp. Even if I wasn’t sitting across from them, it was great to be surrounded by other people who want to make a living scaring the hell out of other people.
All of this writing joy culminates with the Nebula Awards Ceremony. If you’re interested in catching the awards but didn’t make it to the convention this year, you can watch it all on Youtube. Each year speculative fiction authors of all kinds of honored, from written work to gaming to television. This year’s toastmaster was Cheryl Platz, an author, and actress. As a critic, awards ceremonies are usually something I usually force my way through. The Nebula Awards are a rare treat in that scene. Partially because there’s a chance I’ve met the people up for the awards. But also because the people involved are, first and foremost, writers. It’s amazing how much more entertaining events are when the people being honored are, you know, talented storytellers.
If you’ve been on the fence about attending Nebula Con virtually, I suggest giving it a try. The world certainly needs more stories that go bump in the night.