’31’ – When Rob Zombie’s Shock Value Offers Nothing New
Rob Zombie’s 31 always faced a problem, and it’s the problem with anything extreme: Once you’ve crossed over the line and have been shocked enough times, the shock becomes less effective.
Rob Zombie’s 31 always faced a problem, and it’s the problem with anything extreme: Once you’ve crossed over the line and have been shocked enough times, the shock becomes less effective. It wears off. This is what I felt when I watched 31.
Oddly enough, I didn’t hate the movie, but had a definite sense of “Been there, done that.” It’s a carnival ride of sorts, and may be okay for someone who’s less cynical and jaded, but plenty of people are itching for something new, even from horror films. In fact, Zombie has such an established pattern that his movies are increasingly interchangeable, aside from maybe his film The Lords of Salem. That film was markedly different — though certainly maligned by some of his more gore-hungry fans. His original version of Halloween was also a little different, although it definitely had the strong trashiness he’s known for in his plots.
Roz Zombie also tends to use a lot of the same actors over and over, even aside from his wife, Sheri Moon Zombie. This only adds to the “been there, done that” feeling. So does the use of villains who are basically straightforward evil. They are usually quite one-dimensional. In 31, there’s never the possibility of seeing the villains as complex beyond their sadism, perversion and greed. They’re around to torture, antagonize and kill some hapless victims for the entertainment of some rich weirdos (played by Malcolm McDowell, Judy Geeson and Jane Carr).
The evil clowns are somewhat memorable (especially Richard Brake’s character, “Doom-Head”), but not enough to really make this film commendable. In fact, at least The Texas Chainsaw Massacre films tend to explore family dynamics, which can be compelling. There’s really not much like that here. On top of that, the victims aren’t particularly memorable, either, other than Meg Foster’s character (but that has more to do with her incredibly noticeable eyes). This film does have some female nudity, but that alone probably doesn’t make an epic horror film, either.
Is 31 Worth Watching? Maniacs Can Get Boring
Many of Rob Zombie’s hardcore fans will likely be pleased by 31, precisely because it isn’t a departure from his previous films. However, even some of those will likely say, “Okay, I think I’ve seen this sort of thing already.” I’m not sure what Rob Zombie could do differently for his next few movies, but I’ll leave that up to him. Still, it would be nice if he’d try a somewhat different approach, as this one’s getting a little too well-tread.
If I were to use an analogy here, I might go with the shock rock icon GG Allin, who definitely has plenty of fans (in fact, I know a few). While he has been known as a true “rock god” for taking shock rock to extremes, it eventually reaches a point where it gets old. It becomes like a cartoon. In fact, sometimes it seems like GG Allin was invented by the establishment itself to totally invalidate the punk rock movement, to make it look like a bunch of nihilistic morons getting splattered with poop by its crazed ringleader. Maniacs get boring sometimes.
Unlike GG Allin, 31 doesn’t throw poop around. It’s gross, but it uses fake blood and not much imagination. While I’m sure I’ll watch this film again some day, it will be just as something to put on to kill time. That’s sort of all it needs to be, at least to this jaded, cynical horror fan.
What are your thoughts on 31? Let us know in the comments!
The Last Drive-In Valentine’s Day Special Live Watch Party February 10th!
The sweet putrid stench of love lingers through the air which can only mean one thing…Valentine’s Day and its annoying little winged cherub, Cupid, is fast approaching. Soon, partners will be spoiling one another with extravagant bouquets of roses, heartfelt Hallmark cards, obnoxiously large teddy bears, glistening diamond jewelry, and heart-shaped candies or boxes filled with assorted mediocre chocolates. You know? Normal things couples do. I tend to prefer my chocolate boxes filled with bleeding hearts, à la ‘My Bloody Valentine’ but, beggars can’t be choosers, right? All jokes aside, Valentine’s Day is special for many couples, however, there are also many others who find themselves celebrating this day without a significant other. Luckily, Shudder, along with drive-in king Joe Bob Briggs and co-host Darcy the Mail Girl (Diana Prince) will graciously be keeping us lonely mutants’, and yes, all you horror fanatic couples’ company on Friday, February 10th as they return with The Last Drive-In Valentine’s Day Special, premiering live at 9pm EST.
Love Spells Abound…
Back in 2021, Joe Bob and Darcy invited us to a gruesomely passionate night of spell-binding love witches and animatronic dinosaurs infused with teenage human brains during The Last Drive-In: Joe Bob Put a Spell on You. Many, including myself, were introduced to the tantalizing 70’s inspired retro throwback ‘The Love Witch’ and the graphically goofy cult classic ‘Tammy and the T-Rex’, providing the perfect viewing pleasure to mend any broken heart. While the two films for this year’s morbid love-induced special have yet to be announced, we here at HauntedMTL are eagerly awaiting the return of the ghoulish duo. As is tradition, we will be proudly hosting a watch party on Twitter during the live broadcasting of The Last Drive-In Valentine’s Day Special. Be sure to follow us on Twitter and tag us @hauntedMTL as well as @shudder, @therealjoebob, and @kinky_horror to partake in this night of unholy love.
What started off as a one-time special premiering on Shudder July 13, 2018, ‘The Last Drive- In’ was originally meant to be Brigg’s swan song; one last special before hanging up the bolo tie in retirement. However, due to so many mutants, excuse me…viewers tuning in and breaking the Shudder servers, it was only natural to announce an official full season of ‘The Last Drive-In‘, which would make its explosive debut March 19, 2019. Since then, Darcy and Briggs have spawned many exclusive holiday specials, have graciously donated to many charities within the community, and have accumulated 4 seasons of ‘The Last Drive-In’, with a fifth currently in production premiering on Shudder’s 2023 schedule sometime this year, let’s hope sooner rather than later.
Horror Noire, a Film Review
Horror Noire is a horror collection that includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.”
Horror Noire is a horror collection brought by the combined efforts of AMC+ and Shudder. The collection includes “Daddy,” “The Lake,” “Brand of Evil,” “Bride Before You,” “Fugue State,” and “Sundown.” Horror Noire boasts Black directors and screenwriters, providing six unique stories.
As this collection explores six stories, I will skip the usual synopsis to assess the genres and ideas explored, albeit limited as needed. Expect to find supernatural horror, creature features, and psychological thrillers. Many short films deal with these genres while exploring Black issues, but this isn’t universal for the collection.
The directors and writers include Zandashé Brown, Robin Givens, Rob Greenlea, Kimani Ray Smith, Steven Barnes, Ezra Clayton Daniels, Tananarive Due, Shernold Edwards, Victor LaValle, and Al Letson.
What I Like
Each story remains unique, holding different strengths and weaknesses that highlight drastically different perspectives. Collections like VHS hold a similar premise to create their collection, but Horror Noire gives more creative freedom to its talent to be independent.
My personal favorite short film is Zandashé Brown’s “Bride Before You.” This period piece unravels a fable set in the Reconstruction Era. The entry feels Fabulistic in approach, which happens to be my preferred niche.
However, the best example of horror goes to Robin Givens’ “Daddy,” providing an existential horror tied directly to the characters involved.
What I Dislike
As mentioned, all have a particular style and idea. The downside of this approach always remains to keep the viewer interested long enough to find their favorite. If you find several underwhelming choices, this becomes a chore. But I imagine that is rare as the variety makes the options refreshing.
Personally, “Brand of Evil” had an interesting premise, but the execution fell short. On paper, it might have sounded like my favorite, which makes the lackluster execution a bigger letdown.
Horror Noire gives power and control to Black creators, providing a formula for a unique collection against others in the space. While the various subjects and approaches mean you aren’t likely to love them all, there should be a short film for everyone.
(3.5 / 5)
Episode six of Netflix’s Dahmer was not, honestly about our title character. Instead, it was about one of his victims, a man named Tony. We’ve actually seen Tony a few times during this series. We just didn’t know it was him.
And, well, he wasn’t exactly alive the first time we saw him.
Tony was born into a supportive, loving family. This is good because soon after he was born a viral infection took his hearing. He is black, deaf, and gay in the early 90’s.
Tony has a dream of becoming a model. And he certainly has the looks for it. He is beautiful, body and soul. He has lots of opportunities for romance, but it’s not what he’s looking for. He wants a real relationship.
Eventually Tony moves to Madison, trying to pursue his dream. He gets a job and starts getting modeling work.
Then, he meets Jeff Dahmer at a bar.
At first, we can almost believe that it’s going to be alright. Jeff seems happy. He’s taking care of himself. He’s not drinking as much. He even has his dad and stepmom over for dinner. It seems like his life is getting on track. Even better, he’s treating Tony right.
Then, of course, things go bad.
One thing that has always bothered me as a true crime fan is that we know so much about the killers, but not as much about the victims. Not so much if we don’t know who the killer is, of course. But the names that are part of our pop culture are those of the killers. Dahmer, Manson, Jones, Bundy, Holms. The names we don’t know are Roberta Parks, Beth LaBiancas, Leno LaBiancas, and Tony Hughes. And clearly, we should know them.
If Tony Hughes was half the shining, positive person that the show Dahmer made him out to be, I’m so sad that he isn’t with us anymore. We need so many more people like him. And many of Dahmer’s victims were likely just like him. After all, he was attracted to them for a reason.
This was a significant episode, and I understand why it’s the highest-rated episode of the series. I finished it with a heavy heart, saddened by the loss of a man who should still be with us today.(5 / 5)